Tag Archive for: featured-2

Scooter Carusoe Signs Joint Venture With Rezonant Music Publishing, BMG

Pictured (L-R): Kos Weaver/BMG; Scooter Carusoe; Tim Wipperman/Rezonant

Scooter Carusoe has signed a joint venture publishing deal with Rezonant Music Publishing and BMG. The companies have also purchased his recent catalog. 

Carusoe co-wrote Darius Rucker’s latest No. 1, “For the First Time,” as well as the Brett Eldredge chart toppers  “Wanna Be That Song” and “Mean To Me” and Kenny Chesney hits “Better As A Memory” and “Anything But Mine.” He has also had songs recorded by Jordan Davis, Dierks Bentley, Rascal Flatts, Chris Janson, Chris Young, Lady Antebellum, Sugarland, Eli Young Band and more.

“The opportunity to work with an elite lyricist like Scooter as well as Kos and his creative team at BMG was compelling for us at Rezonant,” said Tim Wipperman, Rezonant’s CEO and founding partner. “It’s a great combination.”

“Scooter is one of the best songwriters around, and in a lane all his own,” said Kos Weaver, BMG EVP Nashville. “We are thrilled to be representing him with Tim and Rezonant.”

“I am very proud to be part of the Rezonant team,” said Carusoe. “They are an exciting addition to the Nashville music community and the perfect partner for me as I start a new chapter in my career. The uniqueness of their model, which also allows us to partner with BMG, gives me a lot of support moving forward and a new energized spirit.”

Weekly Chart Report (6/22/18)

Click here or above to access MusicRow’s weekly CountryBreakout Report.

DISClaimer: Florida Georgia Line, Joshua Hedley Pack Banjos, Fiddles On New Tracks

Is it hot enough for ya?

Country music has summer sounds to either cool you down or heat you up. Your choice.

In the “cool” department is our Disc of the Day winner, Florida Georgia Line. These boys have never sounded better than they do on “Simple.”

The DisCovery Award honoree is the coolest dude in today’s listening session, a retro man named Joshua Hedley.

As for turning up the heat, I suggest Kane Brown, Garth Brooks and/or newcomer Rachel Wammack.

RACHEL WAMMACK/Hard to Believe
Writers: Rachel Wammack/Jason Reeves/Jimmy Robbins; Producer: Dann Huff; Publisher: none listed; RCA
– The stuttering, double-time rhythm creates an undertow of excitement as the track commences. Her personable, conversational delivery of the verses shifts into a shimmering soprano pay-off on the choruses. Astonishingly accomplished. Play it.

FLORIDA GEORGIA LINE/Simple
Writers: Mark L. Holman/Michael Wilson Hardy/Tyler Reed Hubbard; Producer: none listed; Publishers: Universal/Kobalt, no performance rights listed; Big Machine
– Wow. Utterly charming and utterly country, this is a perfectly delightful, toe-tapping summer song. The clear, uncluttered production and innocent, catchy-as-can-be song are both fabulously refreshing. All it takes is one listen, and you fall in love with it. Banjo. Whistling. Spelling. Yippee!

JOSHUA HEDLEY/I Never Shed A Tear
Writer: Joshua Hedley; Producer: none listed; Publishers: none listed; Third Man Records
– This man is our latest retro, back-to-basics country hero. His resonant baritone recalls Ray Price, and so does his steel-bedecked honky-tonk shuffle. The album is called Mr. Jukebox. If you love real country music, complete with twin fiddles, buy it now.

YouTube video
E

 

GARTH BROOKS/All Day Long
Writers: Brooks/Mitch Rossell/Bryan Kennedy; Producer: none listed; Publishers: none listed; Pearl
– It’s deliberately crafted to sound like rowdy, old-school, honky-tonk Garth. And it succeeds admirably. Summer fun.

