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Weekly Register: Chris Stapleton’s ‘Traveller’ Settles In

Chris Stapleton Traveller

Chris Stapleton’s Traveller is extending its trip atop the country albums chart. The acclaimed collection remains at No. 1 for the week ending Jan. 14, with 26K album sold, and 744K overall. Next week’s chart will reflect sales following his Jan. 16 performance on NBC’s Saturday Night Live.

Sam Hunt’s Montevallo moves up a spot to No. 2, with 8.5K sold. Within a few weeks, he is expected to officially surpass the million mark. Thomas Rhett’s Tangled Up rises to No. 3, with 6.5K sold.

Eric Church’s Mr. Misunderstood (6K) and Carrie Underwood’s Storyteller (6K) round out the Top 5.

Thomas Rhett

Thomas Rhett

For digital track sales, Rhett’s “Die a Happy Man” tops the country tally, moving 54K, with 937K overall. Hunt’s “Break Up In A Small Town” shifts 37K to place second and officially surpassing a million units.

Luke Bryan and Karen Fairchild’s “Home Alone Tonight” rises a notch to No. 3 (30K), just ahead of Cam’s “Burning House” (26K) and Cole Swindell’s “You Should Be Here” (21K).

Trace Adkins’ “Jesus and Jones” debuts at No. 64, selling 3.4K. This is his debut on Wheelhouse Records, part of the Broken Bow label group.

On the overall chart, the late David Bowie debuts at the top with Blackstar, the album he completed and released just days before his passing on Jan. 10. Blackstar sold 181K (174K album only).

With 146.5K units for “Love Yourself” this week (and 1.2 million overall), Justin Bieber holds onto the top of the digital tracks chart for the second week.

2016 Country Radio Meet & Greet Lineup Reveals Rising Stars

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MusicRow, Nashville’s leading music industry publication, is proud to reveal two rising country performers for its 2016 Country Radio Meet & Greet and CountryBreakout Awards: LOCASH (Reviver Records) and Erica Nicole (Go Time Records). 

The invitation-only event will be held in Nashville in early February for MusicRow subscribing members, affiliates and country radio broadcasters just ahead of the 2016 Country Radio Seminar. Subscribe to MusicRow to receive your invitation.

Pictured (L-R): Erica Nicole, LOCASH.

Pictured (L-R): Erica Nicole, LOCASH.

The gathering will also reveal the CountryBreakout Award winners, tallied from chart performance on the MusicRow chart in 2015. Profiles of the yet-to-be announced winners will be included in the 2016 Country Radio print issue for MusicRow

“With so many of us growing up in secondary markets and having been greatly influenced by radio in those markets, it’s a thrill to honor the artists and songwriters who have reached the most airplay on MusicRow‘s CountryBreakout chart,” says MusicRow Owner/Publisher Sherod Robertson. “I am also looking forward to showcasing the musical talents of Erica Nicole and LOCASH in front of the radio industry at this year’s event and seeing everyone come out for a great time.”

Print magazines will be available during Country Radio Seminar. MusicRow subscribers will receive their copies by mail. Additional issues can be purchased at MusicRow.com and at the publication’s 17th Avenue headquarters. 

Opening ceremonies for Country Radio Seminar (CRS) will begin on Feb. 8 at 3 p.m. This year’s conference will take place through Feb. 10 at the Omni Hotel.


About performers for MusicRow‘s 2016 Country Radio Meet & Greet and CountryBreakout Awards

LOCASH (Reviver Records): Chris Lucas and Preston Brust of LOCASH celebrated the final MusicRow CountryBreakout Chart No. 1 of 2015 with “I Love This Life,” the title track from the band’s 6-track EP. As the first single from a new label deal and name change (from LoCash Cowboys), “I Love This Life” landed on iTunes’ list of the best country songs of 2015. In addition to co-writing the single, the duo also helped write Keith Urban’s “You Gonna Fly” and Tim McGraw’s “Truck Yeah.” LOCASH wrapped a run of shows in Las Vegas during Wrangler National Finals Rodeo late last year and sang the National Anthem at the Indianapolis Pacers game before a New Year’s Eve show.

