Christian Music Streaming Service, The Overflow, Debuts

the overflow logoThe first unlimited Christian Music streaming subscription service launched today (Jan. 5) in the US. The Overflow streaming app is available on iOS, with an Android version soon to follow.

While the number of tracks available (370,000-plus) is fewer than competing multi-genre services, the price is also cheaper ($4.99 per month). Meanwhile, The Overflow also offers the standard streaming site features: songs on demand, curated playlists, and the ability to download music for offline playback. It also boasts other content from top artists, such as devotionals and Bible reading plans.

Stephen Relph, CEO of The Overflow, says, “Christian music is an underserved and significant segment in the USA. It’s also more than music, it’s a lifestyle. We’re excited to bring Christian music fans an immersive app that offers them unlimited Christian music anytime, online or offline. We are confident that we can bring Christian music fans closer to their favorite Christian artists and discover new artists with our curated playlists by genre. Using 7digital’s API allowed us to focus on getting our product and marketing plan executed without being slowed down by the complex work of content management.”

The Overflow built the app leveraging 7digital’s technology platform, content management system and streaming catalog from major and independent labels.

CEO of 7digital, Simon Cole commented, “We are excited to partner with The Overflow on this smart new product. Innovation around digital music continues to flourish and services that focus on a niche catalog or are catered to specific audiences have huge potential to convert new digital users. The Christian community is quickly creating a buoyant market for digital services and there isn’t yet a streaming music service that caters to their needs. The Overflow knows their audience well and can foster a great discovery experience through smart media partnerships and focused curation.”

Nashville’s Big 98 Brings Tige & Daniel to Afternoons

Nashville’s The Big 98 WSIX has announced that Tige & Daniel will take over the afternoon drive on Nashville’s New Country, effective immediately. Tige Rodgers and Daniel Baker will host live weekdays from 3-7 p.m. CT.

T

Pictured (L-R): Tige Rogers, Daniel Baker

Tige & Daniel have been together on-air for almost ten years and can be heard on various stations throughout the country. Their previous morning show aired in a variety of markets including Greensboro, N.C. and Myrtle Beach, S.C. In 2013 Tige & Daniel were nominated for the CMA Large Market Personality of the Year Award.

“Having Tige & Daniel right here in Nashville and moving to afternoons is really exciting for The BIG 98,” said Michael Bryan, Vice President of Programming – iHeartMedia Nashville and Program Director, WSIX. “They are both highly involved in the community – St. Jude Children’s Research Hospital, Nashville Rescue Mission, The American Red Cross, Toys For Tots are among their favorites and they’ve lent their time and efforts in major ways.”

The Big 98 WSIX Weekday Programming Lineup:
The Bobby Bones Show 5-10 a.m.
Amy Paige 10 a.m.-3 p.m.
Tige & Daniel 3-7 p.m.
Tyler Reese 7 p.m.-12 a.m.
CMT After Midnite with Cody Alan 12-5 a.m.

Fans can listen to The Big 98 WSIX, online as well as with iHeartRadio.com, across web, mobile phones, tablets, automotive partners, smart TVs and gaming devices.

Industry Ink: ASCAP, Sony Music Nashville, CRS, Gilda’s Club Nashville

Dave Berg

Dave Berg

ASCAP songwriter, producer and artist Dave Berg will participate in the ASCAP Songwriter Residency, in partnership with America Scores. The Residency is a mentorship program that provides a platform for songwriters to engage and inspire elementary and middle school students in under-resourced neighborhoods.

Berg will co-write a song with 16 America SCORES Portland 3rd through 5th grade students at Davis Elementary School on Jan. 26-27. Berg will take students through the songwriting process, from structure to lyrics, followed by a day of tracking at Kung Fu Bakery Recording Studio on Jan. 28. The finished song will be included on a special compilation album made up of songs created from this year’s six ASCAP Songwriter Residencies throughout the US. ASCAP produces and distributes this collection to each of the America SCORES schools involved with the program, as well as to music industry influencers.

 • • •

Pherson Scott McDaniel

Pherson Scott McDaniel

MusicRowLife: Congratulations to Sony Music Nashville VP Creative Services Scott McDaniel and his wife Kristy on the arrival of their fifth child and first boy, Pherson Scott McDaniel, born in Nashville on Christmas Day, weighing in at 7 lbs, 9 oz.

