
Jim Catino
When Jim Catino left his position as Executive Vice President of A&R at Sony Music Nashville after 20 years with the company, many in the industry were wondering what he would do next.
Prior to his exit, Catino has spent the majority of his career working in the major label ecosystem, as well as some time at MCA Music Publishing, Giant Records & Publishing and DreamWorks Publishing. One could have assumed that Catino was tired of “the system,” working with and for a big corporation.
But as Catino shared with MusicRow, that isn’t the case—the reality is quite the opposite.

Jim Catino & Dalton Dover
“My history has been at major record labels. My dad was in the music business. He worked at Capitol for decades and was always working with major record labels, so I’m kind of a major label baby,” he says. “[Now at my new company,] I’m a friend to major labels. The goal for the record label side of my company is for my artists to be courted and upstreamed to a major label. I believe in what majors can bring to the table to create superstars.”
Catino’s company is split by his passions for both recording artists and songwriters. On Droptine Recordings, Catino works with buzzy newcomer Cody Hibbard and breakout starling Dalton Dover, who aligned with UMG Nashville late last year.
On the publishing side, via Droptine Music, Catino is partnered with Sony Music Publishing and shares office space with the publishing giant on Music Row. He works with Dover and Hibbard as well as songwriter Tommy Karlas, who has hits with Blake Shelton, Montgomery Gentry and more, and Russell Sutton, who has written two recent No. 1s, Elvie Shane‘s “My Boy” and Nate Smith‘s “Whiskey On You.” With Sony Music Publishing, Catino also works with Kent Earls and Kane Brown‘s Verse 2 Music on Alex Maxwell. He’s partnered with Warner Chappell on songwriter Wesley Davis.
Through both sides of his business, Catino is able to focus on his favorite part of the job: artist development.
“I left Sony because things had changed so much [in the music business], but also because I was hungry to do something different and hungry to do what I really love to do. As an executive at that level at a major corporate label, I was pulled away from a lot of the day-to-day rituals of A&R: finding new talent, diving into the music and really helping build not just momentum, but the foundation of an artist’s career.”
Catino’s first victory for his company came with a pop artist he met during the end of his tenure at Sony, Thomas Day.
“I had my eye on this guy and had created a really good rapport with him and his family. He’s from Brentwood, Tennessee, which is where I grew up,” Catino says. “When I announced that I was leaving Sony, the family was urging me to [work with him].
“I started fishing around with some of the New York labels to see if there was any interest. There was a little bit of bubbling interest, but nothing solid. [Sony Music Nashville Chairman & CEO] Randy Goodman was cool enough to say, ‘Let’s make a deal and we’ll upstream this to one of the New York labels. We’ll fund it for you and help get you started. We want to do business with you down the road, so this could be a good way to start it.'”

Pictured (L-R): Rusty Gaston, Jenna Heideman, Cody Hibbard, Jim Catino, Molly Shehan and Cass Scripps. Photo: Courtesy of Droptine Records
Day is now aligned with Arista out of New York, has nearly seven million followers on TikTok and will hit the road with David Kushner in August.
Next came Dover, who met Catino through producer/songwriter Matt McV. With their heads together, the three began independently releasing Dover’s music, which caught the attention of other industry members. When he aligned with UMG Nashville in October of 2022, Dover had earned a place on Spotify’s Hot Country 2022 Artists To Watch list, along with a spotlight as Billboard’s February Country Rookie of the Month and a nod for MusicRow’s 2022 Discovery Artist of the Year.
After success with tracks “You Got a Small Town” and “Baby I Am,” Dover is currently working his first radio single, “Giving Up On That,” which was the most added song at country radio with 60 first-week stations. The track also garnered over a million streams in the first two weeks of its release.
“Honestly, I didn’t call one record label [about Dalton]. Every label called me once they saw the numbers growing. That’s the goal—to have labels excited and passionate,” Catino says. “I want to help build enough momentum and a good foundation where they’re getting an artist that has the knowledge and the experience to go walk into a radio station or a bigger media look. I want them to understand enough about digital campaigns and socials to jump right into a real business plan at a major record label, so they’re not doing that development time [after they get to] a major.”
