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Upcoming Film Features New Keith Urban Song

Keith Urban has recorded a song specifically for a Navy SEAL action-thriller titled Act of Valor, in theaters Feb. 24. “For You” was written with Monty Powell and will be featured during the film’s end credits.

“I loved the challenge of writing for a film,” said Urban. “I’ve never done that before. After seeing Act Of Valor, Monty and I wanted to capture the essence of not only what these men and women do so extraordinarily, but how that relates to all of us. ‘Valor‘ shows us what they are willing to give their all for, which made me wonder, ‘what am I willing to give my life for?’”

“For You” was co-produced by Dan Huff and Urban, engineered by Mark Dobson and Todd Tidwell and was recorded at Starstruck Studios. The film’s soundtrack, which includes “For You” and other original material from to-be-announced country artists, is available at digital and physical retailers Feb. 21.

Produced and directed by former Baja 1000 champion Mike “Mouse” McCoy and former stuntman Scott Waugh, the Bandito Brothers’ Act of Valor stars a group of active-duty Navy SEALs and tells a story of contemporary global anti-terrorism.

DISClaimer Single Reviews (1/11/12)

Clay Walker, Ira Dean, Josh Turner and Shooter Jennings are the men of the hour.

The Disc of the Day belongs to Josh Turner, but don’t count those other guys out, by any means. All three are playing at the top of their game this week.

And there’s a challenger waiting in the wings. If some major picks up “Ghost” by Tim Culpepper, watch the fur fly. Not since Joe Nichols and Chris Young have I heard a new country vocalist so thoroughly in command of his instrument.

Tim Culpepper

Here’s what I know about him so far. He’s from Montgomery, AL, where his father was/is a country singer in area clubs. He was discovered on Lower Broadway. I looked at his video online. Tim isn’t a clone. He has his own look with long sideburns, blue eyes, a handlebar mustache and an athlete’s physique. Also: the clip includes line-dancing zombies.

”Ghost” is Tim Culpepper’s debut single, and based on it, I can’t WAIT to hear the rest of his CD. Send one, and sign me up for the fan club. Needless to say, he is this week’s DisCovery Award winner.

JOSH TURNER/Time Is Love
Writer: Tom Shapiro/Tony Martin/Mark Nesler; Producer: Frank Rogers; Publisher: EMI Blackwood/Little Dooey/Sony-ATV/Casa Jaco/Little Lola Mae, BMI; MCA Nashville(CDX)
—Airy, breezy, atmospheric, wafting and completely charming. An ultra-romantic outing with a built-in smile. In addition to the glowing warmth of his vocal, another plus is the shimmering instrumental work throughout.

IRA DEAN/Somethin’ ‘Bout a Sunday
Writer: Ira Dean/Josh Thompson; Producer: Ira Dean; Publisher: Sony-ATV Tree/Hillbilly Rich, BMI; Average Joes (CDX) (www.averagejoesent.com)
—He wakes up cigarette-stained, hung over, bone tired and ashamed of himself. But somewhere inside is an ember of wanting to change and start over. The powerfully written lyric is as real as dirt, and the melody is uplifting and inspiring. This deserves massive airplay.

KENTUCKY HEADHUNTERS/Great Acoustics
Writer: Kentucky Headhunters; Producer: Kentucky Headhunters; Publisher: Them Young Boys/Mr. Eric/I.B. Headed, ASCAP/BMI; Red Dirt (CDX) (615-347-9686)
—Surprisingly pop-ish for a group that usually sounds much more edgy.

SHOOTER JENNINGS/The Deed and the Dollar
Writer: Shooter Jennings; Producer: Shooter Jennings ; Publisher: Wolf’s Tale, ASCAP; Black Country Rock (CDX) (615-861-4232)
—He can still just barely sing, but there is nevertheless something utterly appealing about this love ode with a steady beat. Play it.

