Weekly Chart Report (10/19/12)

After MidNite host and Dale Franklin Awards emcee Blair Garner (L) recently sat down with Darius Rucker to talk about his forthcoming CD and his recent Grand Ole Opry induction.

SPIN ZONE
The girl may have gotten away, but Jake Owen finishes first in the latest MusicRow chart. “The One That Got Away” is the latest in a string of hit singles for the RCA Nashville star, and its journey up the chart took a steady 24 weeks. He’s followed by Eric Church’s “Creepin’,” Lee Brice’s “Hard to Love,” Rascal Flatts’ “Come Wake Me Up,” and Greg Bates’ “Did It For the Girl.” Also on the rise: Florida Georgia Line’s “Cruise” at No. 6, Toby Keith’s “I Like Girls That Drink Beer” at No. 7, Dierks Bentley’s “Tip It On Back” at No. 9, and Kip Moore’s “Beer Money” at No. 10. That’s a lot of drinking in the top 10.

Josh Turner (L) dropped by the KKGO/Los Angeles studios and chatted with Shawn Parr. Turner’s rising single “Find Me A Baby” lands “On Deck” this week.

Elsewhere we’ve got a few strong female singles on the way, led by Taylor Swift’s “Begin Again” at No. 21. Newcomer Kacey Musgraves has also got quite a buzz going with “Merry Go Round,” which moves to No. 26. One slot behind her at No. 27 is Kelleigh Bannen’s “Sorry on the Rocks,” which was recently played to enthusiastic response at the annual Capitol Street Party.

After a couple weeks of molasses-slow movement on the chart, there are a whole boatload of new singles. Chris Young is first among them with “I Can Take It From There” at No. 59. Joanna Mosca’s “Dream On Savannah” pops in at No. 71, followed by LiveWire’s “Lies” at No. 73, and Hunter Hayes’ “Somebody’s Heartbreak” at No. 75 poised to make a big impact next week. Additionally, there are first appearances by Michelle Cupit’s “I Know You’re Lying (Your Lips Are Moving),” One Night Rodeo’s “Real Good,” Lucky Ned Pepper’s “I Remember the Music,” and Tracy Lawrence’s “Stop Drop & Roll.”

Frozen Playlists: KGMN, KVVP, KZTL, WAKG, WBYZ, WXMM

 

Upcoming Singles
October 22
Hunter Hayes/Somebody’s Heartbreak/Atlantic-WMN
Josh Abbott Band/I’ll Sing About Mine/PDT-Atlantic-WMN
Sarah Darling/Home To Me/Black River
Sweetwater Rain/Starshine/Curb
Bill Gentry/Hell and Half of Georgia/Tenacity Records

October 25
Lathan Moore/Forever Man/Render

October 29
Thompson Square/If I Didn’t Have You/Stoney Creek
Jerrod Niemann/Only God Could Love You More/Sea Gayle-Arista
Hayden Panettiere/Telescope/Big Machine

• • • • •

New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Chris Young/I Can Take It From There/RCA Nashville – 59
Joanna Mosca/Dream On Savannah/Dolce Diva Music – 71
LiveWire/Lies/Way Out West — 73
Hunter Hayes/Somebody’s Heartbreak/Atlantic-WMN – 75
Michelle Cupit/I Know You’re Lying (Your Lips Are Moving)/Cupit – 77
One Night Rodeo/Real Good/Fox Hill Records – 78
Lucky Ned Pepper/I Remember The Music/Nine North – 79
Tracy Lawrence/Stop, Drop, & Roll/Lawrence Music Group – 80