With two success stories and bubbling new act, Catino is starting to get calls about Hibbard, who he discovered while diving into streaming services on the lookout for new artists.
Hibbard is a former pipeline worker from Adair, Oklahoma who has made waves with tracks “We Speak Country” and “Looking Back Now.” After aligning with Catino’s Droptine Recordings, he signed a publishing deal with Droptine Music and Sony Music Publishing earlier this year.
“Cody is a fantastic live entertainer and has a really consistent streaming base. [He’s having success] with multiple tracks. It’s not just about one viral moment,” shares Catino.
Two years into this career chapter, Catino is feeling recharged and eager to get to work each day.
“I’m super happy. I’m rejuvenated and excited to be part of young artists’ careers. It’s always been my main passion,” he says. “It’s the most fun when you find something new and help it get to a place where it starts to really take off and grow with the fans. That’s why we all get in the music business at the end of the day.”
Walker Hayes Partners With Monument Records & RCA Records
/by LB CantrellWalker Hayes. Photo: Robert Chavers
Longtime Monument Records artist Walker Hayes has started a new partnership with the label, now also bringing in RCA Records to expand the dynamic artist’s reach. Hayes and his team previously worked with RCA Records on the version of his mega-hit “Fancy Like” that featured Kesha, making it a natural fit.
To celebrate the partnership, Hayes has released a new, 2-track bundle, Strait Two Stepping. The project features country-infused dance tracks “Stetson” and “Show Me The Country.”
“Couldn’t be more excited to continue working with RCA. Since my music is all over the map, I’m really looking forward to this next chapter with them and seeing how we can spread the bass/808’s. Can’t wait to dance with the world to these,” shares Hayes.
Hayes’ new music follows his 2022, Gold-certified Country Stuff the Album, which contained the five-time Platinum “Fancy Like.” The tune was the song of 2021, spending more than 6 months at the No. 1 spot on the Billboard Hot Country Songs Chart. It also reached the top five on Billboard’s all-genre Hot 100 Songs and No. 1 at country radio, was featured in a nationwide Applebee’s commercial and gave Hayes his first Grammy Award nomination for Best Country Song.
This summer, Hayes has been on his headlining arena tour, “The Duck Buck Tour,” stopping in Oklahoma City, Jacksonville, Nashville, Raleigh and more through October.
Tim McGraw Plots ‘Standing Room Only Tour’ For 2024
/by Caela GriffinThree-time Grammy Award-winning superstar Tim McGraw will hit the road in 2024 on his “Standing Room Only Tour.” He announced the new tour live at a fans-only sneak preview concert at Los Angeles’ famed The Whisky a Go Go nightclub earlier this week.
Named for McGraw’s upcoming 17th studio album, the tour will hit arenas in over 30 cities beginning March 14, 2024. Grammy Award-winning singer-songwriter Carly Pearce will join on all dates as direct support.
“I always want to deliver the best possible concert I can for the fans,” says McGraw. “We’ve got some really special plans to make this the biggest and the best tour we’ve ever done.”
Produced by Live Nation, the “Standing Room Only Tour” will feature huge production elements, McGraw’s biggest hits and songs from the upcoming album. All tickets—including VIP packages—will be on sale starting Aug. 4 at 10 a.m. local time in each market. VIP packages and experiences will include a variety of offerings from an exclusive gift item to meeting McGraw.
On Aug. 25, McGraw will release his new album Standing Room Only via Big Machine Records and McGraw Music. The album’s title track is currently top 15 at country radio and marks McGraw’s 92nd career chart entry. He released an acoustic version of the track on July 14. The previously released album tracks “Hey Whiskey” and “Remember Me Well” offer a preview of what’s to come on McGraw’s first new record since 2020’s Here On Earth.
Throughout his career, McGraw has amassed 68 top 10 hits and holds the Mediabase record for the most weeks at No. 1 with all titles, totaling 73 weeks. He also holds the record for second-most No. 1 albums in the U.S. just behind George Strait.
