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Missi Gallimore Launches T.R.U.T.H. Management

Missi Gallimore

Missi Gallimore has launched T.R.U.T.H. Management, offering a wide range of services including artist development and management, A&R, publishing, digital marketing, styling, and more.

The company’s flagship country artists include Shy Carter (Warner Music Nashville), Abbey Cone (The Valory Music Co.), and sibling trio Track45, who is in the final stages of securing a label agreement, as well as Americana artist Sam Williams, the son of Hank Williams Jr. Cone and Track45 are joint-venture management projects with Gary Borman and Borman Entertainment.

Gallimore said, “Forming T.R.U.T.H. Management was just the next step for me. I am ready to take what’s mine and see where this will go! I have assembled a great team, and we have already accomplished more than I thought imaginable, and we are just getting started!”

Gallimore launched her career working with Country Music Hall of Famer Billy Sherrill, known for his work with George Jones, Tammy Wynette, Tanya Tucker, Johnny Cash and more. She also served 10 years with Charley Pride’s publishing company Pride Music Group, before launching a career in A&R. She has successfully paired Tim McGraw with songs including “Humble and Kind,” “I Like It, I Love It,” and “Live Like You Were Dying,” and worked A&R for Faith Hill’s hits “Breathe” and “This Kiss,” as well as introducing Keith Urban to “Blue Ain’t Your Color” and his recent single “God Whispered Your Name.”

Weekly Radio Report (4/3/20)

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JUST IN: MusicRow Announces New Date For Annual Rising Women On The Row

UPDATED: The Sept. 23 Rising Women on the Row event has been postponed due to due to the Coronavirus pandemic. Click here to see more details regarding the new event date and tickets.


MusicRow has rescheduled its ninth annual Rising Women on the Row breakfast event to Wednesday, Sept. 23 at the Omni Nashville Hotel, beginning at 8:30 a.m. The event, originally scheduled to take place in March, was postponed due to the COVID-19 pandemic.

The event’s presenting sponsors are City National BankTri Star Sports & Entertainment Group, and Loeb & Loeb.

A special performance, sponsored by Radio Disney Country, will be confirmed at a later time. Likewise, CMT will make a special presentation at the event.

The ninth annual celebration will honor the 2020 Rising Women on the Row honorees: Jen Conger (FBMM, Business Manager), JoJamie Hahr (BBR Music Group/BMG, VP Marketing), Mandy Morrison (City National Bank, Vice President/Senior Relationship Manager), Missy Roberts (Universal Music Publishing Group, Senior Creative Director), Jennie Smythe (Girlilla Marketing, CEO) and Stephanie Wright (UMG Nashville, Senior VP, A&R).

Read more about the honorees here.

Past honorees include—2019: Janine Ebach, Kelly Janson, Meredith Jones, Lenore Kinder, Sandi Spika Borchetta, Jennifer Turnbow; 2018: Faithe Dillman, Leslie DiPiero, Becky Gardenhire, Lynn Oliver-Cline, Annie Ortmeier, Janet Weir; 2017: Tatum Allsep, Virginia Davis, Kerri Edwards, Kella Farris, Laura Hutfless, Juli Newton-Griffith; 2016: Abbey Adams, Amanda Cates, Cris Lacy, Leslie Roberts, Risha Rodgers; 2015: Kele Currier, Tiffany Dunn, Dawn Gates, Jensen Sussman, Lou Taylor; 2014: Julie Boos, Caryl Healey, Ebie McFarland, Alicia Pruitt, Kelly Rich; 2013: Cyndi Forman, Cindy Hunt, Beth Laird, Cindy Mabe, Brandi Simms; 2012: Shannan Hatch, Mary Hilliard Harrington, Heather McBee, Denise Stevens, Carla Wallace.

Tickets for the Rising Women event are closed at this time. 

Tickets will not be sold at the door. Current ticket holders can expect arrival details to come via email a week prior to the event.

For any questions regarding tickets and/or seating, contact LB Rogers at lbrogers@musicrow.com.

Weekly Radio Report (3/27/20)

Click here or above to access MusicRow’s weekly CountryBreakout Radio Report.

