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Anatomy of An Award Show-CMT Wins BossRoss Trophy

Sugarland


Last night’s 2011 CMT Music Awards overachieved, and succeeded. Under the watchful gaze of CMT President Brian Philips, Sr. VP Music Events John Hamlin and Sr. VP Music Strategy Jay Frank and a great team, the production delivered its message of country music FUN across a multi-tiered construct of communication channels, social networks and live in front of a sold out audience of over 12,000 fans. Finally, to accommodate the on-demand “I want when I want it” crowd, there will be numerous re-airings over the next few weeks.
But what defines a hit award show recipe in 2011?
Without getting scholastic, it should be fast-paced, entertaining and sprinkled with humor. Great musical performances as well as special pairings are a requisite. It also needs a script that can connect the various moments without being predictable. Blend in high profile red carpet coverage and a comprehensive online strategy. Then sprinkle a bit of magic dust in the form of celebrity sightings that make fans feel they are peeking behind the curtain, stir and simmer for 2-3 hours.
So how did CMT stack up against the above ingredients? Let’s hand out some newly-minted BossRoss trophies where deserved. In the fast-paced, humor department, witness the opening prerecorded Taylor and Shania sequence where the dual femmes channeled Thelma and Louise. (If you haven’t seen it click here.)
Kid Rock was also right on the money this year and kept the show in motion (unlike last year’s on-camera drinking shots backstage with other artists fiasco). Loved the frequent camera cut aways to seated celebs, which kept the fan’s eyes stuck like glue to the CMT screen.
Great performances were there as well. Sugarland, The Band Perry, Lady Antebellum and a Kid Rock/Sheryl Crow duet all earned trophy status. @Musicrow tweeted after the Sugarland segment, “If Jennifer Nettles voice doesn’t touch your heart….check with your doctor, you might be dead #CMTAwards” and it was retweeted over 31 times! The show closer pairing of Jason Aldean and Ludacris was innovative, if not a perfect fit.
The script was brief but sharp. For example, imagine Martina McBride and Train’s Pat Monahan quipping about the dangers of cellphone mishaps (Anthony Weiner and Brett Favre) before announcing the Collaborative Video Award.
To discover CMT’s online strategy, start at their web site, click to facebook (310,000 likes) and then check out @followCMT (80,000 Twitter followers). A barrage of coverage was flowing out to fans before, during and after the show. Links to various short clips, comments, photos backstage comments and much more. The online team was also engaging the crowd in a two-way conversation. Online was treated as a key ingredient, not an afterthought. (Hand them another trophy.)
CMT makes no apology for its edgy, big-tent concept of country music and takes some heat as a result. Some fans complain about seeing Ludacris or Kid Rock and others on the country show. It’s a personal preference and when the ratings come back later today we’ll see how they fared. My guess is that even though they might complain some, they were mostly watching…
Perfection is elusive, but this production ranked “heavenly” in the increasingly packed sky of country music awards constellations.
 
For a complete list of CMT Winners click HERE
For another opinion on the show click HERE

Bobby Karl Works The CMT Awards

Chapter 367


It’s a music-business axiom that the public doesn’t remember who won or lost at awards shows, just who performed well.
I doubt that even the industry really cares about the fan-voted trophy Buckles at the CMT Awards. I, for one, mostly paid attention to who sang the best.

Sugarland's Kristian Bush and Jennifer Nettles perform "Stand Up" at the 2011 CMT Music Awards. Photo Credit: Jason Merritt/Getty Images/CMT.com


That would be Sugarland, with its stirring duet performance of “Stand Up.” Two Joplin, MO sisters waved flags throughout the song, and its proceeds will go the Red Cross to benefit disaster victims.
Also in the winner’s circle were Big & Rich, plus Gretchen Wilson, for their “Fake ID.” It was on-the-money both vocally and with party attitude. Gretchen promises that their tour together will be, “one band, no breaks, hit after hit.”
Keith Urban’s raspy-cool vocal on “Long Hot Summer” and the Zac Brown Band’s charming rendition of “Knee Deep” were first-rate, as well. The surprise of the performances was probably the super-energetic snippet of “Fast as You” sung by CMT Next Superstar finalists Matt Mason and Steve Clawson.
Toby Keith has the distinction of being the only artist to perform on all 10 CMT Awards telecasts. Alas, he was somewhat pitch-y on “Made in America.” Ditto for Hunter Hayes. And the less said about the Colt Ford train-wreck snippet, the better.
In general, the show was notable as an exercise in country music’s self-loathing. As if the genre’s stars and songs aren’t “good enough” for television, many of them had to be tricked out with rock additions.
First of all, where is it written that Kid Rock has to be on every country awards show, never mind as a host? What’s worse, he and Wynonna actually mocked country music with their “Hell, Yes, I’m Country.”
Throughout the show, much was made of the presence of pop prince Justin Bieber, who tagged along with Rascal Flatts. Nashville rockers Paramore, whom we love, were trotted out inappropriately as presenters.
Lady Antebellum’s lovely “Just a Kiss” apparently wasn’t strong enough to stand on its own without the grafting of Prince’s “Kiss” onto its performance. Ludacris had to rampage in to join Jason Aldean on “Dirt Road Anthem.” I hate to break it to you producers, but fans of Ludacris likely aren’t watching this show, and his appearance won’t cause them to drop what they’re doing and tune in.

