Tony-Nominated ‘Shucked’ To Open On London’s West End In 2024

Pictured (L-R): Shane McAnally, Robert Horn and Brandy Clark

Shucked, the Tony-nominated musical, is heading to London.

Based on the book written by Robert Horn, Shucked is a tale from the heart of the heartlands directed by three-time Tony Award winner Jack O’Brien and produced by Sandbox Entertainment’s Jason Owen alongside Mike Bosner. The show features music and lyrics by renowned songwriters Shane McAnally and Brandy Clark, and is also nominated for 12 Drama Desk Awards, seven Outer Critics Circle Awards and three Drama League Awards.

The musical will open in London’s West End theatre district in 2024, confirmed by U.K.’s preeminent producer and theater owner, Cameron Mackintosh. Casting, theater location, ticketing information and other details will be announced in the coming months.

“I’m delighted to confirm that London is going to get Shucked in one of one of my theatres next year! Shucked is a rarity: a completely original musical and the funniest show since The Book of Mormon, with a terrifically tuneful rollicking country and western score,” says Mackintosh.

“The truth about this kind of entertainment is it should make people feel good,” says Owen. “You can make people think or look at their values with a smile on their face just as easily as you can by being serious. But where the world is right now, people need to come together, to laugh and honestly recognize that Iowa, Nebraska, Ohio or even Arkansas where I’m from is as much a part of America as Wall Street or Hollywood – and Shucked is about bringing all these people together.”

Leadership Music Announces Class Of 2024

Leadership Music has announced the 44 industry leaders from across the nation who will make up its Class of 2024.

Leadership Music is an annual program designed to create a forum in which music industry leaders can learn about all facets of the music business, explore current issues affecting the industry and enjoy once-in-a-lifetime experiences while building lasting relationships with their classmates.

Participants first attend an orientation, alumni welcome reception, and the two-day Opening Retreat in October, followed by six all-day sessions once a month, ending in May with graduation at the two-day Closing Retreat.

“It’s not an exaggeration when I say my journey as a member of the Leadership Music Class of 2001 was a life-changing experience for me,” says Debbie Carroll, Leadership Music President and Selection Committee Co-Chair. “As an alum, I know the 44 leaders in the Class of 2024 are about to embark on an amazing experience that will have a significant impact on their career. This is a special group of leaders, chosen after a great deal of deliberation by the selection committee from nearly 300 qualified candidates. The 30 alums who make up the selection committee don’t take the responsibility of choosing a class lightly, which is why Leadership Music classes always include the best of the best.”

Class of 2014 alumnus, Past Leadership Music President and Selection Committee Co-Chair David Kells, highlights the effort that goes into choosing a class. “The selection committee keeps several factors in mind when choosing members of a class,” he says. “Of course, we’re considering a candidate’s career history and achievements, community impact and more, but we also strive to assemble a class that’s diverse in every way—gender, ethnicity, genre of music and segment of the music industry. We’re exceptionally proud of the leaders chosen for this program year, the 34th class, and can’t wait to see how they bond and unite as the Leadership Music Class of 2024.”

