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DISClaimer: Chris Young, Drew Baldridge, Wes Hightower Bring Stunning Tracks

Chris Young Sober Saturday Night

I’m running late this week, so let me be brief. Without question, Chris Young has the Disc of the Day.

I’d give the great Wes Hightower a DisCovery Award if he wasn’t so super well known as a studio ace. So the promising-sounding Drew Baldridge gets the nod.

SCOTT BRANTLEY/How Summer Goes
Writers: Scott Brantley/Derrick Hampton; Producer: none listed; Publisher: Studio Gold, BMI/ASCAP
-Very classy. He sings great. The song is put together well. The production swirls invitingly. Definitely worth your spins.

BRETT ELDREDGE/Wanna Be That Song
Writers: Brett Eldredge/Ross Copperman/Scooter Carusoe; Producers: Ross Copperman & Brett Eldredge; Publishers: Sony-ATV Countryside/Paris Not France/EMI Blackwood/Songs By Red Room/Scrambler/Abbots Creek Music Two, BMI/ASCAP; Atlantic
– The magic power of music. Brett’s best yet.

REBEKAH LONG/Ain’t Life Sweet
Writers: Rebekah Long/Donna Ulisse/Rick Stanley; Producer: Donna Ulise; Publishers: Lotta LUK/Uncle Hadley/Pop ‘N Paw, ASCAP; LUK
– She sounds like she doesn’t have a lot of lung power on this bluegrass ditty. The harmony singers help her out.

YouTube video

 

CHRIS YOUNG/Sober Saturday Night
Writers: Chris Young/Brad Warren/Brett Warren; Producers: Corey Crowder/Chris Young; Publishers: EMI Blackwood/Goodbye Pants/Sagequinnjude/Famlove/Sony-ATV, BMI; RCA (track)
– This man sings so wonderfully. On this power ballad, he gives a chesty shout to a heartache lyric. Vince Gill provides harmony vocal support.

DOLLY SHINE/Rattlesnake
Writer: Zack McGinn; Producers: Josh Serrato & Ben Hussey; Publishers: none listed; Vision/Thirty Tigers
– Just to be clear, there are no women in this Texas band. And certainly none named “Dolly.” There is, however, plenty of macho snarl in this atmospheric country rocker.

CHUBBY CHECKER/Lookin’ For Me
Writers: Chubby Checker/Gary Lefkowith/Mike Rogers; Producers: The Hill & HiFi; Publishers: CC/Sotto/Wax, ASCAP/BMI; TEEC
-It’s not “twist again, like we did last summer.” No, indeed. Chubby goes country with an acoustic, bluegrassy toe tapper embellished by fiddle and steel licks. It is wildly hooky and catchy. Play it.

YouTube video

 

DREW BALDRIDGE/Dance With Ya
Writers: none listed; Producer: Josh Leo; Publishers: none listed; Cold River (track)
– I like his voice. It’s strong and true. The bright horn bursts give the production some r&b oomph. The song is upbeat and all-the-way fun. Highly recommended.

RAY JOHNSTON BAND/Make Mine A Double
Writers: Steve Auburn/Hunter Hutchinson/Ray Johnston; Producer: Erik Herbst; Publishers: none listed; RJB (track)
– He’s from Texas. He can hardly sing. The band is sloppy.

WES HIGHTOWER/I’m Expecting Some Good News
Writers: Tom Shapiro/Wes Hightower; Producers: Jimmy Ritchey/Wes Hightower; Publishers: none listed; On The Boat (track)
– For those of you who read album credits, this man’s name will be instantly recognizable. He’s sung background vocals for every superstar in country music. He also writes songs, as his new Good News CD abundantly illustrates. This lead off track brilliantly showcases his winning way with a melody. It goes without saying that his vocal performance is flawless. And need I add that his studio reputation attracts an A-list cast of supporting musicians? Let me just say this: If I could be anybody in this industry, it would be Wes Hightower.

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Exclusive: Keith Urban Presents “Summery, Jubilant, Groovy Music” At Tour Preview

Keith Urban Ripcord Rehearsal 5.25.16 (C) 5 Moments By Moser Photography

Keith Urban Ripcord Rehearsal. Photo: Moments By Moser Photography

Keith Urban and his band welcomed several dozen fans and industry members to a preview of his Ripcord World Tour 2016 on Wednesday (May 25) at Nashville’s Bridgestone Arena. For about an hour and a half, Urban’s concert showed off the tour’s sophisticated lighting production and multiple stages.