The Band Perry's Kimberly Perry performs "You Lie" at the 2011 CMT Music Awards. Photo Credit: Jason Merritt/Getty Images/CMT.com


Ably acquitting themselves musically were The Band Perry, Luke Bryan and snippet singers Thompson Square, Lee Brice and The JaneDear Girls.
One of the cutest moments on the show was the opening video starring Taylor Swift and Shania Twain in a Thelma & Louise parody. Donald Trump, Kenny Rogers, Glee’s Chord Overstreet, Ron White and Kid Rock were featured in it.
On occasions such as this, always thank the fans. “Country music fans are the best,” said Lady A’s Hillary Scott. “I’m honored that you fans all gathered together to vote me Male Video of the Year,” said Blake Shelton via video from the set of The Voice. “Thanks to everybody and to all the love that they show us,” chimed in Zac Brown.
Here’s my favorite: “It takes a village to raise an artist, and you are our village,” said Kimberly Perry of The Band Perry.

Luke Bryan performs "Country Girl (Shake It For Me)" at the 2011 CMT Music Awards. Photo Credit: Jason Merritt/Getty Images/CMT.com


Among my favorite quips was Sara Evans saying on the red carpet, “I hate gowns…I’m such a tomboy.” Jay DeMarcus joked of Bieber, “He reminds me of myself when I was a kid – extremely good looking and talented.” Quoth Shania Twain of her OWN reality show, “It’s been a really great growing, healing experience.” The red carpet walk, by the way, was moved indoors this year. Smart move: The heat index outside by show time was nearly 100 degrees.
“I was voted Best Hair in the NFL,” said pony-tailed linebacker Clay Matthews of The Green Bay Packers. “I’ve won two Super Bowls and Dancing With the Stars,” responded Pittsburgh Steelers receiver Hines Ward.
Sheryl Crow told the viewers that everyone was tweeting about her underwear showing during her performance. What is this culture coming to?
Indianapolis 500 winner Dan Wheldon escorted Sunny Sweeney to the Bridgestone Arena whoop-de-do. Also making the scene were Little Big Town, Martina McBride, Katie Cook, Evan Farmer, Ron White, a nicely amusing Laura Bell Bundy, Terry Bumgarner, Scotty McCreery, Lauren Alaina, Nicole Kidman, Gary Busey, Train lead singer Pat Monahan, Melissa Peterman, Cheryl Hines, Mary Steenburgen, Kristin Chenoweth, Ricky Schroeder and Shania’s handsome hubby Fred Thiebaud.
Missing in action, in addition to Blake, were big winners Taylor Swift and Miranda Lambert. Nevertheless, Jennifer Nettles proclaimed it, “The most fun awards show, ever.”
To read a differing opinion of the CMT Awards show, click here.

Luke Bryan performs "Country Girl (Shake It For Me)" at the 2011 CMT Music Awards. Photo Credit: Jason Merritt/Getty Images/CMT.com


Reunited Big & Rich pose with Gretchen Wilson on the CMT Music Awards Red Carpet. Photo Credit: Alan Mayor

Steve Popovich Passes

When Steve Popovich signed Johnny Cash to Polygram in 1986, the label exec and polka aficionado presented the star with an accordion to welcome him to the label. Photo: Alan Mayor

Steve Popovich, one of the most colorful record executives in the history of Music Row, died suddenly on Wednesday (6/8) at age 68.

Often described as a “maverick,” he was the head of Mercury Records in 1986-88 and ran his own label, Cleveland International Records, from 1976 onward. At Mercury, he signed Johnny Cash, Kris Kristofferson, polka king Frank Yankovic, Lynn Anderson, Billy Swan and Johnny Paycheck. Under his stewardship, the label also marketed The Class of ’55, a landmark LP that combined the talents of Cash, Carl Perkins, Jerry Lee Lewis and Roy Orbison.

