Tag Archive for: featured-2

DISClaimer: Blake Shelton Is At The Top Of His Game

coolI love country duets. There is just something so pleasing to my ears hearing two splendid voices singing in harmony with both parts mixed like lead vocals. No other musical format has anything like this. So it comes as no surprise that two of my favorite records in this listening session belonged to Emmylou Harris & Rodney Crowell and to Mark McKinney & Bri Bagwell. These are records that tell me that real country music is alive and well.
That said, I’d be a fool not to honor Blake Shelton with a Disc of the Day award. The man is at the top of his game.
Although the duo of McKinney & Bagwell is new, he has been in this column many times before as a solo. And none of the other newcomers knocked me out. So, alas, there is no DisCovery this week.
ANSON CARTER/All About the Music
Writer: none listed; Producer: none listed; Publisher: none listed; Rusted Truck Ranch  
—The track copies Waylon’s old Waylors sound and, sure enough, the lyric waxes nostalgic about the old “Outlaw” days. Then he veers off into praising Bob Dylan and Bruce Springsteen for not appearing on talk shows. Whatever. It rocks.
LONESTAR/Maybe Someday
Writer: Frank Myers/Dean Sams/Billy Montana/Richie McDonald; Producer: none listed; Publisher: Meleva/Last Song Standing/Clearbox Rights/Mike Curb/Dandon Ranch/NuSlate, BMI; 4Star
—The reunited Lonestar (Richie McDonald, Dean Sams, Keech Rainwater and Michael Britt) still sounds super great. This power ballad has a big, majestic sound that revels in regret and heartache. Hooks a-plenty.
THE CLAY WILSON BAND/Tomorrow
Writer: Clay Wilson; Producer: none listed; Publisher: none listed, BMI; CWB 
—Crisply produced, this has tasty electric guitar licks, throbbing rhythm, bopping energy, handclaps and a lead vocal that chews on the lyric with gusto. I’m totally digging it. These guys are batting a thousand in this column with their singles. Send an album!
BLAKE SHELTON/Sure Be Cool If You Did
Writer: Rodney Clawson/Jimmy Robbins/Chris Tompkins; Producer: Scott Hendricks; Publisher: Big Red Toe/Amarillo Sky/Big Loud Bucks/Big Loud Songs/Play Another/Extraordinary Alien, BMI/ASCAP; Warner Bros. 
—He’s swooning over her in a barroom. Best line: “You don’t have to shoot me down, ’cause you’ve already knocked me dead.” An echoey, mid-tempo, finger-snapping production perfectly frames his countryboy vocal performance.
KELLY PARKES/As Good As Me
Writer: Doug Bryson/Dee Briggs; Producer: Mike Borchetta, Darran Smith & Mark Lambert; Publisher: Cross Bayou/Songs South/Perleejo/Songscape/Lullabye Blue, ASCAP; Ocala 
—The track is full of energy, which contrasts with her somewhat languid, slightly pitchy vocal delivery. Intriguing, if not exactly flawless.
JAKE OWEN/Anywhere With You
Writer: Ben Hayslip/David Lee Murphy/Jimmy Yeary; Producer: Joey Moi & Rodney Clawson; Publisher: WB/Melissa’s Money/Get a Load of This/Old Desperados/N2D/Carol Vincent/EMI Blackwood/Beattyville/Great Day at This, ASCAP/BMI; RCA 
—Handsome Jake’s star-making album yields its fourth single. It is the collection’s lead-off track, an escape/road song with lots of wailing electric guitars and his customary vocal warmth.
JOSEY MILNER/Not Pretty Enough
Writer: Kasey Chambers; Producer: Micah Burdick & Matthew Russo; Publisher: Gibbon PTY, ASCAP; MTS 
—Ms. Milner’s bland interpretation of Aussie Americana star Kasey Chambers’ song drains all the blood and soul out of it.
EMMYLOU HARRIS & RODNEY CROWELL/Hanging Up My Heart
Writer: none listed; Producer: Brian Ahern; Publisher: none listed; Nonesuch  
Old Yellow Moon, the highly anticipated duets album by Emmylou and Rodney isn’t due until Feb. 5, but I couldn’t resist a sneak listen. This lead off track two-steps its way right across your heart with its jaunty vocals and clear, straightforward country production. A pre-order of the CD on Emmylou’s website gets you a free download of this charming number. Roger Miller’s “Invitation to the Blues” is also on the collection, as are Allen Reynolds’ “Dreaming My Dreams with You,” Matraca Berg’s “Back When We Were Beautiful” and several Rodney tunes. Every track is a glittering gem.
MARK McKINNEY & BRI BAGWELL/She Ain’t Leavin’
Writer: none listed; Producer: Eric McKinney & Mark McKinney; Publisher: none listed; MM 
—They’re broke, blue, overworked and disgusted. But they’ve got each other. Not to mention the best song of the listening session, and a rollicking, cool-as-brew production. Absolutely country and absolutely wonderful.
JOHN CORBETT/Steal Your Heart
Writer: Jon Randall/Gary Nicholson/Paul Overstreet; Producer: Gary Paczosa & Jon Randall Stewart; Publisher: Reynsong/Wha Ya Say/Sony-ATV Cross Keys/Gary Nicholson/Scarlet Moon, BMI/ASCAP; Funbone 
—From Sex and the City to My Big Fat Greek Wedding, Corbett has long since proved himself as an actor. But don’t let that color your opinion of him as a music maker. He’s no moonlighting dilettante. He’s a real-deal country rocker. I loved his last CD, and Leaving Nothin’ Behind only fulfills its promise. This bluesy lead track romps splendidly. Of the collection’s 10 songs, Jon Randall Stewart co-wrote seven. He also co-produced. Corbett calls him “my favorite songwriter.” You can’t argue with the man’s taste.