Nashville Music Industry Leaders Detail Best Practices Working Through Pandemic

17th Avenue South. Photo: Sherod Robertson

On Sunday (March 22) Nashville Mayor John Cooper issued a ‘safer at home’ order for all of Davidson County for two weeks, which prohibits groups of more than 10 people from gathering, leaving Music Row virtually empty and music business professionals working from home.

MusicRow Magazine talked to several small business leaders in the Nashville music industry about operating their companies with their teams spread out and working remotely.

Working from home, and out of your usual routine, can come with a lot of challenges. Many music business professionals who are also parents described keeping their children busy while schools are closed as a huge challenge.

Children can add challenges when in the workplace.

“Finding a balance between three kids at home and work has been challenging,” says Founder & CEO, Music Health Alliance, Tatum Hauck Allsep. “After the first two days we’ve found our groove. It was an adjustment for me more than for them. I’ve been working since I was 15 years old, and I had to give myself permission in a strange way to be present and to stop for a little while and build a fort with our 9 year old. It is an unexpected gift in this unusual season.”

Creating routines in a non-routine world is key.

Many have also found that keeping a routine, getting outside, enjoying the time home with loved ones, and checking in on your team’s wellbeing is essential.

“I think trying to maintain a routine can be helpful. Shower, get dressed, have a separate room or part of your house/apartment that is your work area, and don’t forget about self-care. Sometimes you need a walk/break/fun movie or glass of wine,” says Co-Owner of The GreenRoom, Kristie Sloan.

Loeb & Loeb’s Partner and Co-Manager, Derek C. Crownover suggests making sure your work space is efficient. “Take the time, if you can, to get your small organized efficient office set up away from the family so you can not only focus on work, but focus on them later too.”

The best trick is knowing there are no tricks.

Reviver Entertainment’s Founder/President/CEO, David Ross, says, “[There are] no tricks. Be true to yourself. Show and communicate true concern and have patience.”
Allsep further drives home that point of having true concern for your team members.

“I learned a lesson this week and believe that it is important to share,” Allsep says. “I was NOT sensitive to the fact that many of our younger music industry professionals have not been faced with the magnitude of change that we are experiencing right now with the impact of COVID-19 on our lives. I was sharing too much clinical information about the capacity of COVID-19, and having no idea that it was negatively impacting the mental health of some of my closest associates. The lesson: Everyone processes information differently. Many music industry professionals live alone, away from loved ones, etc. Too much information can be harmful. Be sensitive to your teams in the coming weeks. The mental health of our music community is important right now and there is not a one size that fits all. Try to get to understand where they are coming from emotionally and be considerate of their age and life experience.”

Being present in the moment can offer inspiration and creativity.

As for managing songwriters and artists, many have let the creatives lead the way on their use of this uncertain time. Some creatives are taking this time to hunker down with family and friends, to be present in the moment that will ultimately inspire music in the future. Others have hardly missed a beat, moving their writes to video chat and staying active on social media.

“During the first week we unfortunately had many cancellations because we had several writers traveling in from out of town who needed to cancel their travel plans,” says Tree Vibez Music’s General Manager, Leslie DiPiero. “Once everyone got their ‘Quarantine Legs’ many writers have been video conferencing and/or been sending ideas and tracks then jumping on calls and video conferencing to finish their songs.”

“Everyone is doing the best they can but mostly they are creating by themselves or we are setting up FaceTime, Zoom or Skype co-writes,” says Creative Nation Co-Founder/CEO, Beth Laird. “Lori McKenna is a pro at this because she has been Skype writing from Boston for years.”

Make Wake Artists’ Founder/Owner Chris Kappy knows that this unprecedented period of time will inspire meaningful music.

“I don’t know if they are creating, as much as they are pre-creating, by getting ideas and inspiration for future pieces of work,” Kappy says. “By keeping up with social distancing measures, they aren’t writing, but I know how they are, and I know they are thinking of new ideas as they have so much free time to just, think. I bet this time that is so dark right now, creates some beautiful songs in the coming months and years.”

Stay connected with people in innovative ways.

To stay connected, many are turning to video chat systems to communicate effectively with their teams, listing Zoom, Google Hangouts, Skype and FaceTime as essential video-chatting programs.

Others are implementing project management systems like Slack, Asana and Wunderlist.

With the cancellation of many live appearances over the next few months, a lot of artists have turned to social media and live-streamed performances to generate fan connection.

