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DISClaimer: Superb Vocalists Chris Stapleton, Rhonda Vincent, Daryle Singletary Offer New Tracks

Chris Stapleton

Good things come in pairs.

That is why we have two Disc of the Day winners and two DisCovery Award winners today. It’s a no-brainer that the new single by Chris Stapleton is a Disc of the Day. But lend an ear to the duet by veterans Rhonda Vincent & Daryle Singletary. It, too, deserves a Disc of the Day prize.

In the newcomers column we have the female trio The Calamity Janes as well as singer-songwriter Matt Rogers. Both earn DisCovery Award honors.

THE CALAMITY JANES/Pullin’ Weeds
Writers: C. Mock/A. Childs-Benson; Producers: none listed; Publishers: none listed, BMI; CJ
-Cool, minor-key melody. Moody, rumbling rhythm track. Silvery electric-guitar accents. Smooth female trio harmonies. What’s not to love? Send more.

CHRIS STAPLETON/Broken Halos
Writers: Chris Stapleton/Mike Henderson; Producer: Dave Cobb/Chris Stapleton; Publishers: none listed; Mercury (track)
– In a word, thrilling. His hair-raising, soul-drenched vocal delivery is powerful enough to raise the dead. The bluesy, fall-from-grace lyric is dynamite. Can I get a witness?

JOSH MARTIN/Just My Luck
Writers: none listed; Producers: none listed; Publishers: none listed; Sony/ATV
-The publishing company is taking the unusual step of marketing a single by this young writer-artist. He is quite ear catching, with his rapid-fire delivery in the verses contrasting with the slowed-down, echoey choruses. Blazing electric-guitar work supports him. Recommended.

SHANE OWENS/19
Writers: Jeffrey Steele/Gary Nicholson/Tom Hambridge; Producers: none listed; Publishers: Gottahaveable/Songs of Windswept Pacific/Gary Nicholson/Sony-ATV Cross Keys/Tom Hambridge, BMI/ASCAP; Amerimonte
-This hard-country stylist just doesn’t know how to turn in a sub-par performance. In this slice-of-American-life track, he sings of a football star who becomes a posthumously decorated war hero. The accompaniment is a simply strummed acoustic guitar.

THE PAT WATTERS BAND/Loaded On A Saturday Night
Writers: Pat Watters; Producer: Evan Middlesworth; Publishers: none listed, BMI; PWB (track)
– This country rocker sounds like a live performance, which gives is a great deal of presence and edge. Special kudos to the splendid steel-guitar work by group member Rick Kreuziger.

DEBBIE COCHRAN & DOLLY PARTON/Born Again Wildflower
Writers: Debbie Cochran; Producer: Kent Wells; Publishers: DMC Anniston, BMI; GTR (track)
– Cochran’s rich alto meshes beautifully with Parton’s shining soprano on this inspirational ballad. This is true-blue, old-school country music.

FOSTER MCGINTY/Radio Dreams
Writers: none listed; Producer: Keith Gattis; Publishers: none listed; FM (track)
– It’s a male-female duo with a bopping, bouncing, bongo-driven (!) rhythm track on its new single. Plus organ and electric-guitar accents. He sings lead with urgency and passion. She adds bright harmony vocals here and there.

RHONDA VINCENT & DARYLE SINGLETARY/One
Writers: Ed Bruce/Judith Bruce/Ron Peterson; Producers: Rhonda Vincent/Daryle Singletary; Publishers: Home At Last/Advantage Pride/Polumbo Entertainment/Just a Secretary. BMI/ASCAP; Upper Management (track)
– The new duets album by these two superb country vocalists is called American Grandstand. It mixes classics like “After the Fire Is Gone,” “We Must Have Been Out of Our Minds,” “Golden Ring” and “Louisiana Woman Mississippi Man” with lesser known oldies and new tunes. Throughout, their voices are awesome in harmony. Here, she plays Tammy Wynette to his George Jones on a revival of that team’s unjustly overlooked 1995 reunion ballad. Somebody shout “Amen!”

