Garth Brooks World Tour To Visit Arkansas

garth brooks

Garth Brooks


Garth Brooks will return to Little Rock, Ark. for the first time in 23 years as part of The Garth Brooks World Tour with Trisha Yearwood. The concerts will be held Friday, Dec. 12 at 7 p.m., and Saturday, Dec. 13 at 7 p.m. Both events will be held at Verizon Arena.

Tickets will be on sale Friday, Nov. 7 at 10 a.m. CST. There will be an eight ticket limit per purchase.
Tickets can be purchased at www.ticketmaster.com, ticketmaster.com/garthbrooks or 1-800-745-3000 or Ticketmaster Express 1-866-448-7849. There will be no sales at the venue box office or Ticketmaster outlets on Nov. 7.
Tickets will cost $73.25.

Weekly Register: Too Much Of A Good Thing?

Little big town LBT pain killerCan too many superstar releases in a short period of time end up hurting the majority of artists’ sales? Is there too much good music, especially Country music, for fans to consume in a brief period of time? As more and more artists release projects aimed at garnering holiday sales, consumers could be hit with an overabundance of available choices, affecting the sales for any one artist. This week’s numbers may suggest buyers are reaching their consumption limits.

ALBUMS

That seems to be the case with Little Big Town. Despite critical acclaim that Little Big Town has received for its glowing new album, Pain Killer, the group moved 42k units in its first week (33 percent digital). Compare that to LBT’s last release, which moved 113k in its first week. Still, that was enough to put the group at No. 3 on the Country album chart, and at No. 7 on the overall chart. Florida Georgia Line‘s Anything Goes stays at No. 1 on the Country albums chart this week, selling 59k units, while Jason Aldean‘s recently released project Old Boots, New Dirt moved 56k units. Blake Shelton‘s Bringing Back The Sunshine lands at No. 4 on the Country albums chart with 11k sold, followed by Lady Antebellum‘s 747 at No. 5 with 11k units moved.
Slipknot‘s latest release topped the overall Soundscan charts, selling 132k, followed by rapper T.I. with 80k and Neil Diamond, selling 78k.
Overall album sales are down 13.6 percent YTD, while Country album sales are down 15 percent.
The music industry anxiously awaits next week’s official sales numbers from Taylor Swift‘s 1989, which released Monday (Oct. 27). Reports have Swift pegged to sell anywhere from 800k to 1 million in its first week. If the album passes the 1 million mark, and several outlets predict it will, it will make Swift the only artist to sell more than 1 million albums in a single week on three separate occasions, not to mention on three consecutive releases. It will also make 1989 the first album released in 2014 to sell a million units.
Also releasing this week is Sam Hunt‘s debut album, Montevallo, and Darius Rucker‘s Christmas project, Home For The Holidays.


TRACKS

Meghan Trainor‘s “All About That Bass” moves back to the top spot on the overall digital tracks chart, selling 143k. The single is now at 3.2 million in sales RTD. The top debut is Swift’s “Welcome To New York,” which sold 84k.
WeeklyReg1029141Jason Aldean‘s “Burnin’ It Down” took the top Country tracks spot (and No. 23 overall), selling 44k this week. The top Country track debut is Billy Currington‘s latest, “Don’t It,” with 17k and comes in at No. 15 Country and No. 75 overall.
Also worth noting is Kenny Chesney‘s single “American Kids,” which has topped 1 million units.
Overall track sales are down 12.9 percent YTD, while Country track sales are down 17.4 percent.
The top five Country tracks this week are Aldean’s “Burnin’ It Down,” followed by Carrie Underwood’s “Somethin’ In The Water” (33k), Blake Shelton’s “Neon Light” (29k), Florida Georgia Line’s “Dirt” (29k), and Tim McGraw’s “Shotgun Rider” (28k).
This time last year, Lorde‘s “Royals” held the coveted overall No. 1 track, moving 222k. Eric Church had the top selling Country track this time last year with “The Outsiders” moving 81k.

