Chris Stapleton, Emmylou Harris, Eric Church Added To Willie Nelson Tribute Concert

Chris Stapleton, Emmylou Harris, Eric Church, Jimmy Buffett, Bobby Bare, Jamey Johnson, Lukas Nelson, Margo Price, Micah Nelson, Nathaniel Rateliff, Ray Benson, and Steve Earle have been added to the all-star lineup of “Willie: Life & Songs Of An American Outlaw, A Willie Nelson All-Star Concert Celebration.” The concert event on Jan. 12 at Bridgestone Arena in Nashville will honor living legend Nelson and feature his greatest hits performed by today’s superstars.

Previously announced performers for the Willie love fest include Alison Krauss, The Avett Brothers, George Strait, Jack Johnson, John Mellencamp, Kris Kristofferson, Lee Ann Womack, Lyle Lovett, Norah Jones and The Little Willies, Sheryl Crow, Susan Tedeschi & Derek Trucks, Vince Gill, and the legend himself. The event is set to be filmed for a TV special airing on A&E in 2019.

Additional tickets have just been released and are on sale now online at livenation.com, by phone at 800-745-3000, and at the Bridgestone Arena box office. VIP packages including great seats and exclusive merchandise are also available.

“Willie and his songs mean everything to music artists and fans alike. Like Willie, they have inspired us to remain true to ourselves in every possible way. This incredible lineup of artists on this show is a testament to that,” says Blackbird Presents CEO Keith Wortman.

 

Brett Young Earns No. 1 Country Album With Sophomore Effort ‘Ticket To L.A.’

Brett Young wraps final week of CMT On Tour: Here Tonight Tour with Tyler Rich and Rachel Wammack in Louisville, KY (12/15)

Brett Young has debuted atop the country albums chart with his sophomore album, Ticket To L.A. (BMLG Records), which reached No. 1 following its release Dec. 7. Music Connect puts total consumption of the album in its first week at 36,257.

Last week in support of the new project Young visited the TODAY show for multiple performances including the album’s title track, and also stopped by The Ellen DeGeneres Show to perform his new single. Fans can tune in to catch him perform on NBC’s New Year’s Eve from the Jack Daniel’s Music City Midnight: New Year’s Eve in Nashville.

Ticket To L.A. follows Young’s blockbuster debut, which earned Platinum certification and yielded four consecutive No. 1 Platinum hits including the monster hit “In Case You Didn’t Know.”

Capping off a monumental year, Young just wrapped up the final week of CMT On Tour: Here Tonight Tour along with Tyler Rich and Rachel Wammack in Kansas City on Dec. 16.

Developer Hall Emery Puts Ray Stevens’ 17th Avenue Nashville Property Under Contract

Country legend Ray Stevens’ 1.26-acre, six-parcel site located at the corner of 17th Avenue and Grand Avenue in the heart of Nashville’s Music Row area, is now under contract. The property’s total parcels include 1701 and 1707 Grand Ave., as well as 1007, 1009, 1011 and 1013 17th Ave S. The six parcels had been listed for sale at $13.5 million.

Real estate developer Hall Emery has purchased the property, with plans to demolish the current structure in favor of a modern business office, aptly called 17th & Grand.

According to both Stevens’ business associate “Buddy” Kalb and Hall Emery president David Wells, the vision for the new space will focus on offering a modern layout and technological amenities to attract and retain various music industry operations and businesses to return to the Music Row area.

Kalb tells MusicRow.com, ‘I remember when you would have a songwriter write a song and take it to their publisher in one building and the publisher could take it across the street to the label or the producer and you would get a hit. I could see someone writing a song on the fourth floor and taking it downstairs to the second floor or third floor to pitch it to the right person.”

According to Wells, current plans for the location include one building, up to seven stories high, and 160,000 square feet, as well as accommodation for 450 parking spaces. Wells notes the building will also have a retail component.

He adds that they are considering the possibility of adding more floors, totaling 10 floors if needed, to accommodate the right tenant. He says he has been in discussions with the city’s planning department, as well as with neighboring businesses around the property.

“We want to offer space that can fit the needs of larger companies, but we will also have smaller offices and co-working spaces for individual music industry members who need office space,” Wells tells musicrow.com. “We will have the modern efficient space that larger companies need, and smaller office spaces, like 5,000-6,000 square feet.”

