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Skyville Records Scores Sony Distribution

Stealing Angels

Skyville Records has entered an exclusive worldwide distribution deal with Sony Music Nashville. The fall debut from Stealing Angels will be the first release via the new partnership.

Under the agreement, Sony Music Nashville will offer manufacturing, sales, copyright administration and website development. Under the creative direction of producer Paul Worley, Skyville will find, develop and produce the talent, as well as handle promotion, business development and legal affairs for its roster.
“Paul Worley has amassed an amazing track record through the years,” remarks Gary Overton, Chairman & CEO, Sony Music Nashville. “Supported by his talented staff and roster, Skyville is poised for an exciting future, and we’re privileged to share in it.”
“Our partnership with Sony Nashville is a distinctive one,” declares Kevin Herring, Skyville Records President. “This speaks volumes about Gary’s vision for the future and for our mutual commitment to reshaping the music business in the 21st Century.”
Industry veterans Worley, Wally Wilson and Glen Morgan joined forces in 2004 to launch Skyline Publishing. Wayne Halper joined the organization in 2009 as head of business and legal affairs. After many years of successful chart action, the partners founded Skyville Records in 2010, with a focus and emphasis towards toward recognizing and nurturing the talents of new artists and artist/songwriters.

ACM Nominations Coming Next Week

Ronnie Dunn and Miranda Lambert


On Tues., Feb. 1 Miranda Lambert and Ronnie Dunn will announce the nominations for the Academy of Country Music Awards.
Nominations for the 46th annual event will be revealed that morning at a press conference at the Country Music Hall of Fame and Museum in Nashville.
The ACM Awards, known as Country Music’s Party of the Year™, will be broadcast live from the MGM Grand Garden Arena in Las Vegas on Sunday, April 3, 2011 at 8:00 PM live ET/delayed PT on the CBS Television Network.
Last year’s nominations announcement aired on the CBS Early Show.

Surprise Party Honors Galante

Thirty nine years is a long career span to be in one industry. But when it’s all at the same company—and as its leader for most of the time—then the proper word is “remarkable.” And so it seemed perfectly natural that a group of friends organized an evening with an invitation that read, “Join Us As We celebrate Joe Galante’s remarkable 39 years with RCA, BMG and Sony Music.” The party was hosted by a who’s who of industry heavyweights [see invitation graphic for a list] and held under a large tent next to Ronnie and Janine Dunn’s barn. Oh yeah, the invite also warned, “Please keep this a secret. It’s a surprise for Joe.”
About 135 guests (Joe’s fans—we were holding fans with his face on them) were waiting inside the tent when the “Chairman” arrived. As he told the crowd later, “I thought I was going with my wife Phran to an animal rescue fund raising event.” He was really surprised. (Keeping a secret among that many people in the music industry is pretty remarkable in itself.)
Seen schmoozing merrily under the big top and offering congratulations was an amazing collection of artists and industry leaders including Troy Tomlinson, Allen Butler, Skip Bishop, Steve and Ree Guyer Buchanan, Mary Ann McCready, Robert Deaton, Dale Morris, Tom Collins, Alan Kates, Tammy Genovese, David Gales, Jimmy Rector, Keith Stegall, David Corlew, Michael Vaden, Craig Wiseman, Clay Bradley, Pat Higdon, Tony Conway, Lisa Harless, Mark Bright, Mike Dungan, Luke Lewis, Clarence Spalding, Tom Baldrica, Allen Brown and Doc McGhee. Also present were Alan Jackson, The Warren Brothers, Renee Bell, Terry Hemmings, Barbara Mandrell, K.T. Oslin, Cindy Mabe, Ed Hardy, Sarah Trahern, Greg Hill, Whitney Daane, Nancy Russell, Paul Barnabee, Clint Higham and Lorrie Morgan.


