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SESAC, NMPA, NSAI, And SONA Announce Unconditional Support for Music Modernization Act

The National Music Publishers’ Association (NMPA), the Nashville Songwriters Association International (NSAI), the Songwriters of North America (SONA), and SESAC today announced they have agreed to work together to support the Music Modernization Act (MMA). The broad coalition demonstrates an unprecedented commitment by the industry to support songwriters and music publishers, who will benefit from the bill’s ultimate passage, resulting in the most comprehensive reform to the music copyright business in generations.

The bill creates a single mechanical licensing entity which will establish an open, transparent copyright ownership database that will be overseen by music publishers and songwriters and paid for by digital services.

At the encouragement of Senators deeply involved in the legislation and recognizing the importance of the MMA for the future of the music industry, the parties have endorsed a provision under consideration by the Senate to amend the Mechanical Licensing Collective’s (MLC) administration of voluntary licenses outside the scope of the Section 115 compulsory license in order to ensure private vendors can continue to participate in the music market, maintaining competition which is beneficial to songwriters and producers.

All parties have enthusiastically agreed and respectfully request the Senate pass the MMA.

NMPA President & CEO David Israelite: “We are thrilled that we have mutually agreed on a path forward. We are stronger when our music family speaks with one voice and this agreement will allow us to come together to work towards the passage of the MMA. Songwriters need and deserve this bill. We thank the Senators involved for their leadership and guidance.”

SESAC Chairman & CEO John Josephson: “SESAC has been fighting for songwriters since 1931 and continues to do so with its enthusiastic support of the MMA. At the encouragement of Senators closely involved in this legislation, all parties came together to agree on outstanding items related to the MMA including the reform of the Section 115 compulsory license and other important related matters. We share a collective responsibility to help ensure that the MMA benefits all stakeholders in the industry and look forward to the Senate’s consideration of the bill.”

NSAI: “Reaching consensus within the music industry, on what may be the most important songwriter legislation in history, is a win for American songwriters and the broader music community. We are pleased to have put our differences behind us and support this bill in unanimous harmony. The Nashville Songwriters Association International has been a friend and fan of SESAC’s for decades and that is how our relationship will immediately resume.”

Songwriters of North America Executive Directors Michelle Lewis and Kay Hanley: “We are pleased to have come together with our partners SESAC, the NMPA, SONA and NSAI to move forward as a unified music community to support the successful passage and implementation of the much-needed Music Modernization Act. SONA would personally like to thank our partners, the NSAI and songwriter Ross Golan for their efforts and support in mobilizing the songwriter and artist community nationwide.”

The Recording Academy President/CEO Neil Portnow noted of the development, “Music industry unity got the Music Modernization Act through the House and it will take that unity to get it through the Senate. The Academy is gratified that the music industry worked through its differences and can work together to pass MMA into law.”

ASCAP Chief Executive Officer Elizabeth Matthews offered the following statement: “After working so hard for so long to update our music licensing laws, we must keep working together to keep the Music Modernization Act moving forward. All parties have had to give and take in order to achieve this consensus legislation that has so far seen widespread, bipartisan support and would help update music licensing laws to improve the future for music creators. We hope the Senate will pass it without delay.”

AIMP also released the following statement: “The AIMP applauds the NMPA and SESAC for coming to the table to move past their issues and confirming their unconditional support of the MMA. We hope that this clears the way for all Senators to embrace the MMA and move this forward.”

CMA Awards Final Nominations Coming Aug. 28, Carrie And Brad To Return As Hosts

Pictured (L-R): Carrie Underwood, Brad Paisley

The final round of nominations for the upcoming CMA Awards will be announced on Good Morning America, live from Nashville, on Aug. 28. Luke Bryan, Sugarland and Dan+Shay will be on hand to announce the final nominees in select categories, live from Luke’s 32 Bridge Food + Drink, Bryan’s new restaurant and bar in Nashville.

Brad Paisley and Carrie Underwood will return to host the Wednesday, Nov. 14 broadcast of the 52nd Annual CMA Awards, live from Bridgestone Arena. The show will air on ABC Television beginning at 7 p.m. CT.

The earlier nominee announcement will be available for livestream on ABCnews.com/liveImmediately following the show, the remaining categories, as well as the CMA Broadcast Awards nominees, will be revealed live on GoodMorningAmerica.com as well as GMA’s Facebook page through Facebook Live and simulcast on GMA’s” YouTube channel. 