His Cleveland International roster featured the country comebacks of B.J. Thomas and Donna Fargo. He also brought Tom Jones to the country charts and produced his albums.
Beginning in 1966, Steve Popovich spent 10 years at CBS Records. There, he was instrumental in establishing the careers of Santana, Paul Simon, Bruce Springsteen, Mac Davis and Chicago. Known as one of the industry’s top radio promoters, he created pop “crossover” hits for Cash, Anderson, Marty Robbins and Ray Price.

Rising to an A&R vice presidency at Epic Records, he signed Michael Jackson, The Jacksons, Cheap Trick, The Charlie Daniels Band, Ted Nugent and Boston.

Photo credit: Scott Shaw, The Plain Dealer. Click for photo gallery.

At Cleveland International, he made a star of Meat Loaf. The artist’s Bat Out of Hell LP is one of the biggest-selling albums of all time, reportedly now at 40 million in worldwide sales. In 1995, Popovich sued Sony for unpaid royalties on the record and reportedly won nearly $7 million in an out-of-court settlement.

When Sony failed to use his Cleveland International logo on subsequent pressings of the record, Popovich sued again. This time, he was awarded $5 million in damages by a jury.

Steve Popovich was born July 6, 1942 in Nemacolin, PA as the son of a coal miner, and he was proud of his working-class roots. He moved to Cleveland as a teenager and played bass in a band called The Twilighters. His first record-industry job was unloading trucks at a Columbia Records warehouse in 1962.

During his two decades at CBS, Steve Popovich affected the careers of dozens of top stars. Boz Scaggs, Loggins & Messina, Janis Joplin, Tony Bennett, Taj Mahal, Andy Williams, Johnny Winter, Janet Jackson, Jeff Beck, The Hollies, Sly & The Family Stone and Nashville’s Dr. Hook, Joe Tex, Dave Loggins, Charlie Rich and Michael Martin Murphey were all promoted by him.

His Cleveland International roster included Ellen Foley, The Rovers, Ronnie Spector, Slim Whitman, Ian Hunter, The Iron City Houserockers and Southside Johnny & The Asbury Jukes. The company’s revival in 1995 included marketing music by David Allan Coe, Brave Combo, Eddie Blazonczyk and Michael Learns to Rock.

Among his other accomplishments as a Nashville executive, he brought the entire national PolyGram Records sales convention to Nashville in 1988. More than 150 of the label’s top executives convened for a week-long series of meetings at the Opryland Hotel.

As a producer and/or label executive, Popovich was responsible for six Grammy Award nominations. He was involved with the first polka-music Grammy and with The Class of ’55 Grammy in the spoken-word category. He was inducted into the Polka Hall of Fame in 1997.

Steve Popovich with his son Steve Jr. Photo: C.J. Flanagan/NashvilleScene.com

The widely loved executive died at his home in Murfreesboro. The cause of death has not been determined.

Son Steve Popovich Jr. is also in the Nashville music business, as a radio producer and artist manager. His father had remained near Music City in order to be with his son and two grandchildren. He is also survived by daughter Pamela Popovich and sister Barb Lemmo.

Funeral arrangements have not been finalized. The Cleveland Plain Dealer reports that Monreal Funeral Home in Eastlake, Ohio will be handling them and that burial will be in Western Reserve Memorial Gardens in Chesterland, Ohio.

Bobby Karl Works CMA Fest: Part 1

Josh Thompson kicked off the first performance at the CMA Music Fest Riverstages today (6/8) with a 30 minute set that included his current single, "Won't Be Lonely Long." Pictured (L-R): Julianne Drenon, manager, Creekhouse Entertainment; Skip Bishop, Senior VP Promotion, Sony Music Nashville; Heather McBee, VP Digital, Sony Music Nashville; Jimmy Rector, VP Promotion, Columbia Nashville; Gary Overton, CEO/Chairman, Sony Music Nashville; Thompson and Steve Moore, CEO, Country Music Association.