Pherson is a Scottish name which translates as “Parson” and is the name given to those who have a desire to inspire others to a higher cause.

                                                    • • •

Ashley Silver

Ashley Silver

Ashley Silver has been added as Marketing Coordinator for Country Radio Seminar, providing support for its Brand Marketing and Strategic Partnerships department.

Silver previously held manager positions with Edgehill Cafe and California-based Pacific Event Productions. She graduated from San Diego State University with a degree in Hospitality and Tourism, and interned with Pearl Harbor Naval Base in Hawaii, as well as with the San Diego Padres.

Silver can be reached at [email protected] or at 615-327-4487.

• • •

gilda's club nashville11Gilda’s Club Nashville is offering a half-marathon training, titled Gilda’s Gang, with Franklin, Tenn.-based CareCore/MedSolutions serving as the presenting sponsor. This year marks the 10th anniversary of Gilda’s Gang,which helps prepare participants to run or walk the Country Music Half-Marathon. The 2015 season begins Saturday, Jan. 24 at 9 a.m. with a celebration and health fair at Gilda’s Club (1707 Division Street).

To join the Gang, participants pledge to raise a minimum of $750, with all monies going directly to support the free programs at Gilda’s Club Nashville.

 

BMG Chrysalis Signs Andrew DeRoberts

BMG Chrysalis has signed songwriter/producer Andrew DeRoberts to its roster.

Based in Nashville, DeRoberts has worked on records by artists including OneRepublic, Keith Urban, Miley Cyrus, Kris Allen, and has had songs recorded by Canaan Smith and Thompson Square. DeRoberts co-produced Adam Hambrick‘s Wheels Or Wings EP, which reached the Top 10 on the iTunes Country Albums chart.

Andrew Signing Pic1

Pictured (back row, L-R): Emily Peacock (AAM), Leslie DiPiero (AAM), Sara Knabe (BMG Chrysalis). (front row, L-R): Beka Tischker (AAM), Kevin Lane (BMG Chrysalis), Andrew DeRoberts, Kos Weaver (BMG Chrysalis),  Chris Oglesby (BMG Chrysalis)

UMG Begins 2015 Goals, Forms Global Data Alliance

UMG-HAVASUniversal Music Group (UMG) has formed the Global Music Data Alliance with global communications group, Havas Group.

The partnership enables the billions of data points that UMG and its artists generate through music, ticket (Vivendi) and merchandising sales (Bravado), streaming, social media and airplay to be analyzed by algorithmic and data scientists. The result expects new revenue opportunities for UMG artists and labels by creating marketing and advertising opportunities.

The announcement will be made by Lucian Grainge, Chairman and CEO of UMG, and Yannick Bolloré, Chairman and CEO of Havas Group, at the 2015 International CES.

Grainge said: We want to continue to find new revenue and marketing opportunities for all of our artists around the world by leveraging our industry-leading big data tools and working with forward-thinking companies such as Havas to supercharge our efforts to realize previously untapped revenues from consumer brands and other new business partners.

Bolloré commented: Music transmits emotions, cultural symbols, and values like no other form of creative expression. By managing the most successful artists and largest music communities in the world, Universal Music Group is at the forefront of the industry and has already gathered unique consumer insights and databases to empower its labels, artists and fans. This first Global Music Data Alliance will allow our clients and other brands to further expand the common passion they share about music with fans and create more meaningful experiences for them.

The launch of GMDA follows a 14-month research program overseen by Havas’ Sports & Entertainment (HS&E), in collaboration with the University of Southern California’s Annenberg Innovation Lab.

This comes after the UMG chief notified staff that his 2015 aim will transform business models by working with non-traditional partners to “build the greatest level of compensation.”

Bloodshot Records Celebrates 20 Years With Nashville Event

Bloodshot RecordsTo commemorate the label’s 20th anniversary, Chicago’s Bloodshot Records is taking a trip down I-65 and celebrating with a special night of live performances at City Winery Nashville on Jan. 24. The anniversary blowout will feature sets from Robbie FulksCory Branan, and Bobby Bare Jr.

General admission tickets are $15. Doors open at 6 p.m. and show begins at 8pm. 

Among the notable artists who have recorded for Bloodshot are Ben KwellerJustin Townes Earle, Th’Legendary Shack*Shakers, Neko Case, Old 97’s, Ryan Adams and Whiskeytown.