DANIELLE BRADBERY/Worth It
Writers: Danielle Bradbery/Jeff Pardo/Molly Reed; Producer: Josh Kerr; Publishers: Songs of Universal/One Voice Global/Canal/Meaux Jeaux/Da Bears Da Bears Da Bears/Capitol CMG/Dayspring/Goes Something Like This/Warner-Tamerlane, SESAC/BMI; Big Machine (track)
– I remain a fan. This soaring ballad winningly asserts her self-worth in the most simple, direct fashion. She sings her face off on it.

LeANN RIMES & STEVIE NICKS/Borrowed
Writers: LeAnn Rimes/Darrell Brown/Dan Wilson; Producers: Darrell Brown, Waddy Wachtel, LeAnn Rimes & Stevie Nicks; Publishers: none listed; Thirty Tigers
– The Rimes project is an EP titled Re-Imagined that reinterprets some of her classics in mostly stripped-down arrangements. None is more stunning than this awesome duet. Stevie’s low-alto vocal harmony shadows LeAnn at every turn. These are two, for-real, sensational singing ladies.

YouTube video

 

KANE BROWN/Lose It
Writers: Chase McGill/Kane Brown/William Bradfore Jr. Weatherly; Producer: none listed; Publishers: Warner-Chappell/Universal, no performance rights listed; RCA (download)
– Rocked-up young country that’s light on melody and heavy on rhythm. Lyrically, it’s a come-on that’s meant to sound sexy and exciting.

ELI YOUNG BAND/Love Ain’t
Writers: Ross Copperman/Ashley Gorley/Shane McAnally; Producer: Dann Huff; Publishers: none listed; Valory Music Co.
– Zippy and meaningful at the same time. You can bop along in oblivion or dig the message. It works either way. The song’s video about a vet’s rehab and his steadfast lover is stunning.

LEE BRICE/Rumor
Writers: Ashley Gorley/Kyle Jacobs/Lee Brice; Producer: none listed; Publishers: Warner-Chappell/Mike Curb, no performance rights listed; Curb
– I’m a big fan of this guy. This time around, he’s adopted a slightly gospel-y, blue-eyed soul vibe that sounds really cool. The small-town romance in the lyric is so warm and attractive.

YouTube video

 

KELLY WILLIS/Back Being Blue
Writers: none listed; Producer: Bruce Robison; Publishers: none listed; Premium/Thirty Tigers
– I’ve always loved her singing, and it has been way too long since she had a solo album. Its title tune is a languid lament about being cheated on in a familiar, sad, resigned kinda way. Hubby/producer Robison keeps the track uncluttered and soulful. The electric guitar work is particularly groovy.

Ken Tucker To Join BBR Music Group’s Wheelhouse Records As VP, Promotion

Ken Tucker

BBR Music Group has named Ken Tucker as VP, Promotion for label imprint Wheelhouse Records. Wheelhouse Records’ roster includes Trace Adkins, Granger Smith, Kristian Bush, Runaway June and Walker McGuire. Tucker will begin work in his new role July 23.

Prior to joining Wheelhouse Records, Tucker served as Apple Music’s Nashville-based music programmer. Prior to being part of a team that launched both Beats Music and Apple Music, Tucker was the Managing Editor of consumer publication Country Weekly.

A former radio programmer and air personality, Tucker served in regional and national promotion positions at Warner Bros. Nashville, championing various artists including Blake Shelton.

As a writer and editor, his work appeared in Billboard, Mediaweek, The Hollywood Reporter and Radio & Records, among other publications. A former adjunct professor at Belmont University, Tucker is a past Chairman of the Academy of Country Music, a lifetime member of the Country Music Association and a member of the Leadership Music Class of 2007.

“Since his time at Warner Bros., his knowledge-base and relationships have only grown deeper and stronger,” says Jon Loba, EVP, BBR Music Group. “We are so excited to have someone with his broad base of experience and perspective join our family. Even more than that, I am thrilled to add someone with his integrity and heart who places such a high value on ‘win-win’ relationships. He will be an amazing leader for our Wheelhouse team and a strong passionate advocate for our artists!”