Chapter 366
With the biggest parade in its history, charity concerts, some Opry events, two international-artist showcases and a flurry of early fan-club parties, the 40th annual CMA Music Festival is off with a bang.
The kick-off parade on Wednesday morning (6/8) was an hour-long affair packed with action. Sirius/XM and GAC star Storme Warren hosted. “This is the official kick off of country music’s biggest party!” he crowed to the crowd. Attendees were massed for blocks on Lower Broadway. Fans were perched on the police precinct porch, the Masonic Lodge plaza, the steps of the Customs House and on ledges of dozens of other buildings.
Slowly, a phalanx of motorcyclists rumbled over the rise at 8th Avenue. Wow, what a beginning – 300 riders from the Harley Davidson HOG Rock, Rhythm & Blues Tour roared past the screaming throng. Very festive. The Metro Police Department’s color guard marched next, accompanied by bagpipe and drum. Rescue vehicles were followed by the Music City Drum & Bugle Corps, dressed in vivid red & white uniforms with silver epaulets and buttons.
Parade co-grand marshal Bill Anderson stared at the throng that stretched all the way down to the river from his vantage point at 6th Avenue & Broadway. “We didn’t have near this many people 40 years ago,” he observed. “Welcome to Music City!” He should know: Bill is one of the few artists who have attended every single one of the 40 Fan Fairs.
Co-grand marshals The Oak Ridge Boys are another. “We’ve been to every one,” said the group’s Duane Allen. “There are shows all over town – we’re looking forward to a great week.” “Oom-papa, Oom-papa, Mow-Mow,” sang Richard Sterban. This is the 30th anniversary of “Elvira.”
“I was here for the first Fan Fair, so this is my 40th,” said Lynn Anderson, the only other parade participant who dated back to the beginning.
“This is my very first parade,” said Josh Thompson. “This is awesome. This is a tribute to the greatest fans in any genre of music.”
“This is my very first CMA Music Festival, and I’m blessed to be here,” said American Idol’s Crystal Bowersox.
“Look at all these amazing people,” exclaimed Ty Herndon. Let the record show that his yellow convertible was being driven by none other than the CMA’s Steve Moore.
“Welcome, everybody, to Nashville, from all over the world,” said Deborah Allen. Right next to me on the sidewalk was a couple from Paris — France, not Tennessee. Fans from more than 25 different nations have bought tickets this year.
“There’s so many of you – what happened?” exclaimed Sherrie Austin. “It has grown,” Storme explained to “The Wonder From Down Under.” “The stars just keep on coming, just like they will over the next five days,” he added.
Riding in various Chevrolet vehicles – sedans, Silverado pick-ups, Corvettes and such – were Billy Dean, Lee Brice, Jason Jones, Mark Wills, Ashley Gearing, Eli Young Band, Dailey & Vincent (also their first Fan Fair), pop star Tiffany, Miss Willie Brown, Bo Bice, Tyler Farr, Buddy Jewell, The Roys, GAC contest winning One Night Rodeo, Stephen Cochran, Rhonda Vincent, Karie Armiger, JT Hodges, Sarah Darling, Bomshel, Ash Bowers, The Carter Twins, Carter’s Chord, The Dirt Drifters, LoCash Cowboys, Hollywood Yates and The Lunabelles.
“Good Morning, Beautiful,” said Storme as Steve Holy glided by, waving from his car perch. Daryle Singletary was fresh from winning the Porter Wagoner Memorial Fishing Tournament on Tuesday (6/7). He said his winning bass catch weighed 13 pounds, six ounces. Walker Hayes pronounced himself, “Embarrassed,” at being named one of People Country’s hottest guys. Rowdy Her & Kings County were having a ball, bouncing their truck bed up and down. Stealing Angels were notably vivacious, especially considering the blistering temperature.
Mascots T-RAC (The Titans), Gnash (The Predators), Ozzie (The Sounds) and the Geiko Gecko (handing out gecko-head fans), cavorted down the parade route. The Nashville Roller Girls skated by, promoting their June 18th game. The General Lee car tooted its “rebel” horn. The clopping, handsome Budweiser Clydesdales delighted the fans. The Gildan stilt walker with a huge blue flag was promoting the unveiling in Centennial Park on Saturday of the world’s largest t-shirt.
Middle Tennessee Girl Scouts and Brownies, the Nashville Fire Department color guard, the GAC Tour Bus, Operation Troop Aid, the U.S. Coast Guard, Sheriff Daron Hall and more paraded by.
The McGavock High School Band treated us to “The Tennessee Waltz,” one of our state songs. Making its first parade appearance was the  “Keep the Music Playing” All-Stars band. These are some of the kids who have benefited from the festival’s proceeds that go to music education in our schools. A beaming Wendy Pearl marched with them.
“This is a phenomenal event,” marveled Dan Wheldon. He won the 100th running of the Indianapolis 500 over Memorial Day Weekend. In case you didn’t know, his car was co-sponsored by our own Mike Curb and Scott Borchetta.
A banner reading, “Follow Me to the Block Party,” brought up the rear of the parade. If you were selling food downtown, you were in the catbird seat. There was an hour lag time between the parade and the first show at Riverfront Park, so fans lined up wherever lunch beckoned.
For North Carolina’s Joel Hawkins, his first CMA fest was already a success. He and his wife attended the Opry on Tuesday (6/8) and saw their faves Martina McBride, Darius Rucker and Lady Antebellum. The night before (6/7), they went to their ultra favorite Carrie Underwood’s fan-club party, also at the Opry. “You’re going to have a ball,” I promised them about the days to come. The always entertaining Jerrod Niemann starred at the Opry Plaza Party (6/8). Carrie, by the way, introduced this year’s Idol winners Scotty McCreery and Lauren Alaina to the Opry fans.
Sweet Caroline, a fan from Ottowa, Canada, remembered me from hosting an Eric Church fan event last year. She was desperately seeking tickets to his Chief album-preview party on Thursday (6/9). To my surprise, she is also a MusicRow reader. Blonde, 8-year-old Kentucky triplets proclaimed themselves here to see – who else? – Taylor Swift.
Braving the heat were Vanessa Parker Davis, Heather Bahn, Harry Harrison, Joyce Riser and balloon wranglers from SunTrust and Fifth Third banks.

