Rock Nashville Production & Rehearsal Facility To Open In 2025

Rock Nashville, a new destination entertainment rehearsal and production facility, is slated to open in 2025.

Commercial real estate developer Al. Neyer and Pennsylvania-based production campus and rehearsal venue Rock Lititz are developing the 82-acre space in Whites Creek, Tennessee, less than 10 miles from downtown Nashville. Construction began last month.

The planned Rock Nashville campus will consist of 515,000 square feet of sound stages with one up to 95 feet tall as well as creative offices and production areas of multiple sizes to accommodate the varying specifications for live shows. Details regarding the project timeline, design concepts and partnership opportunities will be announced in the coming months.

“As we approach 10 years since Rock Lititz opened its doors, we’ve been eager to find the next space and partner for expanding our support for the live entertainment industry,” says Andrea Shirk, Rock Lititz President & CEO. “This unique and hardworking community thrives with access to specialized training, mentoring and resources to help create custom live experiences for audiences worldwide. It is with great excitement that we’ve identified Nashville and Al. Neyer as the right city and partner. We are passionate about growing this network, and Nashville is the perfect location to join with other industry leaders to create something special.”

Confirmed future tenants SoundCheck and Clair Global will be the first of over 30 industry vendors and entertainment groups to utilize the live music and event production space.

“SoundCheck has been part of the Nashville entertainment community for over 30 years, and we couldn’t be more excited to make Rock Nashville our new home,” says Kindal Jumper, SoundCheck GM. “As Music City continues to grow as a premier destination for all genres of music, the campus’s state-of-the-art facilities will allow SoundCheck to meet the growing needs of today’s acts, ensuring the highest caliber production experience for artists and crews from Broadway to Bridgestone.”

Rissi Palmer Rereleases 2007 Debut Album On Streaming Platforms

Rissi Palmer is rereleasing her self-titled debut album from 2007 on streaming platforms.

The reissue was made possible by Invasion Merch, a new merchandising company that seeks to empower independent artists. The remixed collection includes all 12 of the album’s original songs as well as three bonus tracks, also released in 2007, as an EP for Starbucks: “Roots & Wings,” “No Air” and “Remembering You.”

Rissi Palmer made history 17 years ago by featuring the first charting country song by a Black female artist in two decades.

“As an artist, having the freedom to express oneself creatively and autonomously is paramount. Reissuing this album on my own terms is a dream come true,” says Palmer. “I hold immense affection for this album and look forward to new audiences finding it and loving it too.”

The artist has released three independent albums ,and received two Grammy nominations in the Best Children’s Music Album category. Palmer also hosts Color Me Country Radio with Rissi Palmer on Apple Music, where she champions the diverse contributions of people of color to country music.

Rissi Palmer Track Listing:

1. Hold On To Me
2. Country Girl
3. No Air
4. Anybody Out There
5. Hurt Don’t Know When To Quit
6. Mr. Ooh La La
7. All This Woman Needs
8. Flowers On My Window Ledge
9. Leavin’ On Your Mind
10. Butterflies
11. Sweet Contradictions
12. Love You Like A Woman
13. I’m Not Afraid Of This World
14. Roots And Wings
15. Remembering You

Roy Carter, DelFest & High Sierra Festival Co-Founder, Dies

Roy Carter

Roy Carter, one of the original founders of the High Sierra Music Festival and DelFest, passed away of congestive heart failure on April 29. He was 68.

Carter got his start in the business doing publicity for clubs and venues, and creating recycling programs for festivals and music events. In 1991 he and three other partners started High Sierra Music Festival in Leland Meadows, California. The festival pioneered featuring rock, acoustic, bluegrass, jazz and folk all together in one weekend.

High Sierra Music Festival nurtured the burgeoning jam scene, helping boost the careers of acts such as the String Cheese Incident, Leftover Salmon, Yonder Mountain String Band, the Slip, Sound Tribe Sector 9, Umphrey’s McGee and many others. Carter had a keen eye for talent, and was known for booking bands very early in their careers such as Billy Strings, the Revivalists, Avett Brothers and the Lumineers.