Most Added
Artist/song/label — New Adds
Hunter Hayes/Somebody’s Heartbreak/Atlantic-WMN – 17
Tracy Lawrence/Stop, Drop, & Roll/Lawrence Music Group – 16
Brantley Gilbert/More Than Miles/The Valory Music Co. – 15
Chris Young/I Can Take It From There/RCA Nashville – 15
Gary Allan/Every Storm (Runs Out Of Rain)/MCA – 15
Montgomery Gentry/I’ll Keep The Kids/Average Joes – 14
Michael Dean Church/Still Not Over You/MDC – 12
Tyler Farr/Hello Goodbye/Columbia Nashville – 12
Uncle Kracker/Nobody’s Sad On A Saturday Night/EMI Nashville/Sugar Hill – 11
Eric Lee Beddingfield/That Ol’ Outlaw Song/Rebel Dawg – 11
Kacey Musgraves/Merry Go Round/Mercury – 11
Taylor Swift/Begin Again/Big Machine – 11
Faith Hill/American Heart/Warner Bros. – 10
Little Big Town/Tornado/Capitol – 10
Love & Theft/Running Out Of Air/RCA Nashville – 10

Greatest Spin Increase
Artist/song/label — spin+
Taylor Swift/Begin Again/Big Machine – 463
Brad Paisley/Southern Comfort Zone/Arista Nashville – 404
Zac Brown Band/Goodbye In Her Eyes/Southern Ground-Atlantic – 380
Gary Allan/Every Storm (Runs Out Of Rain)/MCA – 358
Little Big Town/Tornado/Capitol – 339

On Deck—Soon To Be Charting
Artist/song/label — spins
Randy Rogers Band/One More Sad Song/MCA Nashville – 171
Logan Mize/Good Life/Big Yellow Dog – 170
Brantley Gilbert/More Than Miles/Valory – 165
Brinn Black/That Should Have Been Us/SMG – 154
Craig Campbell/Outta My Head/Bigger Picture – 151
Josh Turner/Find Me A Baby/MCA – 144

Casey James recently stopped by Philadelphia’s WXTU before his show at XFinity Live. His “Crying On A Suitcase” takes the MusicRow Chart's No. 16 spot this week. Pictured (L-R): Casey; WXTU APD/MD Mark Razz and Columbia’s David Friedman and the wonderfully pink "Skully."

Maggie Rose, Jana Kramer and Lauren Alaina recently appeared at WQMX/Akron’s “Chicks with Picks” event to benefit Muffins for Mammograms. (L-R): Jody Wheatley (WQMX MD), Maggie Rose, Sue Wilson (WQMX AM show/PD), Jana Kramer, Lauren Alaina

Fairfield Four Gospel Great Passes

Isaac “Dickie” Freeman, the revered bass singer of the Nashville gospel group The Fairfield Four, has died at age 84.

A member of the Gospel Music Hall of Fame and a Grammy Award winner, Freeman had been in declining health for several years. He passed away on Tuesday, October 16.

He was born in Alabama and raised in Ohio. In the 1940s, he began his singing career in the gospel groups The Golden Tones and The Kings of Harmony.

Freeman first joined the long-established Fairfield Four in 1948. One of gospel music’s oldest and most influential harmony quartets, the group was founded in 1925 at Nashville’s Fairfield Baptist Church. When Freeman joined, the group was already recording for Bullet Records and broadcasting its own show on WLAC radio. The program had national distribution via the CBS radio network.

In 1950, Freeman left Nashville to sing in the Alabama-based Skylarks. He moved back to Music City in 1962. After a period of dormancy, The Fairfield Four was reconstituted in 1980. During the next few years, the group resumed recording and sang with such stars as Amy Grant, Elvis Costello, Johnny Cash, John Fogerty and Lyle Lovett.

The group’s 1999 album I Couldn’t Hear Nobody Pray won a Grammy Award. The following year, Freeman and his musical partners were featured in the movie O Brother Where Art Thou as well as on its multi-million selling soundtrack album.

Over the years, The Fairfield Four also recorded for Bullet, Dot, Delta, Champion, Old Town, Nashboro, Dead Reckoning, Blue Plate and Warner Bros. Records.