Nielsen 2014 Data: On-Demand Streams Exceeded 164 Billion Songs

nielsenWhile 2014 saw overall album sales shrink  11 percent from 289.4 million in 2013 to 257 million in 2014, and digital albums sales slip nine percent from 117.6 million in 2013 to 106.5 million in 2014, on-demand streaming has continued to rise, according to data from Nielsen.

2014 saw a 54 percent increase in on-demand (audio+video) streaming, with 164 billion streams in 2014, vs. 106 billion in 2013.

“Digital music consumption continues its robust growth, with On-Demand streaming up 54% over last year and 164 billion song streams being played in 2014 ,” says David Bakula, SVP Industry Insights, Nielsen Entertainment. “Although overall music sales are showing declines, Vinyl album sales were up 52% in 2014, shattering last year’s record-setting total by more than 3 million LPs. In 2014, Vinyl album sales accounted for more than 6% of all physical albums sales.”

Digital Songs also took a hit in 2014, with 1.1 billion digital songs sold, a 12 percent decline from 2013, when 1.26 billion digital songs were sold.

2014 YTD ALBUMS
1 Taylor Swift, 1989 (BMLG) | 3661000
2 Various Artists, Frozen (DBV) | 3527000
3 Sam Smith, In The Lonely Hour (Capitol)| 1207000
4 Pentatonix, That’s Christmas To Me (RCA) | 1139000
5 Guardians of the Galaxy (HOL) |898000
6 Beyonce, Beyonce (Columbia) |878000
7 Barbra Streisand, Partners (Columbia) | 856000
8 Lorde, Pure Heroine (R-LA) | 841000
9 One Direction, Four (Columbia) | 814000
10 Eric Church, Outsiders (EMI Nashville) | 811000

YTD Digital Songs
1 Pharrell Williams, “Happy” | 6455000
2 John Legend, “All of Me” | 4674000
3 Katy Perry Ft. Juicy J, “Dark Horse” | 4430000
4 Meghan Trainor, “All About That Bass”| 4357000
5 Iggy Azalea Ft. Charli XCX, “Fancy” | 3974000
6 Jason DeRulo Ft. 2 Chainz, “Talk Dirty” | 3959000
7 DJ Snake & Lil Jon, “Turn Down For What” | 3449000
8 Taylor Swift, “Shake It Off” | 3431000
9 Idina Menzel, “Let It Go” | 3370000
10 Sam Smith, “Stay With Me” | 3340000

YTD Digital Albums
1 Taylor Swift, 1989 (BGMA)| 1409000
2 Various Artists, Frozen (DBV) |1261000
3 Sam Smith, In The Lonely Hour (Capitol)| 573000
4 Various Artists, Guardians of the Galaxy (HOL) | 556000
5 Ed Sheeran, X (ATLG) |455000
6 Lorde, Pure Heroine (R-LA) | 437000
7 Coldplay, Ghost Stories (ATLG) | 425000
8 Beyonce, Beyonce (Columbia) |422000
9 Pentatonix, That’s Christmas To Me (RCA) | 403000
10 J Cole, 2014 Forest Hill Drive (RNCO) | 366000

For week ending: 12/28/2014

Interviewing With Tri Star’s Lou Taylor? Only The Confident Need Apply

LouTaylorStand

Lou Taylor, Owner and CEO of Tri Star Sports and Entertainment Group. Photo: Kelsey Grady

Owner and CEO of Tri Star Sports and Entertainment Group Lou Taylor sets the bar high when hiring her team members. She has constructed a recruiting process using advice from Whitney Johnson, a former Wall Street analyst, regular contributor to the Harvard Business Review, and co-founder of Clayton M. Christensen’s investment firm Rose Park Advisors. Taylor shares, “Whitney Johnson worked her way up from the secretarial pool on Wall Street. She’s a brilliant woman and one day she asked me, ‘What’s the biggest challenge facing you as a CEO?’ I said, ‘It’s freakin’ interviewing people. It kills me.'”

Johnson had a solution.

What is the recruiting process you implemented at Tri Star?

If you apply for a job here and you have all of the qualifications for that job, I send you a video request. Statistics show that people who worked and took accountability for their own wage at a very young age have a greater work ethic. So we ask candidates, “Tell me about your first job.”

