NMPA, YouTube Reach Agreement to Distribute Unclaimed Royalties

The National Music Publishers’ Association (NMPA), on behalf of music publishers and songwriters, and YouTube have negotiated an agreement to distribute royalties for musical works used in videos on YouTube where ownership was previously unknown.

The agreement addresses the challenges around identifying ownership of musical works, and it will help solve the problem of attribution so that music publishers and songwriters can not only be paid for works viewed on YouTube in the past where ownership was previously unknown, but also be paid for those identified works moving forward.

Music publishers will have the ability to opt into this agreement during the opt-in period, which opens on Dec. 12, 2016 and will remain open through Feb. 28, 2017.

Following the opt-in period, YouTube will provide participating publishers with a list of songs YouTube may have been unable to obtain proper ownership information for. This will allow participating publishers to claim ownership in those songs and receive accrued royalties from the period between August 1, 2012 through December 31, 2015.

The claiming window will be 3 months long. After the claiming window, participating publishers will receive claimed accrued royalties. Any accrued royalties that remain unclaimed will be distributed to participating publishers based on each publisher’s market share and on revenue paid for known usage on YouTube during the initial accrual period. The agreement, however, will not affect the rights of any publisher or songwriter who does not choose to participate.

This process will be repeated for future 12-month usage periods beginning on January 1, 2016 and ending on December 31, 2019.

“We appreciate YouTube’s willingness to work with us on behalf of the industry to help pay out millions of dollars in previously unclaimed royalties to publishers and songwriters,” NMPA President and CEO David Israelite said regarding the agreement. “It is essential that we work with digital services like YouTube – the most popular digital platform for music discovery – to fix the challenge of incomplete ownership information to ensure royalties are no longer unmatched and music owners are paid accurately by the platforms that rely on their work.”

“The revenue earned by the music industry on YouTube continues to grow significantly year over year, and we’re committed to making sure that publishers are paid for the usage of their works on our platform,” said Tamara Hrivnak, Head of Music Partnerships, Americas for YouTube and Google Play. “We are excited to partner with the NMPA to address the industry-wide challenges associated with identifying publishing ownership on digital platforms.”

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Jessica Nicholson

Jessica Nicholson serves as the Managing Editor for MusicRow magazine. Her previous music journalism experience includes work with Country Weekly magazine and Contemporary Christian Music (CCM) magazine. She holds a BBA degree in Music Business and Marketing from Belmont University. She welcomes your feedback at jnicholson@musicrow.com.

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