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APA Nashville Celebrates 20 Years

APA Nashville's Bonnie Sugarman

APA Nashville’s Bonnie Sugarman


For 20 years, APA’s Nashville office has kept several of the music industry’s most recognizable names on the road and in front of their fans. The company celebrated its long and continuing run with a bash at Hard Rock Cafe last night (Feb. 18), attended by a slew of artists and industry. Presiding over the event were Sr. VPs Bonnie Sugarman and Steve Lassiter, who recently spoke exclusively with MusicRow about APA’s history in Music City.
After joining APA in 1983 as Head of Fairs & Festivals, Bonnie Sugarman worked with Country artists including Dottie West, Tennessee Ernie Ford, The Gatlin Brothers, and Johnny & June Carter Cash. Sugarman transferred to Music City in the early 1990s to help oversee APA’s then-new Nashville office. “I knew we had to be [in Nashville], and we should have been here long before we were, because we represented Johnny and June Cash and the Gatlins at one time. Other agencies were coming to Nashville, so I volunteered to move here and loved it immediately. I used to come for the CMA Awards and the SRO awards, so I knew a lot of people even before I moved to Nashville. I knew APA needed a presence in Nashville, but I’m not sure I knew we would still be here 20 years later.” Sugarman is now APA Nashville’s Sr. VP/Head of Fairs and Festivals.
Together, Sugarman and Steve Lassiter, Partner/SVP/Head of Concerts Department, lead an agency that represents more than 50 artists and employs more than one dozen agents. Among the artists that APA Nashville represents are Dolly Parton, Charlie Daniels Band, Travis Tritt, and Maggie Rose.
“I think we’re able to successfully represent income-producing artists because we are equipped to focus on those artists,” Lassiter says. “We are able to focus on the developing artists, too. Our agent-to-artist ratio is very low, and that enables us to give more time, energy and focus to building careers and maintaining careers.” APA Nashville currently has approximately three artists per agent. “It gives each agent time to work more to tighten up each deal.”
Lassiter joined APA Nashville in 1998. Prior to that he spent 12 years at William Morris Agency, where he booked concerts in the Southeast territory, rose to a VP role, and navigated tours for Trisha Yearwood, Charlie Daniels, The Oak Ridge Boys, and others.
Both Lassiter and Sugarman have earned numerous accolades along the way. In 2005, the Nashville Association of Talent Directors (NATD) named Lassiter Talent Director of the Year. He has served as both President and Board member for the NATD; he has also served on boards for the ACM and the International Entertainment Buyers Association. In 1995, Sugarman made NATD history when she was the first woman awarded the organization’s Agent of the Year award. The following year, she made history again as the first agent to win the award for two consecutive years. Sugarman, a member of the 2010 class of Leadership Music, was honored with the Hubert Long Award in 2005, and currently serves as the first VP of NATD.
Steve Lassiter222

APA Nashville’s Steve Lassiter


APA Nashville has enjoyed several recent signings, including Tate Stevens, Maggie Rose, Mallory Hope, Jacob Powell, and band Strung Like A Horse. On the road, developing artists can tighten their performing skills, build an audience early in their careers, and help determine what songs and sound elicits a response from concertgoers.
“We are the artist development department,” Lassiter says. “Most of our young developing acts don’t have record deals. We are able to get them work before all of that and a lot of that is because of our relationships with club owners.” A solid touring schedule is also a boon for artists seeking deals. “I can remember through the years, companies would sign artists who had never performed live, ever,” adds Sugarman. “They are not doing that anymore. If you can go to a label with a track record of touring and a proven fan base, that is what they are looking for.”
Developing rising artists and songwriters through touring isn’t without risk and commitment, given the amount of time agents must invest to secure dates for (sometimes) little-known artists. Lassiter notes the time aspect can be taken for granted. “The labels sometimes frown at us, because they see that labels put a lot money in and the publishing companies put a lot of money in [developing an artist],” says Lassiter. “They sometimes look at [agencies] like, ‘Well, you are not putting any skin in the game.’ We are. It’s called manpower. If you take the hours and effort we are putting into a developing act and multiply that to a monetary value, it’s a lot of money. So yes, we do have skin in the game.”
On the opposite side of the spectrum, established artists including Travis Tritt and Charlie Daniels Band are able to tour year-round thanks to a tight-knit team of agents. Tritt is currently in the midst of a 30-city acoustic jaunt. “He loves it because he feels like he’s sitting in his living room. It’s Travis and his guitar for two hours,” says Lassiter. “He can tell stories and recall the time he spent with Waylon [Jennings] and Johnny Cash and Marty Stuart. People walk away thinking they have just spent the evening in his living room, as opposed to the large stage and huge productions.” Of course, this kind of tour also offers an economic advantage. “The scaled back acoustic tour does net more money in the long run. What the other artists are doing [on larger tours] is packaging,” says Sugarman. “It takes three or four artists to sell out an arena now. There are very few solo artists that can do that these days.”
According to Sugarman, having a physical address in Nashville for two decades has been a critical component of the company’s success. “We’ve been here and we know the people in this industry. Plus, the Nashville industry is generally so supportive of each other. Although we are fiercely competitive, we are good friends with our competitors. We’ve developed a longstanding reputation as an agency that artists and others in the music industry know and trust.”