Leadership Music Class of 2024

Angela Abbott, Senior Manager, Business Affairs & Music Licensing, Tidal
Beth Barcus, Co-Director & Porter, Porter’s Call
Andrew Batey, Founder & Co-CEO, Beatdapp Software Inc. (Santa Monica, California)
Sarah Buxton, Artist-Songwriter
Jackie Campbell, Founding Partner, 615 Leverage + Strategy
April Carty-Sipp, EVP Industry Affairs, National Association of Broadcasters (NAB) (Washington D.C.)
Sal Cirrincione, Senior Director of Rock Programming & Specials, Premiere Networks/iHeartRadio (New York, New York)
Katie Cline Moore, President, Cline Co Business & Financial Management
Michelle Conceison, Artist Manager/Associate Professor, Mmgt, Middle Tennessee State University (MTSU)
Juanita Copeland, President/COO/GM, Sound Emporium Studios
Paul Davis, SVP/Booking & Development, MGM Resorts International (Las Vegas, Nevada)
Kirsten Donaldson, Vice President of Legal, Digital Media Association (DiMA) (Washington, D.C.)
Holly G, Founder, Co-Director, The Black Opry
Dan Gill, EVP Recorded Music, Los Angeles, BMG (Los Angeles, California)
Paul Goldman, CEO, Founder, Muserk (New York, New York)
Kerry Gordy, CEO, Kerry Gordy & Associates, Inc. (Beverly Hills, California)
Tiara Guy, Associate Director of Industry Relations & Marketing Operations, SoundExchange (Washington, D.C.)
Chrissy Hall, Director of Concerts, Ryman Auditorium, Opry Entertainment Group
Kelly Henderson, Senior Director, Sales Enablement, Ticketmaster
Matt Houser, Head of Production, Taillight & Porchlight
Tiffany Kerns, SVP Industry Relations & Philanthropy, Country Music Association (CMA)
Rohan Kohli, VP A&R, Warner Music Nashville
Rory Levine, VP Marketing and Digital Strategy & Engagement, Academy of Country Music (ACM)
Keith Levy, Agent/Vice President, Wasserman Music
Jodi Marr, Songwriter/Producer/Educator/Author, Lazy Jo Music/Wizard of Ahhs Productions/Belmont University
Mandy McCormack, EVP/Marketing & Partner Strategy, Trisha Yearwood, Inc.
John Merchant, Professor, Middle Tennessee State University
Nick Gusz Miller, Senior Director of International Marketing, Interscope Records
Lauren Morales, COO, TomKats Hospitality
Wes Perry, Senior Director of Business Development, Live Nation
Kevin Ream, Owner, Round Rock Amp (Austin, Texas)
Jessie Richard, SVP Federal Public Policy, RIAA (Washington, D.C.)
Autumn Rowe, Artist-Songwriter/Producer (Van Nuys, California)
Samantha Saturn, Chief Marketing Officer, SESAC Music Group
Seth Seigle, Agent/Partner, William Morris Endeavor (WME)
Ashley Sidoti, VP of Promotion & Digital, The Valory Music Co.
Jason Sloan, Assistant General Counsel, U.S. Copyright Office (Washington, D.C.)
Daniel Susla, Commercial Development, Music Publishing, Apple (Santa Monica, California)
Jenn Tressler, Senior Manager, Artist & Label Strategy, Opry Entertainment Group
Charles Wadelington, Senior Manager, Public Policy & Government Relations, Universal Music Group (Washington, D.C.)
Matt Watkins, President of Marketing & International Relations, The AristoMedia Group
Derek Wells, VP A&R, Spirit Music Group
Joe Wetzel, Partner, Latham & Watkins LLP (San Francisco, California)
Iwona Wyrzykowska, VP Global Film & TV Administration, UMPG

Bailey Zimmerman & Crew Celebrate First Two No. 1 Hits

Pictured (L-R, back row): Duane Hobson (ASCAP), Shaina Botwin (Boom Music Group) Joe Fisher (Boom Music Group), Ben Kline (Warner Music Nashville), Cris Lacy (Warner Music Nashville), Ryan Beuschel (Warner Chappell Music), Clay Bradley (BMI) Sam Shelton (Goat Island Sound) Emma Kiefer (Boom Music Group); (L-R, front row): Jacob Hackworth (BMI), Gavin Lucas (ASCAP), Heath Warren (BMI), Bailey Zimmerman (BMI), Austin Shawn (BMI), Jet Harvey (BMI). Photo: Steve Lowry for BMI

Breakout country star Bailey Zimmerman celebrated his first two chart-topping hits earlier this week with a double No. 1 party at Hi-Fi Clyde’s.

Industry members gathered to toast to Zimmerman’s debut chart-topper “Fall In Love” along with its follow-up, the multi-week No. 1 hit “Rock and a Hard Place.” The celebration brought together writers Zimmerman (BMI), Austin Shawn (BMI) and Gavin Lucas (ASCAP) for “Fall In Love,” along with Jacob Hackworth (BMI), Jet Harvey (BMI) and Heath Warren (BMI) for “Rock and a Hard Place.” Shawn is the producer on both hits.