Wells estimates the new facility could open as early as 2021, but says 2022 is a more likely time frame. Only tentative renderings for the building’s design have been made at this point.

Wells declined to name a purchase price for the property, as well as possible rent prices for the new office spaces.

Stevens has held the majority share of ownership in the property for 45 years, with the estate of country guitarist/producer/industry executive Chet Atkins controlling the remainder of the property’s ownership. The Atkins estate has signed off on the sale of the property.

“Ray has had numerous offers for the property, and he’s not been happy with Music Row facilities being gobbled up, to build apartments and condos,” Kalb states. “Hall Emery had a vision for a music business center that would retain companies already here and attract new ones.”

Stevens owns five pieces of property in the Music Row area. In January, Stevens opened the Ray Stevens CabaRay Show Room, a 35,000-square-feet dinner theater located at 5724 River Road out by Nashville West. Stevens previously moved his recording and TV production businesses to the location, and has opted to also relocate his business operations to the CabaRay Show Room.

Wells says as designs for the building are detailed, they hope to incorporate pieces from the current building into the design of the new space, and will include elements in the common areas that celebrate the history of the Music Row area, as well as Stevens’ career.

“It is going to be something special and it checks all the boxes that the city wants,” Wells says. “Having people like Ray give their support, the people of Music Row are very supportive.”

The development is the latest in a swiftly changing tide in the Music Row area, as the older homes that have long housed the labels, publishing companies and other businesses that helped create the legendary hits that the Music Row area is known for, have been purchased to make way for an assortment of condos, apartments and hotels.

The changes have sparked tension in the Music Row community, most notably in 2014, when historic RCA Studio A was nearly demolished in favor of a condo development, before an 11th hour save by preservationist Aubrey Preston. Condos and apartments have sprung up on 16th and 17th Avenues, and most recently, developer Pannatoni brought anger to some in the music row community when it was announced that a six-story office building was being planned for property on 16th Ave. S., including land where long-time industry watering hole Bobby Idle Hour stands.

Over the past decade, several top labels and music companies, including Sony Music Nashville, WME, Triple 8 Management, MCA Nashville (under the UMG umbrella) have moved off the row, in search of modern business space that can accommodate expanding staffs and modern technological needs.

Other businesses such as SESAC and the Country Music Association, have moved locations while still keeping their operations centered in the Music Row area. Publisher and label BBR Music Group/BMG has signed on as a tenant in a property that is currently being constructed at the CMA’s former office at One Music Circle S.

Wells and Stevens hope the development of 17th & Grand will offer one more enticement for both current and interested music industry businesses to keep their offices in the Music Row area.

“When I first moved to Nashville 20 years ago, we drove down Music Row to see where the music is made and where the industry happens, and I was like, ‘This is it?’ It’s not quite what you expect.’” Wells says.

“We want to transform the Row into the business mecca it was,” he continues. “We can add by adding new facilities to “knock the dust” off the row. Companies from New York and Los Angeles want to move parts of their operation here and we want to make that feasible.”

G7 Entertainment Expands Staff

Jessica Abel, Michael Boltzman

G7 Entertainment Marketing in Nashville has hired two new staffers: Jessica Beutler Abel as Senior Director, Growth & Development, and Michael Boltzman as Executive Talent Buyer.
Growing the firm beyond its current Music City and Atlanta markets, both Abel and Boltzman will extend G7’s footprint to include Chicago and St. Louis, respectively. Dedicated to a mission of deepening brand relationships through music, sports, film, branded content and more, G7 approaches campaigns through the lens of creating unforgettable fan experiences.
In her new role, Abel will focus on business development and building strategic brand and artist partnerships. She comes to G7 after more than a decade with NYC-based MAC Presents, where she helped lead and manage a roster of clients and award-winning experiential programs across music, culinary and fashion as EVP of Client Services.
Boltzman, a two-time winner of the International Entertainment Buyers Association Corporate Buyer of The Year award, will expand G7’s talent booking and business development capabilities. He joins the team following his post at AEG Presents as Vice President of Special Events and Entertainment, where he programmed some of the biggest names in live music for multiple global corporations.
“I am excited and humbled to bring on such talented new members to our team,” reports CEO Andre Gaccetta. “Jessica and Michael’s collective expertise will greatly contribute to our mission of harnessing the power of the fan for our clients.”
With the addition of Abel and Boltzman, along with recent client acquisitions including Mike’s Hard Lemonade, PAX Labs, Mack Trucks, YETI and Nissan, G7 Entertainment Marketing is looking forward to continued growth in 2019.

