Tag Archive for: featured-2

BMI Island Hoppers Songwriters Fest Breaks Attendance Records

Pictured (L-R): BMI songwriters Dave Pahanish and Aaron Barker perform on Captiva Island at Island Hopper Songwriters Festival 2018. Photo by Brian Tietz

BMI’s fifth annual Island Hopper Songwriters Festival attracted record-breaking crowds to Captiva Island, Fort Myers Beach and Downtown Fort Myers Sept. 21-30 as nearly 80 BMI songwriters performed in 25 venues around the area. Writers performing at the festival included Bob DiPiero, Dave Pahanish, Aaron Barker, LOCASH, Jeffrey East, Heidi Newfield, and many more. 

Attendance at the 10-day festival was up more than 20 percent, and the event helps shine a spotlight on the craft of songwriting while also helping jump-start the local economy during a slow time of year by filling hotel rooms and helping give back to BMI-licensed businesses in Southwest Florida who have supported BMI songwriters over the years through the licensing fees they pay.

BMI Icon Bob DiPiero performs in Fort Myers Beach at the 2018 Island Hopper Songwriters Festival. Photo: Brian Tietz

LOCASH at the 2018 Island Hoppers Songwriters Festival

Breaking: Rob Beckham Departs WME

Rob Beckham

Rob Beckham, co-head of Nashville’s WME office and agent for Garth Brooks, Brad Paisley, Chase Bryant, Chris Young, Jake Owen, and many others has departed the agency, MusicRow has confirmed.

There is no reply about the reason for his departure, at press time.

The remaining co-heads for the Nashville office are Joey Lee, Jay Williams, Greg Oswald and Scott Clayton.

Beckham guided touring, film, literary and sponsorship opportunities for his clients. He was named to Billboard’s Power 100 and Nashville Power Players lists, as well as Variety‘s top touring agents and Music City Impact Report. Awards include CMA Talent Agent of the Year, T.J. Martell Ambassador of the Year, NATD honors, and 2016 Nashville Swan Ball award recognizing dedication to philanthropy and the arts. He is on the board of the CMA (President-Elect), T.J. Martell Foundation, Vanderbilt-Ingram Cancer Center and Cheekwood.

Weekly Chart Report (10/12/18)

Click here or above to access MusicRow’s weekly CountryBreakout Report.

BREAKING: President Signs Music Modernization Act Into Law

President Trump signed the Hatch-Goodlatte Music Modernization Act into law on Thursday, Oct. 11. Among the artists in attendance were Big & Rich’s John Rich, as well as Kid Rock, CCM band MercyMe, Doobie Brothers and Steely Dan guitarist Jeff Baxter, The Beach Boys’ Mike Love, Craig Morgan, and Rock Hall of Famer Sam Moore.

Last month the Senate unanimously passed the MMA and then House of Representatives unanimously approved an updated version of the bill, sending it to the president’s desk.

According to Nashville Songwriters Association International (NSAI) Exec. Director Bart Herbison, now that the MMA is officially law, NSAI and other songwriter organizations will begin selecting songwriter board and committee members for the new Music Licensing Collective (MLC), which will begin operation on Jan. 1, 2021.

Higher streaming royalties resulting from the marketplace rate standards included in the MMA will come over time when the next Copyright Royalty Board proceeding occurs in four years or when ASCAP or BMI have rate court proceedings under the terms of the MMA. Agreements reached with streaming companies or court proceedings could result in higher streaming rates.

The MMA changes the standard by which songwriter streaming rates are established replacing an outdated 1909 law that governs songwriter mechanical or sales royalties, and changes consent decree regulations from 1941 that govern songwriter performance royalties. The new law requires the random selection of judges when performing rights societies ASCAP or BMI go to a rate court proceeding; presently those judges are appointed for life. The MMA also eliminates the Notice of Intent (NOI) program administered by the U.S. Copyright Office that shifted the digital mechanical licensing burden back to songwriters, and guarantees streaming royalty payments to artists whose recordings were done before 1972 who now are not required to be paid due to a loophole in the Copyright Act. The MMA also stipulates direct streaming royalty payments to record producers and engineers.