The 52nd Annual CMA Awards nominees and winners are determined by more than 7,400 professional members of CMA, which is the first trade organization formed to promote an individual genre of music in 1958 and celebrates its 60th anniversary in September. 
The first CMA Awards Banquet and Show was held in 1967. The following year, the CMA Awards was broadcast on television for the first time – making it the longest running, annual music awards program on network television. The CMA Awards have aired on ABC since 2006. ABC is the network home of the CMA Awards and CMA’s other two television properties, CMA Fest and CMA Country Christmas, through 2021.
The 52nd Annual CMA Awards is a production of the Country Music Association. Robert Deaton is the Executive Producer. 

JUST IN: Music Industry Journalist Robert K. Oermann To Be Honored At Music Row Storytellers Event

Robert K. Oermann

Benefiting Nashville-based non-profit Music Health Alliance, Music Row Storytellers will feature music industry historian and journalist, Robert K. Oermann on Monday, October 29 at the Wellspire Center (907 Gleaves St., Nashville, TN 37203). Valet parking will be provided.

A 6:00 p.m. cocktail reception will be followed by a 6:30 p.m. program honoring Oermann. The evening will be filled with laughs and stories from Robert K. and surprise guests who’ve been part of his career.

Tickets are available for purchase here for $75.00 (fees included).

Music Row is lined with stories, but few people have witnessed as many – and have as many to tell – as Robert K. Oermann. Since arriving in Nashville 40 years ago, “Bobby Karl” has documented, chronicled and helped tell countless tales of the people, places and events that give Music City its moniker. He’s a natural and deserved choice as this year’s Music Row Storytellers honoree.

Music Row Storytellers is an event designed to honor people who stand the test of time in telling the stories that make the music industry so fascinating – the journalists, interviewers, reporters, show hosts and others who’ve lived, breathed and witnessed these moments alongside the music-and decision-makers of Music Row.

Robert K. Oermann’s love of music can be traced back to his Pittsburgh childhood, when he clerked in his grandmother’s record store. He moved to Nashville in 1978 for a job with the Country Music Hall of Fame Museum.

His freelance writing put his byline into such publications as Billboard, The Hollywood Reporter, Esquire, TV Guide and – in the early 1980s – the pages of an emerging newspaper called USA Today (as its first country-music reporter and critic). A dozen years with the daily Tennessean made him a Music City staple, as he evolved to become the community’s go-to journalistic source, critic, commentator and tastemaker. His entertaining singles reviews – an anchor of MusicRow magazine since its inception in 1981 – have made him a music-industry must-read.

As the author of eight books, the host of the hit podcast Children of Song and a creative force in film and TV documentaries, he has chronicled America’s musical culture for decades, sometimes in collaboration with his wife, Mary A. Bufwack. Liner notes, artist bios and interviews created by Robert K. have breathed life into the careers of innumerable artists, musicians, songwriters and producers. He has served and continues to lend his expertise and perspective to numerous organizations – The Recording Academy, the CMA, the Nashville Public Library, Leadership Music and the Nashville Songwriters Hall of Fame among them. He is also a spokesman for Music City as a convention speaker, a mentor to students and a frequently televised commentator.

Simply put, Robert K. Oermann is a Music Row “Storyteller.”

Travis Carter Named VP, A&R At Warner/Chappell Music

Travis Carter

Warner/Chappell Music (WCM) has promoted Travis Carter to Vice President, A&R. This appointment will expand on Carter’s previous role as A&R Director, Country/Pop & Rock, focusing on his efforts to discover and collaborate with a diverse roster of talent.

“It’s an honor to get to work with our amazingly talented songwriters and help them bring out their best work,” said Carter. “I’m grateful for the support of Ben and the team, as well as Warner/Chappell’s global network. I’m also grateful to be in Nashville, where there’s no shortage of great talent.”

“We are so happy to announce Travis’ promotion,” said Ben Vaughn, President of Warner/Chappell Nashville. “He’s someone who understands how to communicate with writers and we look forward to his continued growth.”

Carter works with a wide variety of songwriters across genres—from emerging talents like Ben Burgess, Niko Moon, and Jamie Kenney, to signed acts like Brothers Osborne, Midland, Devin Dawson, Morgan Evans, Calynn Green, Cale Dodds, and A Thousand Horses.