“No matter what segment of music business that Ken has been in and associated with, he has Always Excelled,” said Carson James, SVP of Promotion, BBR Music Group. “I’m so excited to have him lead our Wheelhouse Promotion Team for many years to come!”

Tucker will report to Carson James, SVP of Promotion, BBR Music Group.

BBR Music Group VP of Radio Syndication & Group Strategy, Renee Leymon, will continue to serve as the interim VP of Promotion for Wheelhouse Records. She can be contacted at renee@bbrmusicgroup.com or (615) 610-2118. Prior to July 23, Tucker can be reached at kentuckerwheelhouse@gmail.com or (615) 584-7100.

Warner Music Nashville Partners With Cody Johnson

Cody Johnson

Warner Music Nashville has inked a partnership with rising country artist Cody Johnson. Johnson is now signed to CoJo Music/Warner Music Nashville.

Johnson’s 2016 album, Gotta Be Me, landed at No. 2 on the Top Country Albums chart. Earlier this year, he headlined the Houston Rodeo at NRG stadium in front of 60,000 fans. In 2017, Johnson sold more than 350,000 hard tickets; he launched a nationwide tour April 2018 that will continue through the summer.

Johnson has released six independent albums, with nearly 300 million on-demand streams accumulated largely in the last year and a half. The Sebastapol, Texas, native started gaining traction in country music following a string of jobs ranging from amateur bull riding to working at the local prison.

Johnson is also represented by Durango Artist Management, Red 11 Music and HBPR.

 

Warner Music to Launch Elektra Music Group In October

Mike Easterlin, Gregg Nadel

Zac Brown Band, Dave Cobb‘s Low Country Sound, Sturgill Simpson and Paramore will be among the artists and labels under the new Elektra Music Group, a standalone, fully-staffed label group that will be launched under Warner Music on Oct. 1.

The label group, under the direction of co-presidents Mike Easterlin and Gregg Nadel, will also include labels Fueled By Ramen, Roadrunner, and Black Cement Records. Additional artists on the roster will include twenty one pilots, Brandi Carlile, Fitz and the Tantrums, Slipknot, Panic! At The Disco, Coheed and Cambria, Kaleo, Gojira, and more.

Elektra Music Group will boast a 60-plus member team embracing all key music company functions, including A&R, Artist Development, Business & Legal Affairs, International, Marketing, Promotion, Publicity, Sales & Streaming, and Video. The departments will be led and staffed by current members of the Atlantic, Elektra, FBR, and Roadrunner teams, as well as new hires. Personnel details will be announced in the coming weeks.

“Elektra Music Group will be 100% dedicated to developing the careers of authentic artists and helping them realize their visions,” said Easterlin and Nadel. “The company will embody the same independent spirit that is at the root of each of our core labels. Elektra, Fueled By Ramen, Roadrunner, Low Country Sound, and Black Cement were all founded by entrepreneurs who did it for the love of the music and a belief in their artists, and that philosophy will remain the driving force behind everything we do. We’re going to have an extraordinary roster, backed by the most ambitious, innovative team in the business. To have the opportunity to run our own stand-alone company is a dream come true, and we want to thank Julie and Craig for having such great faith in us. We can’t wait to get started.”

“Our whole approach is to create environments that give artists and entrepreneurs the freedom and support to pioneer the future of music,” said Max Lousada, CEO, Recorded Music, Warner Music Group. “From the outset, Elektra Music Group will be a dynamic community of credible artists and distinctive label cultures. Gregg and Mike are a dream leadership team, able to combine adventurous A&R, bespoke artist development, and full-force global marketing. It feels great to be bringing back the iconic Elektra brand as a major, stand-alone company for the first time in 15 years.”