International Bluegrass Music Awards To Be Broadcast on "Music City Roots"

ibma90711The International Bluegrass Music Association (IBMA) has plans to air an edited, one-hour version of the 25th Annual International Bluegrass Music Awards as part of American Public Television’s “Music City Roots” series in late February or early March 2015. The syndicated series aired in 71 PBS markets across the United States last year.
The awards show was filmed live on Oct. 2 at Raleigh, N.C.’s Memorial Theatre at the Duke Energy Center for the Performing Arts. The awards ceremony was hosted by Lee Ann Womack and Jerry Douglas.
“In many ways, we really raised the bar at this year’s Bluegrass Music Awards,” said Amy Reitnouer, who co-produced the October 2 live show with Chris Stuart. “This broadcast will not only put bluegrass music and the IBMA on a national stage, but also set the standard for our Awards shows in years to come.”
The Bluegrass Music Awards is part of IBMA’s five-day World of Bluegrass event, which took place Sept. 30 – Oct. 2 in Raleigh this year. Preliminary attendance figures for World of Bluegrass 2014 are estimated to be more than 180,000 people.

Paisley, Bentley, Bryan to Headline NYC's First Country Festival

unnamedLive Nation Entertainment and Founders Entertainment announced today (Oct. 29) during a press conference that New York City will host its first every Country Festival with Dierks Bentley, Luke Bryan, and Brad Paisley set to headline. FarmBorough will take place on Randall’s Island on June 26-28, 2015. The first additional artists to be announced for the three-day festival include Wade Bowen, Brandy Clark, Maddie & Tae, Kip Moore, Ashley Monroe, Randy Houser, The Cadillac Three and Dwight Yoakam with more to be revealed over the coming weeks.
Three-day passes start at $225 (plus applicable service charges and fees) and go on-sale Thurs., Nov 6 at 10 a.m. EST.  Fans will also have the option to upgrade to VIP three-day packages with access to Skyline Lounge featuring skyline views, private bars and more. For more information and pricing information, visit: www.farmboroughfestival.com.
“We’ve been dreaming about bringing a country festival to New York for a long time, and we feel like the time is right now. We have the perfect partner in Founders and the perfect location on Randall’s Island to really bring fans and artists something special,” said Brian O’Connell, Live Nation President of Country Touring. “New York City is a global destination. Country fans from all over the world can come to the city and take advantage of all it has to offer, while enjoying three days of the best country music acts too.”
Citi® is the official credit card of FarmBorough Festival. Citi® card members will have access to pre-sale tickets beginning Friday, Oct. 31 through Citi’s Private Pass® Program.

DISClaimer: A Day For Duos

florida georgia line11

Florida Georgia Line


It’s a day for duos.
Three of the best singles in this stack of platters come from duet teams. They are The Swon Brothers, newcomers Haley & Michaels and our Disc of the Day winners, Florida Georgia Line.
It’s the time of the year when country stars rush out new tunes in anticipation of the holiday buying season. In this column, that means folks like Rodney Atkins, Luke Bryan, Willie Nelson and Justin Moore.
I know I’m tardy with this, but I would be remiss if I didn’t give Sam Hunt a DisCovery Award and good wishes for a long and happy tenure as a country record maker.
BIG & RICH/Look at You
Writers: none listed; Producer: none listed; Publishers: none listed; Big & Rich
-Listenable and pleasant. But the repetitive song is just barely there, and the production is never anything more than background noise.
THE SWON BROTHERS/Pray For You
Writers: Jessi Alexander/Tommy Lee James/Eric Paslay; Producers: Mark Bright & The Swon Brothers; Publishers: Party of Five/Kobalt/BMG Platinum/Once in a Blue Moon/Cal IV/Five Stone, ASCAP/BMI; Arista Nashville
-Wow. What a great song, what a thrilling production and what a powerful performance. Unlike so many, these boys perform as a true, harmonizing duo. In fact, they sing their faces off. The song of love and acceptance in times of trial is a healing balm. The track cooks with gas.
WILLIE NELSON/The Wall
Writers: Willie Nelson/Buddy Cannon; Producer: Buddy Cannon; Publishers: Warner-Tamerlane/Act Five/Run Slow/BMG, BMI/ASCAP; Legacy (track)
-He makes so many albums that it’s easy to miss the reality that Band of Brothers is one of the finest country records of 2014. When was the last time we had nine new Willie songs? The five covers come from such master craftsmen as Bill Anderson, Vince Gill and Billy Joe Shaver. Jamey Johnson drops by for a duet. Buddy Cannon’s production returns the legend to the country-music mainstream. This single finds our hero singing of being down but far from out as the loping track gently moves him across the prairie. The collection is available on vinyl. Buy it.
LUKE BRYAN/I See You
Writers: Luke Bryan/Ashley Gorley/Luke Laird; Producer: Jeff Stevens/Publishers: Sony-ATV Tree/Songs of Universal/Creative Nation/Twangin and Slangin/Songs of Southside Independent/Out of the Taperoom/External Combustion, BMI/ASCAP; Capitol (track)
-The sixth single from Crash My Party is about being haunted by a past lover. It has a really cool, quavering electric-guitar sound and a strong performance in the star’s upper vocal register.
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Sam Hunt


