
Jimmy Buffett. Photo: Julie Skarratt
Jimmy Buffett, one of the biggest pop icons Music City ever produced, died Friday night (Sept. 1) at age 76.
The Nashville Songwriters Hall of Fame member parlayed his good-time, beach-bum persona into a business empire encompassing restaurants, hotels, resorts, bars, casinos, clothing, packaged food, spirits, books, outdoor furniture, home goods and merchandise. Much of it was branded “Margaritaville,” after the 1977 pop and country hit that was his signature song.
Despite its fame and inclusion in the Grammy Hall of Fame, “Margaritaville” was not Buffett’s biggest hit. “It’s Five O’Clock Somewhere,” a 2003 duet with Alan Jackson, topped the country hit parade and remained at No. 1 for eight weeks. He also scored a No. 1 country hit with 2011’s “Knee Deep,” a collaboration with the Zac Brown Band.
But Buffett’s career was not defined by hit records. Rather, it rested on his phenomenally successful concert tours. At his shows, throngs of fans wearing Hawaiian shirts and/or shark-fin hats tossed beach balls and sang along to songs that were never radio favorites. These perennially faithful devotees were dubbed “Parrotheads.”
Born on Christmas Day in 1946, Buffett was raised in Mobile, Alabama. He began playing guitar as a college student at Auburn University and was soon playing folk clubs. In 1969, Buffett moved to Nashville. He became a reporter at Billboard magazine while peddling his songs on Music Row. His big scoop as a journalist was breaking the news that Lester Flatt and Earl Scruggs were dissolving their bluegrass act. In 1971, he became the first artist to play the new Exit/In nightclub.
After recording two failed albums in Music City in 1970-71, Buffett accepted Jerry Jeff Walker’s invitation to come to Florida. The two became buskers on the streets of Key West, and Buffett decided to stay there. He returned to Nashville to record 1973’s A White Sport Coat and a Pink Crustacean and 1974’s Living and Dying in 3/4 Time. The latter contained “Come Monday,” his first pop hit.
“I was sort of a pioneer,” he observed. “I guess I was one of the few pop acts that came outta here. And I’m not a crossover act [from country music]. I’m my own thing.”
Between 1970 and 1985, Jimmy Buffett recorded 13 albums in Nashville. In 1975, he formed his Coral Reefers Band. Over the years, the group included such Nashvillians as Josh Leo, Mac McAnally, Vince Melamed and Tim Krekel with Marshall Chapman, Bergen White, Buzz Cason, Shane Keister, Kenny Buttrey, Reggie Young, Randy Goodrum and various other Nashvillians along for the ride at various shows. Music Row’s Don Light was Buffett’s first manager.
By the mid 1970s, the entertainer had developed his musical niche purveying island escapism and Caribbean sunshine. Working with Nashville producers Don Gant, Norbert Putnman, Jimmy Bowen and Tony Brown, as well as McAnally, Buffett issued a string of Platinum-selling albums that celebrated Boats, Beaches, Bars and Ballads, as the title of his Quadruple Platinum boxed set put it.

In 1983, he performed at Nashville’s Fan Fair country festival. The following year, he moved his song-publishing business to Nashville. So the income from “Volcano,” “Cheeseburger in Paradise,” “Why Don’t We Get Drunk (and Screw),” “Changes in Attitudes, Changes in Latitude,” “Fins,” “Son of a Son of a Sailor,” “Coconut Telegraph,” “One Particular Harbor” and the rest of his catalog was managed by Cason’s Southern Writers Group. Buffett’s songs have been recorded by such country stars as Waylon Jennings, Merle Haggard, Tompall & The Glaser Brothers, Willie Nelson, Clint Black, Lefty Frizzell and Crystal Gayle.
“Nashville is the last place where a good melody and a good lyric are appreciated and can be a commercial success,” he said. “I’ve always maintained close friendships with everyone I’ve been involved with in Nashville… I have a lot of roots here and made a lot of records here over the years.”
In 1991, he bought a home in Music City. Then, beginning in 1992, Music Row became the home of his record labels, Margaritaville Records and Mailboat Records.
His songs appeared on the soundtracks of the films Rancho Deluxe, FM, Goin’ West, Summer Rental, Fast Times at Ridgemont High and Urban Cowboy. He did cameo appearances in a number of movies and had a recurring role as a helicopter pilot on TV’s Hawaii Five-O in 2011-2020.