KENT BLAZY/Difficult Kind
Writers: Kent Blazy/Will Hoge; Producer: Kent Blazy; Publishers: Jam Writers Group/Will Hoge/BMG Platinum, BMI; KB (track)
– Singer-songwriter Blazy has named his new collection ‘66 after the year he first took up the guitar. He’s perhaps best known for his work with Garth Brooks. But this collection finds him flying solo and collaborating with hot tunesmiths such as Cory Barren, Leslie Satcher and, here, Will Hoge. The rollicking uptempo track is perfect for Blazy’s barked vocal performance.

MATT ROGERS/Richest Place On Earth
Writers: M. Rogers: Producer: Matt McClure; Publishers: none listed; MR (track)
– It turns out that the richest place is the graveyard. So live and love with all your heart while you’re still here. Extremely well written and sung with fire and conviction. Play this.

Paige Elliott Joins Columbia Nashville As Director, West Coast Promotion

Paige Elliott

Columbia Nashville Promotion Sr. Vice President Shane Allen has appointed Paige Elliott as Director, West Coast Promotion, Columbia Nashville. Based in Denver, Colorado, where she has lived since 2013, Elliott begins her new role immediately.

Allen says, “Our entire Columbia family is extremely excited to have a promotion veteran of Paige’s stature join the team. Her extensive radio relationships and diverse skill set make her the perfect addition at a very exciting time for our imprint and Sony Music Nashville as a whole.”

“I’m thrilled to work with the world-class staff and roster at Columbia Nashville,” says Paige Elliott. “Thank you to Randy Goodman, Steve Hodges and Shane Allen for this incredible opportunity.”

Prior to joining Sony Music Nashville’s Columbia Promotion team, Elliott was Director of Regional Promotion, West Coast for Capitol Records Nashville from 2010 to 2017. From 2007 to 2010, she was Director of Regional Promotion, Northwest, Capitol Music Group.

Paige Elliott can be reached at [email protected].

Submissions Now Open For 2017 ‘MusicRow’ Artist Roster Issue

Submissions for the upcoming MusicRow Artist Roster issue are now being accepted. The issue includes company listings and rosters for Nashville record labels, publicists, lawyers, managers, talent agencies and artist services.

The deadline for entries is Friday, July 7.

To submit, complete the new submission form and send to [email protected].

Advertising: To reserve Artist Roster ad space, email [email protected]. Rate card information is available here.

Weekly Chart Report 6/30/17

Click here or above to access MusicRow‘s weekly CountryBreakout Report.

Bobby Karl Works The Room: 2017 MusicRow Awards

Pictured (L-R): MusicRow‘s Sherod Robertson, Charles Judge, Jimmie Lee Sloas, Russell Terrell, Ilya Toshinskiy (and his children), and MusicRow‘s Eric Parker. Photo: Moments By Moser Photography

 

Editor’s Note:  The event was hosted by SESAC this year and held in the CMA event space. This was the first year the annual awards event was hosted by SESAC. SESAC’s Kelli Turner, Dennis Lord, with the Creative Services team, are featured on this year’s MusicRow Awards print issue which was distributed to the attending guests at the event.

Anderson Benson partnered with MusicRow again this year to sponsor the event. Insurance is a key part of having a successful business in this industry, and Nashville-based insurance broker Anderson Benson is dedicated to serving and supporting the entertainment industry.
 

BOBBY KARL WORKS THE ROOM

Chapter 570

It was “Ladies’ Night Out” at this year’s MusicRow awards.

Women were the biggest winners at the honors, staged on Wednesday (June 28) in the new SESAC/CMA event space. Lauren Alaina, Maren Morris, Jesse Lee and Hillary Lindsey all won. All of them are also songwriters.

The event began with greetings from our host, SESAC’s Shannan Hatch. She introduced MusicRow’s Sherod Robertson.

“Many times, these are the first awards these people receive,” said Sherod. “And they are also early predictors of future awards.”

Eric T. Parker began the ceremony by presenting the annual All-Star Musician Awards. Justin Niebank (engineer), Ilya Toshinskiy (guitar), Jimmie Lee Sloas (bass), Charles Judge (keyboards), Aubrie Haynie (fiddle), Russell Terrell (vocals), Greg Morrow and Fred Eltringham (a tie for drums) and Dan Dugmore, Paul Franklin and Russ Pahl (a three-way tie for steel supremacy).