Our other questions include:
What are your philanthropic and charitable efforts?
How do you think about society?
How do you contribute back?
What is the most complicated situation you’ve ever found yourself in at work?
If you had the opportunity to do anything in the world and write your ideal job description, what would it be?

These questions tell me what they’re really thinking, not what they think I want to hear. And, it allows me to hear how they present.

What comes next in the process?

They do a written test of exactly the things they’ll be looking at if they worked at Tri Star. How do they review a financial statement? Are they picking up on the details? I’m looking to see how they review and I’m also looking at how they present. I’m looking for people who take the time to type their comments and send them back neatly rather than handwritten answers. If they didn’t think enough about the fact that the CEO of the company is going to be reviewing their work, I don’t hire them.

How does a candidate’s confidence play a role in your hiring?

I can walk into a room and in five minutes, I know if I’m going to hire someone or not. If they don’t have eye contact with me and if they don’t present confidence, I’m not going to hire them. People, when it comes to their finances, want to be presented good news and bad news, both worse and best case scenarios, with confidence. Without it, you can do the best financial presentation possible, but your client is going to leave steeped in fear.

After an employee joins the Tri Star team, how does policy and procedure shape their work habits?

I’m a freak about policy and procedure. I have everything documented down to what the shopping list is for the office. All I want to do is make sure we think about processes and procedures so that everything that we do, tangibly and positively, contributes to a client’s life. I’m a freak. I admit it. I don’t care though because I love it. If you look at our team as in football, I have a great defensive line and a great offensive line. And together, hopefully, we’re going to get in the end zone for the client. I’m 100 percent convinced that nobody gets more value out of their business management firm than what they get here. And the successes are getting to watch our clients retire with money and have peace.

To read more of our conversation with Lou Taylor, check out the 2015 Next Big Thing January print issue of MusicRow magazine.

Session Great Henry Strzelecki Passes

henry_strzelecki_photoOne of the greatest session musicians in Nashville recording history has passed away.

Henry Strzelecki, 75, died on Dec. 30. From the 1960s to the present, he played bass on records by many of music’s most famous names. Discs by Bob Dylan, Joan Baez, Ray Charles, Elvis Presley, Gordon Lightfoot, Carl Perkins and Roy Orbison all feature Strzelecki’s work. His playing can also be heard on hits by more than 25 members of the Country Music Hall of Fame.

He was a native of Birmingham, AL who began recording with singer-songwriter Baker Knight on Decca Records in the 1950s. Strzelecki toured throughout the South as a member of The Four Flickers in the late 1950s. In 1959, the group became the first to record his novelty song “Long Tall Texan,” which became a minor classic.

“Long Tall Texan” was subsequently recorded by Jerry Woodard (1960) and by Murry Kellum (1963), who was the first to make the charts with the tune. The Beach Boys recorded it in 1964, and it became a widely loved song in the group’s repertoire. The Kingsmen also recorded it that year.

The song achieved renewed attention in 1996 via versions by Lyle Lovett and by Doug Supernaw with The Beach Boys. Others who have recorded “Long Tall Texan” include Pee Wee Crayton, The Rhythmtones, Leroy VanDyke, The Gestures and Sleepy LaBeef.

As an instrumentalist, Henry Strzelecki worked with guitar legend Hank Garland in the early 1960s. Then Chet Atkins took him under his wing, using Strzelecki as both a touring sideman and a session musician.

The bass player soon moved to the front ranks of Nashville’s recording-session regulars. He worked with practically every artist who made records on Music Row.

Among the country Hall of Fame members he worked with are Eddy Arnold, Bobby Bare, Johnny Cash, Patsy Cline, Flatt & Scruggs, Lefty Frizzell, Don Gibson, Merle Haggard, Tom T. Hall, Ferlin Husky, Waylon Jennings, George Jones, Grandpa Jones, Loretta Lynn, Charlie McCoy, Ronnie Milsap, Willie Nelson, Charley Pride, Jim Reeves, Marty Robbins, Connie Smith, Hank Snow, George Strait, Ernest Tubb, Conway Twitty, Porter Wagoner, Tammy Wynette and Faron Young.

Orbison’s “Oh Pretty Woman,” Dylan’s “Blonde on Blonde” and George Jones’s “He Stopped Loving Her Today” all feature bass playing by Henry Strzelecki.