Carter is survived by his wife, Carla, and daughter, as well as his sister Anne and brother Bob. In lieu of flowers, Carter requested donations to the American Heart Association or a local food bank.

DISClaimer Single Reviews: Travis Denning & Mickey Guyton Share Disc Of The Day

Travis Denning, Mickey Guyton

The sun is shining, and there’s a spring in your step, so the country stars are here to get your feet tapping, too.

New tracks by Miranda Lambert, Willie Nelson, Elle King and a Darius Rucker/Jennifer Nettles collaboration set the pace this week in DISClaimer.

Our male winner of the Disc of the Day prize is Travis Denning, and his winning female counterpart is Mickey Guyton. Each had tough competition via the new tracks by Tim Dugger and Lacy J. Dalton, respectively.

I have no DISCovery honoree this week. But we live in hope.

RYAN CHARLES / “Heartbreak Rodeo”
Writer: Ryan Charles; Producers: Kyle Jefferson/Austin Bianco; Label: River House Artists
– This nasal-sounding rapper is attempting a hip-hop country fusion. I’m not buyin’ it. It takes more than putting on a cowboy hat to be a country artist.

JOSH TURNER / “Heatin’ Things Up”
Writers: Brice Long/Luke Laird/Marv Green; Producer: Kenny Greenberg; Label: MCA Nashville
– Turner dips into his lowest register during his performance of this slow-burn ode to lust. Nice and listenable.

TIM DUGGER / “Man Upstairs”
Writers: Brandon Hood/Josh Thompson/Tim Dugger; Producer: Brandon Hood; Label: Curb Records
– I like the easy-going, kicked-back vibe of this neo-traditionalist’s love song. It has a summertime, front-porch-swing mood that is mighty attractive. The gently persuasive, less-is-more production is perfect.

DARIUS RUCKER & JENNIFER NETTLES / “Never Been Over”
Writers: Darius Rucker/John Osborne/Lee Thomas Miller; Producer: Ross Copperman; Label: Capitol Records Nashville
– The relationship has had its ups and downs, but through it all, they endure. Rucker takes the first verse and his phrasing dominates. Nettles enters, piercingly, then he joins her in a duet. She takes the harmony part, but does some dandy extemporaneous vocal licks, too. Well done, both of you.

ELLE KING / “Baby Daddy’s Weekend”
Writers: Elle King/Nicolette Hayford; Producers: Elle King/Dave Cohen; Label: RCA Records
– King’s on a rompin,’ stompin’ rampage on this rousing, summer-vacation anthem. Her buddies are shouting along while the guitars and drums rock out.

WILLIE NELSON / “Made In Texas”
Writers: Monty Holmes/Shawn Camp; Producer: Buddy Cannon; Label: Legacy Recordings
– Willie turned 91 on Monday. He also released a new track. Drawn from his upcoming album The Border, it’s a jaunty western swinger that has shout outs to Bob Wills, Ernest Tubb and Lone Star Beer. Not to mention the immortal line, “You can always tell a Texan/But you can’t tell him much.” Cool extended guitar workouts flavor the tune. And a good time was had by all.

GRANT GILBERT / “Drunk Since Dallas”
Writers: Forrest Finn/Grant Gilbert/Joe Whelan; Producer: Lukas Scott; Label: River House Artists
– Hillbilly heartache, set to a wildly percolating, bopping beat.

MIRANDA LAMBERT / “Wranglers”
Writers: Audra Mae/Evan McKeever/Ryan Carpenter; Producers: Miranda Lambert/Jon Randall; Label: Republic Records
– It’s a female-empowerment, revenge roar. She always did love to light stuff on fire, but alas, “wranglers take forever to burn.”