(L-R): Joe Galante, Martina McBride and John McBride

Butch Waugh kicked off the program…which began with a short video containing a photo collage and a humorous vintage video clip of an evening when K.T. Oslin guest hosted Ralph Emery’s TNN evening talk show. She had Mr. Galante as a guest and after a bit of banter, she told the crowd that industry exec’s are so important, “but they’re not very interesting.” The tent crowd loved it…
Next was a group of speakers that told “Joe” stories. Kenny Chesney recalled that he was performing in an East TN bar when he heard that Joe had signed him to the label. “Joe changed my life,” Kenny testified with total sincerity.
Chesney also told a funny story of how it took some time to get used to Joe’s way of doing things, especially since Joe was from New York. “I had just finished recording some tracks and called Joe hoping he might come down the street to hear them that minute. I was brought up to say ‘Hey what are you doing? Are you busy?’ But when I said that to Joe, he snapped, ‘What do you mean what am I doing? I’m trying to keep this label train on its tracks. Of course I’m busy….”
Chesney’s story highlighted something that Joe’s friends in the tent already knew. He’s always been focused, organized and serious about giving 110% and not especially interested in small talk. But as several artists noted, if Joe believed in you, having him working to make your career successful was a treasured asset.
Kix Brooks praised Joe’s ability to “say the right things at the right time,” to him and partner Ronnie Dunn when the famous duo hit a rough patch in 2000. “Galante was able to renew our faith in what we were doing and inspire us, thereby adding an additional 10 career years,” Brooks said gratefully.
John Rich thanked Galante for getting “two shots.” “First with Lonestar, and then later as a solo act. He believed in what I was doing and gave me the chances.” (Speaking of shots, there were “39 Years” party-favor shot glasses, filled with tequila.)
Gerry House emceed, injecting a few of his trademark zingers in between speakers. House is another executive already sorely missed since he recently stepped down from his morning radio show post. (But that’s a story for another party…)
As the evening drew to a close, for those of us who witnessed many of Joe’s 39 years, it felt like more than just the end of a great party, it felt like the end of a era…

(L-R): Phran Galante, Barbara Brooks, Nancy Russell, Ronnie Dunn, Clint Higham, Butch Waugh, Joe Galante, Renee Bell and Kix Brooks

MusicRow CRS Meet & Greet Performers Revealed

Sitting down? You may want to brace yourself for this news.
This year’s MusicRow CRS Meet & Greet and CountryBreakout Awards is going to be a doozie, and those who miss out will likely spend the rest of their days in regret and shame.
We are extremely pleased to feature emerging talents Colt Ford (Average Joe’s Ent.) and Joanna Smith (Columbia Nashville). Both entertainers hail from the great state of Georgia, but are miles apart on the stylistic continuum. Together they represent the wildly diverse talent parameters included under the big tent of modern country music.
Colt Ford’s unique party-starting hybrid of country-rock and hip-hop, combined with a high-energy live show, has catapulted him into a celebrated indie star. Originally from Athens, GA, the former pro-golfer turned musician built a massive following through relentless touring, eventually selling over 150k units of his debut Rollin’ Through The Country. His 2010 sophomore album Chicken & Biscuits hit No. 8 on Billboard’s Top Country Albums chart and features an all-star list of collaborators like Joe Nichols, Randy Houser, DMC (of Run DMC), James Otto and more. Ford feels the key to his success has been in bringing something real to his shows and recordings.
“I tried to write songs I would like and that I thought people like me would like,” he says. “I wrote about things they know about, and I can’t tell you how often someone will say, ‘Are you from my home town?’ I’ll say no and they’ll say, ‘You must be, because you write about exactly who we are and what we do.’ That’s the connection. I just tried to be honest and real, and this is what happened. They know I’m one of them.”
Joanna Smith, raised on a farm in tiny Crestview unincorporated, GA, is a captivating young traditionalist, proudly displaying her rural roots in songs like “Farm Girl” and “Gettin’ Married.” After arriving in Nashville, she honed her live performance chops in front of the rowdy nighttime crowds at legendary Broadway hang Tootsie’s. Her upcoming debut album for Columbia features  her new single “Georgia Mud,” as well as a special guest appearance from another beloved traditionalist, Patty Loveless. Like Colt Ford, Smith’s music is an authentic extension of her upbringing and the sounds that inspire her.
“I write like I talk,” Smith says. “It’s just the way that I express myself and the most honest I can be. Songs that have a true story inspiring them are the songs that reach people. I play them and I watch the crowd. I see what they react to and that helps me write better songs.”
This special invitation-only event takes place Tuesday, March 1 leading up to Country Radio Seminar 2011.

