Weekly Chart Report (9/14/18)
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DISClaimer: Malcolm Holcombe Leads Gifted Americana Sounds
Malcolm Holcombe. Photo by Andrea Furlan
It’s Americana week in Music City, and the listening is groovy.
The spectacularly gifted Malcolm Holcombe lands our Disc of the Day award with his new Nashville-recorded release.
The DisCovery Award goes to a husband-wife duo who call Nashville home, My One and Only.
But don’t stop with those two. There’s plenty more to hear here. Extra recommended are Mary Gauthier, Amos Lee and Jennifer Warnes. If I were choosing runners-up for our two top awards, they would be Mandy Barnett and Great Peacock.
AMOS LEE/No More Darkness, No More Light
Writer: Amos Lee; Producer: Tony Berg; Publisher: Soma Eel, ASCAP; Dualtone (track)
– The burbling track is quite light and lively, but there’s something serious going on in this lyric inspired by school shootings. As always, he sings with great elan and conviction. His highly recommended, brightly produced new CD is titled My New Moon. You’ll dig it.
MARY GAUTHIER/Soldiering On
Writers: Mary Gauthier/Jennifer Marino; Producer: Neilson Hubbard; Publisher: Mary Gauthier/SongWritingWithSoldiers, ASCAP; In The Black/Thirty Tigers
– Gauthier collaborated on all of the songs on her new Rifles & Rosary Beads collection with service men and women. The results ring with emotional honesty and stark inner truth, as though she tapped into their psyches like a therapist. Hubbard’s rumbling production on this track underscores her intense vocal delivery. This gifted singer-songwriter staged her Americana showcase on Wednesday at City Winery and will appear today at one of the convention’s discussion panels.
JENNIFER WARNES/Just Breathe
Writer: Eddie Vedder: Producers: C. Roscoe Beck/Jennifer Warnes; Publisher: Universal, no performance rights listed; Porch Light
– This peerless song interpreter and longtime Leonard Cohen collaborator has a new album titled Another Place, Another Time. It leads off with this striking reinterpretation of a Pearl Jam tune. The eclectic collection also dips into the catalogs of John Legend, Mark Knopfler, Mickey Newbury, Marcus Hummon and Warren Haynes/Derek Trucks. This track shimmers with French horn, cello, strings and organ. But elsewhere you’ll find everything from blues to country. She remains an enduring treasure.
MALCOLM HOLCOMBE/The New Damnation Alley
Writer: Malcolm Holcombe; Producer: Marco Glovino/Jared Tyler; Publisher: Gypsy Eyes, BMI; Singular (track)
-This gritty North Carolina mountain troubadour evokes dark hollows and woodsy shadows whenever he sings. Iris DeMent and Greg Brown are his harmony singers on the new Come Hell or High Water CD. This dark-umber composition illustrates why he’s a songwriter’s songwriter. The acoustic production lets his smoke-stained voice plainly wheeze out its condemnation of “millionaire barbarians” and “limousine liars” who drag the bleeding poor to despair. Gripping and great.
ASLEEP AT THE WHEEL & THE AVETT BROTHERS/Willie Got There First
Writer: Seth Avett; Producers: Ray Benson, Sam Seirfert, Seth Avett & Scott Avett; Publishers: First Big Snow/Nemoivmusic/Ramseur Family Fold/Paw Paw/Lew Bob, SESAC/BMI; Bismeaux/Thirty Tigers
– It’s a slow waltz, not a scampering western swinger. “I had such a good idea for a song/But Willie got there first.” It seems that wherever the singer gets close to a gal and wants to woo her with music, the soundtrack has already been written by the Red Headed Stranger. Lots of Willie song titles are name-checked in the clever lyric. The rest of the Wheel’s New Routes CD hews closer to what one might expect. Its Americana showcase is late, late Thursday night at Mercy Lounge.
KATE CAMPBELL/Damn Sure Blue
Writers: Kate Campbell/Tom Kimmel; Producer: Will Kimbrough; Publishers: Large River/Morrissette, BMI/ASCAP; Large River (track)
– The title track to Kate’s new album is a laconic lament with a steady backbeat and some dandy vocal and twang support from her illustrious producer. She’s down but not out. And least not quite. Her always piquant originals form the core of the collection. But she also tosses in a pair of Johnny Cash covers as well as The Louvin Brothers’ “Great Atomic Power.” The album drops a week from tomorrow.