TRAVIS DENNING / “Add Her To The List”
Writers: Paul DiGiovanni/Bobby Pinson/Jeremy Stover; Producers: Paul DiGiovanni/Jeremy Stover; Label: Mercury Nashville
– He has run into the ditch, hit dead ends, taken wrong turns and screwed up many, many times. Not the least of the things he wishes he could fix is the relationship. So of all the wrongs he’d make right, you can “add her to the list.” Marvelously well written and performed with verve. This deserves massive airplay.

MICKEY GUYTON / “Scary Love”
Writers: Karen Kosowski/Emma-Lee/Mickey Guyton/Victoria Banks; Producer: Karen Kosowski; Label: Capitol Records Nashville
– Guyton is such an excellent singer. And with a piece of material this strong, she can really raise the rafters. The pounding, throbbing production matches her passionate performance of this inspirational motherhood lyric. The video features beyond-adorable footage of her baby as an infant and as a toddler. Your heart will melt.

LACY J. DALTON / “What Don’t Kill Ya!”
Writer: Lacy J. Dalton; Producer: Jimmy Norris; Label: StarVista Music
– To the accompaniment of a bluesy, twanging track, veteran Dalton struts through this slice of outlaw wisdom. No matter the difficulty you face in your life, face it and you’ll survive. Punchy and potent. One of the most charismatic voices in this genre still has the goods. And how.

TERRI CLARK & BEN RECTOR / “Now That I Found You”
Writer: J.D. Martin/Paul Begaud/Vanessa Corish; Producer: Terri Clark; Label: Universal Music Enterprises
– Clark’s album of celebrity duets drops on May 31. Titled Take Two, it includes her collaborations with Lainey Wilson, Kelly Clarkson, Carly Pearce (”Girls Lie Too”), Cody Johnson, Ashley McBryde (”Better Things to Do”), Lauren Alaina and more. Clark is in fine voice on this swoon-y ballad. Rector doesn’t have her magnetism, but is an able duet foil on the romantic, melodic reinterpretation of her 1998 hit.

Big Machine Label Group Partners With GSTV To Provide Exclusive Content

Big Machine Label Group (BMLG) has partnered with on-the-go video network GSTV, which reaches audiences across tens of thousands of fuel retailers, to provide exclusive musical content.

The partnership will launch with the Sound Bites Powered by Big Machine series, giving customers at over 29,000 locations nationwide behind the scenes looks, new music previews and more from the label group’s roster including Sheryl Crow, Tim McGraw, Thomas Rhett, Carly Pearce and Jackson Dean as well as its latest addition Mötley Crüe, among others.

Brands will also have the opportunity to work with the label group’s artists and music in new ways through the partnership, such as participating in the Big Machine Label Group x CMA Fest 2024 while engaging with GSTV’s more than 115 million viewers each month.

“Our audience of drivers inherently loves music, and we’re thrilled to partner with Big Machine Label Group, one of Nashville’s biggest and best labels, to engage our viewers with beloved artists and encourage discovery of new music while on the road,” says Kristina Lutz, EVP, Marketing, GSTV. “Our partnership also brings robust opportunities for our brand partners to engage with Big Machine’s roster of talent in an unexpected and impactful way during a powerful moment of attention and consideration. This is great for viewers, for artists and for our retail and brand partners—a true win/win/win.”

“GSTV has such an incredible reach—especially with the power of a captive audience. We’re excited for all of the possibilities this partnership creates in addition to rolling out the new content series,” notes Clay Hunnicutt, EVP, Label Operations, Big Machine Label Group. “We love being able to treat the millions of music lovers that stop at GSTV locations across the U.S. to fresh, fun content and music from their favorite artists…and maybe even introduce them to their next favorite artist or song.”

Megan Moroney Slates Anticipated Sophomore Album For July

Megan Moroney’s Am I Okay?. Photo: CeCe Dawson

Country breakout star Megan Moroney has revealed that her sophomore album, Am I Okay?, will release on July 12 via Sony Music Nashville/Columbia Records. The project follows her blockbuster debut album Lucky.