“The majority of our artists have been utilizing social media, including Facebook Live, IGTV, and TikTok, to continue to perform and connect with their fans,” says AristoMedia President, Christy Walker-Watkins. “Not only have they been able to entertain fans with music, but they have been able to bring fans into homes, giving them a closer look at their hobbies and/or interests outside of music, and in some cases, appear to be connecting with fans on a whole new level.”

Ultimately, Nashville music business leaders are striving to stay energized and encouraging.

“Between the tornado and Coronavirus, we have been hit by a lot lately but we are the most connected music community in the world and we will support one another and get through this together,” says Laird. “Also we have great resources available through Music Cares, Lifting Lives and Porter’s Call if anyone needs extra help. I look forward to hearing all the new songs that will come from this and can’t wait to get back to greeting my friends with hugs in person!”

“Nashville and the music community here that has enjoyed a way of life from music, unlike any other city, is going to have to lock arms with our live show community whether it’s downtown Nashville live players, venues and staff, touring musicians or even top-tier touring artists to ride this one out,” Crownover says. “The city and state leaders will need to step in quickly to help. The music community leaders will need to step up and give to those in need whether that’s cash, food, a place to stay, babysitting, option money or advances on upcoming work or even helping those out of work find an interim project outside of the music business. Time for some sheer humanity to kick in the same way we do when a tornado hits.”

Know this truth: We will get through this (even if we don’t feel it at times.)

“We are going through a tough time, the toughest our entire industry has ever seen… we will get through this,” Kappy says. “If you need help, ask. If you are in a depressed state, reach out. This is hard and scary, don’t try and fight it alone. Ask for some love, as we have it to give. That’s why I love Nashville.”

Music Health Alliance Offers COVID-19/Tornado Relief Resource Database


Music Health Alliance has developed a COVID-19/Tornado Relief Plan & Database of Solutions based on the immediate needs of the music community that fall within their mission. The Alliance is also providing direct cost assistance for music professionals with the following immediate needs: health insurance monthly premiums, medication, food, and COVID-19 testing/doctor visits for the uninsured and under-insured. Their help is free to any member of the music industry.Music Health Alliance is uniquely positioned to provide direct services, resources and grants to the music community in an effective way during this most challenging of times. Their entire staff has been tasked with finding solutions to face the challenges and uncharted territory of COVID-19 as the threat to health and the financial devastation to the music community is unfolding daily.  The organization is working around the clock to filter fact from fiction, assimilate this information in a usable way, and to identify, provide resources and assist the most vulnerable in the industry at this critical time.

BREAKING: ACM Awards Set New Air Date For Sept. 16


The 55th annual Academy of Country Music Awards has set a new air date, now slated for Wednesday, Sept. 16, airing live on CBS from 8:00 p.m. – 11:00 p.m. ET. The show will also stream live and on demand on CBS All Access.

As previously announced, Keith Urban, a 15-time ACM Award winner and reigning ACM Entertainer of the Year, will host the event.

A venue for the newly-rescheduled awards show, as well as a performer lineup, will be announced soon.

The Academy of Country Music will broadcast the two-hour special ACM Presents: Our Country during the ACM Awards’s original April 5 timeslot at 8:00 p.m. ET on CBS. The special will include at-home acoustic performances from top country artists, as well as clips of their favorite ACM Awards moments from previous years.

BREAKING: Kenny Rogers Passes Away At 81

Kenny Rogers. Photo: John Russell/CMA

Kenny Rogers, a Country Music Hall of Fame member and legendary artist who delivered classic hits as “The Gambler,” “Lady,” “Islands In The Stream,” “Lucille,” and “She Believes In Me,” passed away on Friday, March 20. He was 81.

Rogers garnered 20 No. 1 country hits between 1977 and 1987, many of which climbed the pop charts. During his lengthy career the international star sold more than 50 million albums in the United States alone. Rogers was a five-time CMA Award-winner and entered the Country Music Hall of Fame in 2013.

Growing up in public housing in Houston, he was exposed to R&B, pop, and jazz as well as country. His first professional group was a late-1950s vocal act called the Scholars, which had local hits in Houston. “That Crazy Feeling,” a 1958 solo hit on Carlton Records, earned him an appearance on “American Bandstand.”