“Fall In Love” and “Rock and a Hard Place” collaborators with their MusicRow No. 1 Challenge Coins. Pictured (L-R, back row): MusicRow‘s LB Cantrell, MusicRow‘s Sherod Robertson; (L-R, front row): Jacob Hackworth, Gavin Lucas, Heath Warren, Bailey Zimmerman, Austin Shawn, Jet Harvey. Photo: Steve Lowry for BMI

All parties were celebrating their first ever No. 1 song. As part of BMI tradition, the BMI writers got their custom-made Taylor guitar to commemorate their first.

BMI’s Clay Bradley welcomed the crowd to the party. “What better way to kick off the 50th anniversary of CMA Fest than with these fresh and new faces, voices, energies and sounds for country music,” he said.

Zimmerman’s new sound has been incredibly well received by country music fans. Since breaking onto the scene in 2021, Zimmerman has amassed 2 billion streams to date. His debut album Religiously. The Album. arrived as not only the biggest all-genre streaming debut since 2021, but also the biggest streaming country debut of all time.

“I think it’s safe to say country music is in safe hands,” Bradley said.

ASCAP’s Duane Hobson was on hand to support affiliate songwriter Gavin Lucas. Studio Bank’s Ron Cox let the writers know that the bank had made a donation in their names to CreatiVets. Country Aircheck‘s Lon Helton presented Zimmerman with a plaque commemorating his success at country radio.

When Warner Chappell’s Ryan Beuschel got up to speak, he let the crowd know that the publishing giant represented everyone on stage, whether through direct publishing deals or administration partnerships.

“This crew has become like family to me,” Beuschel said, adding some backstory about his and Zimmerman’s first meeting. “You delivered song after song for this album. I’m so proud of you. What an amazing run that you’ve been on.”

Beuschel then went on to speak about each writer, complimenting them on what they bring to the songs.

Warner Music Nashville co-head Cris Lacy presented some stats on Zimmerman’s record-breaking run thus far. She let the crowd know that WMN originally asked for a re-write of “Fall In Love.” After Zimmerman, Shawn and Lucas humored them, they let the label executives know that they felt it was good as is.

“Sometimes the best thing for a record label to do is get the hell out of the way, so we did. This is the result,” Lacy said. “That gave us the fastest debut single to reach No. 1 since 2015, making this the quickest an artist has earned a chart-topping No. 1 on their first two singles in nearly 25 years.

“Then ‘Rock and a Hard Place’ hit No. 1 only 15 weeks after ‘Fall In Love,’ and held that top spot for six weeks,” Lacy said. “There are some people whose job isn’t to get the hell out of the way—that’s the radio people. It’s their job to push people out of the way.”

Lacy acknowledged WMN’s Kristen Williams and her radio warriors and streaming experts.

Gregg Nadel from Elektra, who partners with WMN on Zimmerman, visited Nashville to share some kind words about the star. He recalled a night on the road when the crowd wouldn’t settle down after Zimmerman finished his set with “Rock and a Hard Place.” After a moment backstage, the young performer went out and sang it again for them.

More publishers spoke about their writers, such as Goat Island Sound’s Sam Shelton, who was also celebrating his first No. 1. He and Boom Music Group’s Shaina Botwin were on hand to speak about Hackworth. Both made sure to thank everyone involved in the song, especially Zimmerman for cutting an outside song.

“Fall In Love” co-writer Lucas was the first songwriter to speak. “Meeting Bailey Zimmerman changed my entire life,” he said. “It’s hard to write a song and hear someone else sing it in the way you meant for it to be sang. This guy sings it 10 times better than I could have thought of.”

Co-writer and co-producer Shawn shared a bit about the beginning of his partnership with Zimmerman, highlighting how quickly the artist went from a “regular guy” to a superstar.

“I met Bailey three months after he started singing. He didn’t know how to play a chord on a guitar, he didn’t know how to sing a harmony, he didn’t know anything, but what he did have and what I saw was his heart… This is the power of having heart and having drive,” he said, “We had nothing at the same time and now we have everything we could have ever imagined.”