Moroney, who recently surpassed a billion total global streams across all platforms, will share a taste of the album on Friday (May 3) with new track “Indifferent.” Other songs on the tracklist include “No Caller ID” and “28th Of June,” with the rest of the tunes having not been announced.

 

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Am I Okay? finds Moroney sharpening her penmanship and sharing more of her personal story, digging deeper into the sound that has earned her the nickname “emo cowgirl.” The album was produced once again by Kristian Bush, who has helmed production for all of her work.

With hits including double-Platinum, No. 1 breakout single “Tennessee Orange,” her cheeky “I’m Not Pretty” and her reflective “Girl In The Mirror,” Moroney recently emerged as the most-nominated female artist at the 2024 ACM Awards with six nods. She is up for Female Artist of the Year, New Female Artist of the Year, Song of the Year (“Tennessee Orange”), Visual Media of the Year (“Tennessee Orange”) and Music Event of the Year (“Can’t Break Up Now,” her collaboration with Old Dominion) at the show on May 16.

Artists & Industry Professionals Gather For Grammys On The Hill

Pictured (L-R): House Democratic Whip Katherine Clark, Sheryl Crow and Recording Academy CEO Harvey Mason Jr. Photo: Courtesy of the Recording Academy/Getty Images

Grammy winners, nominees and industry leaders visited Washington D.C. this week for Grammys on the Hill.

Artists in attendance included Patti Austin, Lauren Daigle, Kenyon Dixon, Sara Gazarek, J. Ivy, Rapsody, Mark Ronson and Leon Thomas. Leaders of the Recording Academy Harvey Mason Jr. (CEO), Panos A. Panay (President), Todd Dupler (Chief Advocacy & Public Policy Officer) and Tammy Hurt (Chair of the Board of Trustees) were also present.

The War and Treaty. Photo: Courtesy of the Recording Academy/ Getty Images

The program began on Tuesday night (April 30) with the Grammys on the Hill Awards. Hosted by singer and actress Candiace Dillard Bassett, the awards honored nine-time Grammy winner Sheryl Crow, Sens. John Cornyn (R-TX) and Amy Klobuchar (D-MN). All three were presented with an award for their contributions and support of music creators.

During the award ceremony, several artists performed including Crow, Daigle, ArkaiDwan Hill and The War and Treaty.

On Wednesday (May 1), attendees began the day by meeting with members of congress, including Senate Majority Leader Chuck Schumer (D-NY), Sen. Marsha Blackburn (R-TN), House Majority Leader Steve Scalise (R-LA), House Democratic Leader Hakeem Jeffries (D-NY), House Democratic Caucus Chair Pete Aguilar (D-CA) and House Foreign Affairs Committee Chairman Michael McCaul (R-TX). Conversations focused on the No AI FRAUD Act, the No FAKES Act, the Fans First Act and the TICKET Act.

To wrap up the day, they visited the White House for time to talk with top Biden administration professionals surrounding the issues music creators are facing today.

The week will culminate on Friday (May 3) with the innaguaral Grammys on the Hill Future Forum. Held in partnership with the Human Artistry Campaign, the event will dive into the impact of AI on the music community with a industry leader panel.

Vincent Mason Signs With WME

Pictured (L-R): WME’s Braeden Rountree, Carter Green, Adam Fisher, Vincent Mason, and Champ Management’s Matt Musacchio, Kyle Marsh   Photo: Courtesy of WME

Singer-songwriter Vincent Mason has signed with WME for global representation in all areas.

The rising artist grew up in Roswell, Georgia, and was inspired early on by movie soundtracks and how each song fit perfectly into the storyline. Fusing influences such as Parker McCollum and John Mayer, he meshes southern country with his pop sensibilities into a fresh new sound that’s becoming popular in the genre. His track “Hell is a Dance Floor” has already amassed over 12 million streams and has recently been added to SiriusXM’s The Highway.

Mason has been on the road opening for McCollum, Ashley Cooke and Niko Moon, and is set to open for Gavin Adcock on several dates and make his CMA Fest debut this summer.