During the early 1960s, Rogers played bass, and occasionally sang, in a Houston jazz trio. Membership in the New Christy Minstrels folk group spurred the founding of the First Edition, in which Rogers and other former Minstrels mixed folk, rock and country sounds. The new group went to No. 5 on the pop chart in 1967 with Mickey Newbury’s psychedelic “Just Dropped In (To See What Condition My Condition Was In)” and gained several additional pop hits on Reprise Records.

After the group’s breakup in 1974, producer/executive Larry Butler signed Rogers to United Artists Records, on which he had modest hits until the stunning success of the mournfully catchy, Grammy-winning “Lucille” in 1977, which reached No. 1 on the country chart and No. 5 on the pop chart. For the next dozen years Rogers logged hit after hit, including “The Gambler” (1978-79), penned by Don Schlitz, “She Believes in Me” (1979) and “Coward of the County” (1979-80).

In 1980, on Liberty Records, Rogers’ No. 1 hit “Lady,” a romantic ballad written by pop star Lionel Richie, ruled the pop charts for six weeks. Successful duets included “Every Time Two Fools Collide” with Dottie West (1978) and the crossover smash “Don’t Fall in Love with a Dreamer” with Kim Carnes (1980). In addition to his five CMA Awards wins, Rogers piled up three Grammys as the country-pop era reached a peak, adding to his stature as one of country’s first artists to sell out arena shows.

Already a veteran TV performer, Rogers gained further exposure through acting in made-for-television movies, including a series of five treatments of “The Gambler.” His hit “Love the World Away” was a theme song in the era-defining 1980 film Urban Cowboy. The 1980s also saw hits on Liberty and RCA, including “Love Will Turn You Around” (1982), the Sheena Easton duet “We’ve Got Tonight” (1983), and the memorable Dolly Parton duet “Islands in the Stream” (1983), all country No. 1 songs that made the pop charts. Rogers appeared front and center in the megastar collaboration “We Are the World” (1985), scoring additional chart-toppers such as “Crazy,” “Real Love,” and the sensual George Martin-produced “Morning Desire.” But the solo hit “Tomb of the Unknown Love” (1986) and the Ronnie Milsap duet “Make No Mistake, She’s Mine” (1986) were Rogers’s last No. 1 country records until “Buy Me a Rose” (1999-2000), recorded with Alison Krauss and Billy Dean.

Later in life, Rogers invested in Branson, Miss., ventures, published several well-received photography books, authored two children’s books, engaged in major philanthropic endeavors, and launched a chain of restaurants. Though his chart success slipped in the late 1980s and 1990s through stints with Giant, Atlantic, Reprise and Magnatone, “Buy Me a Rose” (on Dreamcatcher) gave him a boost at the outset of the 21st century. He continued to tour and released hits collections and albums of new material, the latter including Water & Bridges (Capitol Nashville, 2006), which yielded the Top 20 hit “I Can’t Unlove You.”

Weekly Chart Report (3/20/20)

Click here or above to access MusicRow’s weekly CountryBreakout Radio Report.

BREAKING NEWS: Confirmed U.S. Cases Of Coronavirus Now Exceeds 10,000


Despite efforts to delay spread, the confirmed cases of Coronavirus COVID-19 in the United States has now exceeded the benchmark of 10,000 cases as of Mar. 19, 2020 with 10,755 confirmed U.S. cases according to the Center for Systems Science and Engineering (CSSE) at John Hopkins University (JHU) and is expected to continue rising. The report shows there have been 154 deaths and 106 recovered in the U.S. so far.

Although there have been continued promises by the federal administration of adequate testing abilities, those have been slow to come to fruition; therefore, this number is widely expected to increase as more tests actually become available and more cases can be tested and confirmed.

According to the Center for Systems Science and Engineering (CSSE) at John Hopkins University (JHU), total cases currently confirmed globally are 229,289 with total deaths of 9,324 and 84,557 recovered.

Their report shows the state of Tennessee has a total of 100 confirmed cases with no deaths and none recovered.

According to the Tennessee Department of Health, the most recent report (updated at 2:00 p.m. CST yesterday on Mar. 18) indicates total confirmed cases in the state is 98 (74 of which were done outside of the State Public Health Laboratory in other commercial and private laboratories). Most of the confirmed cases come from two Tennessee counties: Davidson County with 58 and Williamson county with 24.

Discrepancies occur between CSSE at JHU and TDH due to timing differences of reports.