MY ONE AND ONLY/To My Rescue
Writers: Ben Wilson/Kassle Wilson; Producer: Abdrija Tokic; Publishers: none listed; MOAO (track)
– Two-steppin’ country, taken at a brisk pace. The production (by Alabama Shakes helmsman Tokic) is spare and twangy. They’re a husband-wife duo who share leads and harmonies. I like it that they start softly and then let fly with some grand hillbilly wailing. The Past Year is their debut CD, and it makes for some happy listening. Americana talent scouts, take note. These guys deserve some wide distribution.
MANDY BARNETT & JOHN HIATT/A Cowboy’s Work Is Never Done
Writers: none listed; Producers: Marco Glovino/Doug Lancio; Publishers: none listed; Dame/Thirty Tigers
– She’s been typecast as a country neo-traditionalist, but at heart she has always been a torch singer. Thus, the new Strange Conversation CD’s repertoire spans Sanford Clark (”The Fool”), The Tams (”It’s All Right”), Tom Waits (”Puttin’ on the Dog”), Mabel Johns (”More Lovin’”) and Greg Garing (”Dream Too Real to Hold”), because all lend themselves to her sultry stylings. Not to mention a simmering, drunken-gypsy take on this Sonny & Cher chestnut with John Hiatt along for the ride. This is one extremely cool album. Check her out at Mercy Lounge on Thursday night. It’s bound to be an Americana convention highlight. The album drops next Friday.
GREAT PEACOCK/One Way Ticket
Writers: Kenneth Andrew Nelson/Stephen Blount Floyd; Producer: Dex Green; Publishers: Uncle Ken’s/Back 40; SESAC; Ropeadope (track)
-This Nashville band showcases at 5:00 p.m. at Musicians Corner on Thursday afternoon. Its new Gran Pavo Real CD contains this classy country-rocker boasting a delicious melody, high-lonesome harmonies, ultra-tight ensemble playing, dynamic rhythms and a terrifically engaging tenor lead vocal. Captivating and addictive.
AMANDA SHIRES/Parking Lot Pirouette
Writer: Amanda Shires; Producer: Dave Cobb; Publisher: Little Lambs Eat Ivy, BMI; Silver Knife (track)
– Her new To the Sunset CD has made her Americana’s current “It” girl. This track from it illustrates the collection’s strengths — pop song craftsmanship, layered arrangement, pert-soprano delivery, echoey atmosphere. Amanda’s convention showcase performance will be Thursday night at the Basement East.
CMT Plans First All-Female ‘Artists Of The Year’ Special For October
CMT has announced that for the first-time ever the annual CMT Artists of the Year special will be dedicated to the women of country music—past, present and future. This year’s all-female Artists of the Year celebration will honor Carrie Underwood, Miranda Lambert, Kelsea Ballerini, Maren Morris, Little Big Town’s Karen Fairchild and Kimberly Schlapman, and Lady Antebellum’s Hillary Scott. The 90-minute special will premiere on Wednesday, Oct. 17 at 8 p.m. ET, only on CMT.
“This year, we’re evolving the special to reflect what’s happening right now in culture and in the lives of our fans,” said Leslie Fram, Senior Vice President of Music & Talent, CMT. “In this monumental year for women, dedicating one of the biggest nights in the genre to applaud female country artists not only solidifies our commitment, but we hope will spark a much-needed change in the industry.”
As in past years, the event will feature surprise musical pairings and guests that will be announced at a later date. In addition, CMT will further its commitment to female artists through a day-long “Women of Country Music” takeover across all CMT platforms where music lives including music hours on CMT, the 24/7 digital channel CMT Music and CMT Radio’s widely-syndicated shows “CMT Radio LIVE” and “CMT After Midnite” to encourage and inspire increased female airplay on October 17.
CMT launched its dedicated “Next Women of Country” campaign in 2013 as a way to give female artists voice and airplay across all CMT platforms. The franchise has received critical acclaim, and in five years since its launch the initiative has expanded to include tours, digital programming and more. Ballerini and Morris are both alumnae of the “Next Women” franchise.
Last year’s special earned its highest ratings to date and ranked as the most watched in the event’s eight-year history. More than 1.1 million fans tuned in to the premiere telecast and the encore. Socially, #CMTAOTY trended nationally on Twitter during the show and the special ranked as the #1 Most Social Entertainment Program in Primetime on Cable.