JANIE FRICKE/Goodbye Broken Heart
Writer: J. Fricke; Producer: Bill Vorndick; Publisher: Janie Marie Fricke, BMI; New Music Deals (track) (www.newmusicdeals.com)
—Janie’s new Country Side of Bluegrass CD consists mainly of acoustic reinterpretations of her classic hits of the ‘70s and ‘80s. Never previously noted as a songwriter, she provides the collection’s one new tune. It’s a jaunty bopper sung with a smile and featuring dandy fiddle and acoustic-guitar breaks.

TYLER FARR/Hot Mess
Writer: Rhett Akins/Dallas Davidson/Ben Hayslip; Producer: Jim Catino & Julian King; Publisher: EMI Blackwood/Rhettneck/String Stretcher/WB/Melissa’s Money/Get a Load of This, BMI/ASCAP; BNA
—Cluttered sounding.

CLAY WALKER/Like We Never Said Goodbye
Writer: Tiffany Goss/Cory Batten; Producer: Keith Stegall; Publisher: Curb Congregation/I Want to Hold Your Songs/Words & Music, SESAC/BMI; Curb (track)
—He runs into his ex unexpectedly, and they tumble head over heels all over again. The song is somewhat word-y, but the production is sterling, and Walker’s vocal performance is super believable.

TIM CULPEPPER /Ghost
Writer: Elbert/M. Baker/G. Jarrell/K. Jarrell; Producer: Elbert West; Publisher: none listed; Honkytone (615-452-9844)
—I dig this. He is a hardcore honky-tonk vocalist with cool dips, slides and moans that recall such masters as Gosdin and Whitley. The song is a rumbling barroom lament about a man haunted by a past love. Play this over and over again, you’ll get no complaints from me.

MARLEE SCOTT/Train Wreck
Writer: Marcus Hummon/Jedd Hughes/Sarah Buxton; Producer: David Kalmusky; Publisher: Sony-TV Tree/Pula Pula, BMI; Brigade (www.marleescottl.com)
—She sings with plenty of moxie. Next time, give her a song with a melody.

DAVE ROBERTS/Lindsy Mae
Writer: Dave Roberts; Producer: none listed; Publisher: none listed; DR (www.daverobertscountry.com)
—He has a earnest, easy-going vocal delivery and shows definite promise as a songwriter. Listenable.

Peermusic Adds Hit Songwriter To Roster

(L-R): Kevin Lamb (VP, Nashville), Kathy Spanberger (President and COO), Michael Knox (Sr. Creative Director), Neil Thrasher, Kim Wiggins (Creative Manager) and Chip Petree (Copyright Exchange / Petree Law)

peermusic is beefing up its roster with the signing of award-winning songwriter Neil Thrasher as a staff writer. With numerous hits to his credit, Thrasher’s latest success is Jason Aldean’s “Tattoos On This Town,” and the upcoming Rascal Flatts single, “Banjo.”

Thrasher’s 20-year career includes writing or co-writing hits including “There Goes My Life” and “I Lost It” for Kenny Chesney, “Fast Cars and Freedom” and “Take Me There” for Rascal Flatts, and “What Do You Say” for Reba McEntire. He was honored as the 2004 ASCAP Songwriter of the Year, and as writer of the 2010 Gospel Music Association Country Song of the Year “Somebody Like Me” (Jason Crabb). “I am very excited about my new partnership with peermusic,” explains Thraher. “Everyone has made me feel at home and I’m looking forward to our future together.”

“When Michael Knox joined the company he and I developed a game plan as to how we would move forward,” says Kevin Lamb, Vice President, peermusic Nashville. As was the case with Vicky McGehee, Neil was at the top of our list of writers we wanted to work with. Neil rounds out that core, and comes to us with not only talent and respect, but a lot of energy. It’s a great way to start the year.”

“I am very excited to finally be working with Neil,” adds Knox, Producer/Creative Dir. “We’ve known each other for over 10 years and I’ve always been a huge fan. There’s nothing better than working with someone you respect so much and on top of that, be able to call them a friend.”

A Birmingham native, Thrasher grew up surrounded by music. His father was a member of the gospel group the Thrasher Brothers, who were later inducted into the Alabama Music Hall of Fame. He soon followed in his father’s footsteps, moving to Nashville and pursuing his own music career. In 1996 he signed to Atlantic Records as part of the duo Thrasher Shiver and began landing cuts for other artists like Diamond Rio and Billy Ray Cyrus.