The 4th annual GAC Fan Kick-off Breakfast was held this morning (6/8) at the Country Music Hall of Fame & Museum. The sold-out event included performances by Lee Ann Womack, Laura Bell Bundy, Ashton Shepherd and David Nail followed by autograph sessions. Pictured (L-R): GAC GM Sarah Trahern, David Nail, Ashton Shepherd, Laura Bell Bundy, Lee Ann Womack and GAC Pres. Ed Hardy.


The aforementioned Misters Brice and Thompson, plus Eli Young Band, Uncle Kracker and Randy Houser were booked to kick things off at Riverfront. Meanwhile, over at 12th & Porter, fans were already lined up and dying to get into the Craig Morgan fan club party. The Tracy Lawrence crew was bustling all over Rocketown getting it ready for his fan club bash (6/8).
The “Country Gives Back” Red Cross Disaster Fund charity show was on Broadway Tuesday evening (6/7). Rodney Atkins and Thompson Square starred, and Butch Spyridon, Lindsey Bynum, Loretta Kelly and Chris Cannon were there. Meanwhile at The Stage (6/7), WKDF was raising money for Cystic Fibrosis with a “Beach Party” starring Darryl Worley, Kellie Pickler, David Nail and more.
The AristoMedia Global Shows were Monday (6/6) and Tuesday (6/7). MusicRow’s Jon Freeman was thunderstruck by Oz’s Tommy Emmanuel at Monday’s gig at The Stage. “I’ve never seen anybody play guitar like that,” he observed. Keith Urban presented Tommy with the 2011 CMA Global Country Artist Award at the SRO event. Tuesday’s gig at the Second Fiddle was hosted by The McClymonts, also from Australia.
As early as Monday (6/6), Bill Mayne was making wisecracks about the “polyester invasion.” The fans may be overweight (like all of America), but they don’t wear polyester and haven’t for years.
We are anticipating a daily attendance of 70,000 of them this year. Last year, the aggregate attendance for all four days was 160,000. The fest employs more than 500 stagehands, security personnel, catering staff, TV crews, transportation people and artist assistants. The two-hour network television special, cable shows, internet feeds and national radio broadcasts that the festival generates are all essentially advertisements for our city. The fans bring in $25 million to the downtown Nashville economy. So for pete’s sake, let’s celebrate them and welcome them.
 
 
 
 
 

Shania Announces Vegas Residency


Shania Twain announces her Las Vegas residency during a press event in Nashville. (L-R): Gary Selesner, Twain and John Meglen. Photo: Alan Mayor


Shania Twain
will head to the Colosseum at Caesars Palace in Las Vegas for a two-year residency beginning December 1, 2012.

The superstar said she was “beyond excited” as she shared the news at a press conference today (6/8) at Nashville’s Country Music Hall of Fame and Museum. She appeared with Caesar’s Palace Pres. Gary Selesner and AEG Live/Concerts West Pres./co-CEO John Meglen. They announced that she will play 60 dates a year at the venue, confirming recent rumors about the engagement.
“I feel like I’ve climbed a giant mountain and I’m standing right on top with my arms wide open,” she exclaimed.
Reuniting with her fans seemed to be what Twain was genuinely most excited about, referring to performing for them as “one of my greatest pleasures.”
Planning of the show and stage production has yet to begin, but Twain said she will give “a whole new meaning for the old music.” She said she will let her creativity flow. “I’m going to go nuts! Anything is possible at Caesars.”