Pictured (L-R): Song Of The Year winners Clint Lagerberg, Steven Lee Olsen and Hillary Lindsey. Moments By Moser Photography

This year’s first-time musician winners are Terrell and Eltringham. Accepting in person and offering well-spoken thanks were Ilya Toshinskiy, Russell Terrell, Jimmie Lee Sloas and Charles Judge.

“I’ve been doing this for 22 years, so this is pretty sweet,” said session singer Russell Terrell. Toshinskiy accepted warmly with one young child in his arms and another by his side. Judge recognized the musician honors with thanks. Sloas was wry, witty, grateful and endearing.

Pictured (L-R): MusicRow‘s Sherod Robertson and Neon Cross’ Melissa Spillman accepting for producer Jay Joyce. Photo: Moments By Moser Photography

Robertson announced Jay Joyce as Producer of the Year. Melissa Spillman, of Joyce’s Neon Cross publishing company, accepted.

“He’s honored to be among these wonderful creators,” said Melissa. “And he thanks the creative community. Without them, he would be a weirdo in a black hoodie in East Nashville.”

Pictured (L-R): Parallel Music Publishing’s Travis Myatt accepting for songwriter Jesse Lee and MusicRow‘s Sherod Robertson. Photo: Moments By Moser Photography

The Breakthrough Songwriter of the Year winner was Jesse Lee. The co-writer of “Peter Pan” was cheered at the event by her family. She sent in video greetings from a recording studio in Europe, saying, “I moved to Nashville 15 years ago….I have 15 years of people to thank for this….So it’s nice on days like today.

“Thanks to SESAC [she is an affiliate] for hosting this. I’m having a great time in Copenhagen.”

Photo: Moments By Moser Photography

The Breakthrough Artist-Writer of the Year was Lauren Alaina. This was the first time that MR has had this category.

“It’s been a crazy year,” Lauren said. “When I was 11 years old, I made my parents bring me to Music Row, where I recorded a really bad record of my songs. Now I don’t have a record with really bad songs on there. So thank you for that and thank you for this.”

Next up, Maren Morris made her second visit to the MusicRow winners’ circle. Last year, she was awarded the Breakthrough Songwriter of the Year. This year, she was presented with the Breakthrough Artist of the Year award.

“Thank you, MusicRow, for having me back,” she said. “I always thought of myself as a writer and not an artist. Thank you guys for believing in me when I didn’t even believe in myself.

“I’m working on my sophomore album, which is exciting, but as scary as shit.”

Pictured (L-R): Lauren Alaina, Maren Morris and Ryan Hurd. Photo: Moments By Moser Photography

The penultimate award of this 29th annual MR ceremony was the presentation of the Song of the Year honor. Often a predictor of CMA and/or Grammy honors, the ballot this year was packed with deserving compositions – “Vice,” “Wanna Be That Song,” “Leaving Nashville,” “Kill a Word” and the winner, “Blue Ain’t Your Color.”

“Man, what a turnout,” said “Blue” cowriter Clint Lagerberg surveying the capacity crowd. “We [songwriters] don’t get to see this mountain-top a lot. But we get to see the valleys. So this is great.”

Lagerberg and cowriters Hillary Lindsey and Steven Lee Olsen then wowed the crowd with a beautifully rehearsed, outstanding, trio-harmony version of “Blue Ain’t Your Color.”

Appreciating the moment were Michael Knox, Michael Mason, Mike Sistad, Tim Wipperman, Tim Fink, Todd Cassetty, Ben Vaughn, Bev Moser, Susan Collier, Carla Wallace, Dale Dodson, Martha Moore, Edie Emery and Chris Keaton.

Servers circulated with pork, shrimp, ham, bacon and veggie bites on toast points, polenta and/or sweet-potato biscuits. Barry Coburn, Debbie Linn, Cindy Owen, Sherrill Blackmon, Earle Simmons, Erika Wollam Nichols, Dave Pomeroy, Dennis Banka, Don Cusic, Kerry O’Neill, Pat Higdon, John Beiter and Troy Stephenson worked the room.