For Pearce, the tour announcement comes on the heels of her acclaimed new single “We Don’t Fight Anymore” (feat. Chris Stapleton). With four No. 1 hits, the 2022 ACM Awards Female Artist of the Year continues to resonate with her honesty and musicality.
Tim McGraw’s “Standing Room Only Tour” 2024 Dates:
Date – City – Venue
March 14 – Jacksonville, FL – VyStar Veterans Memorial Arena
March 15 – Tampa, FL – Amalie Arena
March 16 – Orlando, FL – Amway Center
March 21 – Des Moines, IA – Wells Fargo Arena
March 27 – Vancouver, BC – Rogers Arena
March 29 – Seattle, WA – Climate Pledge Arena
March 30 – Eugene, OR – University of Oregon – Matthew Knight Arena
April 4 – Denver, CO – Ball Arena
April 5 – Salt Lake City, UT – Delta Center
April 6 – Boise, ID – Boise State University – ExtraMile Arena
April 13 – Tulsa, OK – BOK Center
April 18 – Indianapolis, IN – Gainbridge Fieldhouse
April 19 – Milwaukee, WI – Fiserv Forum
April 20 – Saint Paul, MN – Xcel Energy Center
April 25 – Nashville, TN – Bridgestone Arena
April 26 – Knoxville, TN – Thompson-Boling Arena
May 9 – Belmont Park, NY – UBS Arena
May 11 – Wilkes-Barre, PA – Mohegan Sun Arena
May 16 – Greenville, SC – Bon Secours Wellness Arena
May 17 – Charlotte, NC – Spectrum Center
May 18 – Charleston, WV – Charleston Coliseum & Convention Center
May 30 – Toledo, OH – Huntington Center
May 31 – Chicago, IL – United Center
June 1 – Grand Rapids, MI – Van Andel Arena
June 6 – Sioux Falls, SD – Denny Sanford Premier Center
June 7 – Omaha, NE – CHI Health Center
June 8 – Kansas City, MO – T-Mobile Center
June 13 – Biloxi, MS – Mississippi Coast Coliseum
June 15 – Lexington, KY – Rupp Arena at Central Bank Center
June 20 – Philadelphia, PA – Wells Fargo Center
June 21 – Baltimore, MD – CFG Bank Arena
June 22 – Raleigh, NC – PNC Arena
June 27 – Phoenix, AZ – Footprint Center
Josh Ross Makes Grand Ole Opry Debut
/by Lorie HollabaughJosh Ross during his Grand Ole Opry debut. Photo: Rachael Black
Singer-songwriter Josh Ross made his Grand Ole Opry debut Wednesday night (July 26), stepping into the circle for the first time in front of a packed house filled with family, friends and fans.
Opening with “First Taste Of Gone,” the ballad that kicked off his whirlwind journey in Nashville, Ross then performed his debut single “Trouble.”
“It’s special when people connect to your music, and feel the same way you’re feeling,” said Ross to the crowd following a standing ovation. “It’s amazing to see what songs can do. Honestly music has saved me, and songwriting has saved me.”
Finding acclaim in both the U.S. and Canada, Ross is the most-nominated artist at this year’s CCMAs, with six nods. The UMG Nashville/Universal Music Canada artist has racked up more than 140 million streams across his catalog, which includes “On A Different Night,” “First Taste of Gone,” country-rock anthem “Ain’t Doin’ Jack” and the emotional “Red Flags.” He’s currently on the road with Nickelback and Brantley Gilbert for the “Get Rollin’ Tour” across North America, and will join Bailey Zimmerman on his “Religiously. The Tour.” in 2024.
Kane Brown’s ‘Bury Me In Georgia’ Returns To The Top Of The MusicRow Chart
/by LB CantrellKane Brown. Photo: Diwang Valdez
After topping the MusicRow CountryBreakout Radio Chart two weeks ago, Kane Brown‘s “Bury Me In Georgia” has returned to the No. 1 spot.