“Rock and a Hard Place” co-writer Warren was next up. “This has been an incredible journey. I have learned a lot of lessons along the way through this entire thing, but the thing I’ve really learned is to appreciate the people you’ve surrounded yourself with,” he said.

Harvey shared that “Rock and a Hard Place” was based on argument he and his wife Kristin had. “I never thought that an argument would turn into such a miracle,” he said. “Bailey says something every night after his shows—he talks about believing in yourself. I never had anyone believe in me until I met Kristin.”

Hackworth summed everything up by saying, “Everything you’ve heard is exactly the truth. Everyone in these seats are incredible people. We all work really hard at what we do and we’re really thankful that we’re here today.”

Zimmerman told the stories behind his connection to both songs. He thanked everyone on his impactful team.

“You hear it takes a village and it really does. If I wouldn’t have had everyone I have here, it would have been awful,” Zimmerman said. “Thank you for everything you guys do. I’m so grateful to be a part of this. I love y’all with my whole heart.”

Randy Travis Helps Midwest Communications Launch Y’all 106.7 Country

Pictured (L-R): Ron Allen, Randy Travis, Eryn Cooper

Randy Travis helped Midwest Communications, Inc. flip the switch and launch a new country station in Nashville this week when Hot 106.7 was transformed to Y’all 106.7.

The first song to air on the new ’80s and ’90s-based country format was Travis’ “Forever and Ever, Amen,” and Travis was in the Y’all 106.7 studio with Brand Manager Ron Allen to help celebrate and kick off the new format.

Allen, Brand Manager for Nashville’s 96.3 JACK-fm, will add programming responsibilities for the new brand. Allen has served as Midwest Communications Duke FM Format Captain (Classic Country), and has launched and programmed several country stations over the course of his career.

“Nashville is a market already rich in great country programming, but we feel that this unique ’80s and ’90s-based format will bring country listeners an exciting new option,” says Representing Midwest Communications ownership family, Mary Kay Wright. “It’s such an honor to have Randy Travis as part of our Y’all 106.7 launch. He isn’t just a top artist from the ’80s, he helped define the best of what country music was then and still is today.”

“We fully appreciate that the country format in Nashville is crowded, but we believe there is still an opportunity to serve the community and be successful in this lane,” says Allen.

On a personal note, Wright also shared, “Today is a little bittersweet for our family. Midwest Communications CEO and founder, Duke Wright, who recently passed away, was a huge fan of Randy Travis. ‘Forever and Ever, Amen’ was one of his all-time favorites. He would have been thrilled that Randy helped kick off Y’all 106.7.”

Trisha Yearwood, Mickey Guyton & CMT’s Leslie Fram Honored At ‘Hometown to Hometown’ Event

Pictured (L-R): Honorees Trisha Yearwood, Mickey Guyton and Leslie Fram attend Save The Music & SongFarm.org’s 4th annual “Hometown to Hometown” event at City Winery Nashville. Photo: Catherine Powell/Getty Images for Save The Music

The fourth annual “Hometown to Hometown” event from Save The Music and SongFarm.org brought the Nashville music community together Monday night (June 5) for a great event, raising over $200k for music education programs in under-resourced public high schools.

Trisha Yearwood, Mickey Guyton and CMT’s Leslie Fram were honored as the 2023 Champions of the Year for their contributions to the music industry and their passion for music education. Funds raised from the event will go towards developing music technology programs in Nashville as well as the honoree’s respective hometowns in Jasper, Georgia (Yearwood) and Dallas, Texas (Guyton).

Pictured (L-R): Madeline Edwards, Leslie Satcher, Karyn Rochelle, Kelsea Ballerini, honoree Trisha Yearwood, honoree Mickey Guyton, honoree Leslie Fram, Caylee Hammack, Brittney Spencer and Julie Williams. Photo: Catherine Powell/Getty Images for Save The Music

Throughout the event, honorees, performers and speakers including Kelsea Ballerini, Madeline Edwards, Caylee Hammack, Wendy Moten, Leslie Satcher, Brittney Spencer, Karyn Rochelle and Julie Williams spoke passionately about the bonds shared by women in the music industry, including via CMT’s Next Women of Country program, and the importance of supporting each other’s careers.

