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"A Little Bit Stronger" No. 1 Party

Sheryl Crow congratulates Sara Evans at the “A Little Bit Stronger” No. 1 party.


Revelers packed Cabana yesterday (5/25) to salute the songwriters of the multi-week Sara Evans No. 1, “A Little Bit Stronger.” BMI, ASCAP and SESAC teamed to host the event honoring their respective affiliates Luke Laird, Hillary Lindsey, and Hillary Scott.
BMI’s Jody Williams toasted Laird and Evans, noting that the star is still going strong 14 years after the release of her debut album. He said Laird’s career has grown exponentially in recent years, scoring numerous hits and leading to frequent collaborations in New York and Los Angeles. It was the sixth charttopper for Laird, who also has the new Rodney Atkins single “Take A Back Road.” Williams and others also saluted producer Tony Brown for his work on the song, one of his 100-plus No. 1 hits.
ASCAP’s Mike Sistad gave tribute to Lindsey for her eighth No. 1; she has achieved massive success since first coming to Nashville in 1994 to attend Belmont University. Lindsey was most recently self-published through Raylene Music, which was run by her sister, Taylor Lindsey, but last night Taylor announced Raylene’s new partnership with BMG Chrysalis before turning the stage over to BMG Chrysalis’s Darrell Franklin. “Hillary is as true and heartfelt as the music she creates,” he beamed.
Next, SESAC’s Tim Fink cheered Scott’s first No. 1 as a songwriter outside of Lady Antebellum, while her bandmates Charles Kelley and Dave Haywood cheered in the crowd. Fink noted Scott’s tireless efforts to rebuild Haiti in the wake of last year’s devastating earthquake, and her publisher, EMI, made a donation to the cause on her behalf.
In keeping with the spirit of giving back, Avenue Bank presented a donation to Preston Taylor Ministries in honor of those behind the song.
All three of the songwriters had parents in attendance, including the Lairds from Pennsylvania and Lindseys from Georgia. (We all know Scott’s parents are Nashvillians.) The out-of-towners were celebrating their 39th and 37th wedding anniversaries, respectively. Evans’ hubby and three daughters came up from their home in Birmingham to cheer-on mom, who gave tearful thank-yous to her family, with a special show of gratitude to her brother Matt Evans, her bandmate and lifelong supporter.

A stronger group. (L-R): Universal Music Publishing’s Kent Earls, BMI’s Jody Williams, co-writer Luke Laird, ASCAP’s Mike Sistad, co-writer Hillary Lindsey, Sara Evans, co-writer Hillary Scott, SESAC’s Tim Fink, EMI Foray Music’s Josh VanValkenburg, producer Tony Brown (kneeling), BMG Chrysalis’ Darrell Franklin, Raylene Music/BMG Chrysalis’ Taylor Lindsey, and EMI Music Publishing’s Missy Wilson.

Eye On Idol (5/26/11)