Breaking: ACM Announces Awards Date, Show Hosts

Country Music’s Party of the Year®, the 47th Annual Academy of Country Music Awards will be broadcast live from the MGM Grand Garden Arena in Las Vegas Sunday, April 1, 2012 at 8:00 PM live ET/delayed PT on the CBS Television Network. The show will be hosted for the second consecutive year by Reba and Blake Shelton.

The 2nd Annual ACM Fan Jam, hosted by Zac Brown Band, will take place simultaneously with the Awards at the Mandalay Bay Events Center. Performances by ZBB and others to be announced, taking place at the ACM Fan Jam will be shown during the awards telecast.

Additionally, the Academy and dick clark productions will tape an all-star concert special, ACM Presents: Lionel Richie and Friends—A Lifetime of Hits, at the MGM Grand Garden Arena Monday, April 2 to air at a later date on CBS. Guests include Jason Aldean, The Band Perry, Kenny Chesney, Lady Antebellum, Martina McBride, Rascal Flatts, Kenny Rogers and many more. Tickets sales from the event will benefit ACM Lifting Lives, which works to improve lives through music.

The Academy will announce its full schedule of The Week Vegas Goes Country® events in the upcoming weeks.

Professional Members of the ACM can purchase tickets beginning at 10:00 AM (PT) on Tues., Jan. 17 through Fri., Jan. 20 by visiting www.ACMcountry.com and clicking the “GET TICKETS” link.

Details on the events and tickets at www.ACMcountry.com. Those who join the ACM A-List will receive a pre-sale code for tickets and information on discounted room rates at MGM Grand and Mandalay Bay.

Photo: Musica Loves “Red Solo Cup”

What will those joyful dancing nudes from Musica get into next? We already know they can shred on their Telecasters and root for the Predators, but they apparently also enjoy making accessories from a certain brightly-colored drinking receptacle. Kudos to Toby Keith’s Show Dog-Universal, TK Management, and crew on the eye-catching stunt.

Photo: Caitlin Rantala

Church Announces Second Leg Of Tour

Due to overwhelming demand, Eric Church recently announced a second leg of his The Blood, Sweat & Beers Tour, which includes a Nashville date and extends to Atlantic City, New York City, Orlando, Minneapolis, among others. Church, who recently broke Jason Aldean’s record for the highest number of tickets ever sold for a live event at the Landers Center in Southaven, MS, will also headline several coveted venues, including Nashville’s Bridgestone Arena and the Red Rocks Amphitheatre in Morrison, CO for the first time in his career.

Additionally, the 2012 Grammy nominee for Best Country Album of the Year (for Chief) also spent two weeks at No. 1 on MusicRow’s CountryBreakout Chart with “Drink In My Hand,” which is currently Top 5 and climbing on Billboard’s country chart.

Tickets for upcoming dates are on-sale now and fans also have the option to purchase a special “VIP Package” where they’ll be treated to an exclusive pre-concert party and intimate, acoustic backstage performance from Church. For more information and to purchase, visit www.ericchurch.com.

The full list of Church’s upcoming tour dates is below, with an asterisk (*) denoting a new addition. Opening acts for various dates include Brantley Gilbert, Sonia Leigh, Blackberry Smoke, Jon Pardi, The Cadillac Black and Drake White.

The Blood, Sweat & Beers Tour Dates:

1/19      Fort Smith, AR- Fort Smith Convention Center
1/20      Cape Girardeau, MO- Show Me Center
1/21      Southaven, MS- Landers Center
1/26      Madison, WI – The Alliant Energy Center
1/27      Saginaw, MI- The Dow Event Center
1/28      Terre Haute, IN- The ISU Hulman Center
2/2        Savannah, GA-Savannah Civic Center
2/3        Knoxville, TN-Thompson Boling Arena
2/4        Norfolk, VA-Ted Constant Center
2/16      Greenville, SC-Bi-Lo Center
2/17      Salisbury, MD- Wicomico Civic Center
2/18      Greensboro, NC-Greensboro Coliseum
2/23      Battle Creek, MI-Kellogg Arena
2/24      Cleveland, OH-Wolstein Center at CSU
2/25      Ft. Wayne, IN- Allen County War Memorial Col.
3/1        Portland, ME- Cumberland Country Civic Center
3/2        Lowell, MA- Tsongas Center at UMASS Lowell
3/3        Indiana, PA- Kocalchick Center
3/8        Oklahoma City, OK- Chesapeake Energy Center
3/9        Jonesboro, AR – ASU Convocation Center*
3/10      Orange Beach, AL- Amphitheater at The Wharf
3/14      New York, NY – Hammerstein Ballroom*
3/15      Binghampton, NY – Broome County Arena*
3/16      Reading, PA – Sovereign Center*
3/17      Atlantic City, NJ – Etess Arena*
3/22      Estero, FL – Germain Arena*
3/23      Orlando, FL – UCF Arena*
3/24      Tallahassee, FL – Tallahassee Civic Center*
4/12      Tupelo, MS – BancorpSouth Arena*
4/13      Bossier City, LA – Centurylink Center*
4/14      Auburn, AL – Alpha Psi Rodeo*
4/19      Evansville, IN – Ford Center*
4/20      St Louis, MO – Chaifetz Arena*
4/21      Pikeville, KY – Eastern KY Expo Center*
4/26      Columbus, OH – Nationwide Arena*
4/27      Lexington, KY – Rupp Arena*
4/28      Bloomington, IL – US Cellular Coliseum*
5/3        Springfield, MO – JQH Arena*
5/5        Nashville, TN – Bridgestone Arena*
5/10      Toledo, OH – Huntington Center*
5/11      Hoffman Estates, IL – Sears Centre*
5/12      Youngstown, OH – Covelli Center*
5/17      Minneapolis, MN – Target Center*
5/18      Topeka, KS – Landon Arena*
5/19      Morrison, CO – Red Rocks Amphitheatre*

Hunter Hayes Woos With Blend of Pop and Chops

Hayes performs for industry tastemakers at his final tour rehearsal this morning (1/9) at Soundcheck.

Hunter Hayes’ musical chops weren’t the only thing on display at today’s (1/9) final rehearsal for his upcoming tour. His enthusiasm and professionalism were evident as the young singer, 20, wooed members of the media and other VIPs gathered at Soundcheck.

Warner Music Nashville chief John Esposito introduced his rising star, explaining how Hayes has worked to be an artist since his childhood days when he gazed at a screen-saver of a tour bus.

There’s not much Hayes doesn’t do, from songwriting to overseeing almost every aspect of the making of his debut album. He co-produced the project, played every instrument on the recording, and wrote or co-wrote every track on the Atlantic Records release. His blend of pop/rock country makes him an ideal opener for the Rascal Flatts Thaw Out 2012 tour, opening Thursday, Jan. 12 in Charleston, WV.

Onstage the multi-instrumentalist stuck mainly to guitar, except when he slowed the jaunty mood and took a seat at the piano for “Wanted.” Lyrics that looked they were written in chalk adorned the black equipment and instruments.

Hayes’ love of coffee inspired his meet and greets with fans, so the theme carried over to today’s event where an espresso bar offered an array of drinks and treats. He explained that he enjoys the casual setting of a coffee house to talk with fans and hear their feedback. On the road, a $50 package gets music lovers a VIP Coffee House Experience, including cool merch and coffee with the singer at the venue. It shouldn’t be long before teenage girls are lining up in droves.

In fact, Hayes’ popularity is already bubbling up with climbing single “Storm Warning” and a recently wrapped headlining tour with sold out dates. As an opener, he’s shared the stage with Trace Adkins, Lady Antebellum, Hank Williams Jr., Brad Paisley, Taylor Swift and Keith Urban. He’ll be at the Best Buy in Brentwood, Tenn. tomorrow (1/10) for an acoustic performance, and meet and greet. His Good Morning America debut is set for Jan. 24.