Save The Date: 2019 MusicRow Events

MusicRow Magazine, Nashville’s leading music trade publication, is proud to announce dates for its 2019 events. More details will be sent to current MusicRow Subscribed Members in the new year.

The Country Radio Meet & Greet and CountryBreakout Awards is invitation only. MusicRow‘s 2019 Rising Women On The Row and this year’s newly expanded MusicRow Awards will be open to ticket holders. To make sure you receive invitations, ballots and advance ticket notice, subscribe now.

Country Radio Meet & Greet and CountryBreakout Awards (invite-only): Monday, Feb. 13, 2019 (morning)

Photo: Bev Moser/Moments By Moser Photography

The morning event occurs prior to Country Radio Seminar’s Warner Music Nashville luncheon. MusicRow will recognize artists who earned the most airplay on the MusicRow CountryBreakout Chart during the preceding year. Read more about last year’s exciting event at MusicRow.com

 

Rising Women on the Row (ticketed): March 26, 2019 at the Omni Nashville Hotel (morning)

The ticketed morning breakfast will honor six deserving women in the Nashville music industry community with a formal presentation. Seating and priority table sales will open in 2019, in addition to the submission process to nominate potential honorees for consideration. Read more about 2018’s Rising Women on the Row event at musicrow.com

 

MusicRow Awards (ticketed/invite-only): June 26, 2019 (evening)

28th Annual MusicRow Awards. Photo: Moments By Moser Photography

The invitation-only, evening event is slated to be bigger and better than ever for 2019, featuring award presentations for Breakthrough Artist of the Year, Song of the Year, Producer of the Year and Breakthrough Songwriter/Artist of the Year and the 2019 Top 10 Album All-Star Musician Awards. Priority tables will be available as an upgrade. Read more about last year’s exciting event at musicrow.com

Industry Ink: Brett Young, Chris Janson, Kane Brown, Caroline Jones

Brett Young Celebrates New Music With Spotify Fans First Album Release Party

Pictured (L-R): 377 Management’s Van Haze, Big Machine Label Group’s Laurel Kittleson, Katherine Susemichel and Dave Kelly, Brett Young, and Spotify’s Blaike Ford and Mary Catherine Kinney.

Fans, industry and friends gathered at the Spotify Fans First event at The Shrine Auditorium in Los Angeles last Wednesday night (Dec. 12) to celebrate the release of Brett Young’s new album Ticket to L.A. Young treated some of his most loyal listeners to an acoustic performance of his new songs and shared behind-the-scenes details of the making of his sophomore release.

 

Chris Janson Hosts First Opry Segment At Opry At The Ryman

Pictured (L-R): Chris Janson and Grand Ole Opry’s Sally Williams. Photo: Grand Ole Opry LLC/Chris Hollo, photographer

Grand Ole Opry member Chris Janson returned to the stage of the Ryman Auditorium to not only perform, but to host an Opry segment for the first time at Friday night’s (Dec. 14) Opry at the Ryman.

As part of his hosting duties, Janson performed his platinum-selling, No. 1 anthem, “Buy Me A Boat,” to open his segment. He then introduced one of his favorite bands, Sawyer Brown, who performed three songs and received a standing ovation. As Sawyer Brown member Mark Miller was leaving the stage, Janson asked him if he would join him on “Folsom Prison Blues” to close out the first-time host’s portion of the show.

Janson will return for Opry at the Ryman on Dec. 22.

 

Kane Brown Celebrates New Album With Fans At Spotify Event

Pictured (L-R): Aaron Melaragno (Spotify), Eric Swenson (Spotify), Kane Brown, Blaike Ford (Spotify), Brittany Schaffer (Spotify), Laura Ohls (Spotify), and Ryan Lassi (Spotify).

Kane Brown celebrated the release of his latest album, Experiment, with a Spotify Fans First event at Moonlight Studios in Chicago last Thursday night (Dec. 13). Two hundred of Brown’s top fans were treated to an intimate performance, a photo op recreating his video for “Lose It,” temporary tattoos inspired by Brown’s actual tattoos, and an “Experiment” cocktail bar featuring experimental cocktails named after songs from the album.