Urban estimated that nine songs from his eighth studio album, Ripcord will make it into the tour’s set list. Ripcord has already spawned the hits “John Cougar, John Deere, John 3:16,” “Break On Me,” and “Wasted Time.”

Urban launched the preview with Ripcord’s album opener, “Gone Tomorrow (Here Today),” the same song he will use to open each show on the tour.

Keith Urban Ripcord Rehearsal 5.25.16 (C) 2 Moments By Moser Photography

Keith Urban Ripcord Rehearsal. Photo: Moments By Moser Photography

“There is a huge amount of buoyant, summer songs that are just right for this kind of environment,” he told reporters. “That’s why I’m looking forward to this tour so much and I can’t wait to get these songs out in front of a live audience. We’ve never had this much of a summery, jubilant, groovy music to play before.”

The trek marks Urban’s first full-fledged, album-supporting tour in three years, and he’s anxious to bring fans a mix of previous hits and new material.

“You guys are like the real deal,” Urban told the audience. “This is like a real gig.”

Keith Urban Ripcord Rehearsal. Photo: Moments By Moser Photography

Keith Urban Ripcord Rehearsal. Photo: Moments By Moser Photography

Throughout the rehearsal, the superstar singer-songwriter also offered insights into what fans can expect. He offered a rendition of another tune from Ripcord, a much-buzzed about collaboration with Carrie Underwood, “The Fighter.” Urban noted that Underwood has recorded a special video for the tour, though only her vocal track from the album was showcased during his preview.

“It will be better when Carrie is on the screen,” said Urban.

Keith Urban Ripcord Rehearsal. Photo: Moments By Moser Photography

Keith Urban Ripcord Rehearsal. Photo: Moments By Moser Photography

Later in the set, Urban and two of his crew members reassembled on a smaller satellite stage for “You Gonna Fly.” The singer noted that tour opener Brett Eldredge will join him for a song on the satellite stage each evening, while fellow tour opener Maren Morris will handle Miranda Lambert’s vocal part on the 2013 collaboration “We Were Us.”

During the rehearsal, songs such as 1999’s “Where the Blacktop Ends” benefited from a grungier, extended guitar solo, while Urban stayed close to the center microphone, and was bathed in white lights during “Everybody,” a track from 2006’s Love, Pain and The Whole Crazy Thing.

Helping to bridge that sonic gap between the experimental, rhythmic fare found on Ripcord, and the grooves of his earlier hits is a custom bit of machinery constructed by Urban’s newest band member, Nathan Barlowe. Called “The Phantom,” the machine duplicates various musical elements from the album, but can also manipulate musical elements in real time, allowing for maximum musical flexibility.

Keith Urban Ripcord Rehearsal. Photo: Moments By Moser Photography

Keith Urban Ripcord Rehearsal. Photo: Moments By Moser Photography

“The middle of last year when I was making Ripcord, even though I was a long way off from finishing, I could tell I was going to need a new guy in the band, but it wasn’t a role I could put a title to. I said to [band leader] Jerry Flowers, ‘We need this other person in the band. It’s not a DJ, it’s not a keyboard player, it’s not a percussionist, it’s not a utility guy, but it’s somehow all of those things wrapped up into one role. It’s not a programmer either, because everything is being done on the fly. Everything can happened in real time.’ He suggested Nathan, who started creating that thing which he calls the Phantom to do all the things we are able to do.”

Urban wrapped the preview with his current single, “Wasted Time.” His Ripcord World Tour 2016 will launch June 2 in Kansas City, Missouri.

Keith Urban Ripcord Rehearsal. Photo: Moments By Moser Photography

Keith Urban Ripcord Rehearsal. Photo: Moments By Moser Photography

Exclusive: Sammy Arriaga Blends Latin, Country On New Mixtape

Sammy Arriaga performs for MusicRow staff.

Sammy Arriaga performs for MusicRow staff.

Newcomer Sammy Arriaga has songwriter Monty Powell, Facebook, and the boldness that accompanies musical ambition to thank for his move to Nashville.

Arriaga auditioned for American Idol during Season 10, earning a “golden ticket” to Hollywood. Though he didn’t win that season, he did discover a passion for country music.

“It inspired me to pick up a guitar and teach myself to write songs,” said Arriaga. “I fell in love with the genre and I knew that Nashville was the heart of the genre.”

Sammy Arriaga performs for MusicRow staff.