YouTube Educates Nashville Publishers about Site Monetization

From left to right:  Walter Campbell (AIMP board member) ; Kerry O'Neil (AIMP board member); David Cook (moderator); Scott Sellwood (Rightsflow/Google), Patrick Sullivan (Rightsflow/Google), Jill Napier (Administrative Director, AIMP); David Preston (AIMP board member); Eli Ball (Treasurer, AIMP); MIchael Kauffman (Rightsflow/Google).  Photo: Heather Cook.

Pictured (L-R): Walter Campbell (AIMP board), Kerry O’Neil (AIMP board), David Cook (moderator), Scott Sellwood (Rightsflow/Google), Patrick Sullivan (Rightsflow/Google), Jill Napier (Admin Director, AIMP), David Preston (AIMP board), Eli Ball (Treasurer, AIMP), Michael Kauffman (Rightsflow/Google). Photo: Heather Cook.


The AIMP hosted Rightsflow/Google representatives yesterday (Jan. 14) in what was a second Nashville gathering to discuss monetizing published copyrights on YouTube. The sold-out presentation, titled Mo’ Money for YOUR Music, was held at BMI’s 6th floor theater as part of a series to inform and educate publishers about YouTube’s Content ID system.
Scott Sellwood, Strategic Partner Development Manager, YouTube, led the Nashville meeting with help from Patrick Sullivan, founder of RightsFlow and now Strategic Partner Development Manager at Google.
Since last year, publishers have been able to elect the Harry Fox Agency to manage YouTube revenue, or enter into direct agreements with the audiovisual provider themselves. Either way, a covenant to not sue is signed upon partnering, releasing litigation rights to pending or future suits against YouTube and its owner, Google.
As explained, the Content ID ‘backpage’ is a tool designed for publishers to manage, monetize, and view statistics for video uploads containing controlled copyrights. Harry Fox-affiliated publishers, however, surrender individual control of this operation to the agency.
Potential revenue for publishers flows from advertisements surrounding videos, which are either uploaded as user-generated covers, user-generated uploads containing a sound recording or licensed music videos. Publisher revenue for licensed music videos is intended to be paid directly to labels according to VEVO and Warner agreements. As of now, Universal is the only label that has agreed to disseminate these payments, including retroactively (albeit to 2010).
“If publishers were actually getting money from labels, we think they would be more enthusiastic about partnering with us,” said Sellwood of the issue.
The presentation continued on to include a variety of advertising opportunities available once any copyright holder has chosen to monetize a work, via Content ID. For more details, see the video below.
Advertisements were said to rotate between videos on an auction-based system according to algorithms that focus heavily on demographics of a viewer. This brought concerns from audience members about exclusive artist endorsement deals. Sellwood noted that, although limited, certain url blocks may be useful for such branding conflicts.
Perhaps the most important concern has been that YouTube is able to begin monetizing a video with clearances from any one copyright holder. Since the video site has seen a 25 percent increase in traffic since January 2012 to nearly 4 billion views a day, the urgency to lay stake to the revenue generated from these partial clearances is as pressing as ever.
Of note, performance fees for digital sites, including YouTube, are paid separate from ad revenue in accordance with negotiated agreements from the PROs. As of this year, Sony/ATV brought this digital performance negotiation in-house from ASCAP and BMI.
The AIMP will host a gathering every month, with alternating luncheons and panel discussions. Find more information here.
Read MusicRow’s previous feature on YouTube royalties and pick up a copy of our latest Digital Toolbox print magazine, focusing on today’s music industry digital landscape.
YouTube video

Weekly Chart Report (1/11/13)


Morgan Frazier visits with Dennis Banka at 104.1 The Ranch.

Morgan Frazier visits with Dennis Banka at 104.1 The Ranch.


