The 6th annual CMA Touring Awards was held Monday, January 22 at Nashville’s Marathon Music Works. The event, which highlights members of the Nashville music industry, was hosted by Curb recording artist Jerrod Niemann, standing in for Kristian Bush, who had recently come down with the flu.

“The CMA Touring Awards offer us an opportunity to celebrate all of our vital, behind-the-scenes industry members,” said Sarah Trahern, CMA Chief Executive Officer. “They are true road warriors who night after night commit themselves to bringing live music straight to country music fans around the globe.”

After a brief cocktail reception, guests were invited into the newly renovated event space for a buffet dinner followed by the awards ceremony (formerly known as the SRO Awards). The original SRO Awards were originally created by the CMA Board of Directors in 1990.

Setting the stage for a fun and relaxed evening, Niemann greeted the guests stating, “Obviously Kristian Bush was supposed to be here. It’s a little weird ‘cause most of the time musicians give people diseases—they don’t usually receive them.” He then added a serious note of sincerity admitting this sudden hosting role for him was “a huge honor.”

CMA members were eligible to vote in the 15 categories up for awards. Ballots were tabulated by the professional services organization of Deloitte & Touche, LLP.

Video tributes congratulating the winners were shown as each recipient was announced and brought on stage to receive their award and give remarks. These tributes included artists Kelsea Ballerini, Eric Church, Keith Urban, Ed Sheeran, Kenny Chesney, Garth Brooks, Blake Shelton, Kid Rock, Jason Aldean, Terri Clark, Jay DeMarcus and Joe Don Rooney of Rascal Flatts, Reba, Darius Rucker, Tyler Hubbard of Florida Georgia Line, Miranda Lambert, Cole Swindell, Danielle Bradbery, Vance Joy, Jeremiah Fraites of The Lumineers, Midland, Eddie Montgomery, George Strait and Brad Paisley.

Several artists attended in person including Thomas Rhett who took the stage to personally give his tour manager Logan Kornegay the award for Tour Manager of the Year including a custom Masters-style green jacket.

“You’re one of my favorite people in the world, and you work harder than anybody I’ve ever met in my life,” Thomas Rhett shared from the stage. “And I got you this—it’s like a Masters jacket, but it says ‘CMA 2017 Tour Manager of the Year.’”

Angie Gentry, widow of Montgomery Gentry’s Troy Gentry, made a surprise appearance to present Coach/Truck Driver of the Year Award to Danny Shelnut, while Chris Stapleton honored two members of his touring family with awards—Arpad Sayko received the FOH (Front of House) Engineer of the Year Award and John Garriott received the Production Manager of the Year Award.

“I want to take this opportunity to thank you all for always taking care of us,” Stapleton said from the stage. “These guys make us look so good. I don’t make your job easy because I do know I have a lot of weird request on both ends. I do make them put up large sonic domes every day just because I felt like it. You know, that’s the job. These guys do it every day without fail. I do appreciate you guys and everything you do.”

Additionally, CMA Board member and Moo TV CEO Scott Scovill presented the Tour Video Director of the Year Award to John Breslin.

CMA Awards winner and Board member Kix Brooks bestowed honors to his manager Clarence Spalding for Manager of the Year and shared a humorous story of their first meeting together—when Kix, on his bus, left the venue after a show, accidentally leaving Clarence behind.

Brooks also presented Live Nation’s President of Country Music Touring Brian O’Connell with the Lifetime Achievement honor, with additional remarks shared by Dierks Bentley and CMA Board President Elect and Co-Head of WME Nashville Rob Beckham.

This award is for an individual who has achieved both prominence and stature at the highest level in the country music field of touring and has positively impacted and contributed to the growth of touring with an unprecedented historical impact on country music fans and the industry alike.

Beckham poignantly described his feelings about working with O’Connell and said, “One of the things I love about you being my brother, my friend, my family is that you’re part of us. You’re one of us. You don’t go around us… you do it the right way and we all appreciate you and we love you.”