So do recordings by Johnny Paycheck, The Oak Ridge Boys, Levon Helm, John Anderson, k.d. lang, Elvis Costello, Dottie West, Hank Williams Jr., The Browns, Janie Fricke, David Allan Coe, Hank Locklin, Jerry Reed, Jerry Jeff Walker, Al Hirt, Gene Watson, Louis Armstrong, Larry Gatlin, Johnny Rodriguez and hundreds more.

Among the other artists who recorded Strzelecki’s songwriting efforts were Mundo Earwood (“I Can’t Quit Cheatin’ on You”), Charlie Rich (“Where Do We Go From Here”), Johnny Winter (“The Mistress”) and David Wills (“Happy Hour”).

Henry Strzelecki was reportedly taking a walk when he was struck by a car on Dec. 22. He went into a coma from which he never recovered.

“A Celebration of Life for Henry Strzelecki” is scheduled for 2 p.m. on Jan. 17 at Pennington United Methodist Church. The church is located at 2745 Pennington Bend Road, Nashville, TN 37214 in the Opryland area.

Henry Strzelecki memorial

Industry Mourns Jimmy Dickens

Grand Ole Opry star Little Jimmy Dickens. Photo: Chris Hollo

Grand Ole Opry star Little Jimmy Dickens. Photo: Chris Hollo

The public is invited to celebrate the life of the late, legendary Jimmy Dickens at both his visitation and his funeral service.

The visitation is scheduled for Wednesday, Jan. 7, at the Woodlawn-Roesch-Patton Funeral Home from 4-8 p.m. The building is in Woodlawn Cemetery at 660 Thompson Lane. A Celebration of Life service will be held at the Opry House on Thursday, Jan. 8, at 11 a.m. Friends, family and the public are welcome at both events.

Jimmy Dickens passed away Friday afternoon, Jan. 2, due to a cardiac arrest. A trouper to the end, Dickens turned 94 years old on Dec. 19 and performed on the Grand Ole Opry the following day,  singing his hit “Out Behind the Barn” and delivering his trademark jokes. He suffered a stroke five days after his final performance and died a week later.

The Country Music Hall of Fame inductee was the oldest member of the Opry cast. The widely loved entertainer was the show’s goodwill ambassador, as well as its elder statesman.

Last Friday’s Grand Ole Opry show was dedicated to Dickens by Opry manager Pete Fisher, who eulogized the star by saying he was, “one of the most legendary, entertaining and beloved artists in country music history.” Fisher choked back tears as he added, “We will never forget….”

Bill Anderson saluted his fellow Opry cast member on Friday’s show by performing the 1958 Dickens favorite “Family Reunion.”

Marty Stuart called Dickens, “the heart, the soul and the spirit of the Grand Ole Opry.” Brad Paisley said Dickens was, “my hero,” and added, “I think everyone who ever met him loved him instantly and forever.” Both Paisley and Vince Gill featured Dickens in their music videos and sang with him.

“I’ve always related to him and loved him as a person, as a friend and as an entertainer,” said Dolly Parton. Both Parton and Martina McBride performed the late star’s 1950 tune “I’m Little But I’m Loud” during their careers.

“He just knew how to entertain,” said Ricky Skaggs. “His country charm, sharp wit and graciousness made him a star that everyone wanted to meet.”

During the weekend, eulogies and remembrances of Dickens poured in from dozens of country entertainers. Fellow Opry cast members Mel Tillis, Larry Gatlin, Doug Green of Riders in the Sky, Carrie Underwood, Pam Tillis, Rascal Flatts, Alan Jackson, Reba McEntire and Charlie Daniels were among them.

James Cecil Dickens was born in the tiny hamlet of Bolt, West Virginia into a clan of coal miners. He was the oldest of 13 children. Everyone in his family was musical, and Dickens dreamed of a country-music career from an early age. He began performing on West Virginia radio stations in 1939-40.

He joined station WLW in Cincinnati in 1945. Opry superstar Roy Acuff recalled that Dickens stole a show from him there. He encountered Dickens again at WKNX in Saginaw, Michigan, three years later. Impressed once more, Acuff arranged for Dickens to come to the Opry and to Columbia Records.

Jimmy Dickens in 1971.

Jimmy Dickens in 1971.

Billed as “Little” Jimmy Dickens because of his 4’11” stature, he became a Grand Ole Opry member in 1948 and scored his first Columbia hit in 1949 with the humorous novelty “Take an Old Cold ‘Tater (And Wait).” His friend, Hank Williams, nicknamed him “Tater” as a result. Williams penned “Hey Good Lookin’” for Dickens, but decided to record it himself, instead.