SPIN ZONE
Little Big Town‘s “Tornado” swirls into the top position this week on the MusicRow Chart, claiming the first No. 1 of 2013. Written by Natalie Hemby and Delta Maid, this is the second single and title track from LBT’s fifth studio album. The Band Perry‘s “Better Dig Two” jumps eight spots to No. 2, followed by Jason Aldean‘s “The Only Way I Know” at No. 3 with an additional 577 spins this week. Gary Allan‘s “Every Storm (Runs Out Of Rain)” and Kenny Chesney‘s “El Cerrito Place” round out the top five at No. 4 and No. 5, respectively.
Big movers this week included several debuts on the chart, starting with Blake Shelton‘s “Sure Be Cool If You Did” gaining 984 spins landing at No. 35. Miranda Lambert‘s “Mama’s Broken Heart” also made an impressive leap onto the chart at No. 43 in its debut week with 873 spins. Darius Rucker‘s “Wagon Wheel” rolls into No. 47 in its first week with 720 first week spins, followed by Florida Georgia Line‘s “Get Your Shine On” coming on board at No. 48 with 633 spins.
Frozen Playlists: KYKX, WRHT, WCMS, KTHK, KZZY

Upcoming Singles
January 14
Easton Corbin/All Over The Road/Mercury
Miranda Lambert/Mama’s Broken Heart/RCA
Charlie Worsham/Could It Be/Warner Bros.-W.A.R.
January 17
Stephanie Grace/Would U Be Mine
January 21
Florida Georgia Line/Get Your Shine On/Republic Nashville
Lonestar/Maybe Someday/Tenacity
Chris Janson/Better I Don’t/Bigger Picture
Train feat. Ashley Monroe/Bruises/Crush-Columbia-9 North
January 24
John Karl/That’s What I Believe
Andy Griggs/Don’t Let Go
January 28
Eric Church/Like Jesus Does/EMI
Billy Ray Cyrus/Hillbilly Heart (Keeping It Country)/Blue Cadillac
Blackberry Smoke/Pretty Little Lie/Southern Ground
February 4
Joel Crouse/If You Want Some/Show Dog–Universal
 
 

JillianKohr

 
 
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Blake Shelton/Sure Be Cool If You Did/Warner Bros. – 35
Miranda Lambert/Mama’s Broken Heart/RCA – 43
Darius Rucker/Wagon Wheel/Capitol – 47
Florida Georgia Line/Get Your Shine On/Republic Nashville – 48
Easton Corbin/All Over The Road/Mercury – 78
Eric Church/Like Jesus Does/EMI Nashville – 79
Most Added
Artist/song/label — New Adds
Blake Shelton/Sure Be Cool If You Did/Warner Bros. – 66
Miranda Lambert/Mama’s Broken Heart/RCA – 65
Darius Rucker/Wagon Wheel/Capitol – 59
Florida Georgia Line/Get Your Shine On/Republic Nashville – 56
The Henningsens/American Beautiful/Arista – 26
Andy Griggs/Twenty Little Angels/Little Hannel Records-Spin Doctors Music Group – 17
Eric Church/Like Jesus Does/EMI Nashville – 16
Greatest Spin Increase
Artist/song/label — spin+
Blake Shelton/Sure Be Cool If You Did/Warner Bros. – 984
Miranda Lambert/Mama’s Broken Heart/RCA – 873
Darius Rucker/Wagon Wheel/Capitol – 720
Florida Georgia Line/Get Your Shine On/Republic Nashville – 633
Jason Aldean/The Only Way I Know/Broken Bow – 577
Carrie Underwood/Two Black Cadillacs/19-Arista Nashville – 571
Lee Brice/I Drive Your Truck/Curb – 568
On Deck—Soon To Be Charting
Artist/song/label — spins
Ashley Forrest/Pourin’ Over Me/Truro-GMV – 202
The Farm/Be Grateful/Warner Nashville – 189
Richie Fields/Smile – 186
Angel Mary & The Tennessee Werewolves/Cowboy/Verado – 181
Josh Pruno/23rd Psalm/Lawrence Music Group – 179

High Valley recently visited the morning show at KUAD in Ft. Collins, Colo., promoting the brother's "Love You For A Long Time," which claims our No. 36 spot this week. Pictured (L-R): Todd Harding (KUAD), High Valley's Curtis Remple, Brad Remple, and Bryan Remple, and Brian Gary (KUAD MD).

High Valley recently visited the morning show at KUAD in Ft. Collins, Colo., promoting the group’s “Love You For A Long Time,” which claims our No. 36 spot this week. Pictured (L-R): Todd Harding (KUAD), High Valley’s Curtis Remple, Brad Remple and Bryan Remple and Brian Gary (KUAD MD).