Skyville Adds Herring

Skyville Records managing partners Paul Worley, Glen Morgan and Wally Wilson have named Kevin Herring President of Skyville Records.
“I can hardly wait to get started!” declares Herring. “Few people have made bigger or better records than Paul Worley, from Lady Antebellum and The Dixie Chicks to Martina McBride. He knows hit music and recognizes superstar talent.  Paul will provide hit music, of that I have no doubt!”

Kevin Herring


Herring’s first priority at Skyville Records will be hiring and guiding an A-LIST promotion staff to work Stealing Angels and all future Skyville artists to country radio.
With more than twenty years experience in radio promotion, including tenures at Mercury Records and most recently as VP of National Promotion for The Walt Disney Company’s Lyric Street Records, Herring has been an integral part of breaking some of country music’s most well-known acts, including Rascal Flatts, Shania Twain, and Toby Keith.
Kevin Herring can be reached at 615-320-7052 or kevin@skynash.com.
About Skyville Records: Industry veterans Paul Worley, Wally Wilson and Glen Morgan joined forces in 2004 to launch Skyline Publishing. Wayne Halper joined the organization in 2009 as head of business and legal affairs. After many years of successful chart action, the partners founded Skyville Records in 2010, with a focus and emphasis towards toward recognizing and nurturing the talents of new artists and artist/songwriters. Long time music industry executive Kevin Herring serves as the label’s president.

Weekly Chart Report (1/21/11)


Lee Brice visited with NashvilleCountryClub.com's Editor Leslie Armstrong to discuss his current single "Beautiful Every Time."


SPIN ZONE
Three weeks into 2011, we are starting to see some movement on the CountryBreakout Chart. Luke Bryan’s long, patient climb with “Someone Else Calling You Baby” is rewarded by finally ascending to the No. 1 position. Bryan has over 150 spins on the No. 2 song, Blake Shelton’s “Who Are You When I’m Not Looking,” but look to see it challenging the top spot soon, competing with Lady Antebellum’s No. 4 “Hello World” and Taylor Swift’s No. 5 “Back To December.”
Elsewhere, newly released singles are starting to pop as programmers move older titles into lighter rotations. Miranda Lambert’s “Heart Like Mine” gets a big boost, moving 35-27. Similarly, Zac Brown Band’s “Colder Weather” leaps up to No. 29, and Rascal Flatts is close behind at No. 32 with “I Won’t Let Go.” Also quickly advancing is The Band Perry’s “You Lie,” which makes a 54-37 jump in its third week.
Reba’s “If I Were A Boy” earns a huge debut, landing at No. 52 for its first appearance. In the final slot at No. 80 is sister trio Carter’s Chord, whose just-released “A Little Less Comfortable” picked up 120 spins to sneak on the chart. Also debuting are Jayme Lynn Scott’s “No Explainin’ Love” at No. 75, Sandra Piller’s “Days Like These” at No. 78, and LeAnn Rimes’ “Crazy Woman” at No. 79.

(L-R): Brett Eldredge, WDSY PD Stoney Richards, John Oates and Warner Music Nashville Pres./CEO John Esposito at the Pittsburgh Steelers v. Baltimore Ravens playoff game.