President Donald Trump signs the Hatch-Goodlatte Music Modernization Act into law on Oct. 11, 2018.

“Now the job of utilizing the tools found in the Music Modernization Act begins,” said Herbison. “NSAI and other songwriter organizations will immediately select songwriter board and committee members for the new Music Licensing Collective that commences operation on January 1, 2021. We have two years to build the first-ever songwriter, music publisher run mechanical licensing collective. This will be the first collection agency that pays songwriters 100 cents from every royalty dollar since the digital streaming companies will pay operational costs of the MLC.”

“The MMA is now law!” said Steve Bogard, writer of 10 No. 1 songs and President of NSAI. “We have worked on elements of this legislation for 15 years. With the passage of this law, every professional songwriter in America, including myself, who has suffered devastating economic losses in the era of digital music delivery, can now breathe a sigh of relief and be optimistic about the future of our profession. Along with the songs that bear my name, this is my proudest career accomplishment. It is not too bold to say this is the most important songwriter legislation ever adopted by Congress. When we negotiate our digital rates or go to trial-type proceedings, we expect rates that are much fairer based on what the market should pay.”

“With the president’s signature today, the MMA is officially the law of the land,” said Recording Academy President/CEO Neil Portnow. “As we celebrate the harmony and unity that got us here, we applaud the efforts of the thousands of performers, songwriters, and studio professionals who rallied for historic change to ensure all music creators are compensated fairly when their work is used by digital and satellite music services. We thank the members of Congress who championed this issue throughout the past several years to bring music law into the 21st century.

“Today, President Trump signed the bi-partisan Hatch-Goodlatte Music Modernization Act (The MMA), which will finally bring music copyright laws into the digital age,” said John Josephson, Chairman and CEO, SESAC. “We applaud everyone’s hard work and tireless efforts on this legislation, especially the Senators who worked diligently to get the bill passed then adopted by the House. We’re grateful for our committed songwriting and publishing community whose focus and passion have strengthened our industry for generations to come.”

“The signing of the Music Modernization Act into law, by the President, is the culmination of a gargantuan struggle that was resolved by an unparalleled alliance between all music industry stakeholders and the relevant tech companies,” said Richard James Burgess, CEO of A2IM. “In this digital age, more music is enjoyed by more people than at any time in the history of humankind. The signing of this bill represents a significant step towards better lives for music creators and those that support them. A standing ovation is greatly deserved for all involved in this historic achievement.”

Pictured (L-R): Steve Bogard (President, NSAI), Darius Rucker, Bart Herbison (Executive Director, NSAI), Congressman Doug Collins (GA), Lee Thomas Miller (Former President, NSAI) at the Nashville Songwriter Awards

“The Music Business Association applauds and congratulates its members and valued partners across the industry on their extraordinary and unprecedented efforts to bring the groundbreaking Music Modernization Act to fruition,” said James Donio, President of the Music Business Association. “What an amazing achievement for creators and their commercial partners to have come together in solidarity, and joined with Congress, to make long overdue copyright reform a reality. This is the start of an exciting new era for the entire business of music. Bravo!”

NMPA President & CEO David Israelite said, “The Music Modernization Act is finally the law of the land. We are incredibly grateful for the Members of Congress who passed the MMA and the President for signing it. Songwriters have for too long labored without seeing fair rates and receiving all that they deserve, and for the first time in history, the music industry has partnered with the tech industry to fix these systemic problems. As we embark on supporting and helping build the critical structures within the MMA, we are humbled by the extraordinary progress propelled by compromise and the unprecedented political involvement of music creators. Today is about their future and this bill stands as a great statement on what can be done when we work together.”