Bobby Karl Works 'MusicRow's' Country Radio Party

The Band Perry accepts the CountryBreakout Award for Group/Duo of the Year.

The Band Perry accepts the CountryBreakout Award for Group/Duo of the Year with MusicRow staff (L-R) Owner/Publisher Sherod Robertson, Sr. News Editor Sarah Skates, and Chart Dir. Michael Smith. Photo by Bev Moser.


Chapter 447
That droning buzz you hear from downtown Nashville emanates from the constant schmoozing of the 2,400-plus attendees of this year’s Country Radio Seminar. These are radio people. They talk for a living. And they LOVE to talk. So go with the flow.
MusicRow’s “Meet & Greet and CountryBreakout Awards” event was held Tuesday afternoon (2/18) and marked the 12th annual such gathering. A record-setting 666 people RSVP’d this year for the event at Margaritaville’s upstairs party spaces, so working the packed venue was pretty challenging.
The crowd was already at full schmoozola volume when MR’s Sherod Robertson took the stage to welcome one and all. “Looks like you’re having a fun time already,” he said to the thundering herd.
Natalie Stovall and The Drive performs.

Natalie Stovall and The Drive performs. Photo by Bev Moser.


Steve Hodges accepts Capitol Nashville's ninth consecutive award for Label of the Year.

Steve Hodges accepts Capitol Nashville’s ninth consecutive award for Label of the Year.


Sherod introduced the convention’s first showcasing act, Natalie Stovall & The Drive. “Thank you guys so much,” said Natalie. They may be attending their first radio convention, but these folks play 200+ dates a year, and the experience shows.
The group’s zesty, driving country-rock sound was punched home via take-no-prisoners showmanship and personality. The Drive is a kick-ass band, and cascading-coiffed Natalie switched delightfully from guitar to mandolin to fiddle during its three-song set. The act concluded with its rollicking, barn-burning, radio-rising single “Baby Come On With It.”
Sherod told us that Natalie Stovall & The Drive has been named “Artist To Watch” by Country Weekly, Billboard and several other media outlets. It has been a “Highway Find” on Sirius/XM’s The Highway channel. “Baby Come On With It” was a top-five most-added single the week it was released. For my money, the group delivered one of the best MusicRow showcase performances. Natalie Stovall & The Drive record for Skip Bishop’s new HitShop Records imprint.
The other showcasing artist at the event was the duo Native Run. The members are Virginia natives Rachel Beauregard and Bryan Dawley. Signed to Show Dog Universal, they’re being produced by Luke Laird and published as songwriters by Creative Nation and Combustion Music. They are also signed to Fusion Music. Paste magazine has hailed Native Run as “The Best of What’s Next.”
“We’re so happy to be here,” said Rachel. The duo unleashed a sound that is youthful, ebullient, earnest and sincere. The band was ultra tight, and the team’s vocal harmonies are spot-on. Rachel’s stage presence is undeniably vivacious, and Bryan can really play that guitar he wields. Also: The songs are extremely well written. If first impressions are lasting impressions, Native Run has it made.
Gary Overton accepts Female Artist of the Year on behalf of Miranda Lambert.

Gary Overton accepts Female Artist of the Year on behalf of Miranda Lambert.


Native Run thrills attendees. Photo: Bev Moser

Native Run thrills attendees. Photo: Bev Moser


Kelly Green of Huntingdon, TN said, “If it looks like I’m as lost as a new goose on the farm, it’s because I am.” Kelly was announced as MusicRow’s radio-chart Reporter of the Year by Chart Director Michael Smith. His station is—get ready—WEIO The Farm. Kelly spoke for the entire MR reporting panel by saying, “We play the new music first. If you don’t believe me, just ask Florida Georgia Line.” This is, indeed, the value of MR’s secondary stations. They break new artists, and the major markets follow.
Independent Artist of the Year Tracy Lawrence.

Independent Artist of the Year Tracy Lawrence.