Brown co-wrote “Bury Me In Georgia” with Matt McGinn, Jordan Schmidt and Josh Hoge. It appears on his third studio album, Different Man, which also contains hits “Like I Love Country Music,” “One Mississippi” and “Thank God” with Katelyn Brown.
The song currently sits at No. 9 on the Billboard Country Airplay chart and No. 6 on the Mediabase chart.
Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
The Chicks Postpone Bridgestone Arena Show
/by Liza AndersonThe Chicks. Photo: Robin Harper
The Chicks have announced via Instagram that they must postpone tonight’s (July 27) show at Nashville’s Bridgestone Arena due to illness, and apologize for any inconveniences this may cause.
An official statement has also been released, encouraging fans to hold on to their tickets for the newly scheduled date.
Rhiannon Giddens Shares New Single From Forthcoming Album, ‘You’re The One’
/by Lorie HollabaughRhiannon Giddens has shared a new single, “Yet To Be,” from her latest upcoming album You’re the One, due out Aug. 18 on Nonesuch Records.
Featuring Jason Isbell, “Yet to Be” tells the story of a Black woman and an Irish man falling in love in America. Giddens chose to collaborate with Isbell due to his steadfast advocacy and support for Black women in the industry, and her admiration of him as a person of great character.
You’re the One features twelve songs written over the course of Giddens’ career bursting with life-affirming energy and drawing from the folk music she knows so deeply. It was recorded with a band composed of her closest musical collaborators from the past decade, alongside musicians chosen by producer Jack Splash, topped off with a horn section.
Collaborators on the album include Italian multi-instrumentalist Francesco Turrisi plus multi-instrumentalist Dirk Powell, bassist Jason Sypher and Congolese guitarist Niwel Tsumbu. The album features electric and upright bass, conga, Cajun and piano accordions, guitars, a Western string section and Miami horns, among other instruments, capturing the inclusive spirit that channels through all of Giddens’ work.
Giddens has had a busy 2023 so far. The Grammy winner and MacArthur fellow was recently awarded the Pulitzer Prize in Music for her collaborative opera, “Omar.” Giddens is also featured on Fast Company‘s Most Creative People in Business list and is a host on Arts Talk, a new PBS program on which she, Elvis Costello and Brian Stokes Mitchell discuss their careers.
You’re the One Track List:
1. Too Little, Too Late, Too Bad
2. You’re the One
3. Yet to Be (feat. Jason Isbell)
4. Wrong Kind of Right
5. Another Wasted Life
6. You Louisiana Man
7. If You Don’t Know How Sweet It Is
8. Hen in the Foxhouse
9. Who Are You Dreaming Of
10. You Put the Sugar in My Bowl
11. Way Over Yonder
12. Good Ol’ Cider
Emmylou Harris, Del McCoury Band, More Set For Earl Scruggs Music Festival
/by Lorie HollabaughEmmylou Harris, Greensky Bluegrass, Del McCoury Band, The Infamous Stringdusters, and dozens more are set to perform at the Earl Scruggs Music Festival Sept. 1-3 in Mill Spring, North Carolina this Labor Day Weekend.
The festival has revealed its full 2023 schedule, which includes a newly-minted lineup of exclusive workshops featuring members of Della Mae, The Earls of Leicester, and others. Five free festival workshops taking place on the intimate Legends Stage offer fans a chance to hear stories and deep background from top stars, as well as some grassroots figures.
A biographer of Earl Scruggs, journalist and musician Thomas Goldsmith has assembled a docket of discussion topics, including “Secrets of Scruggs Style,” featuring Tony Trischka, top-rank five-string men Charlie Cushman of The Earls of Leicester, and Pete Wernick, co-founder of Hot Rize; “High Lonesome and Beyond: The Evolution of Bluegrass Songwriting,” accompanied by songwriter and educator Louisa Branscomb, featuring Grammy-winning songwriter Jon Weisberger and Della Mae’s Grammy-nominated vocalist and songwriter Celia Woodsmith; plus more.