“Thanks to the unrelenting efforts of our ASCAP music creator and publisher members, industry partners and champions in Congress, a more sustainable future for songwriters is finally within reach,” said ASCAP CEO Elizabeth Matthews. “The MMA’s unanimous passage in the House and Senate proves that the power of music is a great unifier. ASCAP is gratified to have stood alongside creators, music publishers, and many more to make this dream a reality.”

John Rich and Craig Morgan in Washington, D.C. at the signing of the MMA.

“A young songwriter once wrote, ‘You give a little love and it all comes back to you; You’re gonna be remembered for the things that you say and do.’ Decades later, this could not be more true,” says ASCAP Chairman of the Board and President Paul Williams. “Songwriters across this country now and in the future will remember those who fought so hard for the Music Modernization Act—both in Congress and across the music industry. On behalf of the music community, we are so thankful for the love and will return the favor with music for generations to come.”

“This is truly a historic moment for the music industry, especially for the American songwriters and composers at its core, who will see significant and deserved benefit from this legislation,” says BMI President and CEO Mike O’Neill. “Passage of the Orrin G. Hatch-Bob Goodlatte Music Modernization Act was a hard-fought process that hinged on tremendous collaboration and unprecedented support among diverse stakeholders who ultimately united to safeguard the future of music. We are gratified by this extraordinary outcome that recognizes the essential contributions of creators and streamlines the use of their music across businesses. While BMI will keep advocating to protect the livelihood of music creators in the digital age, we thank Congress and the President for taking this important step in implementing the most meaningful music licensing reform in decades.”

Michael Eames, President of the Association of Independent Music Publishers (AIMP); Alisa Coleman, AIMP New York Executive Director; and John Ozier, AIMP Nashville Executive Director, have issued a joint statement, saying, “Today marks a historic step forward for independent music publishers, songwriters, and the entire music industry, as President Trump has signed the MMA into law. This marks the first significant federal legislation since 1998’s Digital Millennium Copyright Act (DMCA) to address the needs of rights-holders in today’s online age. We can look forward to a variety of long-overdue reforms that will make it easier to negotiate for and collect fair royalty rates while also establishing once and for all that digital services must pay for the use of pre-1972 recordings. In addition, it ensures independent publishers and songwriters a seat at the table for the new mechanical licensing collective. The AIMP is committed to ensuring that the independent publishing community and songwriters are represented fairly in the implementation and enforcement of the MMA, and we look forward to working with our partners across the music and technology industries as we move ahead in this new era. We offer our sincere gratitude to David Israelite and his team at NMPA, to the NSAI and SONA, to Senator Orrin Hatch and Congressmen Bob Goodlatte and Doug Collins, and to all parties from all sides who fought to provide a balanced outcome for all involved.”

MercyMe with manager Scott Brickell & Vice President Mike Pence as the Music Modernization Act is signed on Oct. 11, 2018.

Ryman Auditorium Offers Fans Premium Experience With New Ticket Upgrade

The Ryman Auditorium is launching a Premium Pass option today (Oct. 10) that will enhance the way guests are able to enjoy shows and concerts at the historic venue.

Those purchasing the upgraded experience will receive access to a dedicated entrance and exclusive entry to the recently renovated historic 5th Avenue Vestibule adjacent to the auditorium as well as additional extras including two drink tickets per person, complimentary small bites catered by Café Lula, and a Hatch Show Print poster from the night’s performance. Within the new area, the venue has also installed new bathrooms for the exclusive use of Ryman Premium Pass holders.

“Providing an unmatched fan experience is our primary focus at the Ryman” said Gary Levy, General Manager of Ryman Auditorium. “The Premium Pass option allows us to offer a new, enhanced level of guest service and provides an exciting opportunity for fans to truly elevate their show experience.”