“Vincent’s fresh approach to songwriting and unique sound has already made him a standout in our genre and WME is thrilled to be part of the team,” share his WME reps.

“The first time I met the team at WME, I felt their belief in me and knew they were ready to get to work. Since then I’ve had the opportunity to play some incredible shows and I’m excited for what’s next,” says Mason. “I’m blessed to have them on my team!”

Guitar Icon Duane Eddy Passes

Duane Eddy. Photo: Courtesy of the Country Music Hall of Fame and Museum’s archive

Rock ’n’ roll Hall of Fame member Duane Eddy has died at age 86.

The Grammy Award-winning instrumentalist was famed for a series of reverb-heavy, twang-drenched recordings of the 1950s and 1960s. Easily the most prominent of the early rock guitarists, he influenced hundreds of stylists, including Georg Harrison, The Ventures, The Shadows, Jimi Hendrix, Jeff Beck, Bruce Springsteen and Ry Cooder. A Nashville resident for more than 40 years, Duane Eddy was the most successful solo rock instrumentalist in history.

He was born in Corning, New York in 1938 and was playing guitar by the age of five. He debuted on local radio when he was 10. In 1951, the family moved to Arizona. Four years later, he began working with producer Lee Hazelwood, who shaped his distinctive style. Long before Hazelwood discovered Gram Parsons and worked with everyone from Nancy Sinatra to Ann Margret, Duane Eddy was the star maker’s first project.

Eddy and Hazelwood had their first recording session in 1956. Working in Phoenix, they crafted “Movin’ N Groovin,” “Rebel Rouser,” “Ramrod” and “Cannonball,” all of which hit the pop charts in 1958. Late that year, Have Twangy Guitar Will Travel was issued as Eddy’s debut LP.

His distinctive sound incorporated reverb-enhanced melodies played on the bass guitar strings, hand claps, rebel yells and saxophone wailing. His shy demeanor and striking good looks made him a teen heartthrob. Rock ‘n’ roll kingmaker Dick Clark featured him on his national American Bandstand TV series more than any other artist. He also put Eddy on the road in his famous “Caravan of Stars” rock ’n’ roll touring troupes. Unknown to the guitarist, Clark had a financial interest in Jamie Records, Eddy’s label.

Eddy’s band The Rebels featured such standouts as Al Casey, Steve Douglas, Jim Horn, Larry Knechtel, Plas Johnson and pioneering female instrumentalist Corky Casey. All of them later became topnotch L.A. session musicians.

Beginning in 1959, Duane Eddy’s records were massive successes in England, usually surpassing their U.S. chart peaks. “The Lonely Ones,” “Yep,” “Peter Gunn Theme,” “Forty Miles of Bad Road,” “The Quiet Three,” “Some Kind-a Earthquake” and “First Love, First Tears” all became U.K. hits that year, as did his second LP, Especially For You.

In an era when few teen artists issued LPs, Duane Eddy stood out. In 1960, he issued The Twang’s the Thang, his groundbreaking “unplugged” album Songs of Our Heritage and $1,000,000 Worth of Twang. The following year’s LP was Girls! Girls! Girls!, featuring him posing on the jacket with teen queens Brenda Lee and Annette. The hit singles continued with “Bonnie Came Back,” “Kommotion” and “Shazam!” The last named was drawn from the soundtrack of the Tuesday Weld movie Because They’re Young. Eddy also scored a hit with the film’s title tune. In addition, Duane Eddy and The Rebels appeared in Because They’re Young.

He moved to Los Angeles. Film soundtrack work continued with 1961’s “Ring of Fire,” which became a U.K. hit. It was the title tune of a David Janssen movie, which the guitarist scored. Some of his biggest hits were drawn from film or TV soundtracks, including Peter Gunn, Pepe, Gidget Goes Hawaiian and The Ballad of Palladin (Have Gun Will Travel).