SESAC’s Shannan Hatch. Photo: Haley Crow/MusicRow

Pictured (L-R): Lauren Alaina and MusicRow‘s Sherod Robertson. Moments By Moser Photography

2017 ‘MusicRow’ Awards Winners Revealed

MusicRow honored the songwriters, publishers and artists behind some of the year’s top hits and breakthrough songs during the 29th annual subscriber-voted MusicRow Awards on Wednesday, June 28, during a private ceremony hosted for the first time by SESAC, and sponsored by Anderson Benson insurance in the CMA’s event space.

Winners included producer Jay Joyce, who earned his second MusicRow Award win in this category for his work with Eric Church, Brandy Clark, Little Big Town, Carrie Underwood, Brothers Osborne, Devin Dawson, LANCO, The Wild Feathers, and more.

Eleven all-star musicians were honored for their work on the most Billboard Top 10 album credits in eight categories over the past 12 months. Winners included: Jimmie Lee Sloas (bass), Justin Niebank (engineer), Aubrey Haynie (fiddle), Ilya Toshinskiy (guitar), Charles Judge (Keyboards), Russell Terrell (vocals) and a tie for Fred Eltringham and Greg Morrow (guitar), and Dan Dugmore, Paul Franklin and Russ Pahl (steel).

Maren Morris, who has previously earned MusicRow‘s Breakthrough Songwriter honor, was honored this year as Breakthrough Artist, while Lauren Alaina was honored with MusicRow’s inaugural Artist-Writer category, for co-writing her first Top 10 hit, the No. 1 single, “Road Less Traveled.”

Parallel Music Publishing’s Jesse Lee was honored as this year’s Breakthrough Songwriter.

This year’s MusicRow Awards recognized Song of the Year “Blue Ain’t Your Color,” recorded by Keith Urban and written by Hillary Lindsey, Clint Lagerberg and Steven Lee Olsen.

The 2017 MusicRow Awards June/July print issue was also revealed at the ceremony. The new issue features SESAC’s Kelli Turner and Dennis Lord, with the Creative Services team on the cover.

Grammy Awards Returning To Los Angeles In 2019

The Recording Academy has inked a four-year agreement with AEG for Los Angeles’ Staples Center to host the Grammy telecast when the show returns to Los Angeles in 2019 following its 60th anniversary celebration in New York this coming January.

“We very much consider Staples Center our home and are grateful for the successful relationship we’ve cultivated throughout the years with AEG and the entire Staples Center team,” said Recording Academy President/CEO Neil Portnow. “We look forward to continuing this relationship and bringing the Grammys back to the Entertainment Capital of the World.”

The Grammy Awards have been held at the Los Angeles Staples Center for 17 out of the last 18 years. Additionally, AEG has been home to the Grammy Museum at L.A. Live since 2008.

“We are thrilled that Staples Center will continue to be home to the Grammy Awards,” said AEG President & CEO Dan Beckerman. “We have always enjoyed a strong relationship with the Recording Academy and have a tremendous amount of respect for Neil Portnow, who has always been a collaborative partner to AEG. We look forward to welcoming back the Grammys when they return to Los Angeles in 2019.”

“Staples Center has been the home of not only Music’s Biggest Night, but the most important nights in music since we first opened,” said Lee Zeidman, President of Staples Center and L.A. LIVE. “We designed many aspects of Staples Center in partnership with the Recording Academy and look forward to extending this important relationship for years to come.”

CBS will continue to broadcast the show live on both coasts and the 2019 show will mark the 47th consecutive year the network has broadcast the Grammy Awards. CBS has a commitment to broadcast the show through 2026.

Nashville’s Music Community To Align For ‘Heal The Music Day’ Oct. 20

Grammy winner Rodney Crowell was in the middle of a music video shoot during a busy Friday evening on Nashville’s lower Broadway, when he was struck by the sheer number of fellow musicians he saw performing at the street’s numerous clubs and bars.

“I took a guess that there must be 150 musicians working on Broadway that night,” Crowell told MusicRow.

At last estimate, some 56,000 Nashvillians work in the city’s music industry, as producers, songwriters, recording artists, musicians, publishers, and more.