Photo: Alan Mayor


Twain addressed the recent medical issues with her singing voice, noting numerous appointments with specialists, including the team at Vanderbilt University Medical Center. She also spoke briefly about the personal challenges she experienced during her time away from the spotlight, calling the past year a “healing year.”
The start of the Vegas residency will coincide with an expansion opening of the resort casino, including a new hotel. Twain will be the Colosseum’s first resident headliner, joining fellow international superstars Celine Dion, Elton John, and Rod Stewart who have had extended runs there.
Twain didn’t directly answer whether or not she will move her family to Las Vegas. She only said she is in a very “artist-friendly” situation.
A pre-sale exclusively for American Express cardholders opens tonight during Twain’s appearance on the CMT Music Awards. She will be a presenter, and star alongside Taylor Swift in the Thelma & Louise inspired show opening.
This follows the news that Twain is releasing “Today Is Your Day,” her first new music in over six years. She will also be signing copies of her book From This Moment On, Friday, June 10 at the Bridgestone Arena during CMA Music Fest.

City National Bank Opens On Music Row

Pictured (L-R): Lori Badgett, David Innes, Holly Bell, Diane Pearson, and Mandy Gallagher.


City National Bank has opened its first banking office in Nashville, Tenn. with a full staff headed locally by Holly Bell. With offices across the country, the bank has long established roots in the entertainment business, including many Music City clients.
Bell brings two decades of Nashville music business banking experience to her new post, Sr. VP for Entertainment and Team Manager. She was formerly a entertainment and private bank manager with Wells Fargo. Bell reports to Martha Henderson, the Exec. VP and Manager of City National’s entertainment division. “Expanding into Nashville is an exciting step for City National,” said Henderson. “It’s a logical extension of our very strong entertainment business in California and New York. We’ve recruited an outstanding team of local bankers, and their experience will further strengthen our ability to serve the entire music industry.”
Joining Bell on the City National team are Senior Relationship Managers Lori Badgett and Diane Pearson, who were previously with SunTrust Bank’s Nashville entertainment division for 15 and 20 years, respectively. Fellow former SunTrust banker Mandy Gallagher is also on board as a Relationship Manager with 12 years of experience.

David Innes is a Senior Relationship Manager who will serve Atlanta based music industry clients. Innes’ two decades of service include time at Wells Fargo and SunTrust.
City National’s Account Managers include seasoned bankers Adrian Foreman, Meridy Kizer, Jamie Lay and Kristy Sargent.
Coming to the new Nashville location from other City National branches are Jason Plum as Credit Officer, and Will Hurst as Office Administrative Manager.

City National Bank’s temporary office in Nashville is open at 60 Music Square East, Nashville, TN 37203, and can be reached at (615) 782-5620. Employees can be reached at [email protected] (ex. [email protected]).
The permanent location is scheduled to open later this summer at 54 Music Square East, Nashville, TN 37203.
City National Bank is America’s 25th largest bank, with 80 offices, including 16 full-service regional centers. It is backed by $21.6 billion in total assets.

DISClaimer Single Reviews (6/8/11)