I can hardly believe my own eyes. What a shocker. One of the most unbelievable upsets in American Idol hist—okay, who am I kidding?
And so it came to pass that 17-year-old Scotty McCreery was named the second-youngest American Idol (following Jordin Sparks) in history last night (5/25). Scotty was the odds-on favorite for some time, and while I’m not exactly surprised at the results I have to give the guy kudos. He stayed his remarkably consistent musical course and let his aw-shucks charm capture the hearts of the voting population.
Even following the announcement of his win, he quickly and wisely chose his words: “I’ve got to thank the Lord first… he got me here.” If we can get him to start adding the phrase “country radio” in there somewhere, he’ll be all set for the CMA Awards.
Scotty was also quick to praise runner-up Lauren Alaina, as the two met nearly a year ago during the audition rounds. “Me and her have been together since day one and we are going to stay together.” Aww, you guys!
Results aside, it was an exciting finale event worthy of an exciting season. Finalist James Durbin took the stage with metal icons Judas Priest in a rousing medley of “Living After Midnight” and “Breakin’ The Law.” Durbin prowled the stage beside leather clad Priest frontman Rob Halford, living out many a metal fan’s ultimate fantasy. Many viewers–myself included–probably couldn’t help but wonder what a Scotty/James finale would have looked like after seeing this.
Then every big pop star for miles showed up. Lady Gaga performed “The Edge of Glory” on the literal edge of a gigantic rock formation stage prop. Beyonce performed two times–once with the Top 13 females and once solo on her new single “1 + 1.” Bono and The Edge performed with one of the Spider-Man Broadway musical cast members. Even Tony Bennett and a very tan Tom Jones dropped by, adding a touch of class to the proceedings. Judge J.Lo joined hubby Marc Antony and Sheila E. on a sizzling version of “Aguanile.” Judge Steven Tyler reaffirmed his rock god status by howling the Aerosmith classic “Dream On.”
At the beginning of Season 10, I questioned Idol’s relevance in the marketplace and ability to deliver a compelling program. I’m pleased to say I was entirely wrong. Judges Randy Jackson, Jennifer Lopez and Steven Tyler had great chemistry together, there were a couple of surprise eliminations mid-season, and I could even watch the results shows without putting my finger on the fast forward button.
Way to go, Idol. You’ve definitely earned my vote.

Photos From The Road (5/25/11)

Corey Wagar stopped to visit with WCJW/Warsaw, NY, which was the first station to add her single “Hurricane.” (L-R): Wagar, WCJW PD Lee Richey, guitarist Gordon Brown


Aria Records Nashville David St. Romain continues to visit radio stations across the country to help promote his single, "Twenty Years Late." (L-R) Aria Records Nashville national promoter Kristen Cassidy, KWNR/Las Vegas PD Cary Rolfe, St. Romain.


Family trio Lucy Angel is visiting country radio in support of its new single "Serious,” and recently stopped at Hit Country 102.5 WMDH/New Castle, IN. (L-R): LA’s Emily Anderton, WMDH PD Shane Goad, LA’s Lindsay Anderton, LA’s Kate Anderton and WMDH’s Wild Bill

Golden "Honey Bee"

Warner Music Nashville staff with President & CEO John Esposito


How sweet it is!
“Honey Bee” recorded by Blake Shelton buzzes beyond the hive to become the fastest rising single ever to sell over 500,000 units by a male country soloist—in seven weeks. The track was introduced during the ACM awards, hosted by Shelton and Reba, and downloaded 138,000 units its very first week.
The track will be featured on the newlywed’s upcoming Red River Blue album scheduled to debut July 12. Shelton is the reining CMA Male Vocalist and enjoying huge ratings as part of the TV singing competition, The Voice. “Honey Bee” follows his three consecutive No. 1 hits: “Who Are You When I’m Not Looking,” “All About Tonight” and “Hillbilly Bone.”
 

Eye On Idol (5/25/11)