Freeman issued his first solo album in 2002. Titled Beautiful Stars, it was produced by Kieran Kane and featured Mike Henderson’s band The Blue Bloods as well as The McCrary Sisters. The McCrarys’ father, Sam McCrary, was The Fairfield Four’s anchor tenor vocalist and most enduring member. After he died in 1989, Freeman became the group’s cornerstone and musical director.

Funeral arrangements for Isaac Freeman have not been announced.

Charlie Cook On Air: “Nashville” Cool

Country music has always done well when adding multimedia exposure to the mix. Television has always been a big deal, as our audience is comfortable with supporting music from their living rooms.

Go back to the old days when Johnny Cash, Glen Campbell and Hee Haw brought the personalities into our lives. I was a kid during this programming and country music was not on my radar during those days but my family watched these shows because they were bigger than the music itself.

Austin City Limits has been on TV since the mid 70s and it continues to introduce “slightly different” musical acts to PBS viewers. Some would say the viewers of PBS are “slightly different” too so that is a perfect fit.

Movies have had impact on country music and country music radio in the past too. The obvious one is Urban Cowboy. That drove a huge surge to country music radio because the programmers were smart enough to take advantage of all of the hype.

At the same time you have to remember the great music that was on that soundtrack. Mickey Gilley and Johnny Lee were the biggest winners from the movie. The album also included Bob Seger, Joe Walsh, Kenny Rogers, The Charlie Daniels Band, the Eagles and more. The millions of people who saw this movie came out of the theater convinced that this country music was pretty good. The movie did about $47M.

No one was cooler than John Travolta in 1980. Debra Winger was pretty hot too. Gilley’s, in Pasadena Texas, looked like a great place to hang out and everyone wanted to ride that mechanical bull. Or at least watch others ride it.

It was a cultural shift. To be cool you had to emulate the cultural icons for the day. Travolta was a leading one and he was into country music (at least in the movie). Ergo, I will get involved in country music and I too will be cool.

Urban Cowboy was the 13th highest grossing film of 1980 but not even the highest country music-themed movie of the year. Nine to Five grossed over $100M, Coal Miner’s daughter did $67M and Smokey and the Bandit 2 did $66M. But Urban Cowboy had the most impact on country music appeal that year.

A few weeks ago ABC aired the CMA Music Fest television special, “Country’s Night to Rock.” The show did respectable numbers against the first national exposure for Peyton Manning in orange and blue, the new NBC-TV hot show Revolution and baseball fans that were caught up in four pennant races. In a couple of weeks the CMA Awards show will put all of our stars on TV again for three hours.

TV has been very good to country music for many years now. American Idol is good for country music. Carrie Underwood, Kellie Pickler, Josh Gracin, Bucky Covington and Scotty McCreery to name just a few.

Blake Shelton has made country music cool on The Voice.

And now one of the TV break-out hits this year is Nashville. I watch a lot of TV. I like comedies and police shows. I am not a big fan of soaps but I was interested in watching Nashville for the obvious reasons. Add to this that it was so positively reviewed.

The cast is attractive. The show is like Dallas and Falcon Crest in the key of C.

If you live, work or visit Nashville regularly the draw is seeing landmarks where you’ve had a beer or two. If you have never been to Nashville you a drawn to the story lines that are bigger than the music.

If you work in the radio and country music business you know that putting the music and personalities in front of America in movies and on TV is good for business.

Whether you’re a fan of soaps or not, your air staff needs to be talking about Nashville and including listeners in the story lines. I am not sure that the program will bring back mechanical bulls but it could bring back a degree of “coolness” for the format and that is also good business.

Primetime “Nashville”: Episode 102

Rayna and Deacon duet on "No One Will Ever Love You."