Previously, he served as A&R Manager. Prior to Warner/Chappell, Carter worked at Love Monkey Music, Tom-Leis Music and Sony Music, and was a touring musician.

Bobby Bones Named VP Creative Director For iHeartCountry

Bobby Photo

Bobby Bones, host of The Bobby Bones Show, has added VP stripes to his growing list of achievements, as he steps into the role of VP/Creative Director of iHeartCountry.

Bones reaches more than nine million people monthly as host of The Bobby Bones Show and Country Top 30 with Bobby Bones, in addition to more than 5 million monthly downloads of his morning show podcast. He will continue as host of both radio programs along with his new role, as well as hosting and executive producing his new radio show Women Of iHeart CountryThe Bobby Bones Show is nationally syndicated by Premiere Networks on more than 100 radio stations, in addition to airing on iHeartRadio, and Country Top 30 with Bobby Bones is heard nationwide on more than 160 stations.

In addition, Bones will continue to participate in iHeartMedia’s marquee live events including the iHeartRadio Music Festival and the iHeartRadio Music Awards, as well as host the iHeartCountry Festival and iHeartRadio Album Release parties for artists.

“Country continues to be one of the fastest-growing music formats and Bobby is the leading on air personality connecting with country fans across multiple platforms nationwide,” said Bob Pittman, Chairman and CEO of iHeartMedia. “He has created a relatable, fun and engaging brand of entertainment that drives unmatched results for our advertising and partners. We’re proud to be in the country music business with Bobby, and look forward to developing new and exciting ways to reach this expanding community.”

“This is the opportunity I’ve been chasing my entire career,” said Bones. “Thanks to Bob Pittman, Rich Bressler and Kevin Legrett for their years of support and for the space to build this partnership.”

With over a quarter of a billion monthly listeners in the U.S. and over 131 million social followers, iHeartMedia has the largest national reach of any radio or TV outlet in America.

Weekly Chart Report (7/27/18)

Click here or above to access MusicRow’s weekly CountryBreakout Report.

DISClaimer’s Day For New Beginnings: Mason Ramsey, Sarah Ross, Riley Green, Tenille Arts

Pictured (clockwise from bottom left): Riley Green, Mason Ramsey, Sarah Ross, Tenille Arts

This is a day for new beginnings.

Today, DISClaimer presents a flurry of deserving newcomers. Mason Ramsey, Sarah Ross, Riley Green and Tenille Arts are all staging worthy disc debuts. In a very, very tough competition, I’m giving a DISCovery Award to Riley Green.

Considering that it’s July, it is somewhat surprising to find that two of the three contestants for Disc of the Day are ballads. Morgan Evans has the day’s top uptempo tune, which leaves two blue-eyed soulmen seething in downbeat misery—Ryan Kinder and our winner, Randy Houser.

TENILLE ARTS/I Hate This
Writer: Tenille Arts/Adam Wheeler; Producer: none listed; Publisher: none listed; Reviver 
—The shuffled-brush drumming and dobro embellishments are way cool. She harmonizes with herself throughout the performance, and since she’s such a strong singer, that’s double the pleasure. The lyric is about taking a break in a relationship and not enjoying that one little bit. A terrific debut disc.

CLEDUS T. JUDD/Weight’s Goin’ Up Down Up Down
CTJM
—He always makes me smile. This comeback single humorously addresses his eternal battle of the bulge. Just so you know: At his heaviest, he weighed 291, and he has dieted down to as low as 168. He’s somewhere in between, nowadays. Whatever the pounds, he’s out to have some goofy fun, this time at the expense of Morgan Wallen and FGL.

RAELYNN/Tailgate
Writer: RaeLynn/Canaan Smith/Corey Crowder/Tyler Hubbard; Producer: none listed; Publisher: none listed; Warner Bros. 
—Sprightly, youthful and endearing. Teen fun, country style.

SARAH ROSS/Nervous Breakdown
Writer: Shane McAnally/Kacey Musgraves/Trevor Rosen/Brandy Clark; Producer: Jim Kaufman; Publisher: Little Blue Egg/Kobalt/Smack Songs/351/Warner-Tamerlane/Rehits/Smacktown, GMR/BMI/ASCAP; Average Joe’s
—Swirling and dizzy-sounding, featuring a production packed with dark rhythmic power, unexpected melodic twists and catch-’em-quick lyrics. Brilliantly written, frenetic and fascinating.