Erica Nicole (Go Time Records): Erica Nicole received her first Top 10 record on the MusicRow CountryBreakout Chart with “I’m Making Mine.” With the 2015 single, Nicole became MusicRow‘s first female independent artist to achieve three consecutive Top 20 records. She has opened shows for such artists as Miranda Lambert, Eric Church and Brad Paisley and performed the National Anthem at Fenway Park (New York Mets) and CitiField (Boston Red Sox). The Georgia native has been working with producer Kent Wells (Dolly Parton) on her full-length release. In late 2015, Erica Nicole headlined the I’m Making Mine Tour and guest-hosted the TV program, Country Fix.

Old Dominion Celebrates First No. 1 and Sold-Out Nashville Show

Pictured (L-R) front: Old Dominion's Whit Sellers, Trevor Rosen, Matthew Ramsey, Geoff Sprung and Brad Tursi; (back) Big Deal Music's Pete Robinson, Rehits/Smacktown Music's Michael McAnally Baum and Ree Guyer Buchanan, producer Shane McAnally, RCA Nashville's Keith Gale, ASCAP's Mike Sistad, Sonic Geo Music's George Whaley, ASCAP's Beth Brinker, Music of RPM's Blake Chancey and Smacktown Music's Robert Carlton. Photo: Ed Rode for ASCAP

Pictured (L-R) front: Old Dominion’s Whit Sellers, Trevor Rosen, Matthew Ramsey, Geoff Sprung and Brad Tursi; (back) Big Deal Music’s Pete Robinson, Rehits/Smacktown Music’s Michael McAnally Baum and Ree Guyer Buchanan, producer Shane McAnally, RCA Nashville’s Keith Gale, ASCAP’s Mike Sistad, Sonic Geo Music’s George Whaley, ASCAP’s Beth Brinker, Music of RPM’s Blake Chancey and Smacktown Music’s Robert Carlton. Photo: Ed Rode for ASCAP

Old Dominion gathered before a sold-out show at Marathon Music Works on Thursday (Jan. 14) to celebrate the band’s first No. 1 single, “Break Up With Him.”

The title spent two weeks at the top of the Billboard chart and was written by all five members of the band, Matthew Ramsey (celebrating his third No. 1), Trevor Rosen (celebrating his fourth No. 1), Brad Tursi (celebrating his third No. 1), Geoff Sprung, and Whit Sellers. For their first No. 1, the latter two writers were presented with their own Boulder Creek No. 1 guitar.

All five songwriters are ASCAP-affiliated. Mike Sistad and Beth Brinker represented the organization. The No. 1 event was sponsored by First Tennessee Bank and FTB Advisors.

“When it’s just the five of us on the road, someone always points it out,” says Ramsey. “It highlights how it’s not just the five of us anymore, but how many people are out there busting their asses for us. Sometimes that’s the only reason we get up and bust ours.”

“I moved here to not be in a band,” said Tursi. “But that didn’t work out.” Sellers recalled having been in Nashville for 10 years and how the band feels serendipitous. Sprung looked back on the long journey while Ramsey expressed surprise at how everything has fallen in place.

Producer Shane McAnally celebrated his fourth No. 1 as a producer at the event. McAnally offered thanks to the band’s manager, Clint Higham, who also managed McAnally’s artist career in the 1990s. “Clint and I have been friends for 20 years and have for so long tried to figure out a project to work on together,” recalled McAnally. “He is the most generous, the most passionate and the hardest-working manager with a great team around him. That’s the reason he’s so successful. It feels like this is all meant to be.”