Episode 102: “I Can’t Help It (If I’m Still in Love With You)” 

Ratings of new show Nashville slipped in its second week. Last night (10/17) it attracted about 6.75 million viewers, down from 9 million the week before, according to Zap2It.com. For all the industry troops who were at the Leadership Music Awards or Capitol Street Party and couldn’t tune in, here’s what you missed:

The romance between Juliette and Deacon heated up with the young starlet wooing him to a “songwriting” session that led to skinny dipping. He reminded her, “this is not how songs get written,” but she slyly assured, “no it’s what songs get written about.” They ended up finishing a song, appropriately titled “Undermine,” and actually written by Trent Dabbs and Kacey Musgraves (see video below). Juliette continued to entice Deacon to join her band, telling him that his relationship with Rayna is almost like being married, with all of the hassle and none of the benefits. Juliette then took the fight for Deacon to a whole new level by sending him a gift—a rare 1938 Martin 00-42—to Soundcheck where he was rehearsing with Rayna.

Adding to Rayna’s dismay was the taping of Juliette’s music video for “Telescope” on the Music Row roundabout, complete with dancers in front of the Musica statue. “Telescope” is also the first real-life radio single from the series. BMLG is going for adds with Hayden Panettiere’s track on Oct. 29. Cary Barlowe and Hillary Lindsey wrote the song which was produced by Dann Huff for radio and T. Bone Burnett for television.

On the show, producer Watty White suggested Rayna and Deacon return to their early days with a scaled-down tour of smaller venues. Deacon’s band was playing at the Bluebird, where the set included “Matchbox Blues” (Lemon Jefferson), so Rayna joined him onstage for a song. Their touching duet of “No One Will Ever Love You,” (Steve McEwan, John Paul White) with the lyric “no one will ever love you like I do,” sent a crying Juliette running for the door. Members of the industry probably noticed Bluebird Cafe COO/GM Erika Wollam Nichols in the scene.

Also watching from the crowd was waitress Scarlett (Deacon’s niece) and her co-writer/ Bluebird sound guy Gunnar. In many ways they are a younger version of Rayna and Deacon, sharing a strong chemistry as songwriters and performers. Watty offered to cut a three-song demo for Scarlett and Gunnar. The competition for Scarlett’s affection increased when her boyfriend Avery found out she had been collaborating with Gunnar. Avery’s band performed “Twist of Barbwire,” written by Elvis Costello, during a sweaty scene at The 5 Spot. Another local venue getting a cameo was the Broken Spoke Saloon, where Gunnar performed “I’ll Be There (If You Want Me).”

Meanwhile, Rayna’s husband Teddy continued his mayoral campaign, which included a thorough vetting of his family and their past. Fox 17’s David Ditmore played one of the consultants handling the vulnerability study. During this process we learned that Rayna paid for Deacon to go to rehab years ago, which ultimately led to their break-up and her marrying Teddy. Also, Teddy’s past includes some shady dealings involving property near the Cumberland River—while Rayna is singing at the Bluebird, he’s at home burning documents. Elsewhere, Rayna’s father Lamar continued his suspicious agenda. He argued with his former employee/current opposing mayoral candidate Coleman, and told the consultants vetting Teddy that “a mayor with secrets is easier to control.”

See the recap of the pilot episode or visit ABC’s Nashville music lounge.

If you have a scoop on Nashville, email [email protected].

“Music City Roots” Filming For Television

Music City Roots: Live from the Loveless Cafe, in partnership with Nashville Public Television, is currently in production for nationwide distribution to public television in Spring of 2013. Now in its fourth year of weekly broadcasts, the live radio show has teamed with Nashville’s TNDV for video production and 13 one-hour episodes are on tap.

“Music City Roots exports the quality and diversity of the musical culture that abounds in such great measure here in Music City and all over the world,” says Todd Mayo, Music City Roots Executive Producer. “Our partnership with WNPT, The Loveless Cafe and the wonderful brands who support the show will allow a national audience, on a weekly basis, to experience on public television the musical magic from the Barn. It’s reality television from Music City and WNPT and public television is the ideal home for us.”

The show’s first televised season will feature programs from MCR’s Fall 2012 and Winter 2013 seasons. Performers scheduled during this period include Elizabeth Cook, Bobby Bare, Buddy Miller, The Memphis Dawls, Two Man Gentlemen Band, and more.