Fans can purchase the enhanced ticket upgrade as an add-on option through Ticketmaster for a $100.00 additional fee per ticket, and all future concerts will have the option of the Ryman Premium Pass upgrade during the check-out process through Ticketmaster (*some exclusions may apply). Fans already holding a ticket to an upcoming performance will receive an email with a link to upgrade to the Ryman Premium Pass.

Exclusive: Keith Urban Talks Freestyling, Connecting Fans Through Music, And Nashville’s Destination City Status

Keith Urban

With three CMA Awards nominations this year and two nominations for the People’s Choice Awards for male artist and country artist, that type of recognition continues to mean a lot to Keith Urban.

This year marks Urban’s 14th CMA Awards nomination for Male Vocalist of the Year, 11th nomination in the Entertainer of the Year category, and his sixth nomination in the Album of the Year category for Graffiti U, bringing his career nominations to 45 with 11 total wins. Urban is the reigning Single of the Year CMA winner for his song “Blue Ain’t Your Color,” which he also produced.

“It feels as good as it ever did. I make music and just hope it connects with people,” says Urban about being nominated. “And when it does, from the fans’ standpoint, with them buying the music, streaming the music, coming to the concerts, etc., it’s extraordinary. But then, when you can have it connect with your peers like that, it’s an incredible feeling.”

He may be wrapping up the U.S. leg of his highly successful and energetic Graffiti U World Tour next month, but that doesn’t mean he’s slowing down any, with the tour moving overseas to Australia in January.

The tour, which kicked off on June 15 this year, has proven to be one of the most energetic and critically hailed tours of his career and much like his newly released Graffiti U album, the show blends a multitude of different styles and influences. Following his very successful Ripcord World Tour, Urban gives keyboardist Nathan Barlowe credit for evolving his shows into a unique and responsive experience for the fans.

Keith Urban

Urban explains, “I knew I was needing someone [new] in the band but I couldn’t even define their role. I thought well, they’re not really a DJ, they’re not really a keyboard player, they’re not really a percussionist, they’re not really a multi-instrumentalist, but they’re kind of all of those things rolled into one. And lo and behold, Nathan came along and was working on the contraption that he called the Phantom, which allows him to trigger sounds, sampling things, and using pre-recorded pieces live so that we can change arrangements of songs in real time. It’s really an extraordinary thing that he does. I love stepping out to freestyle on songs and not being so locked into the arrangement.”

“It’s all feel,” adds Urban. “It’s feeling the room, feeling the audience, feeling the moment that something needs to be shortened, or needs to be lengthened, or needs to be dynamic in some way. I love having the flexibility to do that.”

But before the tour heads to Australia in 2019, Urban will head over to Sydney later this year to host the 32nd Annual ARIA Awards, Australia’s GRAMMY Awards.

Urban’s previous album, the No. 1 Platinum-selling Ripcord, was the second-highest selling album in Australia 2016 and spent 27 weeks in the Top 10 and 46 weeks in the Top 20 of the ARIA Albums Chart. The singer-songwriter, multi-instrumentalist and producer is no stranger to the ARIA charts with a total of 14 ARIA Platinum-selling singles and albums, earning him a total of five ARIA Awards.

He admits that hosting hasn’t really been on his bucket list. “No, it’s not something I ever thought about at all,” says Urban. “I’ve been on the ARIAs a couple of times before, but never thought about hosting them. I’m not quite sure what I’m in for.”

After hosting the ARIA awards show in November, Urban will finish out the year by returning to headline Nashville’s New Year’s Celebration for a second year in a row. And for Urban, it’s much more than being able to sleep in his own bed that night.

“It’s so much more than that to me,” admits Urban. “I’ve lived in Nashville 26 years and to have the chance for people to start really thinking about Nashville, as being a New Year’s destination is fantastic. The city has exploded in the last five years and the change has gone through the roof with the new hotels, the food, and everything that is happening. Hopefully, we can make this a destination for people everywhere, not just America, but all over the world.”