 
The Henningsens recently met up with Clear Channel’s Clay Hunnicutt at Sony Music’s Nashville office. The family's latest single, "America Beautiful," takes our No. 60 spot this week. Pictured (L-R): Aaron Henningsen; Clay Hunnicutt (SVP of Programming at Clear Channel); Clara Henningsen; Brian Henningsen; and, Gary Overton (Chairman & CEO, Sony Music Nashville).

The Henningsens recently met up with Clear Channel’s Clay Hunnicutt at Sony Music’s Nashville office. The family’s latest single, “America Beautiful,” takes our No. 60 spot this week. Pictured (L-R): Aaron Henningsen; Clay Hunnicutt (SVP of Programming at Clear Channel); Clara Henningsen; Brian Henningsen; and Gary Overton (Chairman & CEO, Sony Music Nashville).


KTTS's 40th Birthday with PD Mark Grantin! Randy Houser (No. 10 with "How Country Feels"), Phil Vasser, Lauren Alaina, and Thomas Rhett (No. 14 with Beer With Jesus") performed at KTTS’ free So Mo Farm and Ranch 40th Birthday Bash Concert. Pictured (L-R) Randy Houser, Mark Grantin, Phil Vasser, Lauren Alaina, Curly, and Thomas Rhett.

KTTS’s 40th Birthday with PD Mark Grantin, Randy Houser (No. 10; “How Country Feels”), Phil Vassar, Lauren Alaina, and Thomas Rhett (No. 14; “Beer With Jesus”) performed at KTTS’ free So Mo Farm and Ranch 40th Birthday Bash Concert. Pictured (L-R) Randy Houser, Mark Grantin, Phil Vasser, Lauren Alaina, Curly, and Thomas Rhett.


 

Primetime 'Nashville': Stones You Throw

“Be Careful of Stones That You Throw”
Season 1 | Episode 109 | Aired 01/09/2013
Nashville shines when Juliette and Rayna share the screen. Their witty, often nipping, banter offers some of the show’s best lines, for instance, last night when Rayna assured Juliette she doesn’t hate her—”The only things I hate are sunburns and hangovers, this is just business.” Hopefully, these divas will have many more scenes together in upcoming episodes when they are on their co-headlining tour.
The five-month run will give Rayna and Teddy a break from their rocky marriage. On the downside, it will hold up recording her new album with producer Liam.

Among the episode’s highlights was seeing Teddy grow a backbone and stand up to his conniving father-in-law Lamar, who is threatening to expose the fact that Teddy is not the biological father of he and Rayna’s oldest daughter, Maddie.
The tour is also a great escape for Juliette, who eloped with football player Sean but then ditched him at the alter before the big, church wedding his mother planned. Instead, she hopped a jet during a montage backed by the episode’s only new song, “Change Your Mind.”
Hillary Lindsey, Gordie Sampson and Troy Verges wrote the song, but on the show it was penned by Scarlett and Gunnar. Elsewhere in Scarlett-land, she hopped back in the sack with Avery long enough to realize why they broke up in the first place, particularly after he ‘fessed up that he fired his longtime band because Atlanta-based producer Dominic Wells (Wyclef Jean) wanted to sign him as a solo act. Scarlett filled in as singer with his former band, which led to one of the episode’s best moments: the look of disbelief on Avery’s face when he saw a video of the performance.
Elsewhere, Deacon was on a major tour with legendary rock band The Revel Kings, but when old flame/journalist Carmen joined them on the road, she could tell he was struggling with the new situation.

Weekly Register: The Start Of A New Horse Race

raceThe CDs are in their digital and physical bins and there’s the bell, “We’re Off!!” Yes, it’s the start of another horse race, er, music sales year and Weekly Register remains at your side to chart the highs and lows and call the plays each week—as they happen.
However, after that exciting rave-up intro I have to admit 2013’s first week didn’t generate anything even as exciting [yawn] as news about the $11 million mansion purchased by Kim Kardashian and Kanye West so they’ll have room for a nursery. But I promise we’ll find some relevant facts, so read on…
As our grid shows the first week of 2013 is ahead of the first week of 2012 largely carried by a strong crop of post-holiday Top 5 albums: Les Miserables soundtrack (92k); Mumford & Sons (91k); Taylor Swift (69k); Phillip Phillips (63k) and One Direction (61k).
weeklygrid1-6-13On the country list Swift led by a 3 to 1 margin followed by Carrie Underwood (23k); Florida Georgia Line (FGL) (20k); Jason Aldean (20k) and Luke Bryan (20k). Four out of the country Top 5 this week have scanned platinum or multi-platinum (Swift 3X). (FGL is the exception, but the album is only five weeks old.)
Track sales were off 38% compared with last week’s year-end, gift-card-cashing charts, but up 5% compared with the same week in 2012 (see grid). Frisky FGL topped the Digital Genre Country tracks list as “Cruise” downloaded another 103k units on its double platinum trajectory moving it to 1.738 million. No. 2 on the country tracks list was Swift’s “We Are Never Ever…” which added 96k this week for a total of 3.15 million. Ms. Swift’s “I Knew You Were Trouble” sits at No. 1 on the all-genre Digital Tracks Current list downloading a massive 326k units for 2.367 million RTD. (This track is not also listed on the Digital Genre Country list for an unexplained reason known only to the folks that compile the Nielsen SoundScan data.)
Albums On Deck
MusicRow’s calendar for Upcoming Album releases can be found here. The next two months show dual Tim McGraw releases (Curb and BMLG) and some great projects from Katie Armiger, Randy Houser, Gary Allan, The Mavericks and power vocal trio Blue Sky Riders.
During the first two months of 2012 new offerings from Dierks Bentley, McGraw, Kellie Pickler, Martina McBride plus a soundtrack for Act Of Valor boosted unit totals. This year we have fewer top line titles, but we are blessed with a consistent tonnage title, like Red, so expect year-over-year comparisons for the next two months to remain close, even as digital percentages grow.