Seventy five percent, or approximately 42,500 of those people, are self-employed or part of a small business, without access to group medical health benefits. Many of the self-employed and small business owners struggle to provide health care insurance for their employees.

After that shoot, Crowell, a board member and advocate for nonprofit organization Music Health Alliance, teamed with MHA to hatch a plan to help his fellow musicians.

“I thought these are the musicians that might go to Music Health Alliance for the help they need with health insurance,” Crowell says. “I was also aware that a lot of people don’t know what MHA is and what it does. So I thought two things—we could raise awareness and we could also raise funding.”

Rather than go the usual route of a benefit concert, they have announced Heal The Music Day on Oct. 20. Proclaimed by Nashville mayor Megan Barry as such, Heal The Music Day will offer Nashville’s musicians and music companies the chance to support their own.

Musicians can donate five percent of that day’s show earnings to nonprofit organization Music Health Alliance, to help support the nonprofit organization. Crowell says he has been working with other music companies on creating alternative structures that allow them to participate in that day’s giving.

Crowell’s first call was to Keith Urban, who immediately agreed. From there, the list has only grown, with supporters including Chris and Morgane Stapleton, Dierks Bentley, Earls of Leicester, Emmylou Harris, Gary Allan, Gene Watson, Glen Templeton, Jerry Douglas, John Prine, Lee Brice, Marty Stuart, Mary Gauthier, Miranda Lambert, Peter Frampton, Rachael Hester, Rodney Crowell, Ronnie Dunn, Rosanne Cash, Sam Bush, Shawn Camp, T Bone Burnett, Vince Gill, Dualtone Records, Nashville Musicians Union, Nashville Songwriters Association International (NSAI), New Frontier Touring, Warner Chappell Music and Wiatr & Associates.

Rodney Crowell. Credit: Gregg Roth

“Usually with the overhead costs of putting on a concert, you are lucky if you are making 17 percent,” Crowell says. “With this, they don’t have to do anything that they aren’t already doing. We are working on some other formulas for publishers and others to contribute. But it was easy for me to sell to touring artists.”

Since its founding four years ago, Music Health Alliance has helped more than 5,600 music industry professionals solve medical coverage needs, and saved $16.5 million in healthcare resources. MHA has also become the clearinghouse for “all things medical” for MusiCares, the Gospel Music Trust Fund, ACM Lifting Lives and the Opry Trust Fund.

The organization’s services are free and available to anyone who has worked in the music industry for two or more years, or who has credited contributions to four commercially-released recordings or videos. Spouses, partners, and children of qualifying individuals may also receive access to MHA services.

Those services include assistance for those with healthcare difficulties including having no health insurance (individual or group coverage), newly diagnosed illnesses, those who cannot afford medication or have high medical bills, need help understanding health insurance policies, senior health concerns, Medicare preparation, those with a special needs family member and more.

Tatum Allsep. Credit: Ashley Hylbert

“I wish there wasn’t a need for such advocacy in our industry, because we believe healthcare is a human right, not just a privilege,” Music Health Alliance founder and Executive Director Tatum Allsep tells MusicRow. “Unfortunately, that’s not the way our system is structured,” says Allsep.

The need is only getting bigger.

According to the New York Times, the congressional budget office declared that the bill to dismantle the Affordable Care Act would leave 14 million more people uninsured next year than under the ACA, and 23 million more by 2026.

Allsep hopes instead to see changes made to the ACA to fix the portions causing hardship for many Americans, including those in the music industry.

“Music Health Alliance stays very apolitical,” Allsep stresses. “The Affordable Care Act is an immense blessing for so many people in the music industry so to completely repeal it would really hurt our industry. What we are really hoping is that they will reform the pieces that are not working, like high premiums for those that make 400 percent above the federal poverty level. For a family of four, that’s about $93,000. Paying $2,800 a month for insurance, that’s not affordable for anybody.”

Crowell knows well the struggle for small business owners who cannot provide health insurance to their employees. Crowell is one of them.

“I’m a touring artist, but I can’t afford to provide health insurance for the people who travel with me,” he says. “They go to Music Health Alliance. I would say three out of four touring artists couldn’t afford to provide healthcare for their employees.