Kimberly Perry of The Band Perry cheered, “We appreciate all of you.” Her trio was MR’s Group/Duo of the Year. “You’ve supported the heck out of our Pioneer Tour.” The Band Perry next goes out on the road with Male Breakout winner Blake Shelton. His award was accepted by his producer, Scott Hendricks. The Female winner was Mrs. Blake, Miranda Lambert, accepted by Sony head honcho Gary Overton, sporting a sporty new buzz-cut.
Damon Moberly accepts Kacey Musgraves' award for Breakout Artist.

Damon Moberly accepts Kacey Musgraves’ award for Breakout Artist.


Introduced this year was the Breakout Songwriter award. Rodney Clawson had seven No. 1 songs on the MR chart last year. Guess who won? “Thank you all from country radio for playing the songs,” he said, “and my publisher and all my BMI friends.”
“It’s great to be an independent artist,” said Tracy Lawrence. “We have a lot of freedom.” His spins on the MR chart earned him the Breakout Independent Artist award for the year.
This award is so remarkable and so deserved: Capitol Records Nashville was named the MR Label of the Year for the ninth consecutive, tenth overall, time. Superstar promoter Steve Hodges accepted, lauding Diane Richey for working the label’s singles for most of those years.
Kacey Musgraves won Breakout Artist. Mercury Records promo VP Damon Moberly accepted, saying, “Thank you for being brave enough to play a female, because we don’t have enough of them these days.”
The crowded room was worked by Mandy Barnett, Kelly Lang, Stephanie Grace and dozens of other baby indie acts, plus veteran singer-songwriter Bernie Nelson. Kelly has a duet CD with hubby T.G. Sheppard on the way. Bernie is working on a long-overdue CD as an artist. Why? “I was getting splinters on my ass from sitting on my porch.” Love him.
Adding to the schmoozing din were David Wykoff, David Ross, Lee Smoot, Lee Richey, Becky Harris, Judy Harris, Mark Wright, Fletcher Foster, Steve O’Brien, Regina Stuve, Vanessa Parker, Pat Higdon, Cliff Doyall, Chuck Dauphin, Wes Vause, Dennis Banka, Bill Wence, Ed Salamon, Tom Baldrica, Preshias Harris, Susan Collier and Paula Szeigis.
The beehive is buzz, buzz, buzzing.
Scott Hendricks accepts Blake Shelton's award for Male Artist of the Year.

Scott Hendricks accepts Blake Shelton’s award for Male Artist of the Year


Rodney Clawson receives inaugural Songwriter of the Year honors.

Rodney Clawson receives inaugural Songwriter of the Year honors.


MusicRow CountryBreakout Reporter of the Year Kelly Green.

MusicRow CountryBreakout Reporter of the Year Kelly Green.

Weekly Register: It's Time For Church

Albums

eric_church_outsiders_album_a_lWith CRS in full swing (click here to check out MusicRow’s CountryBreakout Awards yesterday, Feb. 18), overall album sales are up 20 percent from last week, while Country album sales are up 88 percent week over week. Eric Church’s The Outsiders (EMI Nashville) is this week’s top overall and Country album, selling 288k units. Church’s latest release is his fourth studio album and second No. 1 since 2011’s Chief. Soundscan also reports it’s the biggest-selling week for a Country album since Luke Bryan‘s Crash My Party sold 528k units in August 2013. CRS attendees can check out Church’s performance during CRS today, Feb. 19. Additionally, Frankie Ballard’s Sunshine & Whiskey (Warner Bros.) debuts at No. 5 (No. 35 overall) selling 11k units, and Dylan Scott’s self-titled debut album (Curb) debuts at No. 50, selling 1.2k units.
YTD, both overall and Country album sales are down 15.9 percent. Around the same time last year, Mumford and Sons’ Babel was the top overall album, selling 185k units, while Taylor Swift’s RED reigned as the No. 1 Country album, selling 72k units.

Tracks

tracksalbumsThe top Country track is Brantley Gilbert’s “Bottoms Up” (No. 23 overall), selling 61k units (415k RTD). Meanwhile, both the top and overall Country debut is Miranda Lambert’s “Automatic,” coming in at No. 3 Country (No. 29 overall), with 51k units sold.
Pharrell Williams’ “Happy” is the top overall track, selling 329k units this week (1.3 million RTD). YTD, overall track sales are down 11.8 percent, while Country track sales are down 17.7 percent. Around the same time last year, Macklemore and Ryan Lewis’ “Thrift Shop” was the top overall track, selling 316k units, while Hunter Hayes’ “Wanted” stood as the No. 1 Country track with 85k units sold.
Next week’s numbers will include MusicRow inaugural Challenge Coin winner Cole Swindell’s self-titled debut album.