Last year, Earl Scruggs Music Festival debuted the first-ever Earl Scruggs Revue tribute set, hosted by Fireside Collective. Presented by The Bluegrass Situation, the 2023 installment will feature Tony Trischka Band & Friends delivering The Earl Scruggs Revue’s 1977 Live! From Austin City Limits recording, alongside festival host and artist-in-residence Jerry Douglas, plus a slew of surprise cameos. The not-to-be-missed event takes place at 3:30 p.m. Saturday afternoon (Sept. 2) on the Foggy Mountain Stage.
Produced in collaboration with the Earl Scruggs Center, WNCW 88.7, and Isothermal Community College, the event supports a two-fold mission to underwrite educational programming and community outreach in Scruggs’ home region while carrying his legacy into the context of modern culture.
Jim Catino On New Venture: ‘I’m A Friend To Major Labels’ [Interview]
/by LB CantrellJim Catino
When Jim Catino left his position as Executive Vice President of A&R at Sony Music Nashville after 20 years with the company, many in the industry were wondering what he would do next.
Prior to his exit, Catino has spent the majority of his career working in the major label ecosystem, as well as some time at MCA Music Publishing, Giant Records & Publishing and DreamWorks Publishing. One could have assumed that Catino was tired of “the system,” working with and for a big corporation.
But as Catino shared with MusicRow, that isn’t the case—the reality is quite the opposite.
Jim Catino & Dalton Dover
“My history has been at major record labels. My dad was in the music business. He worked at Capitol for decades and was always working with major record labels, so I’m kind of a major label baby,” he says. “[Now at my new company,] I’m a friend to major labels. The goal for the record label side of my company is for my artists to be courted and upstreamed to a major label. I believe in what majors can bring to the table to create superstars.”
Catino’s company is split by his passions for both recording artists and songwriters. On Droptine Recordings, Catino works with buzzy newcomer Cody Hibbard and breakout starling Dalton Dover, who aligned with UMG Nashville late last year.
On the publishing side, via Droptine Music, Catino is partnered with Sony Music Publishing and shares office space with the publishing giant on Music Row. He works with Dover and Hibbard as well as songwriter Tommy Karlas, who has hits with Blake Shelton, Montgomery Gentry and more, and Russell Sutton, who has written two recent No. 1s, Elvie Shane‘s “My Boy” and Nate Smith‘s “Whiskey On You.” With Sony Music Publishing, Catino also works with Kent Earls and Kane Brown‘s Verse 2 Music on Alex Maxwell. He’s partnered with Warner Chappell on songwriter Wesley Davis.
Through both sides of his business, Catino is able to focus on his favorite part of the job: artist development.
“I left Sony because things had changed so much [in the music business], but also because I was hungry to do something different and hungry to do what I really love to do. As an executive at that level at a major corporate label, I was pulled away from a lot of the day-to-day rituals of A&R: finding new talent, diving into the music and really helping build not just momentum, but the foundation of an artist’s career.”
Catino’s first victory for his company came with a pop artist he met during the end of his tenure at Sony, Thomas Day.
“I had my eye on this guy and had created a really good rapport with him and his family. He’s from Brentwood, Tennessee, which is where I grew up,” Catino says. “When I announced that I was leaving Sony, the family was urging me to [work with him].
“I started fishing around with some of the New York labels to see if there was any interest. There was a little bit of bubbling interest, but nothing solid. [Sony Music Nashville Chairman & CEO] Randy Goodman was cool enough to say, ‘Let’s make a deal and we’ll upstream this to one of the New York labels. We’ll fund it for you and help get you started. We want to do business with you down the road, so this could be a good way to start it.'”
Pictured (L-R): Rusty Gaston, Jenna Heideman, Cody Hibbard, Jim Catino, Molly Shehan and Cass Scripps. Photo: Courtesy of Droptine Records
Day is now aligned with Arista out of New York, has nearly seven million followers on TikTok and will hit the road with David Kushner in August.