SAM HUNT/Leave The Night On
Writers: Hunt/Osborne/McAnally; Producers: Zach Crowell/Shane McAnally; Publishers: none listed; MCA Nashville
-This overnight star has already sold more than 500,000 digital copies of this, and it’s still climbing on the Billboard chart. The appeal is its almost-nervous rhythm track backing a yearning nighttime invitation, not to mention his earnest, sincere delivery.
FLORIDA GEORGIA LINE/Sun Daze
Writers: Tyler Hubbard/Brian Kelley/Cary Barlowe/Jesse Frasure/Sarah Buxton; Producer: Joey Moi; Publishers: Castle Bound/We Be Pawtying/Rio Bravo/Big Red Toe/Bux Tone/Big Loud Mountain/T Hubb/Pranch Ringle/Big Loud Bucks, SESAC/BMI; Republic Nashville
-It might be fall, but these boys are still into summer relaxation. This sunny bopper — complete with whistling — is so ridiculously catchy it’s impossible to resist. I predict massive spins.
JO DEE MESSINA/He’s Messed Up
Writers: Jo Dee Messina/Alyssa Bonagura; Producers: Jo Dee Messina/Julian King; Publishers: Dreambound/Almo/Alright Love/My Plum, ASCAP; Dreambound
-Messina’s current CD, titled Me, is a highlight of her career. Full of wit, verve and lively musicality, it also spotlights her blossoming as a songwriter. Its third single is a stomper about a guy who’s not a keeper, sung as a sister-to-sister piece of advice. A winner.
JUSTIN MOORE/This Kind of Town
Writers: Andrew Dorff/Chris Tompkins; Producer: Jeremy Stover; Publishers: Songs of Universal/Endorffin/Big Loud Songs/Big Loud Bucks/Play Animal, BMI/ASCAP; Valory Music
-The sentiment is sweet, but the record is dull and lifeless.
HALEY & MICHAELS/Just Another Love Song
Writers: Shannon Haley/Ryan Michaels/Richie McDonald; Producers: Kyle Jacobs/Matt McDonald; Publishers: none listed
-The tempo chugs along splendidly. They harmonize perfectly on the rocking choruses. I probably couldn’t pick either one of these voices out of a lineup, but in this case the whole is definitely more than the sum of its parts. The song has a very cool passage where its melody is sung while simultaneously quoting from Lonestar’s “Amazed.” Essential listening.
RODNEY ATKINS/Eat, Sleep, Love You, Repeat
Writers: Ryan Bizarri/Walker Hayes; Producers: Ted Hewitt/Rodney Atkins; Publishers: Live and Breathe/Tazmaraz/Zavittson, ASCAP/BMI; Curb
-This is a funky, drawling little thang with a dandy backbeat, hand claps, whoa-o background chanting and super-clever lyrics. I believe I hear a hit.

Grand Ole Opry Goes Pink

Rascal Flatts performs at Opry Goes Pink. Photo: Bev Moser/Moments By Moser


The Grand Ole Opry® joined Women Rock For The Cure™ in the fight against breast cancer last night (Oct. 28) with its sixth annual “Opry Goes Pink” show. The special show kicked off with Rascall Flatts flipping the switch to Opry’s signature barn backdrop, turning it pink for the night and included performances by Opry members Terri Clark and Montgomery Gentry and special guests Danielle Bradbery, Sara Evans, The Isaacs, and Nashville’s Will Chase.
Troy Gentry of Opry member duo Montgomery Gentry welcomed his wife Angie, who shared publicly last week that she is battling breast cancer, to the stage to a rousing ovation from the Opry audience. Gentry performed T. Graham Brown’s 1986 No. 1 hit “Hell And High Water” for his wife, and the two were joined on stage by Brown for the song’s last verse.
A portion of the proceeds from tonight’s show will be donated to Women Rock For The Cure™.