Remarks were also offered by publishers. Blake Chancey of RPM Music shared the lesson he’s learned from the band−to never give up. Ree Guyer Buchanan of Rehits and Robert Carlton of Smacktown Music testified to the strong work ethic they observe specifically in Rosen, the writer they share. Pete Robinson of Big Deal Music commented on how the band’s success is not something that happens every day, going from Whiskey Jam to the Hollywood Bowl. Geo Whaley’s Sonic Geo Music also recalled the band’s humble beginnings.

As the “label before the label,” ReeSmack Records (Thirty Tigers) was also recognized with remarks from Guyer Buchanan and Michael Baum before current label—RCA Nashville/Sony—was represented by Keith Gale, who offered plaques and remarks. “We’re here to celebrate a big No. 1 record, but I’d also like to celebrate the album (Meat and Candy) as a whole body of work because it’s amazing,” Gale said before pumping the band’s second single, “Snapback,” which had over 126 stations playing the song in its first week.

MusicRow’s Owner/Publisher Sherod Robertson offered No. 1 Challenge Coins for the single that also landed No. 1 on the secondary radio CountryBreakout chart on October 8, 2015. SiriusXM was an early adopter of the gold-selling “Break Up With Him,” and it was announced that the song won The Highway’s listener poll as the No. 1 song of 2015, for which plaques were presented. Holly Freeman from the CRB and Brandi Simms from the CMA also offered commemorations.

Pictured (L-R): MusicRow's Sherod Robertson, Trevor Rosen, Matthew Ramsey, Brad Tursi and MusicRow's Troy Stephenson. Photo: Ed Rode for ASCAP

Pictured (L-R): MusicRow‘s Sherod Robertson, Old Dominion’s Trevor Rosen, Whit Sellers, Matthew Ramsey, Geoff Sprung, Brad Tursi and MusicRow‘s Troy Stephenson. Photo: Ed Rode for ASCAP

Later that evening before Old Dominion took to the stage, Buzz Brainard and Al Skop announced the show would be live streamed on SiriusXM.

For the band’s first show of 2016, a playlist of catchy, self-penned tunes was in line including “Snapback,” “Said Nobody,” “Nowhere Fast,” and “Wrong Turns.”

Old Dominion.

Old Dominion.

The audience of largely 20-somethings crowded the stage and snapped smartphone photos throughout the show, which also featured the band members’ individual songwriting catalogs.

Those songs intermingled through the set included “A Guy Walks Into A Bar” (Tyler Farr), “Ex To See” (Sam Hunt), “Say You Do” (Dierks Bentley), “Save It For A Rainy Day” (Kenny Chesney), “Sangria” (Blake Shelton) and “Wake Up Lovin’ You” (Craig Morgan).

Columbia Nashville/Sony newcomer Maren Morris opened the show. Morris also shares early beginnings with songs released by her publisher, Big Yellow Dog, before being picked up by a major label. With a two-member band, not including her own acoustic guitar prowess, she played through her stellar songs “Sugar,” “80s Mercedes,” “I Wish I Was,” “Drunk Girls Don’t Cry,” and her current single “My Church.”

Maren Morris.

Maren Morris.

MusicRow Podcast Episode 7: John Marks

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With decades of experience in radio, John Marks has established himself as one of the most prominent tastemakers in the music industry. When he shifted from SiriusXM to Spotify in 2015, everybody wondered what was behind the big move.

In this conversation with MusicRow Publisher/Owner Sherod Robertson, Marks explains why the career transition made sense. Now serving as Spotify’s Global Senior Editor/Music Programmer of Country, Marks also offers his insight about playlist curation, advice for new artists, and why streaming is here to stay.

Sponsored by SunTrust Bank’s Sports & Entertainment Group, this episode of the MusicRow podcast is the seventh in a series. All of the MusicRow podcasts are available on iTunes.

Click here to listen to episodes online.

Click here to listen on iTunes.