American Idol viewers got a taste of things to come last night (5/24) as finalists Scotty McCreery and Lauren Alaina previewed their would-be first singles.
Scotty was first to sing with a tune called “I Love You This Big,” which was written by rapper/producer Lil Ronnie (Ronnie Jackson) with Brett James and songwriter/producer Ester Dean.
The live performance was not one of Scotty’s best, but thematically and stylistically it’s a good song choice. The lyrics are fitting for a young man with big dreams and a big heart. The chorus goes: “I love you this big/Eyes have never seen this big/No one’s ever dreamed this big/And I’ll spend the rest of my life/Explaining what words cannot describe but I’ll try/I love you this big.” The studio recording has an easy, worn-in George Strait feel to it, which allows Scotty to prove to the naysayers he has plenty vocal range.
Lauren closed out the show with “Like My Mother Does,” which was co-written by Nathan Chapman, Liz Rose, and Nicole Williams.
If Scotty’s was a good song choice, Lauren’s was doggone near perfect. Avid Idol watchers know that Lauren’s mother has been there every step of the way this season, all the way back to the audition round. Nearly every episode of the Final 13, Idol producers have cut to a shot of Mom in the audience tearfully cheering Lauren on to victory. The lyrics credit Mom for her strength: “She’s a rock, she is grace/She’s an angel, she’s my heart and soul/She does it all.”
Adding to the high drama, Lauren was dealing with some serious vocal cord strain before the show even started. But she toughed it out for a winning performance, making sure to hug her mother mid-song and melting my icy heart in the process. Curiously, this same song was previously released as a single by Atlantic artist Jesse Lee in 2010 but never dented the charts. Former Idol finalist Kristy Lee Cook also recorded the song for her 2008 album Why Wait.
Both songs are already available for purchase on iTunes, and Play MPE has serviced them both to radio. America crowns its newest Idol tonight (5/25) at 7 pm CT on Fox. Whatever the outcome, it looks like good news for Nashville.

DISClaimer Single Reviews (5/24/11)

It’s John Rich’s world, we just live in it.

On Sunday, he won this season’s Celebrity Apprentice championship. He’s a publisher on the No. 1 hit “Don’t You Wanna Stay.” He has two new Warner “Six Pak” albums, Rich Rocks! and For the Kids. And now he has two tunes in the same “DisClaimer” column, the St. Jude’s fund-raiser, “For the Kids,” plus his romping Big & Rich reunion with Big Kenny, “Fake ID.”
Nevertheless, it’s Ladies Day here at MusicRow. How can you deny a Disc of the Day award to Taylor Swift after “The Story of Us” zips through your ears?
And among our four newcomers—Glen Templeton, Whitney Mann, Jessica Ridley and David Adam Byrnes—there is no doubt about who is the strongest vocalist. Glen might have a mighty winning song, but Jessica Ridley has the performance, and therefore the DisCovery Award.
JOSH KELLEY/Gone Like That
Writer: Josh Kelley/Clint Lagerburg/Nicole Galyon; Producer: none listed; Publisher: none listed; MCA Nashville (track)
—His pop/rock background shows in the vocally compressed mix and the overall dominance of production over lyric. A little more audio clarity would be welcome. That said, it’s a very cool, hooky song and a compelling, well-phrased performance.
JOHN RICH/For The Kids
Writer: none listed; Producer: none listed; Publisher: none listed; Warner Bros. (ERG)
—Little kids face grim medical conditions while their parents pray. The chorus is an overt plea for donations to St. Jude’s Children’s Research Hospital. But it’s still catchy as all get out.
KID ROCK & SHERYL CROW/Collide
Writer: none listed; Producer: none listed; Publisher: none listed; Roadrunner (ERG)
—The most “country” outing yet for both of these artists. The simple tune and spare accompaniment, plus sincere and straightforward vocal performances make this a solid winner. Not to mention the sexy “hook-up” lyric.
TAYLOR SWIFT/The Story Of Us
Writer: Taylor Swift; Producer: Nathan Chapman & Taylor Swift; Publisher: Sony-Tree/Taylor Swift, BMI; Big Machine (track)
—Her Speak Now CD is a really special collection, full of delightful hooks and dandy textures. This frothy rocker is one of its high-energy pleasures. The sizzling, fizzy guitar work, relentless rhythm and her personality-packed vocal are all fabulously infectious. Love this.
SARA EVANS/My Heart Can’t Tell You No
Writer: Simon Climie/Dennis Morgan; Producer: Tony Brown; Publisher: Kobalt/Little Shop of Morgan Songs, ASCAP/BMI; RCA (track)
—Sara’s limp remake of this 1989 Rod Stewart pop smash adds little to the song. And let’s face it, there are very, very few—in any genre—that are as gripping a vocalist as he is.
BIG & RICH/Fake ID
Writer: John Rich/John Shanks; Producer: John Shanks & John Rich; Publisher: Reservoir/WB/Sony ATV, ASCAP; Warner Bros.
—Rousing and spirited, this has “good times” written all over it. The kid in his daddy’s Caddy is buying a fake ID in a back alley, and he’s in a rush. Extremely likable.
DAVID ADAM BYRNES/She Only Wanted Flowers
Writer: David Adam Byrnes/Jay Brunswick/Adam Fears; Producer: Rob Rappaport; Publisher: Canalco/Byrnes Country/Better Angels/Croton U/Faverett Tracks/LRB, ASCAP/BMI; Better Angels (track)
—She didn’t care about all of the material things he bought her, so now he’s lost her. He has a sturdy, if limited, country vocal range, but the ballad never really grabbed me.
GLEN TEMPLETON/I Could Be The One
Writer: Jay Knowles/Tom McHugh; Producer: Mark Lambert; Publisher: none listed; Capstone (615-686-8344)
—Glen has pleasing vocal confidence on this easy-going toe tapper. The track is mixed to perfectly showcase what a cleverly written song this is. Spin it.
JESSICA RIDLEY/Flaming Red
Writer: Bob Carlisle/Dennis Patton; Producer: Michael Lee & Don Somerville; Publisher: Jacque’s Retirement Fund/McHouse/Fun Attic, SESAC; EMG/Fontana (track) (www.jessicaridley.com)
—This lilting pop-country confection has a wafting, breezily bopping production. Her rapid-fire vocal is bursting with optimism and sunny self-assurance. Highly promising and recommended.
WHITNEY MANN/Home
Writer: Whitney Mann; Producer: Whitney Mann; Publisher: 100 Fake Kisses, SESAC; Mud Dauber (track) (www.whitneymannmusic.com)
—She wrote all the tunes on her seven-song outing titled The Western Sky and sings them in an appealing, down-home drawl. The backing is a jaunty, O Brother, string band that sounds as comfy as a living-room couch. Rootsy and charming.