Easterlin has been President of FBR and Roadrunner Records since January of 2016. He had previously served as General Manager of both labels since 2012. Under his leadership, FBR has been behind the breakthrough success of Grammy winners twenty one pilots, Paramore, and fun., as well as artists such as Panic! At The Disco, Young the Giant, and others. Roadrunner remains the world’s premier home for hard rock and metal, with a genre-defining roster including the likes of Slipknot, Theory of a Deadman, Trivium, Coheed and Cambria, and Gojira. Easterlin originally joined Lava/Atlantic as SVP of Promotion in 2005, having previously held posts at Virgin Records and Island Def Jam.

Nadel has been President of Elektra Records since January of 2017, having served as the label’s General Manager since 2015. A 21-year veteran of the Atlantic family, he joined the company straight out of college in 1997. Moving up the A&R ranks, he went on to sign Grammy winners, Zac Brown Band and Sturgill Simpson, acclaimed Icelandic band, Kaleo, and others. As Atlantic’s SVP of A&R & Marketing, Nadel spearheaded all three album campaigns for global superstar, Ed Sheeran. In addition, he forged the partnership between Elektra and Grammy-winning producer Dave Cobb’s Low Country Sound label, whose artist roster includes the critically acclaimed Brandi Carlile, Anderson East, Brent Cobb, and others.

Bobby Karl Works The Room: Industry Salutes Tony Brown’s ‘Elvis, Strait, to Jesus’

Tony Brown addresses industry guests attending his book release celebration at BMI for Elvis, Strait, to Jesus. Photo: Tommy Mattox, Dead Horse Branding

BOBBY KARL WORKS THE ROOM

Chapter 595

A picture is worth a thousand words.

At least that’s what uber producer Tony Brown believes. “I was going to write an autobiography, but I didn’t think I could stay with a book that long,” Tony said on Tuesday afternoon (June 12). “So I thought I would tell my story in pictures. If you ever wonder what my life was like, you’ll find it in this book, Elvis, Strait, to Jesus.”

Robert Oermann and American singer-songwriter Emmylou Harris. Photo: MusicRow

The coffee-table tome is visually stunning, containing hundreds of photos from Tony’s stellar career as a gospel pianist, rock sideman, country band member, record producer, label executive and bon vivant. Forty of Tony’s celebrity friends posed for formal portraits in his elaborately carved French Renaissance chair. The various images and Tony’s text have been presented and laid out by the “chair” portrait photographer, Rick Caballo.

At a reception co-sponsored by BMI and MusicRow, Rick and Tony were presented with framed souvenirs saluting the book’s Gold honor as an International Design Award recipient. “This award is as much Tony’s as it is mine,” said designer Rick. “He was the juice. I just squeezed it. Tony’s brilliance is that he lets other people shine in the moment.”

“I’ve been so privileged to work with so many great people,” said Tony. The Hachette Book Group presented him with a leather-bound custom edition of his book. “It looks like a Bible!” exclaimed Tony.

Tony Brown signs copy of his book, Elvis, Strait, to Jesus. Photo: Tommy Mattox, Dead Horse Branding

BMI’s Jody Williams welcomed the crowd, saying, “Tony’s career is a trip through American music history. He was always trying to expand the boundaries of country music. That made our city more attractive to artists of all musical genres.” Which in turn set the stage for Nashville’s emergence as “the IT city.” Jody introduced a video that contained Tony testimonials from Steve Earle, Trisha Yearwood, Rosanne Cash, Lyle Lovett and Reba McEntire. A special video greeting came from Priscilla Presley.

MusicRow Publisher/Owner Sherod Robertson and Tony Brown. Photo: MusicRow

MusicRow’s Sherod Robertson took the stage to say, “I’m thrilled to be able to participate in this. At MusicRow, we’ve witnessed Tony Brown’s contributions over the years. Our industry is built on relationships, and this book documents those moments that are the building blocks of Music Row.