Urban summarizes, “Nashville’s on a lot of people’s bucket list so if we can have them come on New Year’s Eve and experience it, it will be fantastic!”

 

 

On The Cover: Carrie Underwood Graces MusicRow Magazine’s 2018 Publisher Issue

Carrie Underwood is featured on the cover of MusicRow Magazine’s all-new 2018 Publisher Issue.

Underwood emerged from the promise of her 2005 American Idol win to become a true multi-format, multi-media superstar, spanning achievements in music, television, and film. A seven-time GRAMMY® Award winner, she has sold 64 million records worldwide and recorded 26 No. 1 singles, 13 of which she co-wrote.

She released Cry Pretty, her first studio album on Capitol Records Nashville on Sept. 14, marking the first time she has co-produced her own album. In Spring 2019, Carrie will launch The Cry Pretty Tour 360, which will kick off in May and will play 55 arenas across the U.S. and Canada. Earlier this year, she released the hit event anthem she co-wrote, “The Champion” featuring Ludacris, which opened NBC’s Super Bowl LII and was incorporated into the network’s coverage of the 2018 Olympic Winter Games.

MusicRow Magazine’s 2018 Publisher Issue features an annual directory of top Nashville-focused music publishers. This issue also includes exclusive editorial examining Irving Azoff‘s Global Music Rights as well as Florida Georgia Line‘s growing Nashville empire, and highlights a slate of recent documentaries highlighting Nashville’s songwriter community. Additionally, this issue features songwriter interviews with Kassi Ashton, Shy Carter, Zach Crowell, Justin Ebach and Jessie Frasure.

Single copies of the Publisher Issue are available for purchase for $45 at musicrow.com, and are included with yearly subscriptions at no additional cost. First Class subscribers to MusicRow will receive their copies first, in the coming week.

CARRIE UNDERWOOD CAREER STATS

Label: Capitol Records Nashville
Current Album: Cry Pretty
Current Single: “Love Wins”
Current Producer: David Garcia (Co-Produced Cry Pretty with Carrie)
Management: The HQ
Booking: CAA
Recent Hits: “Cry Pretty,” “The Champion” featuring Ludacris, “Dirty Laundry,” and “Church Bells”
Recent Awards: 7 Grammy Awards, 6 CMA Awards, 18 CMT Music Awards, 12 American Music Awards and numerous other awards and honors. She recently took home her 14th career ACM Award for Vocal Event of the Year for “The Fighter,” her collaboration with Keith Urban.
RIAA Certifications: Top Country Artist on RIAA’s Digital Single Ranking with 28 Million; Top 5 Female in RIAA’s Digital Single Program (All Genres)
Platinum Albums: Storyteller, Greatest Hits: Decade #1, Blown Away (2x), Play On (3x), Carnival Ride (4x), Some Hearts (8x)
Special TV Appearances: In 2013, Carrie starred as Maria von Trapp in NBC’s three-hour holiday blockbuster, the Emmy®-winning The Sound of Music Live!. Carrie will return this Fall for her sixth season as the voice of primetime television’s No. 1 program, Sunday Night Football, and this November, Carrie and Brad Paisley will co-host the CMA Awards for the 11th consecutive year.
Lifestyle: Carrie is lead designer for her fitness and lifestyle brand, CALIA by Carrie Underwood, which launched in 2015 and is exclusively available at DICK’S Sporting Goods nationwide and online at caliastudio.com.
Birthday: March 10
Musical Influences: Dolly Parton, Randy Travis, George Michael, Freddie Mercury, Guns ’N Roses, Alan Jackson and Reba McEntire

Exclusive: Luke Bryan Uses Expanding Empire To Elevate Newcomer Artists

Luke Bryan

Luke Bryan may have cultivated an image as a fun-loving, light-hearted songwriter and entertainer, with a persona that is equal parts farm boy and frat boy thanks to megahits like “Country Girl (Shake It For Me)” and “Play It Again,” but over the past few years, the Georgia native has steadily added several more titles to his resume—American Idol judge, restaurant owner, and most recently, an owner of a new label imprint, 32 Bridge Entertainment, in partnership with UMG Nashville.