His books have all made the New York Times best-sellers lists. They have included Tales From Margaritaville (short stories), Where Is Joe Merchant (a novel), A Pirate Looks at Fifty (a memoir) and A Salty Piece of Land (a novel). Buffett also wrote two musicals and two children’s books.
He co-owned two minor-league baseball teams and three retirement communities. He had his own cannabis brand, as well as a video game. He owned luxury real estate in five states. According to Forbes, he was worth more than $1 billion.
In 1993, Jimmy Buffett played the Tennessee Ball at the Bill Clinton inauguration. A lifelong Democrat, he campaigned for Hillary Clinton in 2016. He was an avid supporter of nature conservation. Buffett was a major donor to the Gulf Specimen Marine Laboratory, and in 1987 he’d lobbied for the reauthorization of the Endangered Species Act.
Back in Nashville, he recorded a 1999 duet version of “Margaritaville” with Alan Jackson, which returned him to the country charts. In 2003, he won his first music-industry honor, a CMA Award for the team’s “It’s Five O’Clock Somewhere.” The CMA also nominated him for 2004’s “Hey Good Lookin,” a collaboration with Kenny Chesney, George Strait, Toby Keith and Jackson. Buffett’s ties to Music City were underscored in 2004 when he returned to town for his induction into the Nashville Songwriters Hall of Fame.
That is the same year that he resumed recording in Nashville. His album License to Chill on his Mailboat label, featured collaborations with Clint Black, Nanci Griffith and Bill Withers, as well as Strait, Chesney, Keith and Jackson. The collection hit No.1 on the country charts, and its “Trip Around the Sun” duet with Martina McBride became a top-20 country hit.
“This is where I belong,” he decided. “I don’t think I’ve changed that much, but Nashville sure has….There’s more room for versatility than there ever was before, more room to fluctuate musically than in any other form of music….All kinds of people are coming back into this town, from musicians to producers to writers.
“All I’m doing is following my market. I am as old as the people who like me….Finally, it’s gotten to the point where people don’t ask me what it is that I play anymore. They say I’m uncategorized; and to that I say, ‘Thank you.’
“I don’t care what you call it, it’s still folk. I don’t want to give up my acoustic guitar. We’re folky, but you can call it anything you want to.”
In 2005, his Songs You Know By Heart greatest-hits collection was certified by the RIAA for sales of seven million copies. In 2006-20, he issued five more studio albums. There is reportedly a sixth, tentatively titled Equal Strain on All Parts, that has yet to be released. He continued to tour and perform, almost to the end of his life. His last appearance was on July 2 at a McAnally show in Rhode Island.
In late August, Jimmy Buffett entered hospice care. He had an aggressive form of skin cancer and died of its complications at his waterfront estate in Sag Harbor on Long Island. According to his website and social media, he was “surrounded by family, friends, music and his dogs.
“He lived his life like a song till the very last breath and will be missed beyond measure by so many.”
Jimmy Buffett is survived by his wife Jane, son Cameron Marley, daughters Savannah Jane and Sarah Delaney, two grandchildren and two sisters. Funeral arrangements have not been announced.
The family has asked that donations be made in his name to the foundation Singing for Change, to Brigham and Women’s Hospital and the Dana-Farber Cancer Institute, both in Boston, and to the MD Anderson Cancer Center in Houston.
Weekly Register: Zach Bryan Dominates The Country Charts
/by Liza AndersonZach Bryan has taken over the country charts this week, claiming two of the top five slots on the country albums chart and three of the top five on the country streaming songs chart, according to Luminate data.
Bryan’s self-titled project tops both the country albums chart and all-genre chart with 200K in total consumption (17K album only/230 million song streams).
Elsewhere on the country albums chart, Morgan Wallen‘s One Thing At A Time moves to No. 2 with 83K (2.8K album only/102 million song streams). Taylor Swift‘s Speak Now (Taylor’s Version) shifts to No. 3 with 41K (13K album only/37 million song streams). Wallen’s Dangerous: The Double Album drops to No. 4 with 40K (509 album only/51 million song streams), and Bryan’s American Heartbreak takes No. 5 with 34K (3K album only/40 million song streams).
Bryan and Kacey Musgraves‘ “I Remember Everything” scores the top slot on the country streaming songs chart with 32 million streams. Additionally, the track enters in the No. 1 position on Billboard’s Hot Country Songs, Hot Rock Songs and Hot Rock & Alternative Songs charts simultaneously—becoming the first tune ever to top all three rankings. It also marks only the second occurrence of a shared Hot 100 and Hot Country Songs No. 1 by a male and female artist together, after Kenny Rogers’ and Dolly Parton’s 1983 hit “Islands In The Stream.”