Sammy Arriaga and band members perform for MusicRow staff.

Arriaga dropped out of a college program in Winter Park, Florida, to pursue music on his own. He started by sending Facebook messages to several Nashville-area songwriters and publishers. Monty Powell, a songwriter and longtime Keith Urban collaborator, responded.

“He thought I had potential and said if I ever moved to Nashville, he would be glad to help out. That was enough for me,” said Arriaga.

Arriaga immediately packed and made the nearly 1,000-mile trip to Music City.

“I had never met the guy,” said Arriaga. “I grabbed my stuff, showed up in Nashville and direct-messaged him to say, ‘I’m here.’ He asked where I was staying, and I said ‘My car.’ He was like, ‘No, you’re crazy. Come stay at my place.’ He sent me his address and he guided me from that point on.”

Banjos N BongosThe wager has been a successful one. Arriaga has since inked a deal with Los Angeles label Latium Records, and recorded the acoustic mixtape Banjos N’ Bongos, which blends the salsa and merengue sounds of his Cuban heritage with a bedrock of country music, and a splash of the urban and Top 40 songs he grew up with. Arriaga co-wrote every track, collaborating with writers including Brett Beavers, Jim Beavers, Aaron Scherz, and James Slater.

During a visit to MusicRow, Arriaga performed three tracks from the mixtape, including “Margarita Talk,” “Cuban,” “Cold In Miami,” and “Banjos N’ Bongos.”

Arriaga plans to bring some of his Latin-flavored style of country to the CMA Music Festival, when he performs on the Gildan Broadway Stage at Hard Rock Cafe on June 10.

Banjos N’ Bongos is available at all digital retailers. Arriaga has signed a development deal with Sony Music Nashville and has been working with producer Dann Huff. He is booked by WME’s Kevin Neal.

 

Sammy Arriaga with MusicRow staff.

Sammy Arriaga and his band with MusicRow staff.

2016 MusicRow Awards: Breakthrough Artist Of The Year

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The five nominees for MusicRow’s Breakthrough Artist of the Year all achieved significant career progress for the first time within the eligibility period (May 1, 2015 to April 30, 2016).

Finalists for the 2016 MusicRow Awards, Nashville’s longest-running music industry trade publication honors, were revealed earlier this month.

BREAKTHROUGH ARTIST OF THE YEAR NOMINEES:

A Thousand Horses
Republic Nashville band A Thousand Horses made an impression on country listeners last year with their singles, including the No. 1 hit “Smoke,” as well as “(This Ain’t No) Drunk Dial.” Produced by Dave Cobb, the Nashville band’s album Southernality earned a Top 5 debut, while the video for “Smoke” earned a Group Video of the Year nomination at the 2015 CMT Music Awards. The group is on tour with Jason Aldean and climbing the charts with a new single, “Southernality.”

Brothers Osborne
John and TJ Osborne, known professionally as Brothers Osborne, have upped the ante in country music over the past year with their infectious singles “Stay A Little Longer” and current release “21 Summer,” both from their 2016 EMI Records Nashville project Pawn Shop. “Stay A Little Longer” earned a gold certification and was the duo’s first No. 1 song. Raised in Deale, Maryland, the brothers made their Grand Ole Opry debut in April. They are now on the road opening shows for Miranda Lambert.

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Cam
The singer-songwriter’s “Burning House” caused a stir in 2015, earning Grammy and ACM nominations. The critically-acclaimed single went on to achieve platinum status. In December, she launched her debut album for Arista Nashville/RCA Records, Untamed, with producers Jeff Bhasker and Tyler Johnson. One of CMT’s Next Women of Country, the California native performed her current single, “Mayday,” on the American Country Countdown Awards this month.

Chris Janson
The past year has been a wild ride for Janson after signing to Warner Bros. Records/Warner Music Nashville in March 2015. After years of false starts on other labels, his breakthrough single “Buy Me a Boat” earned platinum sales and picked up Country Song of the Year honors at the iHeartRadio Awards. He’s appeared on Conan, toured with Blake Shelton, and earned three ACM Award nominations. The Missouri native’s new single is the intensely personal ballad, “Holdin’ Her.”

Old Dominion
While some of Old Dominion’s members have penned hits for artists, the band’s singles “Break Up With Him” and “Snapback” have brought this group into a spotlight of their own. While building a foundation as a touring band, they worked with producer Shane McAnally on their RCA Nashville debut album, Meat and Candy. Named for the band’s ties to Virginia, Old Dominion won an ACM Award for Best New Vocal Duo or Group.