Newcomer Jon Langston is the flagship artist for Bryan’s 32 Bridge Entertainment.

“It’s funny, good good things just keep happening,” Bryan tells MusicRow. “I’m just taking opportunities and having fun with them. It’s amazing to see an artist like Jon, and believe in it and want to sign it and hopefully make a lot of ol’ Langston’s dreams come true.”

Langston was part of Bryan’s popular Farm Tour last year, and Bryan watched as the newcomer continued trying to earn a label deal, with little success. “He’s just such a talent, and finally I said, ‘We’ll just start a label and get you a record deal.'”

Bryan, who went from newcomer himself to a bona fide headlining superstar in less than five years, knows plenty about how to build a career.

Eleven years ago, Bryan notched his first Top 5 single with his debut song, “All My Friends Say,” though his first No. 1 single wouldn’t come until 2009’s “Do I,” which would also become his first RIAA-certified Platinum song. His 2011 album, the 4x Platinum Tailgates & Tanlines, drove Bryan to headliner status, fueled by hit singles including “Country Girl (Shake It For Me),” “I Don’t Want This Night To End,” “Drunk On You,” and “Kiss Tomorrow Goodbye.” 2013’s Crash My Party would replicate his previous album’s 4x Platinum sales numbers, and generate five more No. 1 singles. With his 2017 album Kill The Lights Bryan made history as the only country artist to earn six No. 1 singles from a single album.

Currently, Bryan is celebrating his fifth nomination in the Country Music Association’s (CMA) Entertainer of the Year category, an award he’s previously won in 2014 and 2015.

This year, he earned his 21st No. 1 single with “Sunrise, Sunburn, Sunset.” His single “Most People Are Good” earned MusicRow Magazine’s Song of the Year honor earlier this year (tied with Chris Janson’s “Drunk Girl”).

Along the way, Bryan diversified his headlining shows, bringing fans to farms and beaches, by launching his popular Crash My Playa event in Riviera Maya, Mexico, which will celebrate its fifth year in 2019. Meanwhile, this year marks his 10th annual Farm Tour, an annual series of concerts to benefit farming communities by awarding more than 50 college scholarships to date to students from farming families. After performing for 1.5 million fans in 2017, Bryan embarked on this year’s What Makes You Country Tour XL Stadium Sized, visiting 40 cities, and along the way, 13 of the country’s largest stadiums, including Los Angeles’ Dodger Stadium and Chicago’s Wrigley Field.

Photo ID (top row L-R): UMG Nashville VP Business & Legal Affairs Rob Femia, UMG Nashville COO Mike Harris, KP Entertainment President Kerri Edwards, UMG Nashville EVP A&R Brian Wright, UMG Nashville President Cindy Mabe, UMG Nashville SVP Promotion Royce Risser, Serling Rooks Hunter McKoy Worob & Averill LLP’s Greg W. Brooks (Front Row L-R) UMG Nashville Chairman & CEO Mike Dungan, Jon Langston, Luke Bryan

Bryan also became the first artist to headline all three of Minneapolis’ stadiums. The tour’s stadium shows wrap later this month at Detroit’s Ford Field, and have featured much buzzed-about newcomers Jon Pardi and Carly Pearce.

“With all the people on my tour, my stage is their stage and I want to showcase their artistry the best way I can,” Bryan says.

Between tour dates, Bryan is filming episodes for his second season at American Idol’s judges table, which will air in 2019.

“We are in a situation currently where we don’t have to do them on the same day, but either way it’s still a dadgum busy schedule and you have to hold on and just do your best to stay healthy and try to make some fun tv.”