“People ask me, ‘How do I break into Music Row?’ You don’t ‘break in,’ you build in, and that’s what Tony did. Tony’s influence has created ripples that extend much deeper than we can calculate. I’m one of the many people in this industry who have been impacted by the ripples you created. No one has ever shaped country music as much as Tony Brown did. Our industry is changing. Buildings on Music Row may be torn down. But one thing that will never be torn down is the influence and legacy of Tony Brown.”

Among those applauding the book’s publication were David Briggs, John Briggs, John & Beth Stein, Emmylou Harris, Scott Borchetta, Bill Carter, Melissa Core Caballo, Tim DuBois, Becky Hobbs, Amy Garges, Chuck Ainlay, Jessie Noble and Paul Kennerley, many of whom are pictured in the volume.

Tony Brown and CEO of Big Machine Records Scott Borchetta. Photo: Tommy Mattox, Dead Horse Branding

Juanita Copeland was in the crowd of well-wishers. She’s still managing the Sound Emporium studio, despite its ownership changes. It is now a Lipscomb University property, but she maintains its ties to the past by displaying artifacts recalling Cowboy Jack Clement and Garth Fundis. Sounds like a must-see.

Also lining up for Tony Brown book autographs were Doug Johnson, Dale Dodson, Mark Moffatt, Pat Higdon, Barb Hall, Jim Zumwalt, David Preston, Lois Riggins Ezell, Sarah Brosmer, Jeff Balding and more.

Quoth the Man of the Hour, “Everybody says, ‘What’s so great about being in the music business?’ Everything!”

Tony Brown and American singer-songwriter Becky Hobbs. Photo: Tommy Mattox, Dead Horse Branding

 

Pictured (L-R): Rick Caballo, Tony Brown, Melissa Core-Caballo. Photo: Tommy Mattox, Dead Horse Branding

 

Tony Brown (seated) with Pam Russell (standing) and guests. Photo: Tommy Mattox, Dead Horse Branding

Weekly Chart Report (6/15/18)

Click here or above to access MusicRow’s weekly CountryBreakout Report.

DISClaimer: Survey Of Current Music City Pop/Rock

Old favorites and new dancefloor darlings mix and mingle in today’s survey of current Music City pop/rock.

The enduring Nashville popsters of yore are Los Straitjackets, Take 6 and Webb Wilder. The electronic wunderkinds are Cappa, Mona and Davis Mallory.

The Disc of the Day award belongs to, of course, Taylor Swift, who is currently conquering the world (again) on tour.

The DisCovery Award goes to Birdtalker, a Nashville quintet that’s about to issue its debut album.

BAD COP/Dreamer Man
Producer: Chris Grainger
—It’s been a long wait for the new album by this Nashville post-punk outfit. But Hello Mr. Sunshine is out now, and so is this snarky emphasis track. Lead singer Adam Moult has a classic tenor snarl/whine that delivers sarcastic and/or ironic lyrics with flair. The band is minimalist thrashy, featuring old-school, small-kit drumming and jangling electric guitar. In previous seasons, Bad Cop’s music has had network syncs (ESPN, Showtime), been used in a Capri Sun ad and has enjoyed in-store promotion by Converse sneakers.

TAKE 6/Change the World
Writer: Tommy Sims/Gordon Kennedy/Wayne Kirkpatrick; Producer: Mark Kibble & David Thomas
—This Grammy winning a cappella jazz vocal ensemble has titled its new CD Iconic because it contains Take 6 versions of modern pop chestnuts. The group’s gospel background is revealed in “Nothing But the Blood.” It does a particularly nice job with the Christopher Cross oldie “Sailing.” And its Music City roots are showing with this groovy cover of Eric Clapton’s anthem, penned by three of Nashville’s best tunesmiths. The ballad is turned inside out via tempo shifts, melodic improvisations and background scatting. Ear opening.