Previous “CMT Artists of the Year” performances have included Adele and Darius Rucker performing Lady Antebellum’s “Need You Now;” Meghan Trainor, Jill Scott and Kelsea Ballerini honoring Shania Twain with a medley of her biggest hits; Jason Aldean, Keith Urban and Chris Stapleton in a moving Tom Petty tribute with “I Won’t Back Down;” Adam Lambert and Leona Lewis paying tribute to Little Big Town’s “Girl Crush;” and Maroon 5 covering Taylor Swift’s “Mine.” The show has featured appearances by Ellen DeGeneres, Matthew McConaughey, Selena Gomez, Billy Bob Thornton, Roger Clemens, Morgan Freeman, the cast of Nashville and more.
Former “CMT Artists of the Year” honorees include Blake Shelton (2015), Brad Paisley (2011), Carrie Underwood (2010, 2012, 2016), Cast of “Nashville” (2015), Chris Stapleton (2015, 2016, 2017), Eric Church (2012), Florida Georgia Line (2013, 2014, 2015, 2016, 2017), Hunter Hayes (2013), Jason Aldean (2012, 2013, 2014, 2015, 2016, 2017), Keith Urban (2017), Kelsea Ballerini (2016), Kenny Chesney (2011, 2012), Kenny Rogers (2015), Lady Antebellum (2010, 2011), Little Big Town (2015), Luke Bryan (2012, 2013, 2014, 2015, 2016, 2017), Merle Haggard (2014), Miranda Lambert (2012, 2014), Sam Hunt (2015, 2017), Shania Twain (2016), Taylor Swift (2010, 2011), Thomas Rhett (2016), Tim McGraw (2013) and Toby Keith (2012).
Rod Phillips Named Executive Vice President Of Country Programming Strategy at iHeartMedia
Rod Phillips
Rod Phillips has been promoted to the new position of Executive Vice President of Country Programming Strategy at iHeartMedia, the company announced today. Phillips will continue to report to Tom Poleman, Chief Programming Officer for iHeartMedia, and Brad Hardin, Executive Vice President and General Manager of the iHeartMedia National Programming Group.
In his new role, Phillips will continue to lead the Nashville-based iHeartCountry team in overseeing iHeartMedia’s country formats, and further extend the company’s country brands across multiple platforms including broadcast, digital, social and live events. He’ll also continue to guide and develop the company’s roster of country programmers and on-air talent, as well as book artists and produce events for iHeartMedia including the nationally-recognized iHeartCountry Music Festival, and head up iHeartCountry’s music discovery and emerging artist initiatives, including the Artist Integration Program and the On the Verge program, which has played a key role in breaking artists like Granger Smith, Maren Morris, Luke Combs, Lauren Alaina, Devin Dawson, Carly Pearce and Morgan Evans.
Phillips has more than 25 years’ programming experience and has led the iHeartCountry team since August 2015. He previously served as iHeartMedia’s Senior Vice President of Programming for the Southeast Region, Program Director and on-air personality for KISS 103.5 in Chicago, and Operations Manager for iHeartMedia’s Miami/Ft. Lauderdale market. In 2011, Phillips helped develop “The Bobby Bones Show,” the top-rated nationally-syndicated country morning show, working closely with Bones to expand the show’s original format and moving “The Bobby Bones Show” from Austin to Nashville for its successful transition into country radio in February 2013. He is a graduate of the University of Kentucky.
“Rod has done an amazing job leading our iHeartCountry brand, which reaches millions of Country music fans across America each month,” said Tom Poleman. “He’s been the key force in our continued success in the format and our continued position as the largest and most well-respected Country broadcast network in the U.S. We’re excited that he’ll be taking an even larger role here to help further guide our Country programming in over 150 markets.”
“As Country music continues to increase in popularity with audiences across America, iHeartMedia has more Country brands than ever before and our station ratings are on the rise,” said Phillips. “I couldn’t be more excited to continue to lead the iHeartCountry brand based here in Nashville.”
Weekly Chart Report (9/7/18)
Click here or above to access MusicRow’s weekly CountryBreakout Report.
DisClaimer: Delta Rae Deserves Country Radio Love
For a welcome change, women ruled this DisClaimer listening session.
We have a tie for the DisCovery Award, and both winners are female singer-songwriters with exceptional gifts. In addition to being brilliant writers, Heather Morgan and Tenille Townes are both awesome vocalists. I can’t wait for full albums from them.