Chesney's 'The Big Revival Tour' Adds Brantley Gilbert As Opener For Stadium Shows

Brantley Gilbert motorcycle

Brantley Gilbert


Kenny Chesney recently revealed details on The Big Revival Tour for 2015. It was announced that Jason Aldean would be joining Chesney on a 10-city stadium tour which will merge Aldean’s Burnin’ It Down Tour with The Big Revival. Brantley Gilbert has now been tapped to join Chesney for 15 stadium dates on his The Big Revival Tour.
“When you co-headline a tour with Jason Aldean, you’ve gotta get someone who can hold their own to go in front,” Chesney says. “When I looked around, for those stadium shows that Brantley’s part of, he’s the man for the job. He knows how to reach the crowd, how to make them rock – and he’s not afraid to push the rest of us.”
Gilbert has had three No. 1 hits on his own – “Country Must Be Country Wide,” “You Don’t Know Her Like I Do” and “Bottoms Up” – as well as co-writing Aldean’s CMA Song of the Year-nominated “Dirt Road Anthem” and sole writer of “My Kind of Party.” He has mined platinum with Halfway To Heaven and gold with his recent  No. 1, Just As I Am, and is the Academy of Country Music’s reigning Top New Artist.
Chesney’s 55-date The Big Revival Tour is slated to kick-off on his birthday, March 26, in Nashville with more on-sale information and special guests will be revealed over the coming weeks.
The Big Revival Tour is presented by Corona Light.

Songwriter/Producer Chris DeStefano Knighted In Honor of Chart-Topping Hits

Pictured (L-R): MusicRow Chart Director Troy Stephenson, Chris DeStefano, Josh Van Valkenburg, and MusicRow Owner/Publisher Sherod Robertson

Pictured (L-R): MusicRow Chart Director Troy Stephenson, Chris DeStefano, Sony/ATV’s Josh Van Valkenburg, and MusicRow Owner/Publisher Sherod Robertson


In a very brief period of time, songwriter and producer Chris DeStefano has solidified his role as one of Nashville’s most in-demand creative forces.
He recently visited MusicRow‘s office, where he was feted for two chart-topping singles on MusicRow’s Country Breakout chart, including the Miranda Lambert/Carrie Underwood duet “Somethin’ Bad,” (penned with Brett James and Priscilla Renea), and Chase Rice’s “Ready Set Roll” (penned with Rice and Rhett Akins). These mark DeStefano’s second and third MusicRow Challenge Coins, respectively. His first was for “Rewind,” recorded by Rascal Flatts.
Chris DeStefano accepts a MusicRow Challenge Coin for "Somethin' Bad."

Chris DeStefano accepts a MusicRow Challenge Coin for “Somethin’ Bad.”


“It was the first song we wrote together,” recalls DeStefano of writing “Ready Set Roll.” “Josh [Van Valkenburg] called and told me about Chase, and how he co-wrote ‘Cruise,’ and was working on songs for an album. We wrote the song pretty quick, and it had a different title at first. Chase suggested, ‘Ready Set Roll,’ so I made up the melody and Chase loved it. It was pretty fun. At the end of the day, we felt good about it. That kind of kicked him off into ‘You should produce my album.’” The album, released on Columbia Nashville/Dack Janiels, reached No. 1 on the Billboard Country chart.
Chris DeStefano Brett James