WEBB WILDER & THE BEATNECKS/Powerful Stuff
Writer: R. Field; Publisher: Sharp Circle, ASCAP
—Written by Beatneck R.S. Field, this steaming, unrelenting, power-pounding blues rocker was originally recorded by Wilder 30 years ago. But The Fabulous Thunderbirds picked it up and made it a 1988 hit, so the original sat on the shelf. Now it’s the title of Wilder’s new collection of previously unreleased stompers. Clap hands and shout, “Hallelujah” at this rock ‘n’ roll evangelist. Then get up and dance to his muscular takes on Little Richard’s “Lucille,” Lightnin’ Hopkins,’ “I’m Wild About You Baby” and Sam & Dave’s “Ain’t That a Lot of Love.”

MONA/Thought Provoked
—I was initially smitten with this Music City band last year via its sex-positive viral-hit video “Kiss Like a Woman.” Mona’s new Soldier On CD drops June 22, and it has sent out this tease track to promote it. The hallmarks here are a hooky, soaring, anthem-like chorus, crunching guitars and a searing high-tenor lead vocal. Stomping and glam infected, evoking nouveau Queen.

TAYLOR SWIFT/Delicate
Writer: Taylor Swift/Max Martin/Shellback; Producer: Max Martin & Shellback; Publisher: Sony-ATV Tree/Taylor Swift/MXM/Kobalt, BMI/ASCAP; Big Machine
—Now that she’s launched her tour, sales of Taylor’s Reputation CD are bound to spike. This thumpy, seductive, swoony single sure won’t hurt. A dreamy track to get lost in.

YouTube video

CAPPA/Tension
—This EDM lady splits her time between L.A. and Nashville. Her new single is a catchy, light-hearted, bubbling bopper with winsome vocals and rhythmic pops, drops and dollops. Very promising. Cappa showcased her sounds at the Hutton Hotel’s cool Analog venue on Wednesday evening.

DAVIS MALLORY/Sun and Moon
Producer: Lopic Panillo
—With the Nashville Pride Festival approaching (June 23-24), this singer-songwriter’s music is timely indeed. His “Pride Edition Music Video” for this poppy track is out now. The infectious track highlights his breathy vocals, steady beats and synth accents. Mallory first achieved notoriety on MTV’s Real World Denver and three seasons on the game show The Challenge. Since moving to Nashville about four years ago, he’s written more than 300 dancefloor songs, including “Not That Far Away,” “Loud,” “Dance With Me,” “Be Without You” and “Anyone Would Know” all of which have internet videos.

LOS STRAITJACKETS/(What’s So Funny ‘Bout) Peace, Love and Understanding
Writer: Nick Lowe; Producer: Neil Brockbank; Yep Roc
—These masked marvels have this instrumental twanger as the title tune of their tribute CD to Nick Lowe. He’s often noted for his witty lyrics, but the Nashville surf rockers shine their spotlight on what a cool melody maker he is as well.

SWING SET/Make Mine a Double
Writer: Bois/Mosser/Scheinman/Shropshire/Spencer; Producer: Eight O’Five Jive; Publisher: Red Rudy Too Tunes, BMI; Red Rudy Too Tunes
—This came out last year, so I am quite tardy in getting to it. The quintet dresses in period costumes of the ‘30s and ‘40s when it plays its jump-blues tunes. The sound may be vintage, but the tunes are originals. Liven up your next cocktail party with this.

BIRDTALKER/Feel Like a Broken Heart
Missing Piece
—This is the advance tune for this Nashville band’s debut CD, which drops on June 22. It’s an upbeat, lo-fi outing with folk-flavored vocals backed by a crunchy rhythm track and nifty electric guitar licks. A previous Birdtalker track, “Heavy” amassed 21 million Spotify streams, I am told. Also check out the band’s delectable “One” lyric video and amusing dance clip “Graveclothes.”