As with his tour and label imprint, Bryan sees Idol as another way to support new artists looking to launch their careers. He says he hopes to eventually see some of the Idol contestants he’s coached on his own tours.

“I always keep those options open. It’s something me and Katy [Perry] and Lionel [Richie] talked about in meetings,” he says. “We want to help these kids any way we can. I brought Gabby [Barrett] out at my Pittsburgh show. That’s the main thing with us, we just want to make sure these kids are given every chance possible. We feel like if they win Idol they are certainly worthy of getting record deals and tours.”

Luke Bryan performs a free concert before 30,000 fans to open Luke’s 32 Bridge + Bar in Nashville.

In September, Bryan performed a free concert to celebrate his latest venture, the opening of his Luke’s 32 Bridge Food + Drink, bringing 30,000 fans to party in the heart of downtown Nashville.

“I talked to nearly everybody in the bar scene when I was looking at opening this,” he says. “I talked to [Whiskey Row owner and entertainer Dierks Bentley] and he was like, ‘You are going to love it.’ It’s amazing to know while we are out touring and doing stuff, people can come to Nashville and support us as artists and have fun. [Ole Red owner Blake Shelton] told me the same thing. I hope to roll in there one day with my guitar and play some new songs.

“I think it will be amazing through the years to let artists like Jon Pardi hopefully have an album launch at the bar, or someone can use it for things like that to promote other artists. Up and comers hopefully will come and play my bar and go on to be the next country star.”

Fans could see Luke’s 32 Bridge Food + Drink venues open in other cities.

“Hopefully the sky’s the limit on where we can take it,” he says. “As this bar grows and evolves we will see how it does. If it feels like something we can take to a different city or town, we will definitely entertain that.”

In the most immediate future, Bryan hopes to culminate a year rich in accolades by earning a third win as CMA’s Entertainer of the Year.

“I feel like an Entertainer of the Year is somebody who has checked all the boxes in that year, when it comes to touring and radio and streaming success,” Bryan says. “I feel like how you represent country music is a big part of it and how you try to move the needle as an artist. I approach every year trying to write the best songs we can and give fans the best concerts and the best album. Everybody nominated in that category certainly does that at the highest level possible.

Any time I get nominated I am very honored. It means I’m still doing some things right.”

Country Music Industry To Observe ‘Moment Of Silence’ On Route 91 Anniversary

A country music industry-wide “moment of silence” will be observed on the one-year anniversary of the Route 91 tragedy, Monday, Oct. 1 at 10:05am PT/12:05pm CT. All radio in the state of Nevada, country radio nationwide, record labels, publishers, agencies, organizations and others will stop for a moment, a minute or 58 seconds to remember those lost and all who were affected.

Everyone connected to country music is encouraged to spread the word and participate. #CountryStrong #VegasStrong

Among those already confirmed are:
Academy of Country Music
All Access
ASCAP
Association of Independent Music Publishers
BBR Music Group
Beasley Broadcast Group
Big Machine Label Group
Billboard
Black River Entertainment
BMI
Bob Doyle & Associates
CAA
CMA
CMT
Country Aircheck
Country Music Hall of Fame and Museum
Cumulus Country
Curb Word Entertainment
Entercom
Front Man Music
The GreenRoom
iHeartCountry
Leadership Music
Major Bob Music
Maverick
MusiCares
Music Row Enterprises
Nielsen Music Nashville
Nevada Association of Broadcasters (all radio stations, all formats)
Nashville Songwriters Association International
Pearl Records
RAMP
The Recording Academy/Nashville
Red Light Management
Reviver Entertainment Group
SESAC
Show Dog Nashville
SiriusXM
Sony Music Nashville
SummitMedia
Townsquare Media
Triple Tigers Records
Universal Music Group/Nashville
Universal Music Publishing Group/Nashville
Warner/Chappell
Warner Music Nashville
WME

Weekly Chart Report (9/28/18)

Click here or above to access MusicRow’s weekly CountryBreakout Report.