The 2016 MusicRow Awards will be presented at a private ceremony at BMI on Wednesday, June 29. Winners are determined solely by MusicRow subscribers. See the final nominees.

Voting closes on Tuesday, May 24 at 5 p.m. If you do not have a subscription, you may subscribe to receive your ballot.

MusicRowAwards2016_categories_BreathroughArtist

2016 MusicRow Awards: Song Of The Year

MusicRowAwards2016_song_570x380

MusicRow’s Song of the Year honors Nashville writers and publishers on the craft of songwriting, not necessarily chart performance.

Finalists for the 2016 MusicRow Awards, Nashville’s longest-running music industry trade publication honors, were revealed earlier this week.

SONG OF THE YEAR NOMINEES:
Publishing information included inside nominee announcement.

“Burning House”
Cam shared a devastating dream with her co-writers Tyler Johnson and Jeff Bhasker, leading them to write “Burning House.” The ballad established Cam’s career at country radio, earned a Grammy nomination and achieved platinum status.

“Buy Me a Boat”
Chris Janson sailed to stardom after “Buy Me a Boat” caught the attention of country radio, CMT and millions of fans. Co-written with Chris DuBois, the tune has more hooks than a tackle box and became one of the summer’s biggest hits.

MusicRowNominator2016_thumb

“Humble and Kind”
Lori McKenna wrote “Humble and Kind” as a letter to her children, but its wise message reached Tim McGraw too. With his own daughters growing up and leaving home, his perspective and believability resonated with listeners of every age.

“Peter Pan”
Even before it was a single, Kelsea Ballerini says she saw “Peter Pan” connect with girls at her shows. Written with Forest Glen Whitehead and Jesse Lee, the song shows the heartache that comes from loving someone who won’t let a relationship mature.

“Record Year”
When the breakup is final, you turn to vinyl. That’s the theme of Eric Church’s “Record Year,” where he drops the needle on heroes like Willie Nelson and Stevie Wonder. Co-written with Jeff Hyde, the song shows the healing power of music.

The MusicRow Awards are often a key predictor for select CMA Awards categories. For example, Song of the Year honors at both ceremonies went to “Girl Crush” (2015), “I Drive Your Truck” (2013), “If I Die Young” (2011), “The House That Built Me” (2010) and “In Color” (2009).

The MusicRow Awards will be presented at a private ceremony at BMI on Wednesday, June 29. Winners are determined solely by MusicRow subscribers. See the final nominees.

Voting closes on Tuesday, May 24 at 5 p.m. If you do not have a subscription, you may subscribe to receive your ballot.

MusicRowAwards2016_categories_SongYear

Weekly Chart Report (5/20/16)

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Click here or above to access MusicRow‘s weekly CountryBreakout Report.

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2016 MusicRow Awards: Breakthrough Songwriter Of The Year Nominees

MusicRowAwards2016_songwiter_570x380

The 10 nominees for MusicRow’s Breakthrough Songwriter of the Year each earned their first Top 10 single as a songwriter during the eligibility period (May 1, 2015 to April 30, 2016).

Finalists for the 2016 MusicRow Awards, Nashville’s longest-running music industry trade publication honors, were revealed earlier this week.

BREAKTHROUGH SONGWRITER OF THE YEAR NOMINEES:

Jaron Boyer landed two major hits with Dierks Bentley’s “Somewhere on a Beach” and Dustin Lynch’s “Hell of a Night.” Growing up as a fan of country and hip-hop, musical influences come through in his songwriting.

Corey Crowder made a name for himself in songwriting circles through his back-to-back No. 1 singles for Chris Young: “I’m Comin’ Over” and “Think of You,” the latter featuring special guest Cassadee Pope.

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Matt Dragstrem co-wrote Florida Georgia Line’s “Sippin’ on Fire” on the same day he signed his songwriting deal with Big Loud Shirt. His first cut was Kenny Chesney’s “Rock Bottom,” co-written with Craig Wiseman.

Josh Hoge is a co-founder of Whiskey Jam, which has grown into a destination for music discovery in publishing circles. Hoge co-wrote six songs on Chris Young’s latest album, I’m Comin’ Over, including the chart-topping title track.

Josh Kerr quickly found a comfortable co-writing arrangement with Kelsea Ballerini. Their shared writing credits include “Love Me Like You Mean It” and “Dibs,” which were both gold-certified No. 1 country hits.