Dickens became well known for novelty ditties such as 1950’s “A-Sleepin’ at the Foot of the Bed” and 1954’s “Out Behind the Barn.” But he was also capable of heart-tugging sentiment, as in 1949’s “My Heart’s Bouquet” and “Pennies for Papa.”

His ballad mastery was evident in “Life Turned Her That Way,” “Farewell Party,” “Take Me As I Am (Or Let Me Go)” and “We Could,” all of which he originated but later became hits for others.

During the 1950s, Jimmy Dickens had one of country music’s most fiery and exciting bands. His Country Boys group featured a loud, twin electric-guitar attack that pre-figured the rise of rockabilly music, as well as the 1970s sound of The Allman Brothers. Hot singles such as 1950’s “Hillbilly Fever,” 1953’s “You All Come,” 1954’s “Rockin’ with Red” and 1958’s “I Got a Hole in My Pocket” showcased his band’s prowess.

Dickens musicians included such future instrumental greats as Grady Martin, Buddy Emmons, Thumbs Carlille, Bob Moore and Walter Haynes. Those weren’t the star’s only lasting contributions. With 1949’s “Country Boy,” Jimmy Dickens introduced Hall of Fame songwriters Boudleaux and Felice Bryant. In 1951, Dickens discovered Marty Robbins and brought him to Columbia Records.

He was also a Nashville pioneer in costuming. Dickens was one of the first Opry artists to sport flashy, rhinestone-bedecked suits crafted by tailors such as Nudie Cohen. “Nudie” suits later became synonymous with country stardom.

Jimmy Dickens left the Opry in 1957. His hits resumed with the ballads “The Violet and the Rose” (1962) and “Another Bridge to Burn” (1963).

In 1964, he became the first country artist to circle the globe on tour. His extensive overseas activity was partly because of his commitment to entertaining at U.S. military bases. He performed several times for the troops during the Vietnam War, even in combat zones.

Dickens returned to novelty material with 1965’s “May the Bird of Paradise Fly Up Your Nose,” which became his biggest hit. The pop and country smash led to TV showcases on The Tonight Show, Hullabaloo and Where the Action Is. Dickens also appeared in the films Tennessee Jamboree (1964) and Second Fiddle to a Steel Guitar (1966).

In 1964, George Jones saluted the star with the tribute LP George Jones Sings Like the Dickens! Ricky Van Shelton, Ray Price, Mel Tillis, Charley Pride, Wanda Jackson and Gene Watson are among the other stars who have revived Dickens songs.

“When the Ship Hit the Sand” (1966) and “Country Music Lover” (1967) became his last top-40 hits, but Jimmy Dickens continued to tour relentlessly in the 1970s and 1980s. He honed his comedic skills and became renowned for his quips, jokes and wisecracks.

Nevertheless, he released his biggest tear-jerker in 1970. This was the dead-child recitation “Raggedy Ann,” which remained in his repertoire for the rest of his life.

Dickens rejoined the Opry cast in 1975. He was elected to the Country Music Hall of Fame in 1983. Another recitation, “Forgive Me Santa,” became a video hit during the 1987 Christmas season.

Jimmy Dickens in 1955

Jimmy Dickens in 1955

In 1996, Jimmy Dickens and his wife Mona celebrated their 25th anniversary by renewing their vows on the Opry stage. After more than 50 years as a travelling entertainer, he finally retired from the road in 1997.

The Academy of Country Music gave him its Pioneer Award in 2006. Brad Paisley and Trace Adkins were among those honoring Dickens in 2008 on the 60th anniversary of his Grand Ole Opry induction. Adkins, Diamond Rio, Little Big Town and Old Crow Medicine Show were among those Dickens welcomed into the Opry cast in later years.

He survived several serious health crises during the past decade. He was hospitalized in 2004, 2008, 2009 and 2013 for various ailments.

Jimmy Dickens is survived by his wife Mona, daughters Pamela Detert and Lisa King, grandchildren Amanda Detert and April Remick and great-grandchildren Keylee Remick, Tanner Remick and Tyler Remick, as well as three sisters.

His Thursday entombment in the Woodlawn Cross Mausoleum will be private for the family.