Gaga's Fans Put Their Paws Up For New Album

Lady Gaga’s fans (affectionately known as “Little Monsters”) attacked Amazon on Monday when the retail giant offered one-day-only full downloads of her new album Born This Way for 99 cents. The resulting surge in traffic and purchases choked Amazon’s servers, leaving many customers unable to download or stream the album.
At 99 cents, Amazon’s download was $11 cheaper than the equivalent iTunes download. The loss-leading move could be viewed as a way for Amazon to bolster its Cloud Drive and Player service, as Apple prepares to launch its own cloud music service. Amazon users get 5 GB cloud storage by default; purchasing the album grants them a full 20 GB.
Despite the price difference, iTunes users still purchased enough downloads of Born This Way to push it to the No. 1 spot ahead of Adele’s 21. There is also a bonus track digital edition of the album available for $15.99.
Other retailers also went Gaga with clever promotional deals. Best Buy gave away copies of Born This Way for free, provided that the customer purchased one of three smartphones with a two-year service plan. Visitors to Starbucks.com could stream the entire album for free, and download single “The Edge Of Glory” for keeps.
The hype over Born This Way also raises questions about first week sales figures. Easily one of the most anticipated releases of the summer, Billboard estimated its first week sales would fall in the 450k-750k range. Following the flurry of promotional deals, however, that number could shift upward.