DISClaimer: Welcome To CRS

lee brice111

Lee Brice


Welcome to Country Radio Seminar. Rolling out the red carpet for our broadcasting visitors this week are a Country Music Hall of Fame member, one of Nashville’s hottest vocal trios, a hearty male up-and-comer and a band that’s just beginning to make waves. They are, in order, Don Williams, The Band Perry, Lee Brice and Parmalee. It gives me great pleasure to declare that a really great guy, Lee Brice, earns this week’s Disc of the Day prize.
The DisCovery Award goes to Lexi Larsen. I know very little about her, except for the facts that she is a native Nebraskan who is now a Nashville singer-songwriter. I do know this: The lady can sing.
LEXI LARSEN/You Can Leave
Writers: Lexi Larsen/Felicia Fay King/Karin Paparelli; Producer: Stephen Leiweke; Publisher: Fell Off The Truck/Lexi Larsen/Music Envy; SESAC/ASCAP/BMI; O.W.C. (CDX)
-Very promising. Loaded with vocal dynamics. She sings the verses in a husky, expressive alto, then belts out the choruses in a confident, shiny soprano. This woman certainly knows her way around a song.
NORTH 40/Tell Me Somethin’ Good
Writers: Paige/Logan/Heather Looney; Producer: Leigh Reynolds/Mills Logan; Publisher: Molly Jack; ASCAP; Rhymetown (CDX)
-This female led ensemble bops energetically here, but it seems to take forever to get to the hook.
MELISSA GREENWOOD/Roller Coaster Ride
Writers: Carole Ciaciosco; Producer: Jack Gale/Jim Pierce; Publishers: Royal Palm; ASCAP; Playback (CDX)
-She sings with vim on this tempo tune, and the slightly amateurish delivery only adds to its charm. The steel and lead guitarists match her lick for lick.
PARMALEE/Close Your Eyes
Writers: Adam Craig/Trent Tomlinson/Shane Minor; Publishers: Sony-ATV Tree/Big Spaces/Amplified Administration/BootHeel/Big Mosquito/Code Six Charles, BMI; Stoney Creek
-Spring and summer might seem a long way off. When they finally do get here, these guys have the perfect romance tune for those long, slow, dreamy nights.
DON WILLIAMS/I’ll Be Here In The Morning
Writers: none listed; Producers: none listed; Publishers: none listed; Sugar Hill (track)
-You could warm your hands to the sound of this voice. The Hall of Famer lopes through this ode to fidelity with the gentle ease of a champion cowboy. Utter audio excellence.
CARRIE ANN CARROLL/Honeymoon
Writers: Carrie Ann Carroll; Producer: Joe Carroll; Publisher: carrieanncarrollsongs, BMI; Treehouse (track)
-This Austin gal has a songwriter showcase CD titled You Should Know. It kicks off with this easy-going, rolling tune with a dandy guitar-driven backing track. Her singing voice is rather wispy, pitch-y and bland.
Lexi Larsen

Lexi Larsen


THE BAND PERRY/Chainsaw
Writers: Shane McAnally/Josh Osborne/Matt Ramsey; Producer: Dann Huff; Publishers: Universal/Smack Ink/Want a Fresh One/Black River/Music of RPM/Sonic Geo, ASCAP; Republic Nashville
-Snappy and sassy. She’s out to cut down the tree they once carved their initials on. “It’s hard to bury the hatchet, holdin’ a chainsaw.” Fierce and feisty.
SCOTT CONER/Feels Like Friday
Writers: none listed; Producer: Greg Wright; Publishers: none listed; Reedy’s Dream
-It’s a country-rock thang, with a “live” feeling, a Skynyrd vibe and some soul-band horns and backup singers.
LEE BRICE/I Don’t Dance
Writers: Lee Brice/Rob Hatch/Dallas Davidson; Producer: Lee Brice; Publishers: Mike Curb/Legends of Mustang/Way Down the Hatch/Big Loud Bucks/EMI Blackwood, BMI/SESAC; Curb
-I really like the guy-next-door quality of this man’s performances. This delightfully rhythmic song is about a guy who is so in love that he’ll even dance with her, despite the fact that he can’t. The icing on the cake is a fantastic production with tremendous bass undertow, zippy electro effects and swirling atmosphere. As a singer, as a songwriter and now as a producer, Lee Brice rules.
STEVIE LEE WOODS/Hey What Do I Know
Writers: Patrick McManus/Rich Alves/John Colgen; Producer: Patrick McManus; Publishers: Freshly Brewed/Hard Luck/Bollywood, ASCAP/BMI; Krazy Town (CDX)
-The song is cutely written. His voice is just average, and the production sounds like it is approximately 25 years old.

'MusicRow's' CountryBreakout Award Winners Revealed

The Band Perry accepts Group/Duo of the Year.