Maren Morris made the industry take notice with “My Church,” the powerful lead single from her 2016 Columbia Nashville project. She’s also landed cuts with Kelly Clarkson, Tim McGraw and the cast of ABC’s Nashville.

John and TJ Osborne of Brothers Osborne became entrenched in Nashville’s songwriting community long before their No. 1 hit, “Stay a Little Longer.” Letting their blues and country roots shine through, they co-wrote every song on their debut EMI Records Nashville album, Pawn Shop.

Jody Stevens built his career as an artist and producer before racing up the country chart as a songwriter. Top credits include “Let Me See Ya Girl” for Cole Swindell and “Home Alone Tonight” for Luke Bryan and Karen Fairchild.

Cole Taylor moved to Nashville in 2013 and landed a publishing deal that same year. Since then, he’s secured cuts like Luke Bryan and Karen Fairchild’s “Home Alone Tonight” and Florida Georgia Line’s “Sippin’ On Fire.”

Justin Wilson, a Nashville resident since 1995, struggled through label mergers and disappointing publishing deals before finally landing hits with Michael Ray’s “Kiss You in the Morning” and Randy Houser’s “We Went.”

The MusicRow Awards will be presented at a private ceremony at BMI on Wednesday, June 29. Winners are determined solely by MusicRow subscribers. See the final nominees.

Voting closes on Tuesday, May 24 at 5 p.m. If you do not have a subscription, you may subscribe to receive your ballot.

MusicRowAwards2016_categories_Songwriter

2016 MusicRow Awards: Producer Of The Year Nominees

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The five nominees for MusicRow’s Producer of the Year contributed to some of the best music coming out of Nashville during the eligibility period (May 1, 2015 to April 30, 2016).

Finalists for the 2016 MusicRow Awards, Nashville’s longest-running music industry trade publication honors, were revealed earlier this month.

PRODUCER OF THE YEAR NOMINEES:

Dave Cobb earned two Grammys this year—as producer of Chris Stapleton’s Traveller (Best Country Album) and Jason Isbell’s Something More Than Free (Best Americana Album). Cobb was also at the helm of Sturgill Simpson’s 2014 acclaimed project Metamodern Sounds in Country Music. On the 2016 Southern Family compilation, Cobb worked with Miranda Lambert, Zac Brown, Brandy Clark, and more. His other projects include A Thousand Horses’ Southernality featuring their No. 1 country single, “Smoke.”

MusicRowNominator2016_thumb Zach Crowell worked alongside fellow nominee Shane McAnally to co-produce Sam Hunt’s breakthrough album Montevallo, which has been certified double platinum. The producer-songwriter received 2015 ACM nominations for production work on Montevallo as well as Hunt’s single, “Take Your Time.” Additional Hunt hits co-produced by Crowell include “Leave the Night On,” “House Party,” and “Break Up in a Small Town.” Crowell produced two tracks on Carrie Underwood’s Storyteller album, including the single, “Heartbeat.”

Dann Huff worked extensively on Thomas Rhett’s new album, Tangled Up, and produced his ACM Award-winning single, “Die a Happy Man.” Huff also produced Maddie & Tae’s “Girl in a Country Song,” alongside Aaron Scherz. One of his longest working relationships has been with Keith Urban, including the hit single, “John Cougar, John Deere, John 3:16.” Huff also has production credits in 2015 with Hunter Hayes’ The 21 Project and Billy Currington’s Summer Forever.

Eric Church took the country industry by surprise when he dropped the Jay Joyce-produced project Mr. Misunderstood on the eve of the 2015 CMA Awards. The project spawned the MusicRow Award-nominated single “Record Year.” Joyce also produced six tracks for Carrie Underwood’s Storyteller project, including lead single “Smoke Break.” Other credits include Zac Brown Band’s “Homegrown,” Brothers Osborne’s breakthrough hit, “Stay a Little Longer” and Little Big Town’s award-winning “Girl Crush.”

Shane McAnally protégé Sam Hunt has been burning up the country sales chart with his project Montevallo, which was certified double-platinum by the RIAA and produced with fellow nominee Zach Crowell. Additionally, McAnally solely produced Old Dominion’s debut project Meat and Candy, featuring the No. 1 single “Break Up With Him.” He has also worked on Kacey Musgraves’ 2015 album Pageant Material and tracks from Jake Owen’s upcoming project.