Led by the sterling lead-vocal performance of Brittany Holljes, Delta Rae takes home a well-deserved Disc of the Day honor. This band deserves so much more love than country radio has given it so far.
SISTER HAZEL/Small Town Living
Writer: Ken Block/Patrick Davis; Producer: Sister Hazel & Ben Jackson; Publisher: Crooked Chimney/EMI Blackwood, BMI; Croakin’ Poets (track) (sisterhazel.com)
—This super-tight, five-man Florida band shot to fame in 1997 with with the No. 1 A/C smash “All for You.” The same guys have been together for 25 years, and my hat is definitely off to that. This ringing, tempo tune packs a triple whammy with a chesty melody, soaring guitars and a country-boy lyric. It comes from a Nashville-recorded EP titled Wind that drops tomorrow. Sister Hazel headlines the Clarksville Riverfest Celebration at 9 p.m. this Saturday night.
TENILLE TOWNES/Somebody’s Daughter
Writers/Publishers: Tenille Townes- Year of the Dog Music (ASCAP); Luke Laird- Sony/ATV Story Music Publishing/We Are Creative Nation (GMR); Barry Dean- Be Barry Quiet/Creative Pulse Music/Pulse Nation (BMI); Produced by Jay Joyce; Columbia Nashville
—Wow. This is pretty dang amazing, loaded with empathy and sensitivity. She sees a homeless girl at the side of the road and muses about fate and the luck of the draw. The lyric is simply brilliant, and her delivery of it is superbly heart tugging. The crunching, crashing production drives it home. Sign me up for the fan club.
RYAN HURD/To a T
Writers and publishers: Ryan Hurd – Universal Music Corp./Lake Allegan Pub Club (ASCAP); Nathan Spicer – Red Like the Sunset Music/Spicer and Everything Nicer (ASCAP); Laura Veltz – Big Music Machine/Never Veltz So Good Publishing (BMI); Produced by Dann Huff & Aaron Eshuis; RCA Nashville (download) (ryanhurd.com)
—That’s his sweetie, Maren Morris, singing harmony with him throughout this cleverly written love letter. It has a coy, cuddly and super romantic flavor that’s as tasty as a candy bar.
BRIANA RENAE/Chasin’ Trouble
Writer: Briana Renae/Will Hopkins/Steve Mitchell; Producer: Jason Wyatt; Publisher: BR/Fogg Mountain Breakdown/Grin Like a Dog, no performance rights listed; BR (brianarenae.com)
—She’s a bad girl, so watch out. Her snarky vocal is backed by a furiously rocking track. Get on board or get run over.
DELTA RAE/Do You Ever Dream
Writer: Brittany Hölljes, Eric Hölljes, Ian Hölljes; Producer: Dann Huff; Publisher: Brittany Hölljes Publishing (ASCAP)./ WB Music Corp. / Eric Hölljes Music (ASCAP). All rights o/b/o itself and Eric Hölljes Music administered by WB Music Corp./ Ian Hölljes Music (ASCAP). Administered by Kobalt Songs Music Publishing; The Valory Music Co. (download)
—In a word, gorgeous. The dazzling, glittering track swirls like a dreamy-hypnotic force while Brittany’s lead vocal aches with abandonment and thwarted desire. This ridiculously talented band has set up a “Delta Rae Revival” residency of Wednesday-night shows all season long at The Basement. It is promising “special guests” and “a show unlike any you’re ever seen in Nashville” every week from now through Dec. 19. Be there or be square.
HEATHER MORGAN/Your Hurricane
Writer: Heather Morgan; Producer: Paul Moak; Publisher: none listed; HM (download) (facebook.com/HeatherMorganMusic)
—Best known on Music Row for penning tunes sung by Kenny Chesney, Brett Eldredge, Keith Urban and more, Heather steps out as an artist, herself, with this stunning, bruised, heartache power ballad. Her singing voice is a revelation, an arrow of emotional honesty that pierced my heart. Her trills and embellishments sent shivers up and down my spine. The thudding, oomphy, echoey production is awesome, too. Please, please, please play this.
JASON ALDEAN/Girl Like You
Writer: Jaron Boyer/Josh Miranda/Michael Tyler; Producer: none listed; Publisher: Peermusic/Warner-Chappell, no performance rights listed; BBR (download) ()
—Since it sounds like much of the other sounds he’s released, this should please his many fans. It bored me.