The Road Ahead
The new sales frontier—access—or digital streaming lacks a comprehensive measurement yardstick, but indications continue that it is gaining favor with consumers. Muve Music service, bundled by Cricket Communications announced this week that it has over one million subscribers. Muve Music customers get unlimited full track downloads, ringtones and ringback tones all included in their monthly rate plan. Muve has jumped from 600k subscribers to 1.1 million in less than a year. Spotify, an international on-demand music service now boasts five million paid subscribers with one million in the U.S. Rhapsody, another large player in the streaming on-demand market has also grown its paid base to over one million. According to research from digitalmusicnews.com, Muve, Rhapsody and Spotify have enjoyed a 340% paid subscriber growth in the last 13 months.
Pandora, also a key player in the space, is a webcaster service (users can’t pick exactly what they want to hear) with about 1.5 million subscribers.

Industry Veteran Skip Bishop Announces New Label

Skip Bishop

HitShop Pres. Skip Bishop


Music industry veteran Skip Bishop announced the launch of record label HitShop Records this morning (1/9) and will serve as President of the new company. Country star Ronnie Dunn and longtime friend of Bishop attended the press conference to introduced the new label head at Nashville’s Sirius XM Studios. HitShop Records, a subsidiary of Ramblin’ Music Group, will be distributed by Warner Music Nashville.
“This is one of the most innovative and creative gatherings of musical talent and staff I’ve ever seen,” said Bishop. “The young, brilliant minds and compelling musicians involved are building a new model of discovery from the street up. This is the new label configuration of the future! Everyone at HitShop is deeply committed and involved in studying the new paths music fans walk. We look forward to a productive relationship with Warner Music Nashville.”
“Skip is one of the most savvy and creative executives in Nashville,” added John Esposito, President, Warner Music Nashville. “His track record for breaking hit records is what excited us to be in business with him and his team. We’re pleased to be providing this impressive new label with distribution services and to be working closely with this team.”
HitShop is launching with a diverse lineup of music makers including pop funk duo Gimm+Icky, whose music has been heard in national promo spots for ABC and E!; and Fort Payne, Alabama native Weston Burt, who cut his teeth playing over 150 dates a year while in college at Auburn University. Weston starts his country radio promotion tour today after performing with Gimm+Icky at this morning’s press conference.
Bishop’s 40-year career in radio and records includes serving as President/CEO, Bishop Bait & Tackle Marketing; Sr. VP Promotion at RCA Records in New York; MCA Records in Los Angeles; and Sony Music in Nashville.
Diane Monk-Harrison, whose promotion experience includes Arista Nashville, Columbia and MCA Records, will take the helm as VP Promotion for HitShop Records. The radio promotion staff will include East Cost Director Rick Baumgartner; West Coast Director Kelly Symone; and Director, Secondary Promotion and National Promotions Coordinator Will Hamrick.
A&R will be let by Emmy Award winning composer Cliff Downs, alongside VP, A&R Micah Wilshire. Rounding out the team is National Director, Digital Marketing Tim Gerst and Sr. Executive Assistant Amara Hall. HitShop staff can be contacted at:
logoSkip Bishop, skip@hitshoprecords.com, 615-730-6344
Diane Monk-Harrison, diane@hitshoprecords.com, 214-824-4124
Rick Baumgartner, rick@hitshoprecords.com, 615-730-6344 ext. 109
Kelly Symone, kelly@hitshoprecords.com, 916-868-3331
Will Hamrick, will@hitshoprecords.com, 615-730-6344 ext. 102
Cliff Downs, cliff@ramblinmusic.com, 615-730-6344 ext. 101
Micah Wilshire, micah@ramblinmusic.com, 615-730-6344
Tim Gerst, tim@hitshoprecords.com, 615-730-6344
Amara Hall, amara@hitshoprecords.com, 615-730-6344
For more information visit www.hitshoprecords.com.