The Band Perry accepts the award for CountryBreakout Group/Duo of the Year.

The 2014 CountryBreakout Awards were presented earlier today (Feb. 18) at MusicRow’s CRS Meet & Greet at Margaritaville in Nashville. Industry members gathered to celebrate the unofficial kick-off to CRS and enjoy spectacular performances by Natalie Stovall and the Drive, and Native Run.

12th annual CountryBreakout Winners
Male Artist of the Year: Blake Shelton, 118,167 spins
Female Artist of the Year: Miranda Lambert, 94,465 spins
Group/Duo of the Year: The Band Perry, 116, 391 spins
Breakout Artist of the Year: Kacey Musgraves, 74,030 spins
Independent Artist of the Year: Tracy Lawrence, 41,032 spins
Label of the Year: Capitol Records Nashville, 552,807 spins
CountryBreakout Reporter of the Year: Kelly Green, WEIO/Huntingdon, Tenn.
Songwriter of the Year: Rodney Clawson
Click to see Bobby Karl’s complete coverage of the event.
 
Read all about the award winners in the new print issue of MusicRow, available for free at the Nashville Convention Center during CRS. Awards are based strictly on spins on the MusicRow CountryBreakout chart during 2013.
 

Academy of Country Music Announces Radio Winners

acm-awards-logo111featuredThe Academy of Country Music announced today the full list of radio award winners that will not be televised due to time constraints during the live telecast of the 49th Annual Academy of Country Music Awards co-hosted by Blake Shelton and Luke Bryan, from the MGM Grand Garden Arena in Las Vegas Sunday, April 6, 2014 at 8 p.m. live ET/delayed PT on the CBS Television Network.
This is the first ACM National On-Air Personality of the Year Award win for Bobby Bones, Amy, and Lunchbox of The Bobby Bones Show, and third win for Lon Helton of Country Countdown USA.  Helton previously won this award in 2011 and 2008.
Winners in radio categories will be invited to receive their awards at a private reception in Las Vegas on Saturday, April 5, the day prior to the 49th Annual Academy of Country Music Awards.
ON-AIR PERSONALITY OF THE YEAR WINNERS:
NATIONAL (TIE)               
Bobby Bones, Amy, Lunchbox – The Bobby Bones Show
Lon Helton – Country Countdown USA
MAJOR MARKET—Paul Schadt, Meg and Geof – WKKT-FM – Charlotte, NC
LARGE MARKET—Lisa McKay – WQDR-FM – Raleigh, NC
MEDIUM MARKET—Andy Ritchie, Alison West, Jimmy Holt – WIVK-FM – Knoxville, TN
SMALL MARKET—Bill Barrett, Tim Fox and Tracy Berry – KKNU-FM – Eugene, OR
RADIO STATION OF THE YEAR WINNERS:
MAJOR MARKET (TIE)
KUPL-FM – Portland, OR
WXTU FM – Philadelphia, PA
LARGE MARKET—WCTK-FM – Providence, RI
MEDIUM MARKET—WBBS-FM – Syracuse, NY
SMALL MARKET—WUSY-FM – Chattanooga, TN

CRS Starts Today

Catch Native Run and Natalie Stovall and the Drive at MusicRow's CRS party.

Catch Native Run, and Natalie Stovall And The Drive at ‘MusicRow’s’ CRS party.