THE STRYKER BROTHERS/Charlie Duke Took Country Music to the Moon
Writer: none listed; Producer: none listed; Publisher: none listed; Scriptorium Rex/Thirty Tigers (track) (strykerbrothersmusic.com)
—Twelve men have walked on the moon, but astronaut Charlie Duke is the country fan who took his favorite music to La Luna. The light-hearted song celebrating him is introduced by the late Merle Haggard. The romping, talking-blues number contains lively guitar picking and name-drops Porter, Dolly, Buck, Chet and more. Cute.
HUNTER HAYES/One Shot
Writer: Hunter Hayes; Producer: Hunter Hayes; Publisher: none listed; Atlantic (download) ()
—A catchy, clickety-clack rhythm track underscores a bopping ditty about having fun that you can’t remember, because you blacked out. A dandy comeback single.
JOSH WARD/All About Lovin’
Writer: Terry McBride/Chris Stapleton/William Brice Long; Producer: Greg Hunt & Drew Hall; Publisher: none listed; Smith Entertainment (track) (joshwardmusic.com)
—Solidly country, complete with a Texas accent and twangin’ guitars. The upbeat mood, rollicking track and party-time lyric are all radio friendly, if rather unexceptional.
Lifenotes: Beloved Music Industry Veteran Roy Wunsch Passes
Roy William Wunsch passed away in Nashville on Friday (Aug. 31), following a decade-long battle with Alzheimer’s disease. He was 75.
Born June 23, 1943, in St. Louis, Mo., the son of Roy P. Wunsch and Ruth Wunsch, Roy is preceded in death by his parents and his sister, Sharon, all of St. Louis. He is survived by his wife of almost 30 years and friend of 44 years Mary Ann McCready, by daughter Cynthia Wunsch Bowen (Jay) of Nashville, and son Roy Christopher Wunsch of St. Louis. Roy went to Hancock High School, then attended St. Louis University, where he studied journalism. After working for a summer at a CBS Records distribution center, he left SLU to follow his heart into the music business.
For 30 years he worked with some of the most important artists in American music, and he spent the majority of those years with CBS/Sony Music, one of the best known and most competitive record companies in the world, whose label imprints included Columbia and Epic. Often honored for superior work, Roy received many awards of excellence for his performance in numerous musical genres.
In 1975, CBS placed greater emphasis on its Nashville division, and Roy agreed to lead the team as National Promotion and Sales Manager for Columbia’s sister label, Epic Records. Artists on the label included Tammy Wynette, George Jones, David Houston, Bob Luman, Johnny Paycheck, Joe Stampley and Charlie Rich. Many of those artists made timeless records in collaboration with Epic executive and iconic producer Billy Sherrill.
By 1981, Roy’s street smarts and diverse experience earned him the office of Vice President, overseeing Columbia, Epic and CBS Associated labels. He was the first in Nashville to hold that position. He added many notable recording artists and helped further the careers of Johnny Cash, Sonny James, Willie Nelson, Ray Price, Ricky Skaggs and Connie Smith (all now members of the Country Music Hall of Fame). He also worked with significant artists such as Lynn Anderson, David Allan Coe, Johnny Duncan, Janie Fricke and Marty Robbins.
Roy was elevated to second-in-command at Columbia’s Nashville office in 1985, and in 1988 — the year Sony Music completed its acquisition of CBS Records — he was appointed Senior Vice President of Nashville Operations, supporting the careers of Chet Atkins, Bobby Bare, Rosanne Cash, Crystal Gayle, the Highwaymen, the O’Kanes, Dolly Parton, The Charlie Daniels Band, Earl Scruggs, Marty Stuart, Sweethearts of the Rodeo and Ricky Van Shelton.
In 1990, for his skill and influence in Sony’s success, Roy was rewarded with a promotion to President of the Nashville division, the first person ever to hold that post.
Throughout his career, Roy espoused sophisticated marketing strategies that moved away from country music’s traditional imaging and embraced modern styles that reaped greater revenue and grew the audience for country music. Among his earliest achievements was the marketing of Willie Nelson’s classic Stardust album, a collection of pop standards produced by Booker T. Jones that sounded nothing like anything on country radio. Buoyed by hits “Georgia on My Mind,” “All of Me” and “Blue Skies,” the collection sold more than 10 million copies and stands as one of Sony Music Nashville’s most successful albums. A pair of country legends, Merle Haggard and George Jones, had their first gold and platinum albums under Roy’s stewardship.