More info here.

Swift Announces “Red” Rollout

Taylor Swift has announced a slew of national TV appearances during the release week of her highly-anticipated fourth studio album, Red, which arrives in stores October 22.

On release day, a select group of Swift’s Twitter followers and Facebook friends will join her in New York, where they will literally “follow” her during release week events, providing live social media updates to millions of fans around the world. Swift currently has more than 19.7 million Twitter followers and 34.9 million Facebook likes.

Swift will be live in Times Square for ABC’s Good Morning America on both October 22 and 23  (7:00 a.m. ET/PT), and later on Oct. 23 she will be the lead guest and performer on The Late Show with David Letterman (11:35 ET/PT on CBS).

On Oct. 24 Taylor will be live on ABC’s The View for a performance and chat, and on the following day (Oct. 25) she will make a special concert appearance on the The Ellen DeGeneres Show.

Swift will also guest on ABC’s Katie with Katie Couric on Oct. 26, and that same evening she will be featured on ABC’s primetime special All Access Nashville with Katie Couric – A Special Edition of 20/20 at 9 ET/PT.

Entertainment Tonight has designated it “Taylor Swift Week,” Swift will be interviewed in upcoming episodes of Access Hollywood, E! News, and Extra.

In addition to her TV appearances that week, Swift will sit down for a live Q&A session with an audience at SiriusXM studios in New York. “SiriusXM’s Town Hall with Taylor Swift” will air live on The Highway on Oct. 22 at 2 pm/ET. Taylor will visit Scholastic’s New York headquarters for a special literacy event as part of the “Read Every Day” literacy campaign.

After the New York media events, Swift will return to Nashville, where she’ll take part in the Taylor Swift Worldwide Radio Remote presented by Papa John’s. With 72 stations broadcasting live from Music City on Friday, Oct. 26, the radio event will cover four formats–Country, CHR, Hot AC, AC–and five continents, with stations coming from as far away as South Africa and New Zealand.

Taylor Swift is featured on the cover of Rolling Stone’s current Hot List issue, as well as on the November covers of Glamour and Marie Claire UK.

Capitol Street Party Invades Broadway

Luke Bryan performs in downtown Nashville

Nashville’s lower Broadway was invaded by approximately 25,000 fans last night for the annual Capitol Street Party. It was the largest crowd to date in the event’s five year history, and the first time for it to be held downtown.

Luke Bryan headlined the concert, his fourth time to play it since the inaugural Street Party in 2007. Also performing were newcomers Kelleigh Bannen and Jon Pardi.

(L-R): Kelleigh Bannen, Capitol Records Nashville SVP Promotion Steve Hodges, COO Tom Becci, Luke Bryan, SVP Marketing Cindy Mabe, Jon Pardi

Bobby Karl Works The Dale Franklin Awards

(L-R): Honorees Mayor Karl Dean, Vince Gill, Charlie Daniels and Randy Owen

Chapter 409

For the ninth presentation of the Leadership Music Dale Franklin Awards, they tried a few new things. The Wednesday evening (10/17) event was held at the historic War Memorial Auditorium for the first time. Instead of a sit-down banquet, it was an outdoor cocktail supper on Legislative Plaza. Production values were notched up. War Memorial isn’t noted for its great acoustics, yet the music at this event sounded better than it ever has. In addition, the visual projections and video walls looked good.

Named for Leadership Music’s founding executive director, the awards recognize music industry figures who embody leadership and exemplify leading by example. This year’s honorees were Vince Gill, Charlie Daniels and Randy Owen. In addition, Mayor Karl Dean was presented with the Brian Williams Ambassador Award.

Leadership Music’s Debbie Schwartz Linn and Jeff Gregg welcomed the crowd, the latter noting that there are now more than 900 alumni and calling LM, “a truly unique and remarkable organization.” Debbie introduced our host, radio star Blair Garner, who will be a member of the 2013 Leadership Music class.