Next came Dover, who met Catino through producer/songwriter Matt McV. With their heads together, the three began independently releasing Dover’s music, which caught the attention of other industry members. When he aligned with UMG Nashville in October of 2022, Dover had earned a place on Spotify’s Hot Country 2022 Artists To Watch list, along with a spotlight as Billboard’s February Country Rookie of the Month and a nod for MusicRow’s 2022 Discovery Artist of the Year.
After success with tracks “You Got a Small Town” and “Baby I Am,” Dover is currently working his first radio single, “Giving Up On That,” which was the most added song at country radio with 60 first-week stations. The track also garnered over a million streams in the first two weeks of its release.
“Honestly, I didn’t call one record label [about Dalton]. Every label called me once they saw the numbers growing. That’s the goal—to have labels excited and passionate,” Catino says. “I want to help build enough momentum and a good foundation where they’re getting an artist that has the knowledge and the experience to go walk into a radio station or a bigger media look. I want them to understand enough about digital campaigns and socials to jump right into a real business plan at a major record label, so they’re not doing that development time [after they get to] a major.”
With two success stories and bubbling new act, Catino is starting to get calls about Hibbard, who he discovered while diving into streaming services on the lookout for new artists.
Hibbard is a former pipeline worker from Adair, Oklahoma who has made waves with tracks “We Speak Country” and “Looking Back Now.” After aligning with Catino’s Droptine Recordings, he signed a publishing deal with Droptine Music and Sony Music Publishing earlier this year.
“Cody is a fantastic live entertainer and has a really consistent streaming base. [He’s having success] with multiple tracks. It’s not just about one viral moment,” shares Catino.
Two years into this career chapter, Catino is feeling recharged and eager to get to work each day.
“I’m super happy. I’m rejuvenated and excited to be part of young artists’ careers. It’s always been my main passion,” he says. “It’s the most fun when you find something new and help it get to a place where it starts to really take off and grow with the fans. That’s why we all get in the music business at the end of the day.”
DISClaimer Single Reviews: Chris Stapleton Once Again Confirms His ‘Bonfire Intensity As A Performer’
/by Robert K OermannChris Stapleton. Photo: Becky Fluke
DISClaimer is really mixing it up this week.
We have hip-hopper Tanner Adell, bluegrassy Hailey Whitters, rocking Lanco and balladeers Adam Doleac and Luke Grimes. Black female country speaks up in an excellent effort from Tiera Kennedy. Cody Hibbard is an Asian Pacific American and his hard-country approach wins him a DISCovery Award.
Hibbard was not without competition, since the other newcomers today who turned in solid efforts included Peyton Aldridge, Zoee and The Mizes.
With Chris Stapleton in the lineup, do you even need to ask who owns the Disc of the Day award?
LANCO / “Sound of a Saturday Night”
Writers: Brandon Lancaster/Tripp Howell/Jeremy Spillman/Tate Howell; Producer: Jay Joyce; Label: Riser House
– Punchy and rocking. This is a summertime romp to crank up with the windows rolled down on a moonlight cruise down a back road. I’d have put more bottom in the mix, but you can’t beat the energy generated by this sound.
BRETT YOUNG / “Let Go Too Soon”
Writers: Brett Young/Chris LaCorte/Jon Nite; Producer: Dann Huff; Label: BMLG Records
– “Dance With You” remains the single, but here’s another foretaste of Young’s Across the Sheets collection, which drops Aug. 4. On this pleasing midtempo track, he muses about a relationship that might have ended before either one of them was ready to move on. His intimate-sounding singing voice is deployed to great affect here. The too-busy backing track is fortunately mixed far enough back so as not to interfere.
HAILEY WHITTERS / “I’m In Love”
Writers: Nicole Galyon/Lee Thomas Miller/Cameron Bedell; Producers: Jake Gear/Hailey Whitters; Label: Pigasus/Big Loud/Songs & Daughters
– ACM New Female Artist of the Year Whitters returns with the delightfully zippy title tune of her new EP (which also includes her breakthrough hit “Everything She Ain’t”). The track bubbles along merrily while she expresses the dizzy, ditzy mood of a star-struck country gal. Totally lovable.