Elsewhere on country streaming songs chart, Wallen’s “Last Night” remains at No. 2 with 20 million new streams, adding to 858 million ATD. Oliver Anthony‘s “Rich Men North Of Richmond” lands at No. 3 with 19 new million streams, adding to 59 million ATD. Bryan and The War And Treaty‘s “Hey Driver” secures No. 4 with 18 million streams, while Bryan’s “East Side of Sorrow” claims No. 5 with 16 million streams.
Lanco To Return With New ‘Run, Run, Baby’ EP
/by Lorie HollabaughLanco will release a new six-track EP, Run, Run, Baby, on Oct. 6 via Riser House Records.
Marking the band’s first project release since 2021, the collection not only offers an all-encompassing introduction to a new musical chapter in Lanco’s career, but also serves as their debut under Riser House Records.
The latest taste of the EP, “Honey I Lost My Job Today,” is out now. Written by Lanco frontman Brandon Lancaster alongside Jeremy Spillman, the vulnerable song drew inspiration from the moment the group elected to walk away from their former label home, entering into a pandemic-stricken world of career uncertainty. Available across all streaming platforms, the track follows in the footsteps of the band’s neon-lit, two-step starter “Lasso” as well as their summertime singalong and first Riser House single, “Sound of a Saturday Night.”
Lanco is set to hit the road this fall on their recently-announced “Run, Run, Baby Tour,” which kicks off in Nashville on Oct. 2, crisscrossing the nation through November with special guests Meghan Patrick and Willie Tate opening on select dates. The band will also make their return to the Grand Ole Opry stage on Oct. 11.
Run, Run, Baby EP Track Listing:
1. “Sound of a Saturday Night” (Brandon Lancaster, Jeremy Spillman, Tate Howell, and Tripp Howell)
2. “Leaving Looks Good on You” (Brandon Lancaster, Chandler Baldwin, Tommy Cecil, and Tripp Howell)
3. “Lasso” (Brandon Lancaster, Chandler Baldwin, Tate Howell, Tripp Howell, and Jay Joyce)
4. “Good With It” (Brandon Lancaster, Dan Fernandez, and Michael Whitworth)
5. “Making More Of” (Brandon Lancaster, Casey Brown, and Jordan Terry Minton)
6. “Honey I Lost My Job Today” (Brandon Lancaster and Jeremy Spillman)
Leo33 Adds Meg Goggins As Senior Director Of Marketing
/by Caela GriffinMeg Goggins
Nashville-based independent record label Leo33 has hired Meg Goggins as Senior Director of Marketing, continuing to bolster their team.
Goggins hails from the east coast and started her career in television production for major networks before transitioning to Los Angeles’ music industry. Prior career stops include CAA, Legendary Entertainment, Big Deal Music, Seeker Music and acclaimed industry podcast And The Writer Is…. She most recently spent time at WMA, a global digital creative and marketing agency.
Throughout her career, Goggins has played a pivotal role from A&R research to unique marketing initiatives such as campaigns with Apple Music and Spotify. She contributed to launching writer-focused programs for Shungudzo, John Ryan, Julian Bunetta and Teddy Geiger. She has also worked on artist and brand marketing for Live Nation, Disney, Gwen Stefani, Leonard Cohen and a roster of emerging artists such as Saleka, Jennie Harluk, Riley Roth, Kaleb Sanders and Carter Faith.
“Meg brings a wealth of experience, innovative ideas, and a can-do attitude, making her a perfect fit for Leo33’s culture,” says Katie Dean, Head of Leo33.
“I am both thrilled and honored to embark on this exciting journey with Leo33,” shares Goggins. “My career has been shaped by a relentless passion for creativity as well as amplifying artists’ voices and I look forward to contributing to Leo33’s vibrant future.”
Reach Goggins at meg@leo33.com.
Encore Luxury Coach Leasing Acquires Nitetrain Coach Company
/by Lorie HollabaughEncore Luxury Coach Leasing team
Encore Luxury Coach Leasing has acquired Nitetrain Coach Company in Whites Creek, Tennessee.
The acquisition brings together the two entertainment coach leasing companies to provide an operational bandwidth with over 145 coaches within their fleet, making Encore one of the largest entertainment coach leasing company in North America.