Pictured (L-R): Sir Brett James and  Sir Chris DeStefano


During DeStefano’s visit with MusicRow, he also shared that the feisty female duet “Somethin’ Bad” was penned approximately two years ago, and not in a 9-to-5 Nashville writer’s room, but rather in a chateau near France’s Bordeaux region.
“It’s about a three and a half hour train ride from Paris,” the Sony/ATV writer recalled of the location. “It’s all farmland, and it’s beautiful, out in the middle of nowhere.”
For several years, performing rights organization ASCAP has arranged for writers to spend a week at the chateau, networking and co-writing with fellow songwriters from different genres of music. “There are six rooms, and usually about 18 songwriters that head out there,” said DeStefano. “It’s always like a bonding thing. By the end of it everyone’s heartbroken they have to leave.”
He and fellow songwriter Brett James “penned two songs that day, but ‘Somethin’ Bad’ was the standout,” said DeStefano. “We were in this huge, roomy studio with a large fireplace. There was a lot of reverb in the room, so we started doing these stomps and claps and rocking out. We went out of the box a bit with it.
“It was exciting when Miranda put it on hold, because it was so out of the box. But I never hold my breath about those things, then Carrie [Underwood] texted me one day,” he continued. “She said ‘Look what we are cutting today for Miranda’s record.’ And she sent me a picture of the lyric. We were ecstatic. The two of them on that? I couldn’t wait to hear it.”
DeStefano and James recently completed a return trip to the French chateau, where they each garnered new titles.
DeStefano and James were officially knighted, Ordre des Cevaliers Troubadours de Marouatte. “They have a tradition in the castle which has only happened a handful of times. If you write a song that goes to No. 1 on multiple charts, then you get knighted in the castle,” explained DeStefano. “It’s a real, formal knighting ceremony with traditional language. It is a true honor, and it was incredible to share it with my good friend Brett James. Having been at the castle for the past four years, it already feels like a home away from home to me. I’m very grateful to my ASCAP family for inviting me to participate in this inspiring event.”
Next up for DeStefano? Another chart-topper, most likely. He co-wrote Underwood’s new single, “Something In The Water,” which sits at No. 13 on the MusicRow CountryBreakout chart.
Pictured (L-R): Gali Firstenberg and Jason Silberman, Sir Christopher DeStefano, Lord Miles Copeland, Sir Brett James, David Ryan Jordan and Axton Copeland.

Pictured (L-R): Gali Firstenberg and Jason Silberman, Sir Christopher DeStefano, Lord Miles Copeland, Sir Brett James, David Ryan Jordan and Axton Copeland.

Tyler Farr To Launch ACM Lifting Lives Club Shows for 2015

Screen shot 2014-10-28 at 3.45.18 PM11

Tyler Farr


For the second year, ACM Lifting Lives will launch the ACM Lifting Lives Club Shows with two events headlined by Tyler Farr in January 2015. Additional club dates and artists will be announced in coming months.
Farr will perform at Joe’s Bar in Chicago on Jan. 9, 2015, followed by a show at The Rave in Milwaukee, Wis. on Jan. 10, 2015.
Tickets go on sale this Friday (Oct. 31) for the first two shows.
Ed Warm, ACM Lifting Lives Board Member and Joe’s Bar co-owner originated the concept of the club shows last fall, working with participating club owners to allow a portion of each ticket sold to benefit ACM Lifting Lives.
Tickets for the Jan. 9 show in Illinois are available here.
Tickets for the Jan. 10 show in Wisconsin are available here.
“We were so thrilled with the success of the first ACM Lifting Lives Club Shows series and have set our goals even higher for 2015. We appreciate all of the support from the artists, clubs and fans who believed in our mission and helped contribute to that success,” said Warm. “We look forward to seeing what we can do together in 2015.”

Warner Music Nashville Partners With Watkins College

Warner Music Nashville and Watkins College of Art, Design & Film have partnered for a new “Music Industry and the Visual Arts” course, an idea originating via Leadership Music alumni John Esposito, President & CEO of WMN and Ellen L. Meyer, President of Watkins. The class of 15 students, led by Richard Gershman, will bring together a multidisciplinary team of filmmakers, graphic designers and photographers who will interact with the creative team at Warner Music Nashville to conceptualize a visual approach to branding new artist(s).
“The partnership with Watkins allows us the unique opportunity to foster new talent in visual arts while also giving our creative team an outside perspective which is invaluable,” said Shane Tarleton, VP/Creative Director at WMN. “I am so very proud of the relationships we have already formed and am genuinely excited about the possibilities ahead.”
“Our goal in partnering with Watkins was to exchange real world insights around the creative process,” said Jeremy Holley, SVP of Consumer & Interactive Marketing at WMN. “It’s been inspiring to see the level of talent, thought, and work ethic from their team and students. They have brought fresh ideas and great energy.”