In addition to 1960’s Because They’re Young, Duane Eddy appeared in A Thunder of Drums (1961), The Wild Westerners (1962), The Savage Seven (1968), The Kona Coast (1968) and Sing a Country Song (1973). He also appeared in two episodes of the hit TV western series Have Gun Will Travel.

In 1962, he married Phoenix singer-songwriter Miriam Johnson, his second wife. Following their 1968 divorce, she became Jessi Colter, married Waylon Jennings, moved to Nashville and had hits including 1975’s “I’m Not Lisa.”

Duane Eddy’s flurry of albums of the early 1960s included Twistin’ and Twangin’ (1962), Twangy Guitar Silky Strings (1962), $1,000,000 Worth of Twang Vol. 2 (1962), Twistin’ With Duane Eddy (1962), In Person (1963), Twangin’ Up a Storm (1963), Surfin’ With Duane Eddy (1963), Lonely Guitar (1964), Water Skiing (1964) and Twangin’ the Golden Hits (1964).

“Theme From Dixie,” “Drivin’ Home” and “My Blue Heaven” closed out his tenure with Jamie Records. He signed with RCA. The label teamed him with The Rebelettes (actually Darlene Love & The Blossoms), and he enjoyed a sting of 1962-63 singles with “Dance With the Guitar Man,” “Boss Guitar,” “Lonely Boy, Lonely Guitar” and “Your Baby’s Gone Surfin.’”

He also embarked on a series of “theme” albums. These included Twang a Country Song (1963), Duane A Go Go Go (1965), Duane Eddy Does Bob Dylan (1965) and The Roaring Twangies (1967).

By the close of the 1960s, Duane Eddy had placed 30 titles on the pop charts and had sold an estimated 100 million records worldwide. In 1972, he joined B.J. Thomas and The Blossoms on the hit single “Rock and Roll Lullaby.” The following year, he produced Phil Everly’s album Star Spangled Springer,” which contained the future Hollies hit “The Air That I Breathe.”

In 1975, Eddy scored a huge international hit with “Play Me Like You Play Your Guitar.” In 1977, he appeared on the country charts with “You Are My Sunshine,” featuring vocals by Willie Nelson, Waylon Jennings, Kin Vassy and his wife, Deed Eddy. In the wake of this encouragement, the couple moved to Nashville.

Duane Eddy returned to touring in the 1980s. His band at the time featured his admirer Ry Cooder on guitar. In 1986, a version of “Peter Gunn” recorded with The Art of Noise became an international hit and earned him a Grammy Award. His 1987 comeback album included appearances by Cooder, Paul McCartney, Jeff Lynne, John Fogerty, George Harrison, James Burton, David Lindley and Steve Cropper.

During the 1990s, Duane Eddy’s music appeared on the soundtracks of such prominent films as Forrest Gump, Natural Born Killers, Broken Arrow, Milk Money and Scream 2. His guitar collaboration with Doc Watson earned a country Grammy nomination in 1995.

Duane Eddy was inducted into the Rock ’n’ Roll Hall of Fame in 1994. His influence continued when the Gretsch Guitar Company issued its Duane Eddy 6120 Signature Model, based on his specifications, in 1998. The Paul Revera Company issued its Duane Eddy Model amplifier the following year. In 2004, Guitar Player magazine honored the guitar superstar with its Legend Award. In 2008, he was inducted into the Musicians Hall of Fame. Eddy appeared at the 2014 Stagecoach festival. Nashville admirer Dan Auerbach (The Black Keys) enlisted Duane Eddy for his 2017 solo album Waiting on a Song.

The legendary guitarist died on Tuesday, April 30, after a battle with cancer. He survived by his wife Deed Abbate Eddy and by four children, five grandchildren and nine great grandchildren. He is also survived by a sister. Funeral arrangements have not been announced.

Industry Ink: Lizzie Greene, Bill Anderson, CAA, Jake Angel, Bandit Lites

Black River Entertainment Hires Lizzie Greene

Lizzie Greene

Black River Entertainment has hired Lizzie Greene as Manager, Digital Marketing in an expansion of the company’s digital department. Announced by Black River’s Senior Director, Streaming & Revenue, Grace Watson, Greene will lead the development and implementation of all digital marketing strategies for Black River’s roster.