Highlights from the evening included Fram leading a powerful conversation between fellow honorees Yearwood and Guyton on themes including inclusivity and the unique challenges women face in the country music industry.

Kicking off the night’s performances, Rochelle and Satcher paid tribute to Yearwood with heartfelt renditions of “Georgia Rain” and “Help Me,” both recorded by Yearwood. Tracy Gershon presented Yearwood with the first Champion of the Year award of the night.

Performing on behalf of  Guyton, Spencer earned the night’s first standing ovation with a rendition of Guyton’s powerhouse anthem “Black Like Me.” Hammack followed with a performance of “Sister,” further cementing the night’s theme. UMG Nashville’s Cindy Mabe later presented a tearful Guyton with her award as she reflected on her journey throughout her career and the shift she has brought to country music.

Pictured (L-R): Honorees Mickey Guyton, Trisha Yearwood and Leslie Fram speak during Save The Music & SongFarm.org’s 4th annual “Hometown to Hometown” event. Photo: Catherine Powell/Getty Images for Save The Music

Dedicating her song “The Wolves” to Leslie Fram, Edwards touched on the ways Fram has impacted her career. She was followed by Ballerini, who shared anecdotes about her and Fram’s relationships over the past 10 years before putting a fun spin on her latest single “If You Go Down (I’m Goin’ Down Too).”

Billboard’s Melinda Newman presented Fram with her award, describing her as a “truth teller” and applauding her “fearless nature” when it comes to tackling issues in the industry. Fram then handed over her acceptance speech to singer Moten, who commanded the stage with a powerful performance of “Don’t Give Up,” delivering the night’s second standing ovation.

Save The Music grant recipient school Whites Creek High School educator Jonathan Curri and his three students Eric Yarber, Briah Robinson and Isaiah Bailey recounted the impact that the music technology grant has had on their school, noting the significance of the evening.

Since its inception in 2019, “Hometown to Hometown” has empowered nine high schools with essential music technology equipment and valuable resources—with three additional schools planned for the fall of 2023.

 

Brock Berryhill Signs With Warner Chappell Music & Madfun Entertainment

Pictured (L-R): Madfun Entertainment’s Alicia Pruitt, Brock Berryhill and Warner Chappell’s Ben Vaughn

Warner Chappell Music (WCM) and Madfun Entertainment have signed songwriter, producer and engineer Brock Berryhill to a global publishing deal.

Berryhill has written chart-topping hits including “Good As You” and “Homesick” by Kane Brown, both of which reached No. 1 on Billboard’s Country Airplay chart and are certified double-Platinum by the RIAA. He is currently climbing the charts as a co-writer on Justin Moore and Priscilla Block‘s single “You, Me And Whiskey,” which is closing in on the Top 10 of Billboard’s Country Airplay chart as well as Brantley Gilbert, Blake Shelton and Vince Gill‘s “Heaven By Then,” which is currently in the top 40 of the chart.

Ben Vaughn, President & CEO, Warner Chappell Music, Nashville says, “Brock is a true professional who knows his way around any writer’s room and any studio you put him in. You’d be hard-pressed to find a writer that works harder than Brock. His co-writers know that a day spent with Brock is a day that wins.”

“Brock is one of those few writers that can create in any room and in any genre. His heart and his work ethic are what makes him one of today’s biggest songwriters,” adds Alicia Pruitt, Founder, Madfun Entertainment.

Berryhill started playing drums and guitar at age 12 and joined a band at 15. A few years later, he started his own band, Hand to Hand, and signed a record deal with the German-based Lifeforce Records. Berryhill spent four years touring with Hand to Hand before parting ways with the band to begin working as an assistant engineer for James Paul Wisner. During this time, he also teamed up with his friend and colleague, Evan Coffman, to start their own recording studio, Starlight Studios.