RANDY HOUSER/What Whiskey Does
Writer: none listed; Producer: none listed; Publisher: none listed; BBR/Stony Creek
—This is a searing barroom weeper from a man whose voice can turn a lyric inside out. Country music hallelujah amen.

RYAN KINDER/Stay
Writer: Ryan Kinder/Fred Wilhelm/Luke Sheets; Producer: Ryan Kinder & Luke Sheets; Publisher: none listed; Crimson Garden
—Ferociously soulful. He tears into this torrid ballad like his very life depends on it. The gal he is pleading to will surely succumb.

MASON RAMSEY/Famous
Writer: Corey Crowder/Canaan Smith/Sarah Buxton/Tyler Hubbard; Producer: none listed; Publisher: Warner-Chappell/BMG Rights; Atlantic/Big Loud
—In general, I hate kiddie acts. Unless they are/were Stevie Wonder or Brenda Lee or Judy Garland. Well, it turns out that the yodeling Walmart kid can really, really sing. So not only is this a wonderful Cinderfella story, it is accompanied by music with legs. His debut single is delivered in a solid, winning fashion and an uncomplicated directness that is marvelously refreshing.

MORGAN EVANS/American
Writer: Morgan Evans/Chris DeStefano/Josh Osborne; Warner Bros.
—Stirring and anthemic. You’ll shake your butt, bob your head, tap your toes, pump your fist and want to sing along. This man has the goods.

WILLIAM SHATNER & JEFF COOK/Friends Don’t Let Friends Drink Alone
Writer: Corey Lee Barker/Gary Hannan; Producer: Brian Curl, Jeff Cook & William Shatner; Publisher: Heartland/Never Forgotten; Heartland
—A throw-back honky tonker with barrelhouse piano, bouncing fiddle bow, woozy steel and thumped drums. Shatner recites the verses while Cook tries to salvage things by singing the choruses. An amusing diversion.

RILEY GREEN/There Was This Girl
BMLG
—Bubbling, boiling and shooting off steam. The rollicking rhythm, country-boy vocal delivery and unstoppable energy are a dynamite combination. Stardom awaits.

Country Music Hall Of Fame Names Inaugural Class Of Circle Guard Honorees

Pictured (L-R): E.W. “Bud” Wendell, Member, Country Music Hall of Fame; Kyle Young, Commander General, Circle Guard; J. William Denny; Steve Turner, Founder, Circle Guard; David Conrad; Mary Ann McCready; Seab Tuck; Emmylou Harris, Member, Country Music Hall of Fame. Photo: Carissa Riccardi for the Country Music Hall of Fame and Museum

During an intimate luncheon Wednesday (July 25) on the stage of the Country Music Hall of Fame and Museum’s CMA Theater, Emmylou Harris and Bud Wendell unveiled the museum’s Circle Guard honor and the inaugural class of honorees. Harris and Wendell are members of the Country Music Hall of Fame and Trustees Emeriti of the museum’s Board of Officers and Trustees.

The Circle Guard unites and celebrates individuals whose highest-level contributions of time, talent, and treasure to the Country Music Hall of Fame and Museum safeguard the integrity of country music and make it accessible to a global audience through the museum. The Circle Guard designation ranks as the grandest distinction afforded those who exhibit an unwavering commitment to the museum and its mission.

“Through the efforts of Circle Guard initiates,” said Harris, “the legacies of the members of the Country Music Hall of Fame, and, by extension, the achievements of all who are part of the country music story, are honored in perpetuity at the museum.”

In recognition of their significant contributions to the museum, the following are the inaugural class of Circle Guard initiates:

David Conrad, for serving on the museum board for 32 years; generously supporting the museum’s capital campaign, education council and annual fundraising efforts; enlisting the help of countless high profile friends—from Chet Atkins and Marty Stuart to Cowboy Jack Clement and Kimmie Rhodes—to facilitate exhibitions, programs and fundraising activities.

Bill Denny, for investing personally in campaigns for the original museum, the move downtown, and the recent expansion; serving on the museum board for 53 years—a tenure longer than that of any other board member, past or present; loyally promoting fiscal discipline, robust preservation and the serious study of country music; donating his family’s Denny-Cedarwood Music Collection to the museum.