“Having run a business with 70+ locations within the United States and over 400 employees, I am excited to bring those entrepreneurial skills from my original home base of North Carolina to Tennessee and work with the Nitetrain and Encore teams to create something special in the touring sector of the entertainment business,” says Encore President Amanda Stophel. “I have been building out an innovative business infrastructure that is unparalleled within the coach and entertainment industry and now, with this expansion finalized, I can’t wait to watch all of this unfold and work with the artists, managers, and business managers to deliver this fresh new approach to the touring side of the business.”
In the new deal, Encore’s Leasing operations will have offices in Phoenix, Arizona and Nashville, with over 85,000 square feet of maintenance facilities and over 25 maintenance technicians. The North Carolina conversion group operation will continue serving the company with unmatched custom-built coach interiors.
“I am excited about this new chapter for our company. There are a lot of people who have supported us and helped us achieve this milestone,” says Encore CEO Justin Ward. “We are forever grateful to them for that support and look forward to further strengthening those relationships as our company continues to grow. Encore is serving music with a relentless focus on delivering a premium to the clients we serve. We are excited about the strength this acquisition gives us in that pursuit.”
Encore’s touring clients include WWE, Nickelback, Thomas Rhett, Bailey Zimmerman, Ashley McBryde, Barenaked Ladies, Lauren Daigle, Ben Harper, Barry Manilow, Beck, Phish, Billy Strings, Big Time Rush, Blink 182, and many more.
Kylie Morgan Slates Debut Album ‘Making It Up As I Go’ For October
/by Lorie HollabaughEMI Records Nashville artist Kylie Morgan is releasing her debut album, Making It Up As I Go, on Oct. 13. The project’s title track is out now.
The 12-song album follows the success of Morgan’s breakout track “If He Wanted To He Would,” which is included on the project, along with recent singles “A Few Hearts Ago” and “Sugar Daddy.” She released the video for “Making It Up As I Go” last week as part of the exclusive Multi-Format Program with YouTube Music.
“This album is for the in-betweeners,” says Morgan. “The ones who pretend to have it all figured out but are still finding out where they want to go, who they want to be, and how to get there. Whether you’re a child who’s supposed to feel like a teenager, a teenager who’s supposed to feel like a grown-up or a grown-up that still feels like a child. We’re all just doing our best and I hope this is the soundtrack to your journey. Cause if we’re all being honest… we’re just makin’ it up as we go.”
Morgan is set to support Old Dominion on their “No Bad Vibes Tour,” which kicks off this week.
Making It Up As I Go Track Listing:
1. “Making It Up As I Go” (Kylie Morgan, KK Johnson, Jordan Minton)
2. “Class Rings” (Kylie Morgan, Ben Foster and Jack Newsome)
3. “Country Girl” (Kylie Morgan, Gabe Foust, Nate Kenyon and Lance Miller)
4. “Sugar Daddy” (Kylie Morgan, James McNair and Seth Mosley)
5. “Ladies First” (Kylie Morgan, Ben Goldsmith, Josh Jenkins)
6. “Happy Ever After Me” (Kylie Morgan)
7. “Bad Girlfriend” (Kylie Morgan, Emily Earle, Blake Hubbard, Jarrod Ingram)
8. “A Few Hearts Ago” (Kylie Morgan, Casey Brown, James McNair)
9. “Quarter Life Crisis” (Kylie Morgan)
10. “If He Wanted To He Would” (Kylie Morgan, Zandi Holup, Ben Johnson)
11. “Don’t Stay Gone Too Long” (Kylie Morgan, Nelly Joy, Jason Massey)
12. “Old Me” (Kylie Morgan, Megan Conner, Jeff Garrison)
Madison Parks Signs With Sea Gayle Music
/by Lorie HollabaughPictured (L-R, top row): Sea Gayle’s Kim Wiggins, Brandon Gregg, Kendra Smith and JD Groover; (L-R, bottom row): Sea Gayle’s Chris DuBois, Madison Parks and Sea Gayle’s Emily Craig
Singer-songwriter Madison Parks has signed a publishing deal with Sea Gayle Music.
The Georgia native’s love for music began early, and she penned her first original song at age ten. Parks’ latest track “Best Ones Do” was released in May, following her single “20 Something.”
“Madison is a great singer-songwriter who knows exactly who she is as an artist. She continues to impress in every writing session that she is a part of. I am excited to watch her grow and be a part of her journey,” says Chris DuBois, CEO of Sea Gayle Music.
“I am so excited to be a part of Sea Gayle. Everyone has felt like family from the moment I walked in the door, and I knew this is where I wanted to be. They are incredibly motivated, encouraging and genuine. This team shares the same vision I do moving forward as both a songwriter and an artist. I’m so grateful for their support and can’t wait to see what we accomplish together,” says Parks.