About the MusicRow podcast:
From Nashville’s leading music industry trade publication, The MusicRow Podcast features in-depth conversations with artists and the key industry members behind their music. Hosted by MusicRow Magazine Publisher Sherod Robertson, the series offers unique perspectives from iconic legends and rising talent to key decision makers and gatekeepers in the Nashville music industry.

Metro Planning Department Releases Draft Of Music Row Design Plan

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Nashville’s Metro Planning Department revealed the first draft of a proposed plan for the use of Music Row-area properties. Currently it does not involve zoning changes, but creates a land-use policy to help guide future rezoning requests. The plan includes building height restrictions, ranging from three-story limits on the southern end of Music Row near Belmont University, to a 20-story limit on buildings near Demonbreun Street.

In February 2015, the Metro Planning Commission recommended halting all rezoning requests, and recommended that the Metro Planning Department complete a study of the Music Row area, so redevelopment proposals can be treated uniformly.

The future of the Music Row area has become a hot topic, notably after RCA Studio A survived nearly being demolished in 2014. Ben Folds and songwriter-producer Trey Bruce launched a movement to save the studio, which resulted in entrepreneurs Aubrey Preston, Mike Curb and Chuck Elcan stepping in to save the property.

The Music Row area’s current high property values and rich history may bring tension between those who seek to preserve the area that has been home to music labels, publishers, marketers, and touring businesses for decades, and those who seek to make profit on properties located in a high-traffic, high-value area.

The five draft goals released by the Metro Planning Department include:

Goal 1: Preserve the integrity of Music Row as a district where the business of music production and publication occurs. There is nothing like Music Row anywhere in the nation.

Goal 2: New development should support the Music Row community while maintaining neighborhood character. Reuse of existing buildings will play a major part in helping that happen.

Goal 3: Manage tourism. Music Row should be an entertaining and educational place for tourists to visit, but we can’t let tourist traffic interfere with the work that goes on there. A visitors’ center, signage, historical markers, and mobile apps are some possible ways for tourists to learn about the history and culture of Music Row without disrupting business or creative activities.

Goal 4: Encourage collaboration. The music community should have incentives for affordable and unique creative and performance spaces along Music Row.

Goal 5: Preserve and enhance the streetscape. Music Row’s compact and walkable nature have been an essential part of the business and creative process – new development should respect that and continue to provide a pleasant, pedestrian-oriented environment.

Chris Janson Celebrates No. 1 Single, “Buy Me A Boat”

Back Row, (L-R): Eric Gallimore (Red Vinyl), David Preston (BMI), John Esposito (Warner Music Nashville), Marc Driskill (Sea Gayle), Mike Sistad (ASCAP). Front Row (L-R): Brent Anderson (producer), Chris Janson, and Chris Dubois. Photo: Getty Images for BMI.

Back Row, (L-R): Eric Gallimore (Red Vinyl), David Preston (BMI), John Esposito (Warner Music Nashville), Marc Driskill (Sea Gayle), Mike Sistad (ASCAP). Front Row (L-R): Brent Anderson (producer), Chris Janson, and Chris Dubois. Photo: Getty Images for BMI.

Music industry revelers gathered yesterday (Jan. 12) at BMI’s Nashville office to celebrate songwriter and Warner Music Nashville artist Chris Janson‘s No. 1 single, “Buy Me A Boat.” The track was written by Janson and Chris DuBois, and produced by Janson, DuBois and Brent Anderson.

Among those celebrating were ASCAP’s Mike Sistad, BMI’s David Preston, Warner Music Nashville’s John Esposito, CRB’s Holly Lane, CMA’s Brandi Simms, Sea Gayle Music Publishing’s Marc Driskill, and Red Vinyl Music’s Eric Gallimore. Ron Cox of Avenue Bank announced a donation on behalf of the songwriters to St. Jude Children’s Research Hospital. According to Driskill, “Boat” marked Sea Gayle’s 40th No. 1 song.