Mary Ann McCready, for helping to advance the vision for arena shows in the series of All for the Hall fundraising concerts, which have netted more than three million dollars for the museum; spearheading a fundraising campaign to recognize the museum’s two chairmen of the twenty-first century with the naming of the Bud Wendell and Steve Turner Boardroom in their honor; tirelessly uniting the music business and the broader business community for the museum’s common good.

Seab Tuck, for designing the museum’s iconic building—marrying form, function, and meaning in his work to design a structure that welcomes more than 1.2 million people each year; faithfully supporting the museum as a passionate lover of country music and its story; and designing the Circle Guard logo and related recognitions.

Steve Turner, for demonstrating overwhelming support and leadership as chairman of the museum’s board for the last decade—including spearheading the recent capital campaign and 210,000-square-foot museum expansion; leading numerous charges that have helped connect the museum to its community—from the String City puppet show to an admission program that welcomes Middle Tennessee youth at no cost; serving as an active visionary for the museum and the city of Nashville.

Kyle Young, for receiving the appointment as the Circle Guard’s first Commander General, in recognition of 42 years of service— starting as a ticket-taker and now leading the museum as CEO; consistently upholding the institution’s mission and the music at the heart of it; helping to establish the museum as a downtown linchpin and a cultural touchstone.

In weeks to come, Circle Guard initiates will carry forward the legacies of those celebrated in the Hall of Fame Rotunda, as well as those who make up the broader country music story, by leading the “Road to the Country Music Hall of Fame: Rite of Remembrance and Salute.” This new, annual ritual, open to all museum visitors, will pay tribute to all of the Country Music Hall of Fame’s yearly classes and their inducted members. For the two weeks leading up to the annual Medallion Ceremony, at 1 p.m. daily, Circle Guard initiates will conduct this ritual by reading Country Music Hall of Fame members’ biographies in the museum’s Rotunda, from 1961 to present day.

Producer Michael Knox Launches Music Knox Records With BMG

Pictured (L-R): Jon Loba, EVP, BBR Music Group; Zach Katz, President, Repertoire & Marketing, BMG US; Michael Knox, Jess Rosen of Greenberg Traurig; Sara Knabe, VP A&R, BBR Music Group

Music Producer Michael Knox has opened Music Knox Records in conjunction with BMG.

Through the new label imprint, Knox will focus on developing new artists, though no signing announcements have been made as of yet. Knox will also continue in his role as VP for peermusic Nashville.

“I know this sounds cliché, but it’s a dream come true for me,” Knox said. “I’m excited to work with Zach [Katz, President, Repertoire & Marketing, BMG U.S.], Jon [Loba, EVP, BBR Music Group] and the entire BMG family. Considering our history together, I couldn’t imagine a better team to work with on this exciting new venture.”

Zach Katz, President, Repertoire & Marketing, BMG US, said, “Michael’s work speaks for itself. As one of the most successful and in-demand producers in Country music, he has had a hand in helping artists navigate and achieve success throughout every stage of their careers – from discovery to development to multi-platinum chart hits. Michael has an ear for the best up-and-coming artists inside and outside of Nashville; we are excited to show the world what he brings to the table next.”
Jon Loba, EVP, BBR Music Group, said, “I’ve known and worked with Michael since the early days of BBR. He is one of the best song executives in this town and has always had a burning desire to find and develop diamonds in the rough before they move to the 615. We are so thrilled to partner with him in that endeavor.”
Knox has 21 No. 1 hits, over 40 million singles and 18 million albums sold throughout his career as a producer. Knox is best known for discovering Aldean in 1998 and subsequently serving as the producer behind each of Aldean’s albums. His production credits include work with Michael Tyler and music featured on the hit ABC television series Nashville, as well as his father, Buddy Knox, among others.

The venture follows the announcement of Knox’s radio show, Knox Country 360.

Georgia Native Jason Aldean Takes Over Atlanta Braves SunTrust Park

Jason Aldean performing at Atlanta’s Suntrust Park for a sold-out homecoming show for 37,935 fans on Saturday, July 21, 2018.

Georgia native Jason Aldean took over Atlanta Braves SunTrust Park for a sold-out homecoming show for 37,935 fans on Saturday (July 21) with opening acts, Lauren Alaina, Luke Combs, and a rare performance from Hootie & The Blowfish.

Inclement weather delays Jason Aldean performance at Atlanta’s Suntrust Park for a sold-out homecoming show for 37,935 fans on Saturday, July 21, 2018.