 

Caroline Jones Inks Deal With Social Family Records

Caroline Jones

Singer-songwriter and multi-instrumentalist, Caroline Jones, has signed a deal with Social Family Records for the Australian and UK release of her album, Bare Feet, which she co-produced with Grammy and Academy Award-winning producer Ric Wake (Mariah Carey, Celine Dion, Whitney Houston, Trisha Yearwood). Jones is the first international signing for the Aussie indie record label.

Jones was recently tapped to open for Kenny Chesney’s upcoming Songs for the Saints Tour in 2019.

Zach Kale Signs With Sony/ATV Music Publishing, Jon Nite

Pictured (L-R): Troy Tomlinson, Sony/ATV; Dane Schmidt, Sony/ATV; Zach Kale; Jon Nite; Josh Van Valkenburg, Sony/ATV

Zach Kale has signed a worldwide publishing agreement with Sony/ATV Music Publishing and songwriter Jon Nite.

Kale’s songs have been recorded by Florida Georgia Line and Elevation Worship Group.

“Zach truly is one of the hardest working writers in our community, and we’re honored for him to join our Sony/ATV family,” said Dane Schmidt, Creative Director at Sony/ATV.

“I can’t believe I get the opportunity to partner with someone who has the character, the drive, and the musical gifts that Zach does,” Nite adds.

Hit Country Songwriter Jerry Chesnut Passes

Jerry Chesnut

By Robert K. Oermann

Nashville Songwriters Hall of Fame member Jerry Chesnut has passed away at age 87.

The folksy, charming personality was noted for writing “T-R-O-U-B-L-E,” “It’s Four in the Morning,” “A Good Year for the Roses” and other classics.

His songs were recorded by a country who’s-who, including Johnny Cash, Loretta Lynn, Dolly Parton, Jerry Lee Lewis, Tammy Wynette, Hank Williams Jr., George Strait, Willie Nelson, Alan Jackson, Elvis Presley and George Jones.

Chesnut died on Saturday (Dec. 15). He had been suffering with a respiratory problem, but his death was unexpected, said Hall of Fame executive director Mark Ford.

Jerry Chesnut grew up in the coal camps of Eastern Kentucky. Following a stint in the Air Force during the Korean War, he settled in St. Augustine, Florida. He was a railroad conductor by day and a country entertainer in area honky-tonks at night for seven years.

He moved to Nashville in 1958, aiming to become a recording artist. Country star Webb Pierce advised him to concentrate on songwriting, rather than singing.

But Chesnut had no success with either endeavor for nine long years. He kept on writing, but sold vacuum cleaners to make a living. He worked without a publisher, doing his own song plugging on Music Row.

In 1967, Del Reeves recorded Chesnut’s “A Dime at a Time,” which rose to No. 12 on the country charts. The following year, Reeves scored an even bigger hit with “Looking at the World Through a Windshield,” cementing the songwriter’s status.

Jerry Chesnut’s “Another Place, Another Time,” launched rock pioneer Jerry Lee Lewis’s new career as a country singer in 1968. Porter Wagoner and Dolly Parton had a duet hit with Chesnut’s “Holding On to Nothing” in that year, as well.

Other early songwriting successes included “Weakness In a Man” (Roy Drusky, 1968), “Good Time Charlie’s” (Del Reeves, 1969), “If Not for You” (George Jones, 1969), “When We Tried” (Jan Howard, 1970) and “The Wonders You Perform” (Tammy Wynette, 1970).

“Woman Without Love” proved to be an evergreen. After Johnny Darrell made it a hit in 1969, it was recorded by Waylon Jennings, Bob Luman, Ray Price, Bobby Goldsboro, Brook Benton, Joe Simon and Elvis Presley.

Similarly, “A Good Year for the Roses” had staying power. George Jones had a hit with it in 1970. Elvis Costello picked it up and had a major success in the U.K. with the song in 1981. Alan Jackson revived it as a duet with Jones in 1994. Lorrie Morgan, Johnny Paycheck and others have also sung the standard.

Jerry Chesnut recorded some singles for United Artists in the early 1970s, but never had a singing hit. However, he did find success as a TV personality. His natural wit and comedic talent, as well as his musical ability, led to him being cast as a regular on Hee Haw in 1971.