Galaxy Nexus A Treat With Ice Cream Sandwich

Released almost a month ago, the Galaxy Nexus smartphone has already been the subject of numerous technical reviews touting the phone’s hits, misses and errors. It’s particularly noteworthy because it is the first to sport the latest (and greatest) Android™ version 4.0, a.k.a. Ice Cream Sandwich (ICS). And frankly it didn’t disappoint, but more about that further on…

Built by Samsung, the Galaxy Nexus boasts a large 4.65 inch super AMOLED touchscreen with 16M colors that is a joy to behold. Warning—you will have a hard time taking your eyes off of it. The handset is available from Verizon for $299 with a 2-year contract. (Complete specs here.)

Immediately after unwrapping/charging a new phone, the setup is usually a large pain in the ‘processor’. Most users will have email, calendar, task lists, contact lists and numerous social network accounts to orchestrate. A few years ago, this procedure could be so daunting that most consumers needed carrier support when switching hardware. Today the trend for both Android and Apple is to move information into the cloud which simplifies the transfer process immensely. Consequently, I had the Galaxy Nexus completely ready to rock in about 15 minutes, maybe less. My setup secret revolves around adopting Google to run my digital life. With one sign-in account the phone instantly accessed email, Google Plus, Google Reader, Calendar, YouTube, Google Analytics, Adsense and all my contacts. Then I linked my Facebook and Twitter accounts and, Voilá! (Read How Google Seduced Me… for more info.) Android, the phone’s operating system is also Google built, so the uber-compatibility is not an accident.

ICS 4.0 is like a smooth brandy when compared to Froyo (Version 2.2) which is what I had been using on my six-month old, AT&T Samsung Infuse 4G. It’s probably not worth trying to spec every little improvement, but suffice-to-say ICS makes social sharing on Facebook, Twitter, G+ and YouTube simply effortless. The camera worked beautifully. For example, I photographed my car’s shifter, posted it to G+ and within minutes got comments that the image was “brilliant.” Managing memory between open applications is also greatly improved in ICS. The task killer mostly runs by itself, although occasionally I manually exited from a few open apps, more out of habit than necessity. The switchable vibrate function offers a unique tactile sensation when pressing the screen and for alerts that can be adjusted in such detail it almost gives the handset its own user-created unique personality. ICS boasts layers of settings, sounds and vibrations customizable across functions such as calling, keyboard, apps, screen, etc. For the new user, this can take a while to get “just right,” but ultimately it makes the phone more “fun.”

At this moment, Verizon’s Galaxy Nexus is the only way to get Android ICS, but unconfirmed reports now suggest the phone may arrive at Sprint, with an even faster processor. More ICS-equipped phones are undoubtedly in the product pipeline, so if you are budget-minded or waiting for your wireless contract to cycle, be patient. In a few months there should be ample handsets available with this cool 4.0 system.

One complaint which needs to be loudly voiced is the poor performance from Samsung with respect to updates. Last August the company promised Infuse users they would get an update from Froyo to Gingerbread. They renewed the promise in September and again in Oct. It’s now January, and frankly I’ve given up hope. That’s unacceptable. So beware—if you buy a Samsung product, you will likely live out your days with whatever version it ships with.

Face Unlock: Using visual recognition with Galaxy Nexus you can look into the camera to unlock your phone.

Several small-handed reviewers have complained that the Nexus screen was uncomfortably large, or as one guy explained, made it “impossible to use the phone with one hand.” Personally, I love the large screen (4.0 has a customized font which makes reading a breeze.) And why would you want to run the phone with one hand unless you were driving a car, or hanging from a tree? I have nothing against tree hangers, but frankly if you want to use your phone in the car, be in the passenger seat or hook up the bluetooth. Incidentally, the Nexus linked to my car’s console in seconds and I was able to make and receive calls without removing it from my pocket. For me, the large screen is a huge win over iPhone’s stuffy little viewing area, and at almost equal weight (Galaxy Nexus weighs 5.1 oz; iPhone 4.9 oz).