CHRIS STAPLETON / “White Horse”
Writers: Chris Stapleton/Dan Wilson; Producers: Dave Cobb/Morgane Stapleton/Chris Stapleton; Label: Mercury Nashville
– His voice is such a torrent of sound that he can make your heart beat faster without hardly trying. This fiery single blurs the lines between country and southern rock while confirming his bonfire intensity as a performer. Undeniable.
TIERA KENNEDY / “Jesus, My Mama, My Therapist”
Writers: Tiera Kennedy/Emily Falvey/Joe Fox/Trannie Anderson/Emily Landis; Producer: Cameron Bedell; Label: The Valory Music Co.
– As clever as it is catchy. Everyone in town gossips way too much, so the only people she can tell about her busted heart are the three named in the title. The track boasts stuttering rockabilly guitar, loads of happy rhythm and a cheeky vibe that are all irresistible. Her saucy vocal is perfect. To my knowledge, this is the first country song with “therapist” in the title. So cute.
CODY HIBBARD / “We Speak Country”
Writers: Carlton Anderson/Kasey Tyndall/Logan Wall; Producers: Jim Catino/Julian King; Label: Droptine Recordings
– What a breath of fresh air. A for-real country singer with a for-real country song. The thumping rhythm track is joyous. The blue-collar lyric is rousing and anthemic. This would sound splendid as an award-show opening number.
PEYTON ALDRIDGE / “Oh Yeah”
Writers: John Ramey/Jeffrey East; Producer: Russ Zavitson; Label: Puba Records
– This competitor on The Voice combines blues and twang on his new single. The song’s a funky little thing, but doesn’t have a lot of meat on its bones.
ZOEE / “Whatever It Takes”
Writers: Zoee/James House/Stone Aielli; Producers: Zoee/James House; Label: Zoee
– This new Nashvillian hails from Tasmania, Australia. She has a strong, assured country-pop vocal presence with plenty of depth. This single and its parent album Waves both drop a week from tomorrow, so be prepared for a slap of driving rhythm and some wildly catchy melody. The crisp production is superb. A star has started to twinkle.
TANNER ADELL / “Buckle Bunny”
Writers: Tanner Adell/Jesse Thomas/Cameron Bartolini/Louis Bartolini/Leelee/Sean Anthony; Producers: Leelee/Cambo/Louallday; Label: Columbia Records
– This mix of country and trap drops vaguely country/cowgirl images in a production that blends rapping with looped electronics and country-tinged instrumentation. Lyrically, it is utter nonsense. But enjoyable.
LUKE GRIMES / “Hold On”
Writers: Ilsey Juber/Foy Vance; Producer: Dave Cobb; Label: UMG Nashville
– Low-key and downbeat, this has an attractive, meditative quality that is soothing to the ears. Like the song, his voice kinda sneaks up on you. Grimes has a fan base from being in the Yellowstone TV cast. But I fear he’s going to have to come up with a song that is more undeniable than this drowsy one is.
THE MIZES / “Hitched Up”
Writers: Logan Mize/Jill Martin; Producer: Daniel Agee; Label: LM
– Solo artist Logan Mize is now also a duet act with his wife, Jill Martin. Their debut single is a hilarious twangfest about a Venus-and-Mars couple. It recalls the funny-fight masterpieces created by Loretta & Conway, Porter & Dolly and George & Tammy. If I were in charge, this would go straight to the top of every hillbilly playlist.
ADAM DOLEAC / “Biggest Fan”
Writers: Adam Doleac/Abe Stoklasa/Andy Skib/Sarah Buxton; Producer: Andy Skib; Label: Sony Music Nashville
– The man can sing. This melodic ballad glows with romance and emotional intimacy. The soul-music touches in the production and eloquently tasteful guitar solo are exquisite additions to the mood. Lend this man your ears.