In the late 1980s, he signed folk-reared singer-songwriter Mary Chapin Carpenter to a country recording contract. Though immediately embraced by critics, she failed to reach popular notoriety until a surprise CMA Awards appearance, enabled by Roy, won her broad notoriety. She recorded two highly successful albums followed by the multiplatinum album Come On, Come On, which yielded an astonishing seven hit singles.
Roy chaired the boards of the Country Music Association and the Country Music Hall of Fame. He was an early and ongoing supporter of the W.O. Smith School of Music, which makes affordable, quality music instruction available to children from low-income families. The W.O. Smith Music School transforms lives through music.
Diagnosed with Alzheimer’s disease in 2008, Roy continued to play tennis, a lifelong passion, until three months ago; to love his dog, Maggie; and to be a loyal and avid fan of the city of St. Louis. He and wife Mary Ann enjoyed a life of great friendship, intense love and grand adventure, including a 30-day trip around the world.
In 2012, he began spending time painting and doing pottery with his artist daughter, Cindy, at her local studio. In December of 2015, a record crowd came to support his efforts, where he sold out his entire first exhibition. The show, called “Color Me Happy,” was a testament to his ongoing and courageous fight. The proceeds of this event went to charity.
Services will be at the Cathedral of the Incarnation, 2015 West End Ave. in Nashville officiated by Rev. Father Steiner on Thursday, Sept. 6, at 3:30 p.m. followed by a Celebration of Life at the Fleming Center next door.
A private family burial will be held the following day. Pallbearers will include Charles Batt, Jay S. Bowen, Frank Bumstead, Ron Dawson, Ron Elz, Chuck Flood, Jim Ramsey, Andrew Steed and Adam Steed. Honorary pallbearers include Bill Barnes, Rafael Cambronero, Gene Denonovich, Steve Diaz, Joe Mansfield, Mike Martinovich, Jim McCready, John McCready, Stan Moress, David Steed, Kevin Slovacek and Walter Yetnikoff. In memorium pallbearers include Billy Sherrill, Dave Swengros and Jeff Walker.
The family wishes to express heartfelt appreciation to Gretchen Napier, Julie Ehrlich and Jodi Jackson of Lifelinks; the loving hearts of Jihar Adeny, Lise Brown, Anthony Cuzone, Emily Henry, Ruthie McGonagle Ingram, Dierdre Jenkins, Jim Kemp, Stephanie Kendrick, Mitzi McCormick and Emily Tan; Vanderbilt University Medical Center, Dr. Petrie, Dr. Peach, Dr. Karlarkar, Dr. Sharp and Dr. Kirshner; Bonnie Wagner, Stuart Dill; Sarah Prince, Dea Smith; and The Richland West End Neighborhood.
In lieu of flowers, the family requests and appreciates donations to the W.O. Smith School, P.O. Box 121348, Nashville, TN 37212, Attn: The Roy Wunsch “Stardust” Scholarship, wosmith.org; or to Feed My People, 171 Kingston Drive, St. Louis, MO 63125, feed-my-people.org.
Wunsch’s artwork was proudly featured on the cover of the January 2016 issue of MusicRow. He was an avid and early supporter of the publication, becoming the first head of a major label to purchase subscriptions for every member of his staff.
LifeNotes: Mike Kennedy, Longtime Drummer for George Strait, Dies In Car Crash
Michael Kennedy, the drummer for George Strait‘s Ace in the Hole band for almost 30 years, died Friday, Aug. 31 from injuries sustained in a car accident. He was 59 years old.
The crash with a tractor trailer occurred on Interstate 40 West in Wilson County, Tennessee at approximately 3:30 p.m.
Kennedy’s career also included work with Ricky Skaggs.
Strait said in a statement, “Hard to put into words how much Mike’s passing has affected us all. Our hearts are broken. It’s going to be very strange not being able to look over and see him there in his spot on stage and very emotional as well I’m sure for all of us and also his fans. The band will never be the same. A part of us is gone forever. We all loved Mike and will miss him terribly. He was just as solid a friend to us all as he was a drummer, and that was damn solid. Our hearts and prayers are with his family. The Lord has him now. Rest In Peace my friend.”
Weekly Chart Report (8/31/18)
Click here or above to access MusicRow’s weekly CountryBreakout Report.