On The Cover: Jelly Roll Featured On 2023 MusicRow Awards Issue Cover
/by MusicRow StaffNashville’s leading music industry publication, MusicRow Magazine, has released its 2023 MusicRow Awards print issue, which highlights this year’s MusicRow Awards nominees in a range of categories, including Producer of the Year, Label Group of the Year, Talent Agency of the Year, Breakthrough Songwriter of the Year, Breakthrough Artist-Writer of the Year, Male Songwriter of the Year, Female Songwriter of the Year, Song of the Year, Discovery Artist of the Year, Breakthrough Artist of the Year, Female Artist of the Year, Male Artist of the Year, Group/Duo Artist of the Year and Entertainer of the Year.
The winners for the 35th annual MusicRow Awards will be announced virtually among multiple MusicRow platforms on Tuesday, Sept. 12, 2023. Presenting Sponsor of the 2023 MusicRow Awards is City National Bank. This print issue also honors the Top 10 Album All-Star Musicians Awards, which will also be announced on Sept. 12, recognizing the studio players who played on the most albums reaching the Top 10 of Billboard’s Country Albums Chart during the eligibility period.
“Now in its 35th year, the MusicRow Awards are Nashville’s longest running music industry trade publication honors and celebrate the achievements of songwriters, artists, producers and more,” says MusicRow owner/publisher Sherod Robertson. “With awards selected by insiders in the industry, it’s these nods from peers, who know first-hand what it takes to get to that level, that serve as a well-deserved pat on the back and recognition for a job well done.”
Stoney Creek Records’ genre-blending artist Jelly Roll graces the cover of the 2023 MusicRow Awards print issue.
Entertainment phenomenon singer-songwriter Jelly Roll independently built a remarkable career, under the radar and on his own terms. Since his days selling his mixtapes out of his car, he has been constantly releasing new music, touring relentlessly, consistently topping various charts, engaging a rabid fanbase and creating videos that have amassed more than four billion views on YouTube. He pairs deeply personal lyrics with music to create a sound that is therapeutic, raw and tackles the heaviness of life: Real Music for Real People With Real Problems.
Jelly Roll released his debut country project, Whitsitt Chapel, in June of 2023. It became the largest country debut album in Billboard Consumption chart history–earning the singer-songwriter another milestone after he topped Billboard’s Emerging Artists chart for more than 28 weeks, the longest reign for an artist in the chart’s existence. Jelly co-wrote all 13 tracks on the album, including his breakthrough viral single “Save Me”—a confessional, vulnerable expression of self-doubt—which has earned RIAA Platinum certification, as well as his multi-week chart-topping single, “Need A Favor.”
Born and raised in Nashville’s Antioch neighborhood, the former drug addict and dealer draws from his personal experiences to tell the story of a man who has been through the ringer and isn’t afraid to share his raw truth. The three-time CMT Award winning artist has had a history-making “breakthrough year” (American Songwriter), selling out the Ryman Auditorium as well as his hometown’s Bridgestone Arena, which he filled with over 18,000 fans, earning two No. 1s at country radio and multi-week hits at rock radio simultaneously, launching his 44-date arena “Background Baptism Tour,” and releasing an all-access documentary of his life at home and on the road, Jelly Roll: Save Me, on Hulu.
The 2023 MusicRow Awards print issue also delves into the sales, streaming and social media impact that major country music awards shows have on an artist’s career, and highlights the upcoming inaugural People’s Choice Country Awards.
In this issue, Lainey Wilson looks back on the past two years after receiving her first industry award—a MusicRow Award in 2021. The MusicRow Awards print issue also contains an informative roundup of all the awards applicable to the Nashville music industry.
Single copies of the 2023 MusicRow Awards print issue are available for purchase at musicrow.com for $20, and are included with yearly MusicRow subscriptions.
Remembering ‘Margaritaville’ Mogul Jimmy Buffett
/by Robert K OermannJimmy Buffett. Photo: Julie Skarratt
Jimmy Buffett, one of the biggest pop icons Music City ever produced, died Friday night (Sept. 1) at age 76.
The Nashville Songwriters Hall of Fame member parlayed his good-time, beach-bum persona into a business empire encompassing restaurants, hotels, resorts, bars, casinos, clothing, packaged food, spirits, books, outdoor furniture, home goods and merchandise. Much of it was branded “Margaritaville,” after the 1977 pop and country hit that was his signature song.