DISClaimer: The blue grass grows all around

Russell Moore & IIIrd Tyme Out

Disc of the Day winners Russell Moore & IIIrd Tyme Out


The blue grass grows all around.
And so does the musical style that bears its name. In this week’s stack of platters, we find such stars of the idiom as Rhonda Vincent, Del McCoury and The Steeldrivers.
The Disc of the Day goes to Russell Moore & IIIrd Tyme Out. This band has long been known for its clever, bluegrass rearrangements of hits from outside the genre. Now it has a whole CD full of them. Goody.
Joe Mullins & The Radio Ramblers already have a 2012 IBMA Award as Emerging Artists of the Year. Now they also have a DisCovery Award from DisClaimer.
RUSSELL MOORE & IIIRD TYME OUT/Only You
Writer: Buck Ram/Andre Rand; Producer: Barry Bales; Publisher: Hollis/Screen Gems-EMI, no performance rights listed; Cracker Barrel (track)
—Having trouble finding a record store these days? Drop into your nearest Cracker Barrel restaurant, because this chain always carries plenty of CDs in its gift shops. Bluegrass stars Russell Moore & IIIrd Tyme Out are the latest act with a Cracker Barrel CD. Timeless Hits from the Past Bluegrassed consists mostly of new versions of pop and country favorites. When you get to their doo-wop, a cappella performance of this 1955 golden goodie by The Platters, the only proper response is, “Wow.” Sonya Isaacs drops by to harmonize on “Golden Ring.” Pam Tillis guests on the lone Moore co-write “John & Mary.”
Joe

DisCovery Award: Joe Mullins & The Radio Ramblers


JOE MULLINS & THE RADIO RAMBLERS/Bottom of a Mountain
Writer: Don McKinnon; Producer: Joe Mullins & The Radio Ramblers; Publisher: Sony/ATV-Tree, BMI; Rebel (track)
—Winners of the bluegrass association’s 2012 Emerging Artist of the Year award, Mullins and his band hail from southwestern Ohio, where they also recorded their latest CD, They’re Playing My Song. Its first single is this rolling, mid-tempo coal miner’s plea. It’s extremely well written, with plenty of hooks both lyrically and melodically. And it doesn’t hurt that Mullins has a wonderfully restrained, effortlessly mournful vocal style, and that both he and his band mates pick brilliantly. Enthusiastically endorsed.
THE STEELDRIVERS/I’ll Be There
Writer: none listed; Producer: none listed; Publisher: none listed; Rounder (track)
—The new Steeldrivers CD comes out the first week in February, but if you go to the Nashville band’s website now, you can get a free download of this track. It’s a splendidly languid, mournful lament of a lover left behind. The mandolin work is simply poetic, and the group harmonies have never sounded better. The album is titled Hammer Down. Look for it.
DARIN & BROOKE ALDRIDGE/Lonely Ends Where Love Begins
Writer: Billy Austin/Don Pfrimmer/Lisa Shaffer; Producer: Darin & Brooke Aldridge; Publisher: Songs of Platinum Plow/Don Pfrimmer/KLMS, ASCAP; Mountain Home (track) 
—This North Carolina couple and their band have been a steadily rising force on the bluegrass scene for the past few seasons. Their newest CD is a live record that kicks off with this upbeat Music Row toe tapper. The Aldridge’s hearty harmonies remain the central focus, but the band gets its licks in during the romping performance. The concert also contains versions of the country classic “Making Plans,” Neil Young’s “Powderfinger,” and Phil Spector’s “To Know Him Is to Love Him.”
ROBIN & LINDA WILLIAMS/Storms Never Last
Writer: Jessi Colter/Bo Jan Erik Andersson; Producer: Jim Rooney; Publisher: Universal Songs of Polygram, BMI; Red House (track)
—I am a big, big fan of these Prairie Home Companion regulars. Now celebrating their 40th anniversary of entertaining, lustrous vocalists Robin & Linda have a dandy Nashville-recorded CD titled These Old Dark Hills. It includes a heaping helping of their original tunes, plus this standout rendition of the much-loved Waylon & Jessi 1981 duet. The pedal steel of Al Perkins underscores every sentiment in the lyrics. As far as I’m concerned, all musical couples should have this beautiful song in their repertoires. A standing ovation from this corner.
AUDIE BLAYLOCK & REDLINE/A Natural Thing
Writer: Harley Allen; Producer: Audie Blaylock; Publisher: EMI Blackwood/Song Island, no performance rights listed; Rural Rhythm (track) (www.audieblaylock.com)
—Their current CD is titled Hard Country and includes this cool single. It’s a bracing, bouncy tempo tune led by lightly bowed fiddling. What Blaylcock’s voice lacks in passion is more than made up for by the band’s breathtaking instrumental abilities.
RHONDA VINCENT/Joshua
Writer: G.A.A. Thacker; Producer: none listed; Publisher: Bridge Building, BMI; UM (track)
—The Queen of Bluegrass went back home to her Missouri church to record her live Sunday Mornin’ Singin’ CD. It includes this heart pounding, exciting, thrilling, frothing slab of call-and-response fervor. With more than 80 honors, Rhonda Vincent & The Rage are the most honored act in bluegrass. Performances like this are why.
BILL EMERSON & SWEET DIXIE/My Baby Thinks He’s a Train
Writer: Leroy Preeston; Producer: Bill Emerson; Publisher: Bug, BMI; Rural Rhythm (track)
—The co-founder of the legendary Country Gentlemen, banjo player Emerson now leads his own band, Sweet Dixie. The instrumental contributions on this Rosanne Cash/Asleep at the Wheel oldie are all simply outstanding. You’d think with its leader’s experience and connections, he’d be able to find a more soulful lead singer than this.
DAVID GRISMAN & THE DEL McCOURY BAND/ 20/20 Vision
Writer: none listed; Producer: David Grisman; Publisher: none listes; Acoustic Disc (track) 
—Grisman’s mandolin playing can be all over the map, everywhere from jazz to new age. But teamed with Nashville’s McCoury bunch, he clings closely to bluegrass tradition on chestnuts including “John Henry,” “A Good Woman’s Love,” “Hit Parade of Love,” “Tennessee Waltz,” “I’m Sitting on Top of the World” and this 1955 Jimmy Martin oldie. It may be billed as a “Dawg” disc, but this is Del’s show all the way.
JIMMY GAUDREAU & MOONDI KLEIN/New Morning
Writer: Casey B. McPherson; Producer: Jimmy Gaudreau, Moondi Klein & Stuart Martin; Publisher: AlphaRev/Seven Peaks, ASCAP; Rebel (track) 
—The team’s new disc is titled Home from the Mills. Despite the presence of more familiar fare such as “Close the Door Lightly When You Go,” “If I Needed You,” and “It’s a Sin to Tell a Lie,” it’s this lilting, melodic song from the repertoire of a band called Alpha Rev that gets the emphasis. Whatever. I could listen to these guys sing the phone book.