YouTube video
YouTube video
YouTube video

Q&A: Stoney’s Founder Chris Lowden Talks Expanding Presence And Footprint

Chris Lowden, founder of Stoney’s Rockin’ Country in Las Vegas

Stoney’s Rockin’ Country, the go-to country music venue in Las Vegas, has an ever-expanding presence on the west coast and is making a footprint in Nashville with a new office.

On April 13 and 14, Stoney’s hosted the ACM Tailgate as part of ACM Party For a Cause, featuring more than 30 artists including Kip Moore and Jon Pardi. The venue expanded the festival-style outdoor event from one day in 2017, to two days this year, with proceeds benefiting ACM Lifting Lives.

In addition, Stoney’s is celebrating it’s 11th birthday this summer, as well as its first ACM Industry Award nomination for Nightclub of the Year, set to be presented in August 22 at Nashville’s Ryman Auditorium.

MusicRow spoke to founder Chris Lowden about the driving forces behind the venue, which he runs with the help of marketing director Jeff “Toad” Higginbotham.

Stoney’s prides itself on embracing emerging artists. Who has played there and who would you love to see take the stage?

There’s so much great talent that typically Vegas doesn’t see, because they are rising artists who don’t fit the showroom mold or the arena mold. With a 1200 capacity, Stoney’s fills a hole [in the market] that other places don’t, by offering shows by artists like Jimmie Allen, Stephanie Quayle and The Cadillac Three. Russell Dickerson has played here about eight times in the last three years, and the last two times he sold out. I’d love to host Cody Jinks, John D. Hale Band, Brent Cobb and Mitchell Tenpenny. Brett Young, Jon Pardi and Luke Combs have all played here, and now we can’t afford them.

When did you decide to open Stoney’s?

I used to hang out at a place called Gilley’s, inside the Frontier Hotel and Casino. The General Manager was a guy named Stoney. Then in 2005 or ‘06, we found out they were going to tear down The Frontier, and there would be no more Gilley’s. So we decided to build our own place and name it after Stoney, because everybody knew who he was. We opened in 2007.

What was it like growing up in Las Vegas with family in the entertainment and gaming business?

We were in the gaming business and owned six casinos at one point. We just sold our last casino. We are transitioning from gaming to a real estate investment company that happens to have Stoney’s.

We owned the Sahara, where I saw Brooks and Dunn perform before they were famous. We had people like Tina Turner and George Carlin. The Grateful Dead used to stay at the Sahara and eat lunch in the coffee shop. My dad also helped take Siegfried & Roy from a small act inside the Lido, by working with Irvin Feld to create the show we know today.

My dad has a crazy history with Las Vegas entertainment, but also with playing music. He is a musician who left home at about age 15. He is a keyboard player and his forte is the Hammond B3. He still plays today and tours with Jack Jones.

What is the idea behind Stoney’s launch of Country AF radio?

It was born out of frustration that terrestrial radio would not play our emerging artists’ music.

So we program it with 50 percent terresetrial and 50 percent what we want to play, like Blackberry Smoke, Carlton Anderson, Travis Parker and Alex Williams. We also have a lot of content and interviews. It’s an app or you can listen online at CountryAFRadio.com.

Russell Dickerson’s sold-out show at Stoney’s Rockin’ Country on April 12, 2018.

Congratulations on your first ACM nomination. What sets Stoney’s apart from other venues?

The vibe is super cool, and it’s not just a venue. On the dance floor it’s not uncommon for half or three-fourths of the fans to be watching the show while the other half or one-fourth are line dancing or two-stepping.

The nomination is a little surreal. We’re super excited and humbled by it. Our philosoply is to be the venue that artists love to call home, love to play. We really treat them like family…as I say, “the family that you like.” We want them to know they will have a good crowd and great equipment.

Most of all the hospitality is second to none, which is what we strive for, because we really appreciate the hard work that artists put in.