Despite its fame and inclusion in the Grammy Hall of Fame, “Margaritaville” was not Buffett’s biggest hit. “It’s Five O’Clock Somewhere,” a 2003 duet with Alan Jackson, topped the country hit parade and remained at No. 1 for eight weeks. He also scored a No. 1 country hit with 2011’s “Knee Deep,” a collaboration with the Zac Brown Band.
But Buffett’s career was not defined by hit records. Rather, it rested on his phenomenally successful concert tours. At his shows, throngs of fans wearing Hawaiian shirts and/or shark-fin hats tossed beach balls and sang along to songs that were never radio favorites. These perennially faithful devotees were dubbed “Parrotheads.”
Born on Christmas Day in 1946, Buffett was raised in Mobile, Alabama. He began playing guitar as a college student at Auburn University and was soon playing folk clubs. In 1969, Buffett moved to Nashville. He became a reporter at Billboard magazine while peddling his songs on Music Row. His big scoop as a journalist was breaking the news that Lester Flatt and Earl Scruggs were dissolving their bluegrass act. In 1971, he became the first artist to play the new Exit/In nightclub.
After recording two failed albums in Music City in 1970-71, Buffett accepted Jerry Jeff Walker’s invitation to come to Florida. The two became buskers on the streets of Key West, and Buffett decided to stay there. He returned to Nashville to record 1973’s A White Sport Coat and a Pink Crustacean and 1974’s Living and Dying in 3/4 Time. The latter contained “Come Monday,” his first pop hit.
“I was sort of a pioneer,” he observed. “I guess I was one of the few pop acts that came outta here. And I’m not a crossover act [from country music]. I’m my own thing.”
Between 1970 and 1985, Jimmy Buffett recorded 13 albums in Nashville. In 1975, he formed his Coral Reefers Band. Over the years, the group included such Nashvillians as Josh Leo, Mac McAnally, Vince Melamed and Tim Krekel with Marshall Chapman, Bergen White, Buzz Cason, Shane Keister, Kenny Buttrey, Reggie Young, Randy Goodrum and various other Nashvillians along for the ride at various shows. Music Row’s Don Light was Buffett’s first manager.
By the mid 1970s, the entertainer had developed his musical niche purveying island escapism and Caribbean sunshine. Working with Nashville producers Don Gant, Norbert Putnman, Jimmy Bowen and Tony Brown, as well as McAnally, Buffett issued a string of Platinum-selling albums that celebrated Boats, Beaches, Bars and Ballads, as the title of his Quadruple Platinum boxed set put it.
In 1983, he performed at Nashville’s Fan Fair country festival. The following year, he moved his song-publishing business to Nashville. So the income from “Volcano,” “Cheeseburger in Paradise,” “Why Don’t We Get Drunk (and Screw),” “Changes in Attitudes, Changes in Latitude,” “Fins,” “Son of a Son of a Sailor,” “Coconut Telegraph,” “One Particular Harbor” and the rest of his catalog was managed by Cason’s Southern Writers Group. Buffett’s songs have been recorded by such country stars as Waylon Jennings, Merle Haggard, Tompall & The Glaser Brothers, Willie Nelson, Clint Black, Lefty Frizzell and Crystal Gayle.
“Nashville is the last place where a good melody and a good lyric are appreciated and can be a commercial success,” he said. “I’ve always maintained close friendships with everyone I’ve been involved with in Nashville… I have a lot of roots here and made a lot of records here over the years.”
In 1991, he bought a home in Music City. Then, beginning in 1992, Music Row became the home of his record labels, Margaritaville Records and Mailboat Records.
His songs appeared on the soundtracks of the films Rancho Deluxe, FM, Goin’ West, Summer Rental, Fast Times at Ridgemont High and Urban Cowboy. He did cameo appearances in a number of movies and had a recurring role as a helicopter pilot on TV’s Hawaii Five-O in 2011-2020.
His books have all made the New York Times best-sellers lists. They have included Tales From Margaritaville (short stories), Where Is Joe Merchant (a novel), A Pirate Looks at Fifty (a memoir) and A Salty Piece of Land (a novel). Buffett also wrote two musicals and two children’s books.
He co-owned two minor-league baseball teams and three retirement communities. He had his own cannabis brand, as well as a video game. He owned luxury real estate in five states. According to Forbes, he was worth more than $1 billion.
In 1993, Jimmy Buffett played the Tennessee Ball at the Bill Clinton inauguration. A lifelong Democrat, he campaigned for Hillary Clinton in 2016. He was an avid supporter of nature conservation. Buffett was a major donor to the Gulf Specimen Marine Laboratory, and in 1987 he’d lobbied for the reauthorization of the Endangered Species Act.