RADIO NEWS
Adelle Borchetta has joined McVay New Media as VP/Social Media. Borchetta most recently worked with Lofton Creek Records before launching her own Adelle Borchetta Promotion in 2008. Reach her at adelle@mcvaynewmedia.com.
Hoss Michaels will join Clear Channel’s KXKT and KTWI/Omaha as Music Director, starting Wednesday, January 26. Michaels spent the previous six years as PD for KZKX/Lincoln, NE. Michaels will also be handling KXKT middays. KXKT/KTWI PD Erik Johnson says, “We couldn’t be happier to have Hoss join our team. His dedication to community and solid relationships in country music will help us build on our 4-book streak at #1 P25-54.”



Upcoming Singles
January 24
Jeff Bates/One Day Closer/Black River
Reba/If I Were A Boy/Valory
Star De Azlan/A Man Who Can Dance/Curb
January 31
Carter’s Chord/A Little Less Comfortable/Show Dog-Universal
Jacob Lyda/I’m Doin’ Alright/Davis Music Group/Nine North
Jamey Johnson/Heartache/Mercury
Jenny & Ashley/Indescribable/Tall Tree/Lofton Creek
•  •  •  •  •
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Reba/If I Were A Boy/Starstruck/Valory — 52
Jayme Lynn Scott/No Explainin’ Love/Big 7 — 75
Sandra Piller/Days Like These — 78
LeAnn Rimes/Crazy Women/Curb — 79
Carter’s Chord/A Little Less Comfortable/Show Dog-Universal — 80
Greatest Spin Increase
Artist/song/label — spin+
Reba/If I Were A Boy/Starstruck/Valory — 419
The Band Perry/You Lie/Republic Nashville — 404
Zac Brown Band/Colder Weather/Bigger Picture — 403
Miranda Lambert/Heart Like Mine/Columbia — 362
Rascal Flatts/I Won’t Let Go/Big Machine — 315
On Deck—Soon To Be Charting
Artist/song/label — spins
Daniel Smith/Until I Close My Eyes for Good/DLS Records — 190
Kate Russell/Damned If I Do — 179
Johnny Tillotson/Not Enough/MAYDU Inc. — 176
David Bradley feat. Rodney Crowell/Hard Time Movin’ On/Gecko — 171
Emma King & The Heartsets/I’m Not Forgotten/PLC — 168
Most Added
Artist/song/label — New Adds
Reba/If I Were A Boy/Starstruck/Valory — 33
The Band Perry/You Lie/Republic Nashville — 29
Rascal Flatts/I Won’t Let Go/Big Machine — 18
Zac Brown Band/Colder Weather/Bigger Picture — 16
Miranda Lambert/Heart Like Mine/Columbia — 15
Carter’s Chord/A Little Less Comfortable/Show Dog-Universal — 10
Trace Adkins/Brown Chicken, Brown Cow/Show Dog-Universal — 10
David Bradley feat. Rodney Crowell/Hard Time Movin’ On/Gecko — 9

Little Engine artist Sean Patrick McGraw stopped by WCJW (Warsaw, NY) to visit with PD/MD Lee Richey and play some songs from his upcoming album. (L-R) McGraw, guitarist "Shaker" and Richey.


New duo Jenny and Ashley recently stopped by MusicRow. (L-R) back: Mike Borchetta, MR’s David Ross and MR’s Jon Freeman. Front: Jenny Cooke, Ashley Cooke and Martha Borchetta.