Ready. Set. GO!!! Country Radio Seminar opens today (Tues., Feb. 18) with a bang.
MusicRow’s 12th annual CRS Meet & Greet and CountryBreakout Awards, the unofficial kick off to CRS, will be today at Margaritaville in downtown Nashville, featuring performances by Native Run and Natalie Stovall & The Drive. Details here.
The jam-packed week will keep artists, industry and radio programmers hopping until the wee hours. Below are a few highlights from the official schedule, while tons of other invitation-only parties are also on attendees’ dockets.
All events are at the Renaissance Hotel/Nashville Convention Center unless otherwise noted.
Tuesday, Feb. 18
6:00 PM – 8:15 PM: Country Radio Hall of Fame Dinner & Ceremony. Honorees include Radio Inductees Larry Wilson and Mike Brophey; On-Air Personalities Paul Schadt and Jim Denny; Career Achievement Award winner Vince Gill; and President’s Award recipient Ed Hardy.
8:30 PM: Official Hall of Fame After Party featuring Rachele Lynae, sponsored by Momentum Label Group. Plus Millstar Entertainment artists Outshyne and a special guest appearance by Jamie O’Neal.
Wednesday, Feb. 19 
9:30 AM: Brett Eldredge will kick off the seminar with the national anthem at the opening ceremonies, followed by the presentation of Scholarship and the Artist Humanitarian Awards. Carrie Underwood is this year’s Artist Humanitarian Award recipient.
10:15 AM – 11:00 AM: Keynote Address: 11 Reasons Why Social Media Could Save The Radio Business Featuring Gavin McGarry Sponsored by Folds of Honor.
11:00 AM – 11:50 AM: Little Big Town “Perseverance” Sponsored by Folds of Honor. Bob Kingsley will conduct an interview with the CMA Vocal Group of the Year about perseverance in the country music industry.
12:00 PM – 2:20 PM: Team UMG at the Ryman Auditorium. This year’s performers are Gary Allan, Dierks Bentley, Luke Bryan, Eric Church, Easton Corbin, Billy Currington, Vince Gill, Lady Antebellum, Little Big Town, Scotty McCreery, Kip Moore, Kacey Musgraves, David Nail, Jon Pardi, Eric Paslay, Darius Rucker and Josh Turner. Lunch served at NCC, Level 2, lobby near Ryman exit.
2:30 PM – 3:50 PM: CRS Research Presentation. Country Radio Seminar has commissioned a comprehensive Country music research study for presentation, with data on the increased popularity country music is seeing with the 12-34 year-old age group.
 Panelists: Larry Rosin, Jayne Charneski.
4:00 PM – 5:00 PM: Muscle Shoals: The Magic in the Music Sponsored by Muscle Shoals to Music Row Live and Alabama Tourism. These legendary producers and musicians are featured in a new award-winning documentary, Muscle Shoals. Panelists: Rick Hall, Jimmie Johnson, Spooner Oldham, Mac McAnnally, and David Hood. Moderator: Charlie Morgan.
9:30 PM – 11:30 PM: Muscle Shoals film screening.
7:00 PM – 9:30 PM: The Grand Ole Opry Presented by My Well Being Powered by Humana. Performances by Carrie UnderwoodRascal Flatts and Old Crow Medicine Show, along with Thompson SquareChris YoungCharles Esten (Nashville), Love & TheftBrandy ClarkWill Hoge and Eric PaslayBill Cody will host the event.
crs2014Thursday, Feb. 20
11:00 AM – 11:50 AM: CMA Presentation: Building a Strong Brand No Matter What Technology Does. Presenters: Mark Ramsey, Mark Ramsey Media; and Karen Stump, Senior Research Director, Country Music Association.
12:00 PM – 1:50 PM: UMG Nashville Lunch and Performance, Ryman Auditorium, with performers Jennifer NettlesBrothers Osborne and Kalleigh Bannen.
3:00 PM – 3:50 PM: Why Choosy Brands Choose Country. Major brands are jumping on the country bandwagon. Moderator: Erica Farber, RAB. Panelists: Julie Craig, Retail Marketing Manager, Cracker Barrel;
Shari Lewin, William Morris Entertainment; Darcie Law, Vice President, Account Director, Chevrolet, Jack Morton Worldwide; and Mike Weidman, Chevrolet National Promotions Manager.
7:00 PM: Bob Kingsley’s Acoustic Alley Sponsored by Bob Kingsley’s Country Top 40 and Co-Sponsored by Suntrust Bank, Beverage Bar Sponsored by ASCAP. Performers: Ben Hayslip, Luke Laird, Shane McAnally, Josh Osborne, Ashley Gorley, Rodney Clawson, Brett James, Matt Jenkins, Rhett Akins and Dallas Davidson.
Friday, Feb. 21
12:00 PM – 1:50 PM: Black River Entertainment Lunch and Performance with Kellie Pickler, Craig Morgan and John King.
3:00 PM – 4:00 PM: BMI Legends Featuring John Oates Sponsored by BMI. Oates discusses his career and performs a couple of acoustic songs. John Esposito, President of Warner Music Nashville, will moderate.
6:30 PM – 10:00 PM: New Faces of Country Music® Dinner and Performance Co-Sponsored by MDA and ACM, with performers Brett Eldredge, Tyler Farr, Cassadee Pope, Thomas Rhett and Charlie Worsham, followed by the Official After Party of the New Faces Show Presented by TNT’s Private Lives of Nashville Wives.

Weekly Chart Report (2/14/14)

 
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Click here or above to access MusicRow‘s weekly CountryBreakout Report
MusicMasterPP

ASCAP Celebrates 100 Years of Championing Songwriters

ASCAP's founding members.

ASCAP’s charter members. Pictured (L-R): Gustave Kerker, Raymond Hubbell, Harry Tierney, Louis A. Hirsch, Rudolf Friml, Robert Hood Bowers, Silvio Hein, Alfred Baldwin Sloane and Irving Berlin.