Back in Nashville, he recorded a 1999 duet version of “Margaritaville” with Alan Jackson, which returned him to the country charts. In 2003, he won his first music-industry honor, a CMA Award for the team’s “It’s Five O’Clock Somewhere.” The CMA also nominated him for 2004’s “Hey Good Lookin,” a collaboration with Kenny Chesney, George Strait, Toby Keith and Jackson. Buffett’s ties to Music City were underscored in 2004 when he returned to town for his induction into the Nashville Songwriters Hall of Fame.
That is the same year that he resumed recording in Nashville. His album License to Chill on his Mailboat label, featured collaborations with Clint Black, Nanci Griffith and Bill Withers, as well as Strait, Chesney, Keith and Jackson. The collection hit No.1 on the country charts, and its “Trip Around the Sun” duet with Martina McBride became a top-20 country hit.
“This is where I belong,” he decided. “I don’t think I’ve changed that much, but Nashville sure has….There’s more room for versatility than there ever was before, more room to fluctuate musically than in any other form of music….All kinds of people are coming back into this town, from musicians to producers to writers.
“All I’m doing is following my market. I am as old as the people who like me….Finally, it’s gotten to the point where people don’t ask me what it is that I play anymore. They say I’m uncategorized; and to that I say, ‘Thank you.’
“I don’t care what you call it, it’s still folk. I don’t want to give up my acoustic guitar. We’re folky, but you can call it anything you want to.”
In 2005, his Songs You Know By Heart greatest-hits collection was certified by the RIAA for sales of seven million copies. In 2006-20, he issued five more studio albums. There is reportedly a sixth, tentatively titled Equal Strain on All Parts, that has yet to be released. He continued to tour and perform, almost to the end of his life. His last appearance was on July 2 at a McAnally show in Rhode Island.
In late August, Jimmy Buffett entered hospice care. He had an aggressive form of skin cancer and died of its complications at his waterfront estate in Sag Harbor on Long Island. According to his website and social media, he was “surrounded by family, friends, music and his dogs.
“He lived his life like a song till the very last breath and will be missed beyond measure by so many.”
Jimmy Buffett is survived by his wife Jane, son Cameron Marley, daughters Savannah Jane and Sarah Delaney, two grandchildren and two sisters. Funeral arrangements have not been announced.
The family has asked that donations be made in his name to the foundation Singing for Change, to Brigham and Women’s Hospital and the Dana-Farber Cancer Institute, both in Boston, and to the MD Anderson Cancer Center in Houston.
Dierks Bentley’s Live At Red Rocks To Stream Globally
/by Lorie HollabaughOne of Dierks Bentley‘s upcoming shows at the iconic Red Rocks Amphitheater on Sept. 5 will be available to stream live to fans across the world on Veeps.com.
The live stream will also be available on the Veeps app, Roku, Apple TV, iOS, and Android starting at 10 p.m. CT.
Across the two night stint Sept. 5-6, Bentley will welcome opening acts Ashley McBryde, The Red Clay Strays, Harper O’Neill, The Infamous Stringdusters, Tanner Usrey and Kaitlin Butts.
Over the past three months, Bentley and his “Gravel & Gold” tour have welcomed a multitude of special guests, including Jordan Davis, Elle King, Ashley McBryde, Tracy Lawrence, Tyler Braden, Caylee Hammack, Kameron Marlowe, Caitlyn Smith, Hailey Whitters, The Cadillac Three, Molly Tuttle & Golden Highway, The Red Clay Strays, Shane Smith & The Saints.
Vince Gill & Paul Franklin Honor Ray Price On ‘Sweet Memories’ Album [Interview]
/by LB CantrellPaul Franklin and Vince Gill
10 years after the two musicians came together to release Bakersfield, their tribute album to heroes Buck Owens and Merle Haggard and their bands, multi-talented singer-songwriter Vince Gill and lauded steel guitar wizard Paul Franklin have come back together to honor another musical giant and his band, Ray Price & The Cherokee Cowboys.
Price, a member of the Country Music Hall of Fame, was an essential figure in country music in the 1950s and ’60s. He impacted the genre with hits such as “Crazy Arms,” “City Lights,” “Heartaches by the Number,” “I Won’t Mention It Again” and “For the Good Times.”