We have a mixed bag of sounds on tap today.
The listening session was dominated by indies. Some of them were quite listenable (Stephanie Urbina Jones, Aaron Einhouse), others not so much. The one who stood out as a DisCovery Award winner was Drake Jensen. Other than the fact that he is managed out of Ottawa, I know next to nothing about him.
Lady Antebellum was, as always, a luscious listening experience. But the Disc of the Day belongs to Kellie Pickler. “Tough” is the perfect song for this personality-packed performer.
I don’t have an awards category for this, but maybe I should honor someone each week who reminds us all what hardcore country music really sounds like. If I did, I would certainly polish a statuette for the supremely soulful stylings of Gene Watson & Rhonda Vincent. Their album is called Your Money and My Good Looks. It dropped this week. Get it.
JIMMY LEHOUX/Twenty Toes In The Sand
Writer: Liz Miller/Tom Stipe; Producer: Tom McBee; Publisher: Check to Rex/Pen, ASCAP; Ruby (www.jimmylehoux.net)
—Half of this town has been ripping off Jimmy Buffett for years.
DRAKE JENSEN/Wash Me Away
Writer: M. Narmore/M. McGuire; Producer: Kim Copeland; Publisher: Oven/Avalon Avenue, BMI/ASCAP; Soaring Eagle (track)
—Very dramatic. Unmistakably country, but with a certain sonic majesty and terrific, multi-layered production finesse. Not only is the song finely crafted, he sings with open throated confidence and clear conviction. A winner.
KELLIE PICKLER/Tough
Writer: Leslie Satcher; Producer: Frank Liddell & Luke Wooten; Publisher: Sony-ATV Tree/Leslie Satcher, BMI; BNA
—At last! The giant hit that Pickler has always deserved is finally here. This rumbling, romping rhythm number has a lyric with real moxie, and she delivers it with just the right amount of sass.
T.J. BROSCOFF/Pillow
Writer: T.J. Broscoff; Producer: Bill Green; Publisher: Bill Green, BMI; BGM (www.tjbroscoff.com)
—Take vocal lessons to learn how to hold a note longer than a nanosecond.
CLAUDIA NYGAARD/His Left Side
Writer: Claudia Nygaard; Producer: Claudia Nygaard; Publisher: Cattlelog, BMI; Bet the Ranch (track) (www.claudianygaard.com)
—This one’s a story song on the folkie side of things. His wife has passed away, and he wants to come back to work the land as soon as he recovers from a stroke. Instead, he comes home to die, holding the reins of his old horse standing by his bedside on the front porch.
GENE WATSON & RHONDA VINCENT/Gone For Good
Writer: Jimmy Melton; Producer: Herb Sandker; Publisher: Castle Street/Bughouse/Bug, ASCAP; Upper Management (track) (www.geneandrhonda.net)
—The first duet album by these two superb country vocalists features chestnuts like “My Sweet Love Ain’t Around,” “Sweet Thang,” “Til the End,” “Out of Hand” and “You Could Know as Much About a Stranger,” plus three Rhonda originals. Among the new tunes by others, this lost-love weeper is the awesome single/video. If you yearn for a real honky-tonk ballad with emotion-soaked harmony and moaning steel, this will smack you right between the eyes. A match made in hillbilly heaven.
LADY ANTEBELLUM/Just A Kiss
Writer: Dave Haywood/Charles Kelley/Hillary Scott/Dallas Davidson; Producer: Paul Worley & Lady Antebellum; Publisher: Warner-Tamerlane/DWHaywood/Radiobulletspublishing/EMI Foray/Hillary Dawn/EMI Blackwood/String Stretcher, BMI/SESAC; Capitol Nashville (CDX)
—A delirious dream of harmony vocalizing. It is, indeed, the audio equivalent of a romantic kiss.
AARON EINHOUSE/The Cougar Song
Writer: Aaron Einhouse; Producer: Walt Wilkins; Publisher: none listed, BMI; AE  (www.aaroneinhouse.com)
—Three husbands down, the lady at the bar is waiting for you to light her cigarette, if you catch my drift. Bouncy, and sung with drawling good humor.
CONNIE KIS ANDERSEN/Steamy Dreams
Writer: Connie Kis Andersen; Producer: Doug Wayne; Publisher: Kismana, APRA; Kismana (track) (www.conniekisandersen.com.au)
—This has reportedly already been a top-5 country hit in Australia. She sings capably in a slightly bluesy way, and the swampy guitar work is exemplary. But the whole thing is just too “white” for my taste.
STEPHANIE URBINA JONES/I’m Not A Pinata
Writer: Stepahnie Urbina Jones/Mark Marchetti; Producer: none listed; Publisher: Casa Del Rio/Baby Z, SESAC/BMI; Texican Entertainment (www.stephanieurbinajones.com)
—The instrumental single is a snappy country rocker with a whiplash beat. The vocal version has a husky alto intro before the smoking track catches fire. I have long been a fan of this performer, and this time around she’s really kicking tail.

Tommy Emmanuel Presented With CMA Global Artist Award

(L-R): CMA CEO Steve Moore, Keith Urban, Tommy Emmanuel


Australian guitar wizard Tommy Emmanuel was presented with the 2011 CMA Global Country Artist Award last night (6/6) by fellow Aussie guitar slinger Keith Urban. The presentation took place during the CMA Global Artist Party at The Stage.
After dazzling the audience with selections from his own catalog as well as a Beatles medley and the Australian folk song “Waltzing Matilda,” Emmanuel was surprised when Urban joined him onstage to make the presentation. The Global Artist Award recognizes outstanding achievement by an artist who has furthered country music’s popularity and brought it attention in a foreign territory. Previous winners include Paul Brandt (Canada), Troy Cassar-Daley (Australia), Lee Kernaghan (Australia), and Jason McCoy (Canada).
“This award means so much to me because I spend 90 percent of the year on the road, traveling around the world playing music,” said Emmanuel. “And I tell people about America because I love this place. I choose to live in Nashville because a lot of the roots of the music that I play are right here and in Kentucky. I’ve always seen it as not just my job but my calling to get out there and play music and show the younger generation that it’s cool to be yourself and set your mind on being the best that you can.”
Emmanuel’s set and presentation kicked off the CMA Global Artist Party, which featured nine international acts. In addition to Emmanuel, performers included Raintown (UK), Luke Dickens (Australia), Kaylee Bell (New Zealand), McAlister Kemp (Australia), Chad Brownlee (Canada), Dianna Corcoran (Australia), Marlee Scott (Canada) and Dean Brody (Canada). Aussie husband-wife duo O’Shea hosted the standing room only event.