Greene brings a wealth of experience to Black River, having previously worked with companies such as Beautiful Digital, Crowdsurf and TikTok. In her previous roles, she managed global clients and artist accounts, promoting audience interaction and increased engagement.

“I’m thrilled to have Lizzie join our team here at Black River,” expresses Watson. “Her expertise in the digital marketing space will be a great asset to our company and the continued development of our artists.”

“I’m delighted to be joining the Black River Entertainment team and working under the guidance of Gordon Kerr, Rick Froio, and Grace Watson,” shares Greene. “I’m eager to work alongside the team to create strategic digital campaigns for Black River’s artists!”

 

Bill Anderson Honored With Lifetime Achievement Award

Pictured (L-R) Dr. David Godbold and Bill Anderson. Photo: Lee Willard

Legendary Country Music Hall of Fame and Songwriters Hall of Fame member Bill Anderson was honored with yet another accolade on Thursday (April 25). The South Carolina Entertainment and Music Hall of Fame presented Anderson with the first ever Dr. David Godbold Lifetime Achievement Award.

The award, named after Hall of Fame founder Dr. David Godbold, recognizes an artist who has previously been inducted and has achieved significant national access in the field of music or entertainment.

“What a thrill it was to go back to the state where I was born and receive the first Lifetime Achievement Award ever given to a member of the South Carolina Entertainment and Music Hall of Fame,” Anderson shares. “I appreciate the efforts of Dr. David Godbold and his staff for keeping alive the music and accomplishments of entertainers and musicians with roots in South Carolina. I told the audience in my acceptance speech that Bill Anderson has never ceased to be proud that he’s from South Carolina and that it’s nice to know South Carolina hasn’t forgotten Bill Anderson as well.”

 

CAA Hosts Brunch At Stagecoach 2024

Flying Mojito Bros, Jacob Lapidus

Creative Artists Agency celebrated Stagecoach with a star-studded brunch in Indio, California on April 27.

The event brought together CAA agents, executives, clients and friends along with executives Rich Schaefer from AEG, Big Loud’s Greg Thompson, Left/Right’s John Meneilly, Spotify’s Jeremy Erlich, Range’s Matt Graham and more.

The festival featured a plethora of CAA performances including Jelly Roll, Maddie & Tae, Nickelback, Leon Bridges, Hailey Whitters, Charley Crockett, Willie Nelson and more.

 

Jake Angel Inks With Kobalt

Pictured (L-R): Kevin Lane and Jake Angel

Beat-maker Jake Angel has signed an exclusive worldwide agreement with Kobalt. Amassing over 400 million global streams across his catalog, the Leeds, UK native, known under the moniker Jake Angel Beats, has had his beats used by the likes of Chase Matthew, NBA YoungBoy, Jay Webb, Traphouse Koda, Dixon Dallas, Jamie Ray and more.

 

Bandit Lites Taps Matt Day As Human Resources Director

Matt Day

Bandit Lites has hired Matt Day as its new Human Resources Director. Joining the company with nearly two decades of human resources experience, Day will lead the human resources department, enhance employee engagement and streamline the company’s operations.

“I personally oversaw the process as the HR position is so vitally important to Bandit, as it is every firm,” says Bandit Lites Chair Michael T. Strickland. “We had to have a top notch, highly qualified and very respected person. Matt is just that person. I know he will be a great team member for years to come and I am proud to work beside him. Thank you for joining the team, Matt!”

“Working in Human Resources is more than just a job; it’s about being part of something bigger than yourself,” says Day. “Every day presents new challenges and opportunities to make a meaningful difference in the lives of others. One of the most fulfilling aspects of this role is assisting others to resolve issues that they cannot fix themselves. In HR, each interaction is an opportunity to foster a positive work environment and empower individuals to thrive professionally and personally.”