“It’s an honor to be with you tonight,” Blair said to Vince. “If Vince was needed, he would just say yes, and that was all there was to it,” Blair added. He listed just a few of the star’s MANY charitable endeavors.

Vince’s bandleader John Hobbs said that Vince is, “incredibly generous with his time, his talent and his heart.” Fiddler Kenny Sears mentioned Vince’s participation as a sideman in the country swing ensemble The Time Jumpers. “Vince insisted, I’m one in 11, no more, no less,” Kenny said. He continued, “I think Vince is one of the most generous men I know, no more, no less.”

With Dawn Sears on lead vocals, the band performed the Vince-penned ballad “The Faint of Heart.” Then Big Al Anderson rocked Vince’s “One More Last Chance.”

“Just with your presence and your humanity and your big heart, you made us all better people,” said Rodney Crowell. He then reminded the crowd of the star’s sense of humor. Rodney romped through “It’s Hard to Kiss the Lips at Night (That Chew Your Ass Out All Day Long).”

Vince’s daughter Jenny Gill and wife Amy Grant presented the award, a crystal vase. “Vince Gill, you are freakishly gifted in the creativity department,” said Amy. Jenny recalled how her father declined his first opportunity to play the Grand Ole Opry because it was on the same night he’d promised to back her on guitar in her first grade talent show.

“Do you know how many peanut M&Ms I can fit in this,” Vince quipped, accepting the vase. “A room together for a common cause is a night well spent,” he added, citing his fellow honorees. “Have a great night, and the M&Ms are on me.”

Blair introduced the house band. Keyboardist John Hobbs led Eddie Bayers, Paul Franklin, Brent Mason, Deanie Richardson, Michael Rhodes, Bobby Terry, Dawn Sears and Terry White. Debbie recognized the event’s sponsors and introduced Lori Badgett.

Lori talked of her late mentor, Brian Williams. Amy Grant presented the award named in Brian’s honor to the Mayor. “Brian built bridges,” noted Karl. “I’m flattered and humbled by this award….The cities that are going to succeed are the cities of education and the cities of creativity.”

I am told that the honorees were asked to keep their acceptance remarks to four minutes. Presenter Storme Warren evidently wasn’t given the same instruction. His lengthy remarks about his relationship with Charlie Daniels were followed by The Grascals performing “The Devil Went Down to Georgia.” Then Ronnie Dunn provided the night’s most electrifying vocal performance, “Mississippi.” A nine-voice armed-services chorale sang “How Great Thou Art.”

Tennessee Major General Max Haston presented Charlie’s honor. “I’ve had the ability to recognize leaders by their actions, rather than their words,” he said. “Charlie goes where our troops are.”

“Since I learned my first chords on the guitar, I have wanted to be a part of the music scene here in Nashville,” said Charlie. “We live in the greatest place in the world, the greatest music city. Thank you, Nashville. Thank you, everybody here tonight. Thank you, God.”

Blair returned to the stage, noting that Randy Owen has raised more than $400 million for St. Jude’s Children’s Research Hospital. Longtime Alabama friend and colleague Greg Fowler spoke lovingly of his lifelong friend. David Nail performed Randy’s “Feels So Right.”

Little Big Town was up next. “You have no idea what an influence you have been on the four of us,” said the group’s Kimberly Schlapman to Randy. “It’s such an honor being here. We love you.” The group turned in a lovely, harmony-soaked rendition of “My Home’s in Alabama.” “I think the future of country bands is in good hands with those guys,” commented an appreciative Blair.

St. Jude’s exec Rick Shadyac presented the award. He’s the son of hospital founder, actor Danny Thomas. “It’s because of you, Randy, that no family pays St. Jude’s for anything,” Rick said. “You are the ‘Angel Among Us,’” he added, referencing one of Alabama’s finest songs.

A clean-shaven Randy took the stage to accept, noting that he also gives educational scholarships, among his charitable activities. “I’m just a country boy….I appreciate this….Thank you,” he said.