WMG Tests Dual Buy-Sell Strategy

The New York Times has reported that Warner Music Group is putting itself in play. The major music label, one of the four remaining (Universal, Sony, EMI) has hired Goldman Sachs “to seek out potential buyers for the company, a process that will play out while Warner continues to explore buying the beleaguered British music giant EMI.”
Apparently, WMG had received several offers in recent months. The article specifically names Kohlberg Kravis Roberts as one of those having expressed interest.
Insiders note that Warner Music Group’s two main assets, the record label and Warner Chappell Music Publishing might be split. Interestingly, while preparing to place a For Sale sign in its front yard, WMG is also actively exploring talks with Citigroup to acquire EMI. EMI and Citigroup are embroiled in a debt process that might possibly result in the bank gaining control of EMI later this Spring.
The Times article, written by Tim Arango and Andrew Ross Sorkin, explains the dual approach saying it, “underscores the desire of Warner’s private equity owners to either make a big strategic move and double down on the music business by buying EMI, or cash out.” An investment group led by Edgar Bronfman Jr. purchased Warner Music from Time Warner in March 2004 for $2.6 billion.
K.K.R. is in a joint venture with Bertelsmann. The company has a large cash warchest and has been actively purchasing publishing catalogs.
The article cites a letter sent to shareholders by Mr. Bronfman who wrote, “Our confidence in the company’s future prospects is based on our consistent track record and our proven ability to outperform the rest of the industry.” WMG’s stock has had wide valuation swings. It reached a high of almost $30 per share in 2006 and fell below $2 per share in 2009. As of this writing (1/21 9:03 am CT) it was up $1.12 to $5.84 likely in response to the news about the possible deals described in this story.

RIAA 2010 Country Certs

This year’s 2010 RIAA shipments report shows Nashville country artists accounting for about 20 million units in Gold and Platinum treasure. Leading the Row was Capitol Nashville with 5 million certifications (24%) and its flagship artist Lady Antebellum which contributed 4 million of its total. Arista and Big Machine each received 4 million certs or 20% of the RIAA shipments awards based upon sales. Arista’s tonnage came from Carrie, Alan, Brad and Brooks & Dunn, while Big Machine’s was all Taylor Swift. Mercury took control of 12% based upon sales from Sugarland, Billy Currington and Jamey Johnson. (See the pie chart for more details.)
Looking at the Sales By Artist graph, Taylor Swift and Lady Antebellum were tied with 4 million each followed by Carrie Underwood (2) ZBB (1.5) and Sugarland (1.5). Swift’s Fearless got a 6 million award which was the highest Nashville artist multi-platinum cert. Lady A’s Need You Now was awarded for 3 million.
Methodology: RIAA Gold, Platinum and Multi-Platinum certifications are based upon shipments, not actual sales and are therefore different from SoundScan numbers which are based upon actual sales. RIAA Gold is 500,000, Platinum 1 million and then additional awards are in one million increments. If an artist gets a Gold and Platinum in the same year for the same album, we count it as one million units (not 1.5 million.) The first platinum certification gets a 500,000 tally, since that is what it needed to go beyond its Gold award. All multi-Platinum certs get credited for one million per award. Another detail is that in the case of catalog and older albums that received an award in 2010, not all the sales/shipments leading up to that award necessarily occurred in the same year.

Alan Jackson/Sony Part Ways

Sony Music Nashville today announced that it and superstar Alan Jackson have ended their relationship. He was the first artist signed to the Arista roster in 1989—today under the Sony umbrella—leading to a successful partnership for more than 20 years.
According to the label’s official statement, “Sony Music Nashville wishes to thank Alan Jackson for their long association and the many hit records achieved as a result of that association. In an amicable parting, Sony confirms that Alan has delivered his final recordings to the company and wishes him well.”
“I’ve had a great run with Arista going all the way back to the beginning of my career when I signed with Tim DuBois,” explained Jackson in a statement. “I’ve gotten to work with some real great people along the way and we accomplished a lot. It just seems to me like the time may be right to change things up a bit and see what comes next.”
Jackson’s manager Nancy Russell relaunched her firm last year under the name the co-op. She has been building a team that includes former Sony exec Maurice Miner. Jackson is also represented by William Morris Endeavor.
He is gearing up for the first leg of his 2011 tour with sold-out shows in Canada, followed by his first tour of Australia. He is currently writing and working on songs for a new album.
With 50 million album sales to his credit, Jackson is a 16-time award winner at both the CMA and ACM Awards, a tally that includes three CMA Entertainer of the Year honors. He is a GRAMMY winner and has topped the country singles charts 35 times.