Cook and Plant Lead Americana Honors Nominations

Elizabeth Cook and Robert Plant lead the 2011 Americana Music Honors and Awards Nominees


Nominees for the 2011 Americana Music Association Honors and Awards were announced today at a special event held at New York City’s Gibson/Baldwin Showroom.
Elizabeth Cook and Robert Plant lead the field of nominees, earning three acknowledgements apiece including Artist of the Year nominations for both. Additionally, Cook’s Welder is up for Album of the Year, and her song “El Camino” got a nod for Song of the Year. Robert Plant and the Band of Joy are nominated for Duo/Group of the Year, and the group’s album Band of Joy is also up for Album of the Year.
Previous New/Emerging Artist of the Year winners Justin Townes Earle and Hayes Carll each received two nominations. Earle’s Harlem River Blues is up for Album of the Year and its title track is nominated for Song of the Year, while Carll will compete for Artist of the Year and his song “Kmag Yoyo” is vying for Song of the Year.
Rosanne Cash revealed the nominees, and guests were treated to music from The Civil Wars, Levon Helm and His Dirt Farmer Quartet featuring Jim Lauderdale, and then Cash backed by keyboard player Benmont Tench. Nashville Mayor Karl Dean and producer/songwriter T Bone Burnett were also present.
The 10th Annual Americana Music Association Honors & Awards is scheduled for Thursday, October 13 at the Ryman. The event is the cornerstone of the Americana Festival and Conference, which runs October 12-15 in Nashville.
2011 Americana Music Association Honors and Awards Nominees:
ALBUM OF THE YEAR
Band of Joy, Robert Plant
Welder, Elizabeth Cook
Harlem River Blues, Justin Townes Earle
Blessed, Lucinda Williams
ARTIST OF THE YEAR
Buddy Miller
Elizabeth Cook
Hayes Carll
Robert Plant
NEW/EMERGING ARTIST OF THE YEAR
The Civil Wars
Mumford And Sons
The Secret Sisters
Jessica Lea Mayfield
DUO/GROUP OF THE YEAR
The Avett Brothers
The Civil Wars
Mumford And Sons
Robert Plant and the Band Of Joy
SONG OF THE YEAR
Decemberists with Gillian Welch- “Down By The Water”
Elizabeth Cook – “El Camino”
Hayes Carll – “Kmag Yoyo”
Justin Townes Earle – “Harlem River Blues”
INSTRUMENTALIST OF THE YEAR
Buddy Miller
Gurf Morlix
Kenny Vaughan
Sarah Jarosz
Will Kimbrough

Pictured at the event are (L-R): AMA Executive Director Jed Hilly, Benmont Tench, Larry Campbell, Teresa Williams, Nashville Mayor Karl Dean, Rosanne Cash, Levon Helm, Joy Williams, T Bone Burnett, John Paul White, Jim Lauderdale, Byron Isaacs. Photo: Taylor Hill)

Bobby Karl Works The Medallion Ceremony






The newest class of the Country Music Hall of Fame was inducted at last night’s Medallion Ceremony, pictured (L-R): Jean Shepard, Bobby Braddock, and Reba McEntire. Photo: Donn Jones