Bentley recalled a saying often uttered by O’Connell, “Who cares?” and has adopted that phrase, not as something flippant, but as a powerful mantra when faced with obstacles. He explained, “It falls somewhere between ‘Don’t sweat the small stuff’ and understanding in life that the only thing you can control is your attitude towards what life throws at you. The philosophy of ‘who cares?’ involves caring so much that you just don’t care. And I’ve never met somebody that cares more or cares less than Brian O’Connell. It’s a beautiful thing.”

Among the many artist video tributes, CMA Board members Tony Conway and Mike Moore, recorded video messages that played during the ceremony to congratulate O’Connell.

O’Connell’s growing legacy includes tours with artists: Jason Aldean, Dierks Bentley, Brooks & Dunn, Luke Bryan, Florida Georgia Line, Toby Keith, Lady Antebellum, Miranda Lambert, Tim McGraw, Brad Paisley, Rascal Flatts, Thomas Rhett and Keith Urban. His accomplishments continue to grow in a vibrant festival division within the company including Watershed, Faster Horses, LakeShake and more.

Upon taking the stage to receive his award, O’Connell called all of his staff to join him on stage. “There is no celebration, there is no trophy, and there is none of this without these guys. These guys do all the work. I need every single one of them.” Looking at the guests who filled the room and his team members nearby on stage, he told the crowd, “This is your lifetime achievement award.” “It’s about all of us.”

Before leaving the stage, O’Connell concluded, “Nashville, Tennessee is the greatest collaborative community on planet fucking earth! Period!”

 

For more information, visit CMAworld.com. To watch CMA Touring Awards video highlights at CMA’s YouTube Channel, click here.

6TH ANNUAL CMA TOURING AWARD WINNERS (highlighted in red):

CATEGORY 1 – BUSINESS MANAGER OF THE YEAR
Duane Clark – Flood, Bumstead, McCready & McCarthy, Inc.
Cheryl Harris – O’Neil Hagaman, PLLC
Lou Taylor – Tri Star Sports and Entertainment Group
Rob Taylor – Wiles + Taylor & Co., PC
Dwight Wiles – Wiles + Taylor & Co., PC

CATEGORY 2 – COACH/TRUCK DRIVER OF THE YEAR
Caleb Garrett – Luke Bryan
Jerry Martin – Darius Rucker
Larry Phye, Jr. – Chris Stapleton
Danny Shelnut – Montgomery Gentry
Kavin Spears – Eric Church
Dean Tubb – Charlie Daniels Band

CATEGORY 3 – FRONT OF HOUSE (FOH) ENGINEER OF THE YEAR
Jared Blumenberg – Florida Georgia Line
Dan Heins – Garth Brooks
Arpad Sayko – Chris Stapleton
Frank Sgambellone – Luke Bryan
Chris Stephens – Jason Aldean

CATEGORY 4 – LIGHTING DIRECTOR OF THE YEAR
Dave Butzler – Garth Brooks
Scott Cunningham – Florida Georgia Line
Philip Ealy – Kenny Chesney
Justin Kitchenman – Luke Bryan
Gavin Lake – Eric Church

CATEGORY 5 – MANAGER OF THE YEAR
Bob Doyle – Bob Doyle & Associates
Clint Higham – Morris Higham Management
Jason Owen – Sandbox Entertainment
John Peets – Q Prime South
Clarence Spalding – Maverick

CATEGORY 6 – TOUR MANAGER OF THE YEAR
Todd Bunch – Eric Church
David Farmer – Kenny Chesney
Tracy Greenwood – Garth Brooks
Logan Kornegay – Thomas Rhett
Mark Sizemore – Luke Bryan

CATEGORY 7 – MONITOR ENGINEER OF THE YEAR
Marc Earp – Eric Church
Juan Gomez – Florida Georgia Line
Ed Janiszewski – Luke Bryan
Phillip Robinson – Kenny Chesney
Martin Santos – Garth Brooks