Six years following Price’s death in 2013, Gill and Franklin began recording tracks for the album. Both of them had recorded with the legend before. In 2002, Gill sang harmony on “What If We Say Goodbye” for Price’s album, Time, as well as on “Heartaches By the Number” for 2007’s Last of the Breed. Gill and Franklin both worked on Price’s Beauty Is: The Final Sessions in 2013. Franklin also recorded with Barbara Mandrell when Price joined her in 1990 for a version of “Crazy Arms.”
“He was a real gentleman,” Franklin tells MusicRow. “We both got to play on his last record. He was having his health issues, but he was so courteous. He was such a nice man.”
Gill says, “It’s rare for someone to keep their voice until the end of their life. He was still singing like Ray Price until the end. It was magical.”
Gill points out that Price had a unique gift for phrasing in his vocal delivery, which is one of many of Price’s attributes that have inspired the Hall of Fame singer. “He sang like no one else. That’s what people yearn for these days, to hear a singer and know who it is right away,” he shares.
For the track list, Gill and Franklin wanted to expand their material deeper than Price’s hits to reimagine. In fact, Sweet Memories includes some songs that the two heard for the first time in the searching process. They had help from one of country music’s most vibrant minds, former Grand Ole Opry announcer, WSM disc jockey and music scholar Eddie Stubbs.
“We landed on the possibility of not doing the obvious choices,” Gill says. “People may ask why we didn’t do certain songs, but it was because they’ve been done. Why wouldn’t you dig a little deeper?”
“Eddie has one of the deepest wells in town. He kept bringing songs, I learned so much about Ray Price,” Franklin says.
With Stubbs informing the tune selection, Gill and Franklin reimagined Price’s “One More Time” (originally recorded in 1960), “I’d Fight the World” (1966), “You Wouldn’t Know Love” (1970), “Walkin’ Slow (And Thinking ‘Bout Her)” (1962), “The Same Two Lips” (1967), “Weary Blues from Waitin’” (1951), “Kissing Your Picture (Is So Cold)” (1958), “Sweet Memories” (1971), “Danny Boy” (1967), “Your Old Love Letters” (1965) and “Healing Hands of Time” (1966).
In addition to bringing lesser-known Price songs out of the history books, it was special to the men that they were able to highlight the work of such songwriters as Hank Williams, Mel Tillis, Hank Cochran, Joe Allison, Dave Kirby, Bobby Bare, Marty Robbins, Wayne Walker, Mickey Newbury, Willie Nelson, Lance Guynes, Fred Weatherly and Price, himself.
“Back then, you might release three albums in a year because they basically sold their product from the stage. So you had young Roger Miller, Mel Tillis, Willie Nelson, Harlan Howard, Hank Cochran and all these iconic writers writing so many songs,” Franklin says. “In that whole library of his discography, therein lies incredible songwriting.”
When it came to the recording of the project, it was important that the men did not do sound-alike records, which is something Gill learned when making a record with Rodney Crowell. The two were covering Buck Owens‘ “Above And Beyond,” and stuck close to the original recording.
“Buck heard it and said, ‘You didn’t change one note.’ We did it pretty verbatim. They’re both worthy, but what are you going to prove doing a note-for-note adaptation of something somebody’s already done?
“I don’t sound like Ray Price,” he adds. “I can emulate him, and I did in small doses. I think that’s just right, to take the spirit of it but don’t overkill it.”
Gill points out that something that he learned from making this record is Price’s mastery of editing himself.
“He was so patient and reserved as a singer. Even though he could go up and bust that high note, he didn’t do it nine times in the song—he did it once. He was patient,” Gill says. “As a young musician, I learned a valuable lesson. I played a solo on something and [the engineer] said, ‘That was nice. Now play me half of what you know.’
“That’s what everybody who is worth their weight do: they edit themselves. You gather yourself with musicians that know what not to do. Everybody gets to have that freedom to be sparse and patient,” Gill says. “Ray was not in a hurry to show you how great he could sing.”
Ultimately, Gill and Franklin hope that their selections of Price’s extensive catalog shines a lot on the vibrancy of country music in the ’50s and ’60s.
“If a young musician hears Vince or me on a record and love it, hopefully they dig in deeper and they’ll hear us talking about all these greats,” Franklin says.
“The beautiful thing about our musical history is that you can keep tracing it back further and further. Country music has been recorded now for close to 100 years, and it’s evolved quite a bit,” Gill shares. “It’s healthy that it changes. If it was the same thing over and over, it would wear thin.”
Click here to listen to Gill and Franklin’s Sweet Memories: The Music of Ray Price & The Cherokee Cowboys.