Chapter 365:
There are bigger and glitzier events on Music City’s annual calendar, but none can match the warmth and camaraderie of The Country Music Hall of Fame Medallion Ceremony.
You can’t beat the music, either. The Sunday evening (5/22) ceremony in the Hall of Fame’s Ford Theater began with a rafter-raising gospel collaboration between Vince Gill and The McCrary Sisters on “Down by the Riverside.”
“We gather here for powerful words and familiar music,” said Hall of Fame board chairman Steve Turner. “We are honored for the presence and fellowship of each and every one of you.” Steve Moore and Kyle Young also welcomed the 300 lucky seat holders.
The Hall of Fame inductions began with Kyle telling the Bobby Braddock story. Miranda Lambert and Blake Shelton were sensational on Bobby’s co-penned masterpiece “Golden Ring” and drew enthusiastic whoops from the crowd. They were fresh from their honeymoon. Blake, you will recall, was discovered and first produced by Bobby, and they remain close to this day.
Tracy Lawrence was in fine voice for “Time Marches On.” “Thank you, Bobby,” he said. “Biggest hit of my career.”
Billy Currington was relaxed and charming on “People Are Crazy.” Kyle reminded the attendees of Bobby’s 1981 induction into the Nashville Songwriters Hall of Fame and of his nine BMI Million-air songs. He proclaimed Bobby Braddock, who is a youthful 70, “one of the greatest songwriters in the history of country music.”
Bill Anderson read some of Bobby’s most distinctive song lyrics, to everyone’s delight. “It’s no secret that Bobby Braddock doesn’t like to dress up,” Bill added. “But he’s dressed up tonight. Not ‘to go away,’ but to go into the Country Music Hall of Fame.” Bill then placed the Medallion around his fellow songwriter’s neck while the crowd rose in a standing ovation.
“When I hit the red carpet, I saw all the fans….saying, ‘Who’s that?,’” said Bobby wryly. “It’s like getting to go to your own funeral without having to die. How awesome is that?” He thanked George Jones for recording 29 of his songs, producer Billy Sherrill and his co-writers. “I don’t know if I deserve it, but I’m glad to get it,” he concluded.
Jimmy Capps, Charlie McCoy and Millie Kirkham were on the original recording of “He Stopped Loving Her Today.” They joined Bobby as he sat at the piano and began the iconic tune. Then George Jones appeared to do the recitation and to finish the song. The All-Star 2011 Medallion Band flawlessly recreated its ambiance. The members, led by John Hobbs, were Paul Franklin, Steve Gibson, Eddie Bayers Jr., Michael Rhodes, Deanie Richardson, Dawn Sears, Biff Watson and Jeff White.
Next, Kyle told the Jean Shepard saga. Bill Anderson reappeared to perform “A Dear John Letter” with Elizabeth Cook. Their efforts resulted in a spontaneous standing ovation. Vince stepped up to perform Jean’s “I Want to Go Where No One Knows Me.” His arms in casts for treatment of carpal tunnel syndrome, Doug Green of Riders in the Sky glided through “Second Fiddle,” complete with its climactic yodel.
“She sang proudly of her gender,” said Kyle of Jean, who is arguably the greatest female honky-tonk stylist in country-music history. Her husband Benny Birchfield was in the house, as were sons Cory and Harold and her granddaughters.
George Jones warmly inducted his old friend. “Thanks, George, for showing up,” Jean quipped. “I was happy to do my part. I hung in there like hair on a grilled-cheese. Bobby, how did I miss [singing] one of your songs?”
“I don’t know,” replied her fellow inductee. “It’s not too late.”
Jean continued by citing Skeeter Davis, The Wilburn Brothers, Jimmy C. Newman, The Browns and Mac Wiseman as people she feels strongly should also be honored with induction.
“I love what I do, and I do what I love,” she concluded. “Thanks to the wonderful country-music fans. God bless you.”
At 77, she proved she still has what it takes by delivering a powerfully moving version of “A Satisfied Mind.” Jean, by the way, is writing a book. “It’s going to be a tell-all,” she promises. Oh goody!
Kyle continued the proceedings by relating the Reba McEntire story. She has more No. 1 albums than any other female country artist and at age 56 is still knocking out chart-topping hits. Trisha Yearwood and Reba’s sister Susie McEntire were note-for-note perfect on “How Blue.” Vince sang “Somebody Should Leave.” Garth Brooks did “Whoever’s in New England.” But the real vocal fireworks were delivered by Martina McBride and Kelly Clarkson on “Does He Love You,” which was rewarded with another standing ovation.
Reba’s mother, sisters, son and husband/manager Narvel Blackstock were recognized. As a surprise to the inductee, Dolly Parton appeared to present her Medallion.
“This is a great honor and a great privilege,” said Dolly. “They said it was a surprise to Reba. I said, ‘Oh, I don’t think there’s anything Reba don’t know.’” But it was, indeed, a surprise to the redheaded superstar.
“Awards are fun, but it’s the camaraderie and the fun you have getting there [that count],” said Reba. “Having such a fun time and a wonderful career and having somebody to share it with — my partner, my buddy, my husband, I love you.
“Miss Shepard, thank you for coming before me and paving the way. I’m honored beyond words to be inducted with you. Bobby Braddock, I am a huge fan.
“Thank you all very much from the bottom of my heart. I couldn’t have done it without you. And, by God, I wouldn’t have wanted to.”
The traditional, mass-sung “Will the Circle Be Unbroken” finale was less of a train wreck than usual this year. Ray Walker took vocal control; The McCrarys were an immense addition and Vince conducted the band.
The event drew a sizable crowd of sidewalk fans who yelled loudly as the stars’ limos arrived at the red carpet. The always-genial Bill Cody presided out there.
Inside, a pre-inductions cocktail supper was held in the Conservatory and on the plaza. Roast turkey, hearts of palm with arugula and parmesan salad, burger sliders, assorted raw veggies with dip, rolled lox with cream cheese and capers, shrimp & grits, roasted potatoes and a tomato-onions-cucumber toss were among the flavors to sample.
Heading the guest list were 16 Hall of Fame members – George Jones (inducted in 1992), Jo Walker-Meador (1995), Brenda Lee (1997), Bud Wendell (1998), Dolly Parton (1999), Bill Anderson (2001), Gordon Stoker, Curtis Young and Ray Walker of The Jordanaires (2001), Jim Foglesong (2004), Harold Bradley (2006), Sonny James (2006), Ralph Emery (2007), Vince Gill (2007), Jimmy Fortune of The Statler Brothers (2008), Barbara Mandrell (2009), Charlie McCoy (2009) and Billy Sherrill (2010).
In addition, the crowd was liberally sprinkled with performers such as Jan Howard, Red Steagall, Donna Stoneman, Patsy Stoneman, Rafe Van Hoy, Matraca Berg, Don Henry and Bob DiPiero. Also in the house were David Anderson, David McCormick, David & Susana Ross, John Grady, John Siegenthaler, John Guess, Don Light, Donna & Gerald Nicely, Bill Carter, Bill Denny, Tony Conway, Tony Brown, Troy Tomlinson, Tom Roland, Jerry & Ernie Williams and Jody Williams.
Working the room were Rod Essig, Roy Wunsch & Mary Ann McCready, Pat Collins, Peter Cooper, Dick Frank, Dixie Gamble, Dann Huff, Steve Buchanan, Scott & Sandi Spika Borchetta, Eddie Stubbs, Beverly Keel, Michael Kosser, Alice Randall, Lon Helton, Ed Morris and Chet Flippo. The End. Until next year.
 