CATEGORY 8 – PRODUCTION MANAGER OF THE YEAR
Drew Brown – Jason Aldean
Gary Chrosniak – Luke Bryan
John Garriott – Chris Stapleton
Todd Ortmeier – Florida Georgia Line
Brian Petree – Garth Brooks

CATEGORY 9 – PUBLICIST OF THE YEAR
Jake Basden – Big Machine Label Group
Tyne Parrish – The GreenRoom
Jessie Schmidt – Schmidt Relations
Nancy Seltzer – Nancy Seltzer & Associates, Inc.
Jensen Sussman – Sweet Talk Publicity

CATEGORY 10 – TALENT AGENT OF THE YEAR
Rob Beckham – WME
Joey Lee – WME
Darin Murphy – CAA
Kevin Neal – WME
Nate Ritches – Dale Morris & Associates

CATEGORY 11 – TALENT BUYER/PROMOTER OF THE YEAR
Ben Farrell – Lon Varnell Enterprises
Patrick McDill – Live Nation Nashville
Louis Messina – Messina Touring Group
Brian Traeger – Live Nation Nashville
Ed Warm – Joe’s Bar

CATEGORY 12 – TOUR CATERER OF THE YEAR
Center Stage Events
Concert Kitchen
HSG Catering
Knoxville Catering
Mike Maxwell + Co. Motion Picture Catering

CATEGORY 13 – TOURING MUSICIAN OF THE YEAR
Nathan Barlowe – Keith Urban
Wyatt Beard – Kenny Chesney
John Thomasson – Little Big Town
Lee Hendricks – Eric Church
Jimmy Mattingly – Garth Brooks

CATEGORY 14 – VENUE OF THE YEAR
Ascend Amphitheater – Nashville, TN
Bank of New Hampshire Pavilion – Gilford, NH
Bridgestone Arena – Nashville, TN
Grand Ole Opry House – Nashville, TN
Red Rocks Amphitheatre – Morrison, CO

CATEGORY 15 – TOUR VIDEO DIRECTOR OF THE YEAR
John Breslin – Garth Brooks
Houston Creswell – Dierks Bentley
Milojko Dobrijevich – Jason Aldean
Chris Jones – Eric Church
Ryan Rushing – Luke Bryan

Managers for artists including Def Leppard, Stevie Nicks, and Lenny Kravitz have teamed to form CSM Management, with headquarters in Nashville and Los Angeles. The team includes music managers Craig Fruin, Sheryl Louis and Mike Kobayashi. All three were formerly connected with HK Management, whose founder Howard Kaufman died in early 2017.

The CSM roster includes Lenny Kravitz, Jeff Lynne and ELO, Stevie Nicks, Chris Isaak, Def Leppard and Tesla.

“At CSM, we approach client management with a core philosophy and a global brand perspective. We provide each client with a customized focus on every aspect of their career. Collectively, we bring expertise in international marketing, touring, digital marketing and expertise in film, television, design, and merchandising. We all take pride in creating and implementing solutions that are innovative and collaborative with our artists,” commented Fruin, who represents Lenny Kravitz, Jeff Lynne and Jeff Lynne’s ELO.

Sheryl Louis, who manages Stevie Nicks, Chris Isaak and co-manages Fleetwood Mac, commented: “Bringing our individual expertise under one roof gives our clients the opportunity to thrive and grow more than ever. This wider perspective has created a perfect environment for the three of us to collaborate, explore strategies and ideas, and collectively bring our vast experience and attention to the needs of our artists.”

“Forming this company with Craig and Sheryl felt seamless given our long term partnership with Howard and HK Management. Our special bond with one another and collective vision for CSM enables us to focus on what’s most important and meaningful to our artists during every facet of their careers. We understand the need to adapt to the ever-changing music landscape which guides us to be at the forefront of a thriving global industry. Our commitment is to fully servicing our clients in all aspects of the business while actively looking for like-minded artists to grow our roster,” commented Mike Kobayashi who manages Def Leppard and Tesla.