“If music did not pay, it would be given up. Whether it pays or not, the purpose of employing it is profit and that is enough,” wrote Chief Justice Oliver Wendell Holmes in a landmark Supreme Court decision in 1917. Holmes was referencing businesses where copyrighted musical compositions were heard, and whether or not it generated direct revenues. Holmes’ decision was a victory for songwriter Victor Herbert, who sought protection for his musical works that were performed on a player-piano in a New York City restaurant. The decision also marked a victory for Herbert’s newly founded organization, American Society of Composers, Authors and Publishers (ASCAP), which was founded on this day (Feb. 13) in 1914.
ASCAP celebrates its centennial this week, commemorating 100 years of championing the rights of songwriters. Along with Herbert, the earliest members of ASCAP included several musical legends of the era: Irving Berlin (“There’s No Business Like Show Business”), James Weldon Johnson (“Life Ev’ry Voice and Sing”), Jerome Kern (“Smoke Gets In Your Eyes”), and John Philip Sousa (“The Stars and Stripes Forever”). Publisher George Maxwell served as ASCAP’s first president.
Paul Williams, Chairman and President of ASCAP

Paul Williams, Chairman and President of ASCAP


Since its origination, ASCAP has been owned and operated by songwriters and publishers. Decades later, musicians of different career stages, from independent artists to established songwriters such as Shane McAnally, Josh Kear, Ben Glover and Hillary Lindsey, to household names such as Garth Brooks, Brad Paisley, Michael W. Smith and are able to be compensated fairly for their compositions. “ASCAP’s 100th birthday provides us with an exciting opportunity to celebrate our future as much as our history,” says ASCAP President and Chairman Paul Williams, who recently earned a Grammy for his songwriting and vocal work on Daft Punk’s Random Access Memories. “It gives us a chance to honor and thank our members for creating music that touches the world, while emphasizing ASCAP’s ongoing and important role in helping to shape a musical landscape where everyone wins—music creators, businesses and everyone who loves music.”
To celebrate, ASCAP created the ASCAP.com/100 website, which chronicles the organization’s legacy of supporting songwriters from its beginnings in 1914 through today. Additionally, the song “More Than The Stars” celebrates ASCAP’s centennial with artists including Charles Kelley and Dave Haywood from Lady Antebellum, Ne-Yo and Bill Withers.

The PRO is still fighting to protect the rights of its songwriters in various musical genres. Some songwriters, such as ASCAP member Brett James, are aiding in the battle. James, known for penning hit songs including “Jesus, Take The Wheel” for Carrie Underwood and Chris Young’s “The Man I Want to Be,” gave a deposition during the Pandora trial last month. “They are spending a lot of their own money trying to make sure our rights are protected going forward. When you hear that ASCAP is standing up to Pandora in court, that means that ASCAP is putting their money where their mouth is, because trials are not cheap. Not all PROs do that and that’s something that I’m very proud ASCAP is taking a stand on. I’ve been with ASCAP on the Hill in Washington D.C., where we talk to senators and congress people to educate them on issues facing songwriters. I feel like now as we reached our 100-year anniversary, copyright as a whole is being attacked more than any other time in history. I think ASCAP’s role in defending our rights to copyright and intellectual property is huge.”

Pictured (L-R): Michael Martin, LeAnn Phelan, George Strait, Paul Williams, John Titta

Pictured (L-R): Michael Martin, LeAnn Phelan, George Strait, Paul Williams, John Titta


“Advocacy is one of the greatest benefits to being an ASCAP member because there is always a team of people working on behalf of the songwriter to make sure they get fair payment,” says LeAnn Phelan, who co-leads ASCAP Nashville’s creative team with Michael Martin. “Our biggest challenge is the way that we are governed in that fight. We have some outdated rules and regulations that we have to adhere to and they need to be revised. The last revision was before the iPod and streaming services even popped into our universe. Another challenge is making sure that the companies that are using music value it. I’m hopeful that there will be a lot of changes that will benefit songwriters in the near future. Getting as much money as possible back into the hands of songwriters and publishers is the main focus of what we do.”