The High Noon Neon Tour stop at Atlanta Braves new SunTrust Park stadium began with Aldean rocking the venue with “Gettin’ Warmed Up” and “Take a Little Ride” but not before a storm delay temporarily evacuated fans to interior shelter. While the dark skies looked precarious, the bad weather never arrived and after an hour or so, the show went on as planned.

Aldean delivered his many hits such as “Tattoos on This Town,” “Any Ol’ Barstool,” “Dirt Road Anthem,” and “Lights Come On,” to a very energetic crowd singing every word. He also peppered into his set with songs from his new album Rearview Town including “You Make It Easy” and his current single, “Drowns the Whiskey” with the song’s featured artist, Miranda Lambert shown on giant video walls.

“Playing SunTrust was one of those nights I’ll never forget,” said Aldean. “So many friends, family and fans were out in the sea of people and I could feel that energy the minute we got on stage. Hootie & the Blowfish, Luke and Lauren definitely set the night off right, and if we could have kept playing all night, I think we would have.”

Many industry members from Nashville made the trek to Atlanta to witness Aldean’s high-energy stadium performance while some took the opportunity to catch up with Aldean backstage prior to showtime. Attending industry members included Rod Phillips, John Hamlin, Clarence Spalding, Charlie Cook, Jon Loba, Mary Hilliard Harrington, Kirsten Grenier, Sherod Robertson, Chris Parr, Aaron Spalding, Kristin Cantrell, Shelley Gaines and others. Broken Bow Records’ Dustin Lynch also took a break from his tour to come by and enjoy seeing label mate Aldean’s stadium performance.

Pictured (L-R): Guest, Charlie Cook, Sherod Robertson, Jason Aldean, John Hamlin.

Pictured(L-R): Chris Parr (Maverick Management), Dean Felber (Hootie & the Blowfish), Mark Bryan (Hootie & the Blowfish), Jason Aldean, Darius Rucker (Hootie & the Blowfish), Jim “Soni” Sonefeld (Hootie & the Blowfish) and Clarence Spalding (Maverick Management).

Prior to Aldean’s set, Lauren Alaina was first to hit the stage. The spirited entertainer was visibly emotional from having her father backstage to witness her dreams coming alive that day by playing the stadium. She also had plenty to celebrate when she announced that earlier that same day, she had become engaged to her longtime boyfriend, Alex Hopkins. Luke Combs was next in the lineup. Carrying his signature red solo cup, he worked the crowd into a frenzy for a 45-minute set. Next, with a backdrop of a Waffle House, Hootie & The Blowfish came onstage for a rare performance featuring lead singer, Darius Rucker. The band shared an hour of classic hits with fans.

On Friday, the day before the Atlanta show, Jason Aldean surprised two fans at the Field & Stream Shop in Kennesaw, Georgia, with tickets to his concert on Saturday in Atlanta. Aldean is a brand ambassador for Field & Stream Shop and announced the giveaway earlier that afternoon on Twitter. Fans quickly made their way to the store for the event but what they didn’t know, is that Aldean would be there to personally give the winners their tickets and invite them to a private acoustic performance before Saturday’s show.

That same day, he announced details behind his third Concert For The Kids charity event on Thursday, Sept. 6 in Macon, Georgia. The reigning ACM Entertainer of the Year will return to the Macon Coliseum with direct support from Lauren Alaina. After raising more than $1.2 million from the past two events, proceeds will once again benefit Beverly Knight Olson Children’s Hospital, Navicent Health, which serves as the region’s only dedicated pediatric facility, serving central and south Georgia. The facility enhances the lives of children through patient care, research and education. Tickets go on-sale to the public beginning Friday (July 27) at 10 a.m. EST.

“There are a lot of reasons I love doing what I do, but being able to give back to these kids and their families is definitely really important to me,” said Aldean. “We’ve been able to help support the build of an entirely new facility, so I’m looking forward to seeing how the community shows up for the hospital this year and what we can do to keep helping the people there.”

Jason Aldean performing at Atlanta’s Suntrust Park for a sold-out homecoming show for 37,935 fans on Saturday, July 21, 2018. Photo: Chris and Todd Owyoung.

Jason Aldean performing at Atlanta’s Suntrust Park for a sold-out homecoming show for 37,935 fans on Saturday, July 21, 2018. Photo: Chris and Todd Owyoung.