DuBois gave thanks to radio personality Bobby Bones for taking a chance and playing “Buy Me A Boat.” “If he hadn’t decided to play that one morning on his show, I don’t know if we would be here right now,” remarked DuBois.

Janson used the party as an opportunity to thank a large portion of the people involved in his career by name, including his constant supporter, wife Kelly. “She’s got some of the best ears [for good songs] in this industry,” said Janson, who also invited her onstage to celebrate with him during the party. “I wouldn’t stand up here without her.”

Janson will join Blake Shelton on tour this winter, and will be featured during CRS’ New Faces of Country Music Show at Nashville’s Omni Hotel on Feb. 10.

“I finally feel like we are winning, and thank you Nashville for letting it happen,” Janson concluded.

Pictured (L-R): TK Kimbrell (TKO Management), Chris Janson, and Kelly Janson. Photo: John Shearer/Getty Images for BMI.

Pictured (L-R): TK Kimbrell (TKO Management), Chris Janson, and Kelly Janson. Photo: John Shearer/Getty Images for BMI.

Chris Janson appears on stage at the number one party for "Buy Me A Boat" at BMI. Photo: Getty Images for BMI

Chris Janson appears on stage at the number one party for “Buy Me A Boat” at BMI. Photo: Getty Images for BMI

Industry Members Celebrate Chris Young’s Latest Chart-topper

Pictured (L-R): Ben Vaughn, Warner/Chappell; Jody Williams, BMI; Bradley Collins, BMI;  Troy Tomlinson, Sony/ATV; Hannah Williams, Sony/ATV; Josh Hoge; Shannan Hatch, SESAC; Chris Young; Corey Crowder; Larry Fitzgerald, Fitzgerald Hartley; Bill Simmons, Fitzgerald Hartley; Mike Sistad, ASCAP; Steve Hodges, Sony Music Nashville

Pictured (L-R): Ben Vaughn, Warner/Chappell; Jody Williams, BMI; Bradley Collins, BMI; Troy Tomlinson, Sony/ATV; Hannah Williams, Sony/ATV; Josh Hoge; Shannan Hatch, SESAC; Chris Young; Corey Crowder; Larry Fitzgerald, Fitzgerald Hartley; Bill Simmons, Fitzgerald Hartley; Mike Sistad, ASCAP; Steve Hodges, Sony Music Nashville

Industry members, friends and family gathered yesterday evening (Jan. 11) at Nashville’s The Cannery Ballroom for a No. 1 celebration honoring RCA Nashville artist Chris Young‘s title track single, “I’m Comin’ Over.” The song held the top spot for a three-week run in 2015.

Written by Young (BMI), Corey Crowder (ASCAP) and Josh Hoge (SESAC), the lead single has reached RIAA Platinum status and is Young’s 7th No. 1 song and first as a producer.

BMI’s Bradley Collins welcomed guests and set the stage for the festivities before Sony Nashville’s Steve Hodges and Keith Gale started the accolades. Avenue Bank’s Ron Cox presented a contribution on behalf of the tunesmiths to T. J. Martell Foundation while Ashley Silver took a turn to honor the writers from Country Radio Broadcasters.

ASCAP’s Mike Sistad touted that Crowder was celebrating his first No. 1 as a writer and producer while everyone agreed this would not be his last. Warner/Chappell’s Ben Vaughn continued the celebration and in partnership with Liz Rose Music handed out original Rob Hendon paintings to each of the writers. SESAC’s Shannan Hatch gave kudos to Hoge who was also celebrating his first No. 1 song. Sony ATV’s Troy Tomlinson bragged on Hoge and Young before Collins proudly added his respect and excitement for Young’s achievements.

Then it was the writers’ turns.