But he gave up both television and recording work because he felt that they interfered with his songwriting. Chesnut established an office on Music Row and continued to pursue his career as an independent song craftsman.

In 1972, his “It’s Four in the Morning” became an international smash. Faron Young took the waltz to the top of the country charts in America, and then the song became a huge pop hit in the U.K. It was subsequently recorded by Eddy Arnold, Ernest Tubb, Kitty Wells, Hank Snow, Tom Jones, Hank Thompson, Willie Nelson and others.

Other big songwriting hits in the 1970s included “Oney” (Johnny Cash, 1972), “Don’t She Look Good” (Bill Anderson, 1972), “Pride’s Not Hard to Swallow” (Hank Williams Jr., 1972), “If It Feels Good, Do It” (Dave Dudley, 1972), “They Don’t Make ‘Em Like My Daddy” (Loretta Lynn, 1974), “It’s Midnight” (Elvis Presley, 1975) and “Best Way I Know How” (Mel Tillis, 1975).

Jerry Chesnut was named Billboard’s Country Songwriter of the Year in 1972. “Another Place, Another Time” was nominated for a Grammy Award.

He retired from songwriting in 1980, but continued to perform from time to time. Revivals of his songs provided ongoing income. For instance, “T-R-O-U-B-L-E” became a big hit for Travis Tritt in 1993. Chesnut had originally written it for Elvis Presley, who had a big hit with the song in 1975.

Mark Chesnutt (no relation) brought back “Pride’s Not Hard to Swallow” in 1995. Son Volt recorded “Looking at the World Through a Windshield in 1996. George Strait sang “Good Time Charlie’s” in 2001, and Marty Stuart revived “Holding On to Nothing” in 2012.

Jerry Chesnut was inducted into the Nashville Songwriters Hall of Fame in 1996. In 2004, he was inducted into the Kentucky Music Hall of Fame.

In 2010, BMI certified that “T-R-O-U-B-L-E” had been performed more than four million times. The portion of Kentucky State Highway 840 that runs through Chesnut’s hometown of Loyall has been named in his honor.

To date, more than 100 artists have recorded Jerry Chesnut songs, including 30 members of the Country Music Hall of Fame.

Funeral arrangements have not been announced.

 

 

Sony Music Nashville Promotes John Johnson

John Johnson

Sony Music Nashville Executive Vice President, A&R, Jim Catino, has announced the promotion of John Johnson to Director, A&R, effective immediately.

Johnson joined the company as assistant, A&R in 1998. During that time he has grown to oversee all master recording quality control for new releases, as well as SMN’s extensive catalog collection. He also oversaw the design and execution of a multipurpose studio/listening room within the Sony Music Nashville office, known as “13.” In his new role he will continue to manage all recorded output, as well as contribute to original content production across all departments.

“John has been a crucial part of the A&R structure for 20 years. He has an unmatched ear for sonic quality, and has been instrumental in maintaining a high level of excellence for all of our recordings,” said Catino. “He spearheaded the development of ’13,’ which has become an invaluable resource for our artists and internal team. I’m proud to name him Director, A&R.”

“I’m excited to move into this new role at Sony,” said Johnson. “Working directly with the artists and the Sony team to develop new content, and to broaden the reach of the music, is a truly exciting endeavor. I’m extremely grateful to Randy Goodman and Jim Catino for their belief and support, and for this unique opportunity in our business.”

Johnson reports to Catino and can be reached at [email protected].

Kevin Welch Reigns No. 1 On Last MusicRow Top Songwriter Chart Of 2018

Kevin Welch finishes out 2018 on his seventh week at No. 1 on the last MusicRow Top Songwriter Chart of the year. Ashley Gorley takes the No. 2 spot with songs performed by Chase Rice, Chris Lane, Eli Young Band, Lee Brice and Luke Bryan fueling him. Shane McAnally sits at No. 3, Luke Combs at No. 4 and Josh Osborne at No. 5.

There is not a female songwriter on the chart until No. 35, with Jessi Alexander.

The weekly MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity according to airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind. The MusicRow Top Songwriter Chart will resume in 2019 on January 14.

Click here to view the full MusicRow Top Songwriter Chart.