CSM Management’s Nashville office is located at 1200 Clinton Street, Ste. 241. CSM Management can be reached at 615-750-3590 or [email protected].

 

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In November 2017, BMI announced that Mason Hunter had been tapped for the role of Assistant VP, Creative, working closely with Nashville’s VP, Creative, Jody Williams. Hunter joined BMI in 2000.

The announcement was also part of a company-wide rebranding of BMI’s Writer/Publisher Relations departments, now named the Creative Department.

“It better reflects what our jobs are and what we’ve evolved into,” Williams tells MusicRow. “We are just formalizing what we’ve been doing for three years. Mason came into our department from the licensing department. He has been great at finding partners for our events that we were producing and better organizing them for us and for our affiliates. He came in and he knows the creative community and he understands events and sponsorships, so he knew how to communicate with sponsors so we can get support for our events.”

Hunter and Williams say that finding new outlets for their songwriters, both creatively and financially, has become a top focus for the performing rights organization in recent years.

“From the creative side, we are finding opportunities for our writers outside of our traditional airplay,” Hunter says. “That will always be our core business, but as we have evolved, and as the songwriters’ careers have evolved, we look for new ways to promote them. It doesn’t have to be a performing songwriter—it might be a networking opportunity or a way for us to get their music in front of a certain brand. If you are a performer there are many performance opportunities. That’s what I usually say that’s the big differentiator between us and the other [performing rights organizations]. If you are a songwriter looking outside of the traditional, we provide avenues for that.”

“We still have a fantastic group of writer reps, including Bradley Collins, Leslie Roberts, David Preston, MaryAnn Keen, and Josh Tomlinson, whose jobs it is to look out for the best most talented writers we can represent and get them to sign with BMI. That is our core business and that will never go away,” Williams adds. “The sponsorships and events are the flag we wave that we can offer them to make it easier for them to decide to come to BMI.”

In recent years, BMI has partnered with several festivals and performance events to create opportunities for their songwriters, including the Maui Songwriters Festival, SXSW, and most recently, with the Rooftop On The Row concert series that launched in 2017, as well as Speed Dating for Songwriters with YouTube and a Next Big Wave Songwriter Mixer. There is also BMI’s popular, long-running partnership with the Key West Songwriters Festival.

“We are making sure we are keeping our eyes on the ball of why we exist—to send out money four times per year to writers and publishers—and do it as smartly as we can do it,” Williams says. “Events and partnerships is another suite of offerings we equip our writer reps with. If you can offer up more than the traditional co-write, which we will always do, and if you operate where you have other opportunities, which helps, you have the ability to do some things outside of a traditional PRO,” Williams says.

Opry Entertainment Group has announced the promotion of Gary Levy to General Manager of the Ryman Auditorium, reporting to Opry Entertainment Chief Operating Officer Michael Guth.

Levy previously served as the Ryman’s Director of Operations, a position he has held for the past two years. As General Manager, Levy will continue to oversee the daytime and nighttime operations of the venue. He will work closely with Opry Entertainment Sr. VP of Programming and Artist Relations Sally Williams.

Levy has been part of the Ryman team for the past 10 years, serving as the Ryman’s Facility Manager for six years, before being promoted to Sr. Facility & Events Services Manager in 2014. For the past two years, he served as the Director of Operations. He joined the Ryman after working for the Florida Marlins for nine years, during which he was part of their 2003 World Series win.

Guth, Chief Operating Officer of Opry Entertainment said, “Gary is a seasoned operator and an outstanding leader with a true passion for the Ryman’s rich history. I could not be more pleased to have his leadership at a time when more people than ever before are visiting Nashville and experiencing the Ryman for themselves.”