ACM Hosts Revealed

570Blake Shelton and Luke Bryan will co-host Country Music’s Party of the Year®, the 48th Annual Academy of Country Music Awards, broadcast live from the MGM Grand Garden Arena in Las Vegas Sunday, April 7 at 8:00 p.m. live ET/delayed PT on the CBS Television Network. This will mark reigning ACM Male Vocalist of the Year Shelton’s third consecutive turn hosting the Awards and Bryan’s first time hosting a live televised event. The show is produced by dick clark productions, inc.

Country music fans “unlocked” the press release announcing Bryan’s hosting gig in the first-ever ACM “Tweet to Unlock” promotion. Fans sent out 25,000 tweets in less than four days so that the information would be released to the public.
ACM Fan Jam: Going on simultaneously as the Awards will be the 3rd Annual ACM Fan Jam, hosted by Brad Paisley at Las Vegas’ The Orleans Arena. Some of the performances from this live remote will air during the ACM Awards telecast. Details and other participating talent will be announced soon but fans can tweet to immediately unlock a special message from Paisley, by visiting the ACM Social Splash page at www.ACMsocialsplash.com.
All-star TV special: As they have done for the past four years, the Academy and dick clark productions will tape an all-star concert TV special on the day after the awards. This year that will be on Monday, April 8 at 7:00 p.m. at the MGM Grand Garden Arena. Talent announcements are forthcoming. The special will air later on CBS and ticket proceeds will benefit ACM Lifting Lives.
The ACM Experience: Part of The Week Vegas Goes Country™ is the ACM Experience, to be held April 5-7 at The Orleans Hotel and Casino. In its sophomore year, this is a free, family-friendly open-to-the-public country music lifestyle event with tons of performances.

Ticket info: Professional ACM members can purchase tickets beginning at 10:00 a.m. (PT) Wednesday, Jan. 23 by visiting www.ACMawards.com. On-sale details for the general public and ACM A-List members is also at www.ACMawards.com.