The MusicRow Awards will be presented at a private ceremony at BMI on Wednesday, June 29. Winners are determined solely by MusicRow subscribers. See the final nominees.

Voting closes on Tuesday, May 24 at 5 p.m. If you do not have a subscription, you may subscribe to receive your ballot

 

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Final Nominees For 28th Annual MusicRow Awards Announced


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MusicRow is pleased to announce the nominees for the 28th Annual MusicRow Awards, Nashville’s longest-running industry trade publication honors.

Download the PDF and see the complete list of nominees.

Subscribed members of MusicRow will receive ballots by email on Wednesday, May 18. Voting closes on Tues., May 24 at 5 p.m.

The 2016 MusicRow Awards will be presented during a private event at BMI on Wednesday, June 29.

MusicRowNominator2016_thumbNominees in all four categories are determined by the MusicRow editorial team. Winners are determined by ballots sent to the publication’s subscribed members.

Outside submissions were accepted for the Breakthrough Songwriter category, which honors writers and co-writers who scored their first Top 10 single during the eligibility period (May 1, 2015 to April 30, 2016).

MusicRow will also distribute the Top 10 Album All-Star Musician Awards at the event, recognizing the studio musicians who played on the most albums reaching the Top 10 of Billboard‘s country album chart during the eligibility period. Honors will be presented for guitar, bass, drums, fiddle, keyboards, steel, vocals and engineer categories.

Winners will be profiled in MusicRow’s June/July print magazine, which will debut at the ceremony.

If you do not have a subscription, you may subscribe to receive your ballot. 

Weekly Register: Keith Urban, Cole Swindell, Cyndi Lauper Make Top Country Debuts

Keith Urban Ripcord

Keith Urban‘s Ripcord debuted atop this week’s country albums chart with 93K sold. It ranked No. 4 overall with 106K units including albums sales, streaming and song sales. The project features two No. 1 songs, including “John Cougar, John Deere, John 3:16” and “Break on Me,” as well as Urban’s current single,  “Wasted Time.”

Cole Swindell‘s newest project, You Should Be Here, debuts at No. 2, selling 65K , and enters at No. 6 overall with 75.5K combined units.

cole-swindell-you-should-be-here-album

Other notable country chart debuts include Cyndi Lauper‘s Detour, which lands at No. 4 selling 15.5K. Mary Chapin Carpenter‘s Things That We Are Made Of lands at No. 8 on the country albums chart, with 6.2K. Tony Brown produced Lauper’s project, while Dave Cobb took the helm of Carpenter’s set.

Chris Stapleton‘s Traveller lands at No. 3, with 24K sold, while Joey + Rory’s Hymns collection is at No. 5, with 13K sold.

On the overall sales chart, Drake and Beyoncé hold the top spots, with Drake’s Views at No. 1 (313K) and Beyoncé’s Lemonade at No. 2 (202K). Radiohead makes the top debut this week, with A Moon Shaped Pool landing at No. 3 with 181K (173K album only).

Overall, album sales are down 13.5 percent from this time last year, while overall country album sales are down 7.6 percent. Overall digital album sales are down 17.8 percent TYD, while country digital album sales are down 16.3 percent.

Florida Georgia Line

Florida Georgia Line

On the tracks charts, Florida Georgia Line‘s “H.O.L.Y.” retains the pinnacle of the country track sales chart, with 90K.

However, Blake Shelton takes two of the Top 5 spots on the country tracks charts. Shelton and Gwen Stefani debut at No. 2 with “Go Ahead and Break My Heart” with 58K. Shelton’s solo single, “Came Here To Forget,” lands at No. 4 with 31K.

Blake Shelton

Blake Shelton

Finishing out the Top 5 are Tim McGraw‘s “Humble and Kind” at No. 3 this week with 35.5K, and Maren Morris‘ “My Church” at No. 5 with 27.5K. Morris’ single officially surpassed the 500K mark this week.

Keith Urban and Carrie Underwood‘s “The Fighter” also debuts in the Top 10 on the country track sales chart, at No. 7, selling 25K. Urban promoted the song last week via a fun social media video featuring his wife Nicole Kidman.

Justin Timberlake‘s “Can’t Stop the Feeling,” from Dreamworks Animation’s Trolls, debuts at No. 1 on the overall track sales chart, with 379K.

Overall track sales are down 23.7 percent year to date, while country track sales are down 20.6 percent.

Information courtesy of Nielsen Soundscan.