Larry Fleet Touts Hard Work & Sweat Equity On New Project ‘Earned It’
/by Lorie HollabaughPhoto: Courtesy of Big Loud Records
Larry Fleet is releasing his third studio album Earned It, a 21-track tribute to the working class and a culmination of years’ worth of hard work, tour stops and elbow grease, on Sept. 1 via Big Loud Records, just in time for Labor Day.
A third-generation son of construction and concrete workers, Fleet grew up watching his dad and grandfather put in hard labor everyday to make ends meet, instilling a “built not bought” work ethic in him.
“I’ve been workin’ since I was 14 laying bricks; there isn’t a day in my life I can remember where I wasn’t workin’ toward something or watching someone else earn their keep, whether that was my mom at home providing for us boys or at school teaching art when we got a little older, my dad out at job sites, you name it,” recalls Fleet.
“I believe in taking care of the people you love, earning a life you’re proud of, workin’ hard, and keeping your family and the things that matter first. With this record, I wanted to focus on how we got here and what our work earned us; it’s earned this life for my family, this opportunity for me and my band out on the road, it’s taught me about living well and makes me appreciate the place I come from. Earned It just felt right because I feel like I have; it’s been a long time coming, and by God it was worth it.”
Produced by Joey Moi, the project includes the anthemic title track as well as gratitude-infused “Things I Take For Granted,” twist-laden mid-tempo “Devil Music,” ballad “Grow” and more, in addition to early releases such as “Young Buck,” “Layaway,” “Daddy Don’t Drink” and “Try Texas.”
Fans will get a taste of Earned It tonight (July 27) with the release of four new songs: the title track, “Lucky Dog,” “Ain’t Mad At Jesus” and “Much To Talk About.” The album finds the Tennessee troubadour collaborating with songwriters like Connie Rae Harrington, Luke Laird, Jesse Frasure, Craig Wiseman, Jessie Jo Dillon, Michael Hardy, Ashley Gorley and more.
“Nashville’s full of the finest songwriters in the world, so I felt like it might finally be time to showcase some of their work alongside some of mine now that folks have gotten to know me as a songwriter on the first couple records,” Fleet adds. “I’m thankful they’d trust me to tell these stories and hope we did them justice.”
2. “Lucky Dog” (Zach Abend, Smith Ahnquist, Michael Hardy)
3. “Ain’t Mad At Jesus” (Larry Fleet, Josh Miller, Jake Mitchell)
4. “25-8” (Casey Beathard, Nicolette Hayford, Jim Wolf)
5. “Things I Take For Granted” (Larry Fleet, Rocky Block, Jordan Dozzi, Brett Tyler)
6. “Lord Willing” (Larry Fleet, Will Bundy, Brett Tyler)
7. “Two Beer Plan” (Larry Fleet, Thomas Archer, Ryan Beaver, Mark Holman)
8. “Taking The Long Way” (Larry Fleet, Will Bundy, Brett Tyler)
9. “Something He’d Say” (Larry Fleet, Josh Thompson, Jake Mitchell)
10. “Beer Needs A Beer” (Larry Fleet, Brett Tyler, Logan Wall)
11. “There’s A Waylon” (Steve Moakler, Joseph Patton, Logan Wall)
12. “Angels Were Gone” (Rodney Clawson, Jessie Jo Dillon, Joybeth Taylor)
13. “Try Texas” (Jake Mitchell, Larry Fleet, James McNair)
14. “Tennessee On You” (Rocky Block, John Byron, Jacob Durrett, Ashley Gorley)
15. “Muddy Water” (Larry Fleet, Jesse Frasure, Brett Tyler)
16. “Devil Music” (Jessie Jo Dillon, Neil Mason, Brett Tyler)
17. “Layaway” (Larry Fleet, Mark Trussell, Josh Miller)
18. “Much To Talk About” (Tommy Cecil, Jordan Dozzi, Craig Wiseman)
19. “Grow” (Rodney Clawson, Josh Miller, Dallas Wilson)
20. “Daddy Don’t Drink” (Larry Fleet, Derek Bahr, Luke Laird)
21. “Young Buck” (Andy Albert, John Byron, Devin Dawson, Jacob Durrett)