Pictured (L-R): Josh Hoge (SESAC), Chris Young (BMI), Corey Crowder (ASCAP). Photo: Alan Poizner

Pictured (L-R): Josh Hoge (SESAC), Chris Young (BMI), Corey Crowder (ASCAP). Photo: Alan Poizner

Hoge quickly admitted, “I’m very nervous” and shared his remembrance of starting out in the music business working at Dreamworks and running the mailroom stating, “That’s when it all started.” “I’m a firm believer in not forgetting where you come from,” shared Hoge before giving an emotional thanks to his co-writers adding, “We share more than just writing songs.”

Crowder took the stage next, offering sincere gratitude to a long list of recipients including his wife, Laney, family, musicians, Tri Star Sports and Entertainment Group, Sony, ASCAP, Duane Hobson, and his co-writers. Crowder met co-writer Hoge 10 years ago and admitted, “It’s cool to see our friendship come full circle.” With Hoge being the one to initially introduce him to Chris Young, Crowder told Young, “Thanks for taking a chance on me.”

“This is obviously a very big song for me,” Young admitted to the excited crowd. “I needed this. I really did.” Young expressed his appreciation to his co-writers saying, “Both of these guys are emotional guys and you have to write from your heart.” His thanks included those to Sony Music, Huskins-Harris, WME, and Sony ATV, among others. “I’m very proud to have made this song with Corey and Josh,” added Young. “This is my seventh No. 1, and seven is my lucky number ever since I was a little kid. I truly am lucky and very blessed.”

Randy Goodman (via video recording) gave a “hearty congratulations” as he was on a business trip in New York and unable to attend. Goodman also took the opportunity to remind guests of ACM voting and that Chris Young deserves the male vocalist nod stating, “This is a guy whose time has come.”

 

 

Weekly Register: Chris Stapleton Remains No. 1 On Country Albums Chart

Chris Stapleton Traveller

Two months after winning big at the CMA Awards, Chris Stapleton is still going strong. He remains at No. 1 on this week’s country albums chart with Traveller. With 33K sold this week, his overall figures jump to 718K.

The remaining Top 5 albums on the country chart are Luke Bryan’s Kill the Lights (14K), Sam Hunt’s Montevallo (10.5K), Carrie Underwood’s Storyteller (9K), and Thomas Rhett’s Tangled Up (7.5K).

Thomas Rhett

Thomas Rhett

Rhett’s “Die a Happy Man” has enjoyed a sturdy run atop the country digital sales chart. He sold 60K singles last week, landing at No. 13 on the overall chart and surpassing the 883K mark. That’s followed by Hunt’s “Break Up in a Small Town” (44K), Cam’s “Burning House” (35K) and Luke Bryan and Karen Fairchild’s “Home Alone Tonight” (29K). Stapleton rounds out the Top 5 with “Tennessee Whiskey” (23K).

Adele 25

Adele’s 25 holds steady at No. 1 on the overall chart with 164K albums sold, with total activity (including song sales and streams) of 194K. She has sold more than 7 million copies of the album in the United States and an estimated 15 million worldwide.

New Year, New Look! Weekly Chart Report (1/8/16)

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Click here or above to access MusicRow‘s weekly CountryBreakout Report.

DISClaimer: Jennifer Nettles, Eric Chesser Shine

Jennifer Nettles, Unlove You

The fallout from Dolly’s triumphant Coat of Many Colors holiday TV movie continues into this first DisClaimer column of 2016.

The film hit an emotional home run and was such a ratings blockbuster that they aired it twice. By the time they add up all the streamed and TiVo’d views, it could wind up as the most successful TV movie in history.

Here’s why it relates to today’s reviews. You see, the two best singles in this stack come from people who were in that film. Jennifer Nettles played Dolly’s mom. Stella Parton had a role as one of her aunts. Both of these women shine like beacons on their new outings this week. Jennifer Nettles earns the Disc of the Day.

Our first DisCovery Award of the year goes to Eric Chesser. He’s a 27-year-old fellow from a town outside of Chicago who sounds to me like he’s launching a promising career as a country singer-songwriter. We wish him the best.