Recent cancer survivor Wade Hayes provided the evening’s finale, a moving rendition of “Angels Among Us” featuring many of the night’s performers, as well as St. Jude’s parents and children.

Taking it all in were Steve Gibson, Steve & Ree Guyer Buchanan, Steve Fishell & Tracy Gershon, Dennis Lord, Tom Lord, Teresa George, George Briner, John Slater, John Beiter, John Van Mol, previous honoree Tony Brown, Tony Conway, Deborah Evans Price, Debbie Carroll, Ron Samuels and Ron Cox, plus Fletcher Foster, Sarah Skates, Chase Cole, Karen Clark, Kevin Lamb, Kathleen & Tim O’Brien, Andrew Kintz, Kira Florita, Ken Paulson and Kay West.

Fabulous pal and fellow balcony attendee Jill Napier snagged me a program book from the downstairs celebration. The throng also included Joe & Phran Galante, Jeff Green, Jody Williams, Jay Frank, Suzanne Gordon, Sherod Robertson, newly short-haired Stacy Widelitz, Sandy & Chuck Neese, Chuck Flood, Liz Thiels, Lynn Morrow, Lisa Harless, Del Bryant, Dan Hill, Doug & Linda Edell Howard, David Corlew, Tim McFadden, Tom Baldrica, Bob & Leslie Tomasina DiPiero, Bo ThomasTerry Hemmings and Rod Essig.

Our cocktail supper on the plaza was prepared by Daily Dish Catering, and it was far, far better than most hotel banquet meals I have had at such affairs. Buffet tables held a sampling of fruits and cheeses, delicious smoked gouda mac & cheese, roasted vegetables, shrimp & grits, pork tenderloin slices with varied toppings and pita or bread chips with hummus and/or pesto dips.

Inside the auditorium, Gaylord Hotel provided finger-licking good little desserts such as lemon squares, mini chocolate cakes, fruit-and-custard cups and cannolis.

Mingling and munching were Pat McMaken, Hank Adam Locklin, Nancy Shapiro, Woody Bomar, Craig Hayes, Holly Gleason, Randy Goodman, event manager Anita Hogan, Ben Payne, Wayne Halper, Bebe Evans, Paula Szeigis, Allison Jones, Marion Williams, Earle Simmons, Caroline Davis, Judi Turner and more.

Parallel Entertainment Adds New Management Client

Parallel Entertainment has announced the addition of singer/songwriter Kayla Conn to its management roster. The 15-year-old began singing at the age of three, playing guitar at 10, and writing at 12. She recently performed as the opening act for American Idol season 10 winner Scotty McCreery.

“At such a young age, Kayla has proven herself a talented singer and songwriter,” said C.T. Wyatt, manager for Parallel Entertainment. “We’re honored to be with Kayla at the beginning of what promises to be a long and successful career.”

Conn recently finished shooting her first music video for her new iTunes release, “Memory For Two.” The song, dedicated to her grandparents, raises awareness of Alzheimer’s disease. “Memory For Two” was co-written with Brian White and Karyn Williams and produced by Blake Bollinger. Bollinger is also co-writing and developing Conn’s upcoming project.

Full Circle Music Publishing Inks New Writer

Songwriter Tommy Cecil has signed an exclusive publishing agreement with Full Circle Music Publishing. Cecil, a Bardstown, KY native, has had recent cuts by Colt Ford, Billy Dean and J.B. and the Moonshine Band. Some of the recent hits in Full Circle’s catalog include Jason Aldean’s “Fly Over States,” Brad Paisley’s “Old Alabama” and “Anything Like Me,” Kenny Chesney’s “The Boys of Fall,” and Craig Morgan’s “This Ain’t Nothin’.”

(L-R): Brad Kennard (Vice President, Full Circle Music), Cecil, Michael Hollandsworth (Owner, Full Circle Music), and Noah McPike (Almon Law, PLLC).