Idol Judges Get Thumbs Up


America’s love affair with talent was renewed again as the tenth season of American Idol stoked its star-maker fires introducing a judges bench with two new faces and of course a bevy of wannabe hopefuls. Not unexpectedly, opinions were mixed moving into the debut as to whether the new personalities could reverse the show’s recent downward ratings trend. However, “judging” by the morning-after articles, facebook opinions and blog comments from around the web, judges Steven Tyler and Jennifer Lopez acquitted themselves quite nicely on opening night. The role of new mentor/judge Interscope Records Chairman Jimmy Iovine is yet to be unveiled but he will sign the winner to a recording contract. Here’s a few quotes from some of the high profile writers and links to read more…

“Season 10 and American Idol finally brought in a couple of pros,” said the L.A. Times Mary McNamara “And after the bipolar antics of last year’s woefully mismatched panel — including a zombified Ellen DeGeneres and a manically flirtatious Kara DioGuardi — their natural confidence in front of the camera was such a blessed relief that it was hard to miss even the bracing ballistics of Simon Cowell…’Baby, you got so much drama but you’ve got no notes,’ Tyler told one young woman, quickly establishing himself as capable of telling the truth in a colorful but nonhostile way.”

The Wrap.com’s Jennifer Kelly had the morning’s best headline saying, ‘American Idol’: How It Went With the Diva, the Dawg and the Demon of Screamin’

“Yes, it was the debut of the new judging triumvirate, featuring Jennifer Lopez, Steven Tyler and veteran Randy Jackson. Perhaps more importantly, though, it marked the official end to the banal season 9, and that in itself is a bonus… Tyler, on the other hand, is an entertaining walking paradox. While it’s not fair to call him a Paula-Simon hybrid, he is equal parts kooky and no-nonsense. Whether he’s spontaneously breaking into song mid-speech or spouting wacky wisdom (“Water her flower ‘cause it’s gonna grow”), he is definitely the stand-out personality. Unlike Paula, though, you never lose the feeling that he actually knows what he’s talking about…”

Linda Stasi wove colorful phrases into her insights that stretch beyond the new judges and address the direction of the show itself for the New York Post.

“In fact, the instant chemistry among the three judges was so right, they couldn’t have created it in a lab. Everything that made us fall in love with Idol in the first place was back: The heart (Lopez), the soul (Randy Jackson) and the Crazy (Tyler). But it was back in a whole new way. And now that Nigel Lythgoe, the genius behind the show, is back, he brought with him his credo about what had made “Idol” the show it was: The simplicity — and the soap. Idol was never, and will never really be, a show about singing. It’s really a show about singing for your supper or else you won’t eat. The more down and out, miserable and depressing your life has been and the more you struggled for your dream, the better chance you have. Last night they hit depression jackpot, too. There was the kid who beat life in a wheelchair, the throat cancer father who brought his singing daughter, and finally and most touching, the homeless Bronx boy with the voice of a modern day Johnny Mathis. Cry? Are you kidding me? They don’t need car and Coke commercials — they should just have Kleenex ads…”

Nashville’s Brian Mansfield also clocked in for USA Today with his take on the new Idol dynamic.

“Lopez comes off like a more businesslike version of the supportive, nurturing Abdul, who left Idol after the 2009 season — lots of tears and hugs, and she struggles with having to say some obvious no’s, but she has constructive things to say to even the worst contestants. Tyler, on the other hand, brings back the goofy unpredictability that was Abdul’s stock-in-trade during her eight seasons on the show. He gets directly involved with the auditions — drumming on the desk, harmonizing, providing backing vocals, whatever he thinks the contestants need. He’s willing to be ‘brutally honest,’ but he’s also not above lightheartedly mocking auditioners — or flirting with the females: ‘Where’s your pitchfork, you sexy devil?’ he asks one.