Swift Dress Rehearsal Raises $750,000 For Tornado Victims

“Just based on tickets alone, you have raised over $750,000,” Taylor Swift told the cheering crowd at Saturday night’s (5/21) final Speak Now Tour dress rehearsal. Swift opened the dress rehearsal at Nashville’s Bridgestone Arena to the public with 100 percent of ticket and merchandise sales going to tornado relief efforts. She also streamed two songs from the set live on her website to encourage donations.
This was the first opportunity for the public to see Swift’s new live show and no one walked away disappointed. The elaborate production included several costume changes, dancers suspended from bungee chords, an elaborate set design, and fireworks. Highlights also included Swift spending time in the back of the arena for an intimate performance, as well as singing the last song of the night, “Love Story,” from a suspended balcony that traveled in the air around the venue. Full of energy, emotion, and spectacular production, this “rehearsal” treated fans to a polished, attention grabbing night of entertainment.
“We were at rehearsal and we turned on the news and we saw that our beloved friends and neighbors in the Southeast were losing their homes, losing their loved ones, losing everything due to tornadoes and I felt like if it was possible for us to help them in any way, then we should do it,” Swift explained to the crowd.
Swift’s sentimental comments made after the first two numbers were the only hints that the show was indeed a dress rehearsal.

Taylor Swift's final dress rehearsal for her Speak Now Tour.