“It’s a large workforce that needs help, and anyone that has been working in the industry for two years can walk through Music Health Alliance’s doors and they will help them find the insurance they need. They are constantly researching and they know where the government and state funding and medical funding is to help people take on enormous medical-related debt.”

Crowell first became acquainted with the work of Music Health Alliance while involved with a charity fundraiser with Vince Gill. When he learned of the work Music Health Alliance was doing for the music industry, he called Allsep directly.

“I said, ‘We are going to send over a check,’ and she was so appreciative. She said, ‘That’s going to cover our expenses for next month.’ I thought, ‘Wow, it is running really close to the edge, getting this off the ground.’ That’s why I wanted to do more for them.”

Nashville mayor Megan Barry who proclaimed the concert day as Heal The Music Day has joined the effort.

“It is my great pleasure to proclaim October 20th as Heal The Music Day in recognition of Music Health Alliance’s work to connect some of the 56,000 Nashvillians in the music industry with doctors, medicine, health insurance and financial assistance during times of illness,” said Nashville Mayor Megan Barry. “So many of our artists, entertainers, songwriters, musicians, and crew are self-employed and go without access to high-quality health insurance. Heal The Music Day is about giving back and showing we care about those who put the music in Music City.”

“Fame doesn’t equal fortune in our city at all,” Allsep sums. “It’s only a small percent of people that reach that level and most of the time, it’s not lasting. This work can help build an endowment that ensures that we are always able to provide to those in this industry that are in need.”

Pandora CEO Westergren Steps Down, CFO Naveen Chopra Takes Interim Reins

Pandora CEO Tim Westergren has stepped down from his position at the company it was announced today, with CFO Naveen Chopra stepping into the CEO position for the interim while the Board of Directors begins an immediate search for a new CEO. Chief Executive Officer/ReDEF Group Jason Hirschhorn has also been appointed to the Board of Directors.

“On behalf of the entire board, I would like to thank Tim for his vision and his many years of leadership that have created one of the most recognized brands in streaming music today,” said Pandora Board Member Tim Leiweke. “Tim stepped in to be CEO at a critical time for the company and was quickly able to reset relations with the major labels, launch our on-demand service, reconstitute the management team and refortify our balance sheet by securing an investment from Sirius XM. We support Tim’s desire to identify a new CEO for Pandora’s next stage.”

“I am incredibly proud of the company we have built,” Westergren said. “We invented a whole new way of enjoying and discovering music and in doing so, forever changed the listening experience for millions. I came back to the CEO role last year to drive transformation across the business. We accomplished far more than we anticipated. We rebuilt Pandora’s relationships with the music industry; launched a fantastic Premium on-demand service, and brought a host of tech innovations to our advertising business. With these in place, plus a strengthened balance sheet, I believe Pandora is perfectly poised for its next chapter.”

Also exiting the company in the transition are Pandora President Mike Herring and CMO Nick Bartle.

 

Bobby Bones To Be Inducted Into National Radio Hall Of Fame

Bobby Bones is now the youngest inductee into the National Radio Hall of Fame thanks to his legions of loyal fans who voted for him in the Music Format On-Air Personality category. The host of iHeartMedia’s Bobby Bones Show now joins the ranks of radio legends like Dick Clark, Paul Harvey, Larry King, Howard Stern, and Bob Kingsley with the honor.

Nominated alongside Sean “Hollywood” Hamilton, Guy Phillips and Ryan Seacrest, Bones was the only representative in the country genre. The Nashville community and his devoted listeners rallied around Bones during the voting period June 5-19 encouraging people to vote, and artists including Kelsea Ballerini, Dierks Bentley and Little Big Town donned “VOTE BOBBY” t-shirts in support of Bones.

Bones, whose nationally syndicated radio show on 100 stations reaches over five million listeners weekly, will be inducted at a formal ceremony on November 2. The prestigious honor is the latest in a string of awards for Bones, who was also named ACM National On-Air Personality of the Year in 2014 and 2016, following multiple honors at the Austin Music Awards including Best Radio Personality and Best Radio Program.