Berryhill moved to Nashville in 2015 and started his career as a songwriter. He has since had cuts with Jelly Roll, Chase Matthew, Jason Aldean, Kenny Chesney, Lee Brice, Greylan James, Cole Swindell, Colt Ford and more, and has produced work for artists such as Gilbert, Matthew and Jelly Roll.

Musicians On Call Appoints New National Board Members

Pictured (L-R, top); Alicia Mitchell and Josh Joseph; (L-R, bottom) Allison Davenport and Jeff Jowdy

Musicians On Call (MOC), the nonprofit that brings music to the bedsides of patients, families and caregivers in healthcare environments, has added four new members to its National Board of Directors.

The new members include American Hospital Association (AHA) Senior Vice President of Communications Alicia Mitchell, Big Plan Holdings Founder & CEO Josh Joseph, Riveredge Hospital CEO Allison Davenport and Lighthouse Counsel President Jeff Jowdy.

MOC has also appointed Senior Vice President of G7 Marketing Rick Whetsel as Vice Chair, and re-elected Baker Sullivan Hoover PLC Managing Partner Cathy Sullivan as Treasurer.

“The Musicians On Call National Board of Directors is headed in an exciting direction with the addition of our newest members. Vice Chair Rick Whetsel has been instrumental in connecting us with passionate and experienced leaders who can help us push our organization forward as we head down the road to our next million served,” says Pete Griffin, Musicians On Call President & CEO. “All of these newest members have already made great strides for our mission through their past support and we look forward to utilizing their expertise to further grow our programs and reach.”

As Senior Vice President of Communications for the AHA, Mitchell is responsible for promoting the association’s advocacy agenda among members of the public, the media and the association’s 5,000 member hospitals. She also serves as AHA’s Chief Communications Strategist. Mitchell earned her Bachelor’s degree in biology from the College of William and Mary in Williamsburg, Virginia.

Joseph founded Big Plan Holdings in Nashville to incubate new business ventures along with strategic investments with joint venture partners, and to mentor and educate up-and-coming entrepreneurs. The company invests in real estate, cannabis, music and entertainment, sports, hospitality, food and beverage, philanthropy, branding and licensing opportunities, fashion and other diversified positions. He also sits on boards for MAD TASTY, Sliver Therapeutics Inc., Milk & Honey Baseball, SpinIntel and The Lupus Society of Illinois.

For more than 15 years, Davenport has been a leader in the healthcare and hospital management industry. As CEO of Riveredge Hospital, affiliated with Universal Health Services, she leads the largest free-standing psychiatric facility in the state of Illinois. Davenport earned her MBA with a focus on Healthcare Administration from the Belmont University Jack C. Massey Graduate School of Business and a Bachelor of Arts degree in public relations/marketing from Lipscomb University in Nashville.

Jowdy has more than 35 years of nonprofit experience as a CEO, advancement professional, human resources professional and consultant. As President & Founder of Lighthouse Counsel, he works with nonprofits across the country in fundraising, strategic planning and more. He also serves on boards for Troy University’s Sorrell College of Business Executive Advisory Council, the Georgia Chamber of Commerce, the Leukemia & Lymphoma Society Tennessee, The Giving Institute, the NonProfit PRO Editorial Advisory Board and the US Foundation for Philanthropy Fundraising Board.

In his role as Senior Vice President, Whetsel oversees the talent buying and event production division at G7 Marketing. Prior to his work at G7, Whetsel was the owner of event production and concert promotion company Great Big Shows. He joined MOC’s National Board of Directors in 2019, and has helped with event production and fundraising for the organization’s programs through brand partnerships.

Sullivan is a CPA whose focus is family planning for individuals and helping clients achieve lifestyle goals. She is a trained Volunteer Guide for MOC, helping the organization launch its bedside program in Nashville in 2007, and served on MOC’s Advisory Council for more than a decade. She joined the board in 2021.

58th ACM Awards Sees Significant Year-Over-Year Audience Growth

Ed Sheeran and Luke Combs at the 58th Academy of Country Music Awards from Ford Center at The Star on May 11, 2023 in Frisco, Texas.

The 58th Academy of Country Music Awards achieved more than 87% year-over-year growth in the 2023 show’s audience compared to 2022.