JENNIFER NETTLES/Unlove You
Writers: Jennifer Nettles/Brandy Clark; Producer: Dann Huff; Publishers: Jennifer Nettles/House of Sea Gayle/Highway 508/Clearbox, ASCAP; Big Machine
-Stunning. This burning ballad builds to a crescendo of anguish. The relationship is going nowhere, but she can’t deny her smoldering feelings. Power and passion in every note.

COLE SWINDELL/You Should Be Here
Writers: Cole Swindell/Ashley Gorley; Publishers: Sony-ATV Tree/Combustion Engine/Jodie’s Favorite/WB, BMI/ASCAP; Warner Bros.
-It’s a perfect day. Perfect in every way but one. A loved one who has passed on isn’t here to share it with him. Aching and moving.

Eric Chesser

ERIC CHESSER/I Can’t Read Your Mind
Writer: Eric Chesser; Producers: Larry Beard/Eric Chesser; Publishers: Eric James/BIG BIG, ASCAP; BIG BIG (CDX)
-He has a sturdy, resonant baritone, and he puts it to good use on this self-penned, well-crafted ballad. She’s in a mood, and he can’t figure out why or how. A strong debut.

STELLA PARTON/Mountain Songbird
Writers: Stella Parton/Tom T. Hall/Dixie Hall; Producer: Stella Parton; Publisher: Good Home Grown, BMI; Raptor (CDX)
-Sweet. This is a lovely, acoustic, Appalachian tune, rippling with delicate picking and floating on female vocal harmonies. Clear and pure as a woodland brook.

JUSTIN TIMBERLAKE/Drink You Away
Writers: none listed; Producers: none listed; Publishers: none listed; RCA (ERG)
-I’m a big fan of this guy. This is a real cool single, but I don’t hear it as all that “country.”

VIOLET DELANCEY/When The Clock Strikes Midnight
Writer: Violet Delancey; Producer: Brent Truitt; Publisher: Honky Tonk Fairytale, ASCAP; VD (track)
– The title tune to this gal’s CD is a toe-tapper with a nifty twang guitar (Bryan Sutton) and a steel (Paul Franklin) that “answers” her vocal phrases. Her voice is light, but she’s surrounded by such hot picking, harmony singing (Randy Kohrs and Brent Truitt) and production finesse that it’s easy to overlook. The piano solo by Jeff Taylor is cool too.

ALLIE LOUISE/It’s Gettin’ Old
Writers: Allie Louise/Doug Kahan; Producer: John Jaszcz; Publisher: none listed; Sixth Beat (track)
-Bopping and full of personality. It is also a very well-written girl-to-girl slice of advice.

JUSTIN MOORE/You Look Like I Need a Drink
Writers: Rodney Clawson/Matt Dragstrem/Natalie Hemby; Producer: Jeremy Stover; Publishers: Round Hill Works/Farm Town Songs/Big Loud Proud Crowd, BMI/ASCAP; Valory (ERG)
– Crunchy and thumping. His drawling, Dixie-fried delivery is just right to tell this tale of a good ol’ boy who’s knows he’s getting dumped.

LAURA McCORMICK/Just Around The Corner
Writers: Rick Rowell; Producers: Laura McCormick/Rick Rowell; Publisher: Kit, ASCAP; LMM (track)
-A lively country rocker, full of upbeat optimism, positivity and hope. The chorus voices and handclaps at the finale lift the already-inspiring tune even higher. A winner.

JIMMY CLAY FRIZZELL/Where Do I Go From Here
Writers: Jimmy Clay Frizzell/Jimmy Parker; Producers: Jimmy Clay Frizzell/David Frizzell; Publishers: Feat of Clay/Eastern Seaboard, BMI; Nashville America
-He’s the nephew of the illustrious Lefty, David and Allen Frizzell. Like them, he’s a hard country stylist. Alas, he’s not nearly as good a vocalist. In fact, he barely stays on melody.