Brett James


In addition to advocacy, ASCAP offers an array of professional development opportunities to songwriters. ASCAP’s Nashville office hosts ongoing workshops that focus on Country, film/TV, Christian and pop music. The DIY U program brings in companies to educate independent songwriters and artists on how to efficiently conduct business. The regional office also reaches out to students and emerging songwriters at universities including Belmont, Middle Tennessee State University, and Baylor.
Meanwhile, ASCAP’s Guidance From Publishers For Songwriters (GPS) project, which was created by Phelan and ASCAP Creative Manager Ryan Beuschel, lets publishers get to know prospective unsigned songwriters. “We saw a need in the community to keep our fellow publishers involved in developing writers,” says Phelan. “My thought is that the need arose after publishing companies merged, and when that happens, creative people get let go and the creative people in this town are amazing. Many companies have too much on their plates working with their current roster of writers.” Each month, the GPS system pairs 12 writers with 12 publishers via one-on-one meetings. “We’ve had a 30 percent finding rate out of that program; 30 percent of songwriters have gotten publishing deals from this,” says Phelan.
ASCAP's LeAnn Phelan

ASCAP’s LeAnn Phelan


Other programs include monthly shows at Nashville’s Bluebird Café, recent performances at the 30A Songwriters Festival and at the Sundance Music Café, and the ASCAP songwriter’s show on WSM 650 AM, hosted by Beuschel. “It fits into the philosophy of the show,” says Phelan. “It’s educational to our listeners to hear about ASCAP and to hear the stories behind some of their favorite songs.” Another program, the Music City Trifecta, brings together writers from the Country, Christian and pop genres.
For established songwriters, ASCAP reps might aid in several ways, depending on what a writer might need, from introducing a writer to an artist or label representative, helping a writer develop a team, or aiding in the transition from one publishing deal to another.
“ASCAP did a good job of taking care of me early on in my songwriting career, and they have carried me all the way through,” James sums. “I’ve always had an open door, open phone call. They’ve always taken care of whatever I needed. I’m a proud ASCAP member.”

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Parmalee's "Carolina" Triumphs After Long Journey To Top of Charts

Pictured (back L-R): Sony/ATV Music Publishing's Tom Luteran, Broken Bow/Stoney Creek Records’ Carson James, producer Kurt Allison, Broken Bow/Stoney Creek Records’ Jon Loba and Benny Brown, producer Tully Kennedy, Gallo & Landers Music’s Jim Landers, producer David Fanning, BMI's Bradley Collins, Buddy Lee Attractions’ Kevin Neal, Revelry Music Group’s AJ Burton, Gallo & Landers Music’s Greg Gallo; (front l-r) co-writer Richard Beato and Parmalee's Scott Thomas, Matt Thomas,  Josh McSwain and Barry Knox. Photo credit: Steve Lowry

Pictured (back L-R): Sony/ATV Music Publishing’s Tom Luteran, Broken Bow/Stoney Creek Records’ Carson James, producer Kurt Allison, Broken Bow/Stoney Creek Records’ Jon Loba and Benny Brown, producer Tully Kennedy, Gallo & Landers Music’s Jim Landers, producer David Fanning, BMI’s Bradley Collins, Buddy Lee Attractions’ Kevin Neal, Revelry Music Group’s AJ Burton, Gallo & Landers Music’s Greg Gallo; (front l-r) co-writer Richard Beato and Parmalee’s Scott Thomas, Matt Thomas, Josh McSwain and Barry Knox. Photo credit: Steve Lowry


BMI celebrated the team behind North Carolina band Parmalee’s two-week No. 1 hit “Carolina” Tuesday (Feb. 11) at the company’s offices in Nashville. Written by Richard Beato and Parmalee’s Scott Thomas, Matt Thomas, Josh McSwain and Barry Knox, the song earned all five writers their first No. 1 song. It has been a long journey for the band, but a fulfilling one. In February 2011, the band performed a final showcase for Stoney Creek Records, after enduring a near-fatal robbery attempt that severely injured Scott Thomas. “The label waited for Scott to heal, and we came down to do another full showcase [before signing Parmalee to a deal]. We are definitely a family band, and so we found the perfect family for us,” said his brother and bandmate Matt.
Among those celebrating were BMI’s Jody Williams, Bradley Collins, Sony-ATV’s Tom Luteran, BBR Music Group/Stoney Creek Records’ Benny Brown, Jon Loba, Chris Loss and Carson James and the entire promotions staff. “All No. 1 records are fights,” said Loba. “This one had a long journey, but represents how much this team cared about the artist and the song.” The song spent 44 weeks on its slow journey to the top of the charts, including several weeks at No. 40. “I don’t think anyone has seen a song chart quite like this,” said James. “We bought real estate at the No. 40 spot. The song fell off the chart twice and had to be put back on, but our staff was tenacious, and it paid off.”
The song marked the third No. 1 tune for production company New Voice Entertainment’s Rich Redmond, Kurt Allison, David Fanning, and Tully Kennedy. Publishers on the songs include Lonely Runer Music, B Knox Music, Slip Joint Music, Pooskie Music, Boogall Music and Revelry Music.
Avenue Bank’s Ron Cox announced that Avenue Bank would be making a donation to North Carolina Children’s Hospital.