The show also saw record increases in viewership and interactions across its sites and social media platforms, as well as on Harmony, Penske Media’s proprietary live streaming platform.

Stars Ed Sheeran and Luke Combs, Miranda Lambert, Keith Urban and Lainey Wilson also saw triple digit streaming increases following their live performances on the ACM Awards stage, according to the Academy. The show was the No. 1 program across all social media platforms for TV & Streaming on May 11 excluding sports, according to Talkwalker, Social Content Ratings.

This year’s ACM Awards amassed 60.6 million video views across the Academy of Country Music’s official Twitter, Instagram, Facebook and TikTok from May 11 to May 22, marking a record increase of 94% in year-over-year social media views, according to ListenFirst.

The Official ACM Awards Red Carpet Show garnered 3.2 million live and VOD views in the first 24 hours on Harmony. As of June 2, there are currently more than 7.1 million views across all 18 full show performances on ACM Award performers’ YouTube channels since May 12.

Sheeran and Combs performed “Life Goes On” live together for the first time, premiering a new collaboration version of the song on the ACM Awards stage. There was a 281% increase of total on-demand streams for the song on the day following the show and consistent streams through the weekend (+210%), according to data from Luminate.

Urban’s “Texas Time” was released in April 2018, but his performance of the fan-favorite in honor of the ACM Awards’ return to Texas was followed by a 428% increase in total on-demand streams on the day following the show and consistent streams through the weekend post-show (+337%) according to Luminate. Lambert’s “Carousel,” released in April 2022, saw a 209% increase in total on-demand streams on the day following the ACM Awards and consistent streams through the weekend post-show (+142%).

Wilson’s performance of “Grease” was followed by an increase in total on-demand streams on the day following the show (+221%) and saw an average increase of 206% through the weekend post-show. Also, Jelly Roll and Wilson’s performance of the new duet version of “Save Me” landed at No. 4 on Country Digital Song Sales following the show.

Following one of her biggest performances to date, 58th ACM Awards host Dolly Parton’s “World on Fire,” the lead single from the legend’s upcoming rock album Rockstar, landed at No. 1 on the Rock Digital Song Sales chart, as well as No. 3 on the Country Digital Song Sales chart. This marks Parton’s first ever appearance on the Billboard Rock Chart, according to Luminate.

CTM Outlander Acquires Shane McAnally Catalog Alongside Other SMACKSongs Works

Pictured (L-R): Thomas Deelder, Creative Director, CTM Publishing; Les Ware, CEO, Outlander Capital; Shane McAnally; Mike McKool, President, Outlander Capital; André de Raaff, CEO, CTM Outlander; Robert Carlton, President, SMACK; Jeff Chown, COO, Outlander Capital; Jason Turner, Counsel, McAnally & SMACK. Photo: Emilio Madrid

CTM Outlander has acquired Grammy-winning songwriter and producer Shane McAnally‘s catalog, alongside other works of SMACKSongs’ Matt McGinn, Josh Osborne, Matthew Ramsey and Trevor Rosen.

The deal also includes certain elements of McAnally’s royalties from his catalog of more than 200 master recordings as a producer as well as an exclusive four-year go-forward co-publishing deal. It is also inclusive of non-dramatic rights to certain songs featured in the nine-time Tony-nominated Broadway musical Shucked.

As a part of the new agreement, McAnally’s publishing companies SMACKSongs and SMACKBlue—including works by Walker Hayes, Kylie Morgan, Josh Jenkins and others—will now be administered on a global basis by CTM Outlander.

CTM Outlander is a partnership between the Dallas, Texas-based Outlander Capital, led by Les Ware and Mike McKool, and the Dutch-based leading independent music entertainment company CTM, led by industry veteran André de Raaff. Since launching two years ago, CTM Outlander has invested over a billion U.S. dollars in acquiring music publishing and master rights with notable moves, including the acquisition of TEN Music’s publishing assets in 2021 and the catalogs of Natalie Hemby, Ben Burgess and Michael Tyler in 2022.