A brief mention about the 4G speed and battery. Being in front of a desktop monitor much of the day I am not a battery drainer. An overnight charge easily lasted until day’s end when I was turning out the lights and plugging back in. Using Ookla’s Speed Test app, the 4G registered a wide range of speeds. At the gym in Green Hills, Nashville, the speed was astounding—almost 36mbps download and 16mbps upload. However at my hilltop home, only a few miles away, speeds were a more conservative, but quite acceptable—12mbps and 6mbps.

Last, but not least is the topic of Google Music. First step was to upload my music files from iTunes to the Google cloud which took almost three days to complete. Fortunately, the desktop Google Music app loaded nicely on my iMac and worked diligently in the background while I accomplished my normal daily tasks. Once uploaded, the music is accessible by phone or desktop. With respect to the Galaxy Nexus I tried streaming music for a hour at a time and it shuffled through quite nicely. The phone has a sophisticated equalizer with a variety of settings allowing it to sync your sonic taste with whatever listening device is in your ears. It really blended beautifully with the Subjekt TNT over-the-ear headphones I enjoy. For heavy music listeners, the 4G bandwidth used by streaming your music could potentially push you over your data limit. Smartly included, however is an option to limit music streaming to wi-fi connections and/or to download songs/albums you designate directly onto the phone’s memory card so they can be listened to offline.

Summary
This phone and the ICS software it runs is slick. It’s an enabler. You’ll find yourself interacting more across various social networks, via email and text simply because you can. All moves flow with no waiting. The pinch/zoom finger motion works nicely in the browser, but not in the email. Like Apple’s OS, I’d like to see that move work everywhere, all the time.

Ice Cream Sandwich is a game-changer, and the hardware which runs it is simply a thing of beauty. My advice, do not buy another Android phone without 4.0. In short, the Galaxy Nexus is a state-of-the-art handset coupled with the leading wireless provider—a powerful combination. This device is far out in front of the smartphone cutting edge at this time, so you can be confident that it should easily stay relevant for a two-year contract period.

Houston Livestock Show and Rodeo Performers Announced

The Band Perry will play RodeoHouston on March 14.

Houston Livestock Show and Rodeo Officials have announced a country-heavy entertainer lineup for the 2012 event, happening at Reliant Park between Feb. 28 and March 18. Twenty-two performers will take the stage over the course of the festivities, starting with Alabama and including Lady Antebellum, John Legend, Blake Shelton, Zac Brown Band, ZZ Top and many others. Full schedule is below.

Tickets go on sale Saturday, Jan. 14 at 10 AM through www.rodeohouston.com and all Ticketmaster locations. Wednesday Shows (March 7 and 14) offer $10 upper level tickets and other values in Reliant Park.

Full RodeoHouston Lineup:
Feb. 28 — Alabama
Feb. 29 — Kid Rock
March 1 — Lady Antebellum
March 2 — John Legend
March 3 — Luke Bryan
March 4 — Big Time Rush, Chine Anne McClain (from A.N.T. Farm), with the McClain Sisters
March 5 — Eli Young Band
March 6 — Enrique Iglesias
March 7 — Blake Shelton
March 8 — ZZ Top
March 9 — Reba
March 10 — Chris Young
March 11 — Duelo, La Original Banda El Limon
March 12 — Zac Brown Band
March 13 — Miranda Lambert
March 14 — The Band Perry
March 15 — Jason Aldean
March 16 — Train
March 17 — Brad Paisley
March 18 — Alan Jackson

Underwood to Perform at Nordstrom Symphony Fashion Show

Carrie Underwood is scheduled to perform for an exclusive presentation of designer Oscar de la Renta‘s Pre-Fall 2012 collection at the Nordstrom Symphony Fashion Show. The event will be hosted by Storme Warren at the Schermerhorn Symphony Center in Nashville 6-10 PM on Feb. 28.

The fashion show will act as a benefit for the Symphony center and will be preceded by a cocktail reception with dinner to follow. Guests will have an opportunity for a closer look at the featured fashions at an exclusive boutique inside Schermerhorn.

This is Carrie’s first performance at the Symphony Fashion Show and Nordstrom’s first year producing the show since opening a store at The Mall at Green Hills in September 2011.