(L-R): Top row: CMA President Steve Moore, artist Marlee Scott, artist Kaylee Bell, artist Chad Brownlee, Global Artist Party producer/director Mark Moffatt, artist Tommy Emmanuel, artist Drew McAlister (McAlister/Kemp), artist Claire McArthur (Raintown), artist Troy Kemp (McAlister/Kemp), artist Paul Bain (Raintown), artist Dean Brody, artist Dianna Corcoran, artist Luke Dickens. Bottom row: AristoMedia Director of Operations Matt Watkins, hosts Jay and Mark O’Shea, AristoMedia President/CEO Jeff Walker.

Stars Added To Tomorrow Night's CMT Awards

Shania Twain and Taylor Swift recreate "Thelma & Louise" for the CMT Music Awards. Photo Credit: Rick Diamond/Getty Images for CMT.com


The star lineup continues to grow for tomorrow night’s (6/8) 2011 CMT Music Awards. The Band Perry has been added to the performance schedule, and Shania Twain and Taylor Swift will join forces to open the show by recreating Thelma & Louise. Also set to appear are Glee’s Chord Overstreet, Ron White, Donald Trump, Kenny Rogers and host Kid Rock. Additional presenters on-hand at the 10th anniversary show will include Martina McBride and Little Big Town, actress Cheryl Hines, Gary Busey, and Indianapolis 500 winner Dan Wheldon.
Other newly announced performers set for the Nationwide Insurance stage include Lee Brice, Colt Ford, Hunter Hayes, The JaneDear Girls, Thompson Square and CMT’S Next Superstar Finalists Matt Mason and Steven Clawson.
The 2011 CMT Music Awards will air live from Nashville’s Bridestone Arena on CMT and CMT.com. Previously announced performers include Jason Aldean, Keith Urban, Lady Antebellum, Rascal Flatts, Sugarland, Big & Rich, Toby Keith, Zac Brown Band and Luke Bryan.
Set to present are Shania Twain, Sara Evans, Justin Bieber, Sheryl Crow, American Idol winner Scotty McCreery and runner-up Lauren Alaina, Train, Kristen Chenoweth, Dale Earnhardt Jr., Melissa Peterman, Dancing With The Stars winner Hines Ward, Green Bay Packers’ Clay Matthews and actress/songwriter Mary Steenburgen.

Lady A Sets Release Date

Lady Antebellum announced today (6/7) that their third Capitol Nashville studio album Own The Night will be released on Sept. 13, 2011. It’s the first major album release date set for the fourth quarter, hoping to score with holiday shoppers.
The project’s lead single “Just A Kiss” is the trio’s fastest rising single to date, climbing into the Top 15 on Billboard’s Country Singles chart in five weeks.
Own The Night follows the band’s monster sophomore release Need You Now. Since debuting in January 2010, that album has sold over five million copies worldwide, spawned three multi-week No. 1 hits (“Need You Now,” “American Honey,” “Our Kind of Love”), taken home five Grammys, and a dozen other trophies.
“We took more time to write and record this record than we’ve ever done before,” says Charles Kelley. “I remember looking at Hillary and Dave at the Grammy’s this year, on the wildest night of our lives, and saying ‘this is amazing…we’ll never get to experience a moment like this again, but now we have to go home and get to work.'”
“And that’s exactly what we did,” adds Dave Haywood. “We packed up and flew home from LA, cleared our calendar of everything and went into rehearsal with the musicians. I love that part of recording…taking the songs we’ve written and bringing them to life with these musicians who are so incredibly talented.”
“One of our favorite songs on the new record is called ‘We Owned The Night,’ which is about a special once-in-a-lifetime moment, and we thought that naming the album around that same sentiment was really appropriate,” says Hillary Scott. “It’s also about the experience we want to create every night in concert for our fans…together, we own the night!”