“I am very excited to start this new partnership built on a mutual passion for all things music, along with the global reach of this incredible team” shares McAnally. “André is a visionary and understands the importance of managing music rights, as he has shown over the course of his career. As I continue to expand my creative work to new areas, André and his team recognize the passion I have, not just for creating music in the traditional sense, but also in areas of film, TV, Broadway and beyond. I am thankful to the CTM Outlander team for partnering with me to manage my catalog copyrights and am eager to see what we are able to accomplish together over the next several years.”

SMACKSongs President Robert Carlton adds, “SMACK is thrilled to be working with CTM Outlander for all of its administration needs. Their passion for music, combined with their independent and innovative spirit makes them a great match. I am excited to see what we can accomplish together in this next chapter!”

“It is very rare to come across such a talented and gifted songwriter, producer and creator of music entertainment like Shane McAnally,” adds de Raaff, CTM Outlander CEO. “His successes are countless, from pop to country and from musical theatre to developing TV shows. It is a privilege to look after a great part of his legacy and to work with him and the rest of the SMACK team in the future on all the new projects ahead, which period we expect to become more successful than ever!”

“We believe in Nashville’s creative community and are proud to help amplify the stories that are a biproduct of an environment that cultivates ingenuity,” shares McKool, Outlander Capital Principal. “With CTM Outlander’s integration across multiple disciplines, it’s exciting to see the integrity of these catalogs preserved and amplified while also providing this security to the writers.”

McAnally, SMACKSongs, SMACKBlue and SMACK Productions were represented in the sale by Jason Turner, Sarah Smith, Dustin Kovacic and Matthew Jafari of Keller Turner Andrews & Ghanem, PLLC.

‘Darius & Friends’ Surpasses $3.6 Million Raised For St. Jude

Darius Rucker performs at “Darius & Friends.” Photo: Austin Friedline

Three-time Grammy winner Darius Rucker pledged his support to St. Jude Children’s Research Hospital 15 years ago and continues to give back, now surpassing the $3.6 million mark. The 14th Annual “Darius & Friends” benefit concert on Monday night (June 5), paired with a golf tournament and a silent auction on Tuesday (June 6), raised an all-time event high of $560,000 for the cause.

“We started this to be the first thing at CMA Fest and you guys have now made it a tradition,” Rucker shared with fans at the sold-out Ryman Auditorium, as he opened the night that indeed has come to serve as an unofficial kickoff to CMA Fest. “Thank y’all for coming out. Thank you for supporting St. Jude.”

Hardy performs at “Darius & Friends.” Photo: Austin Friedline

The annual event is renowned for its surprise lineup of stars and sold out well in advance. The 2023 edition of “Darius & Friends” included performances of over 30 hit songs throughout the night, including Rucker’s “Alright,” “Radio,” and “Southern State of Mind” as well as beloved favorites and covers from surprise guests Hardy, Jake Owen, Jelly Roll, Megan Moroney and Vince Gill.

“I’m really grateful for my friend Darius. He’s a great dude and what he’s done for St. Jude Children’s Research Hospital is a big, big thing and that’s something that’s really near and dear to our hearts as country artists,” Owen shared during his set. “It’s ingrained in artists like myself throughout the years to use our platforms and Darius has done an incredible job with that. I’m super happy to be here.”

Closing out the memorable evening, the night’s host returned to the stage one final time for rousing covers of Amy Winehouse’s “Valerie,” Garth Brooks’ “Friends in Low Places,” Blackstreet’s “No Diggity” and Prince’s “Purple Rain,” as well as his own “Hands On Me” and, according to tradition, a sold-out Ryman singalong for “Wagon Wheel.”

This year’s milestone fundraising event adds yet another successful page to the decade-plus history of “Darius & Friends.” Prior guests have included Lauren Alaina, Jason Aldean, Brooks & Dunn, Brothers Osborne, Kane Brown, Luke Bryan, Luke Combs, Sheryl Crow, Charles Kelley of Lady A, Ashley McBryde, A.J. McLean of the Backstreet Boys, Brad Paisley, Kenny Rogers and Tommy Thayer of KISS, among many others.