Exclusive: Capitol CMG Publishing Launches

Eddie DeGarmo

Eddie DeGarmo


Universal Music Publishing Group (UMPG) and the newly formed Capitol Music Group today (Jan. 7) announced the launch of Capitol CMG Publishing. The company combines two of the industry leaders in Christian music, EMI CMG Publishing and Brentwood Benson Music Publishing. Eddie DeGarmo will serve as President of the Brentwood, Tenn. operation.
The announcement was made by Steve Barnett, Chairman & CEO of Capitol Music Group; Bill Hearn, President/CEO of Capitol Christian Music Group; and Evan Lamberg, President of UMPG North America.
DeGarmo, who previously served as Pres. of EMI CMG Publishing, will co-report to Hearn and Lamberg. Dale Mathews, President of Brentwood Benson, will be leaving the company to pursue other opportunities.
Employees from both EMI CMG Publishing and Brentwood Benson will be part of the new organization going forward.
“The launch of Capitol CMG Publishing brings together two very creative and resourceful companies, all to the benefit our songwriters,” stated Hearn. “We are determined to expand the marketplace even further for Christian and Gospel music.”
“Bill Hearn and Eddie DeGarmo are a powerful one-two business-creative punch who I have known and worked with a very long time,” commented Lamberg. “They are the right visionaries and leaders to take this new phase of the combined EMI CMG Publishing and Brentwood Benson Music Publishing into the future. I would also personally like to thank Dale Mathews for his years of esteemed service. He is an incredibly classy executive who I know will flourish in his future endeavors.”
“Merging Brentwood Benson’s historic legacy, current hits and impressive roster of writers with EMI CMG Publishing’s cutting-edge collection of catalogs and writers would be a dream come true for any music publisher,” said DeGarmo. “I’m honored to be asked to lead and serve this phenomenal group of writers and team of professionals. I’m also very excited about the future of our choral division as it carries on the Brentwood Benson heritage.”
Capitol CMG Publishing’s roster includes some of the industry’s greatest songwriters, including TobyMac, Kirk Franklin, Chris TomlinCasting CrownsThird DayJeremy CampDavid CrowderMatt Redman, Joy Williams, Ben Glover, Chris Stevens, Aaron Lindsey, Bebo Norman, Tim Hughes, Jars of Clay, Brenton Brown and Leeland.  The company will also encompass many of the world’s most prominent Christian music catalogs, such as sixsteps, Thankyou Music, Hillsong, Maranatha! Music, Emack Music (the publishing catalog of Christian record company Gotee Records)the Lorenz Creative Services catalogs, Reunion Music (whose catalog includes the Eric Clapton hit “Change The World”) and the Sparrow catalogs (containing numerous legendary gospel and Christian evergreens). Songs from these historic catalogs have been recorded by music’s legends including Bob Dylan, Dolly Parton, Ray Charles, Linda Ronstadt, Amy Grant, Elvis Presley and Willie Nelson.
Capitol CMG Publishing will continue to be a leader in the core areas of the business, including Contemporary Christian Music, Praise and Worship Music, Gospel Music, and Print Music Publications.
DeGarmo was one of the leading pioneers of contemporary Christian music as part of rock duo DeGarmo & Key. Throughout his 17 years with D&K and successful solo venture, DeGarmo sold millions of albums and garnered numerous Grammy and Dove nominations. He went on to co-found ForeFront Records, where he developed gold and multi-platinum selling Grammy winning artists such as dc TalkStacie Orrico, Audio Adrenaline and Rebecca St. James. He eventually sold the label to EMI and focused on music publishing, later returning to EMI as President of EMI CMG Publishing. Under Mr. DeGarmo’s leadership, EMI CMG Publishing has been named Christian Music Publisher of the Year every year since 2004 by Billboard magazine and ASCAP. In 2004 and again in 2012, EMI CMG Publishing attained that honor with Billboard, ASCAP and BMI.

ASCAP Announces Creative Team, Appoints Director of Strategic Services

LeAnn Phelan and Michael Martin

LeAnn Phelan and Michael Martin


ASCAP adds Nashville music industry veteran Kele Currier as Director of Strategic Services. Currier’s appointment coincides with the elevation of Michael Martin and LeAnn Phelan to oversee ASCAP’s Nashville operations and lead the creative team of Mike Sistad, Ryan Beuschel, Robert Filhart, Evyn Mustoe and Anna Maki. Although Martin and Phelan have been working in this capacity for some time, this is the first official announcement of their expanded leadership roles.
“Michael and LeAnn have consistently proven their excellence as a creative resource to the Nashville community and their commitment to delivering exceptional service to ASCAP’s members,” says ASCAP Executive VP of Membership, Randy Grimmett. “We are excited to welcome Kele Currier, whose expertise in royalty collection and copyright administration will only enhance the outstanding level of service our Nashville team endeavors to provide.”
Kele Currier

Kele Currier


Currier’s 19 years of industry experience includes copyright administration, licensing, and royalty collections for catalog acquisitions and administration clients. She joined Toronto-based ole as Director of Administration in 2010 and established the company’s first Nashville-based administration presence. Prior to joining ole, the Belmont graduate was recruited by ASCAP hit songwriter Craig Wiseman to help start his publishing administration company, Big Loud Bucks. Her business experience also includes copyright administration and licensing positions with several well-established local publishers, as well as, a four-year stint as audit manager for Integrated Copyright Group.
Currier is a board member of the Copyright Society of the South, and a member of SOURCE, and the CMA.