DISClaimer: Randy Houser Brings “Intensity Of An Inferno” To New Track
Randy Houser
It’s a testosterone fest with an all-male lineup today.
Fortunately, the boys have brought their “A” game — there are some simply dandy listening experiences for our enjoyment.
I’m giving especially high marks to Cody Johnson, Florida Georgia Line, LOCASH and our Disc of the Day winner, Randy Houser.
It’s always a good sign when there are lots of newcomers in the mix who are making music as good or better than established stars. Two of them tied for the DisCovery Award this week, Seth Ennis and the band Levon.
JAKE ROSE/Family
Writers: J. Rose/K. Kadish/N. Chapman; Producer: Kevin Kadish/Nathan Chapman; Publisher: none listed; Starts With Music
– Spoken verses, shouted/sung choruses, pop/rock track. Kinda irritating, but kinda cool at the same time. Despite its musical shortcomings and its non-country qualities, the lyric about crazy best buddies is appealing.
RANDY HOUSER/No Stone Unturned
Writers: Randy Houser/Dallas Davidson; Producer: none listed; Publisher: none listed; Stoney Creek
– Righteous and true. He wanders America in search of himself with “no stone unturned, no turn un-stoned.” As always, he sings with the intensity of an inferno. The super-tasty, crunchy production is ringing and magnificent. A fabulous track.
JON LANGSTON/When It Comes To Loving You
Writers: Jon Langston/Dan Isbell; Producer: Jody Stevens; Publishers: none listed; EMI (download)
– His vocal is way too compressed. The generic-romance song doesn’t do much for me.
FLORIDA GEORGIA LINE/Sittin’ Pretty
Writers: Nick Donley, Michael Hardy, Jake Mitchell; Producer: none listed; Publisher:MV2 Music / Nick Donley Publishing (BMI). All rights o/b/o MV2 Music and Nick Donley Publishing administered by Words & Music, a division of Big Deal Music Group./ Harding Road Music / Watsky Music LLC (BMI). All rights administered by Songs Of Kobalt Music Publishing./ New Writers Of Sea Gayle Music / West Pass Music (BMI). Both administered by ClearBox Rights.; Big Machine
– Gentle, mellow, romantic and wonderfully groovy. As soothing as a summer breeze.
CODY JOHNSON/On My Way To You
Writers: none listed; Producer: none listed; Publishers: none listed; Warner Bros./CoJo
– Cody won a DisCovery Award two years ago. This new effort confirms my faith in him. His has a simply gorgeous country voice, full of expressive warmth and deep emotion. His phrasing is exquisite. His range is terrific. The song is first rate. The production is loaded with dynamics. If this isn’t a star-to-be, I’ve never heard one.
SETH ENNIS/Call Your Mama
Writers: Seth Ennis/Michael Hardy; Producer: Seth Ennis/Jordan Reynolds; Publishers: none listed; Arista (download)
– Lilting, sentimental and very, very sweet. The rippling production, light tenor vocal and delicate lyric are all just perfect. Play this.
DAVID NAIL & THE WELL RAVENS/Come Back Around
Writers: none listed; Producers: David Nail/Andrew Petroff/Jason Hall; Publishers: none listed; One Five Sound
-It has an echoey, rocking chorus, but his searing vocal cuts through it all. This is more pop than we’re used to hearing from this guy, but it’s still as listenable as all get out.
BLACKBERRY SMOKE & OLIVER WOOD/Mother Mountain
Writers: none listed; Producer: none listed; Publisher: none listed; 3 Legged
– Terrific vocal harmonies sung around a campfire with acoustic guitars strumming. Very CSN&Y.
LEVON/Ms. Marianne
Writers: none listed; Producer: none listed: Publisher: none listed; Epic
– This handsome trio has a winner with this super-fun song. He flunks out of college, takes a job as a bartender and falls for a lady customer. Alas, his crush is unrequited, but the merry melody bubbles along anyhow. Ridiculously catchy.
LOCASH/Feels Like A Party
Writers: Preston Brust/Chris Lucas/Corey Crowder/Tyler Hubbard; Producer: none listed; Publisher: none listed; BBR/Wheelhouse
– Pickup trucks, drinking, singing, country girls. Same old, same old. But you can’t deny the hooky, sing-along, irresistible vibe. It even comes with the instruction, “Hands up, side-to-side.” A hit.