
Music Business Association President Portia Sabin. Photo: Jason Mallory
The Music Business Association continued its annual Music Biz conference on Tuesday (May 14) at the JW Marriott Nashville.
Programming continued with the Music Biz Roadshow, a collection of panels with artists and industry executives, as well as different track programs. Day two also featured the Music Biz Brunch, sponsored by Warner Music Group.
In the “What’s Happening in Washington: A Music Policy Outlook” panel, attendees heard from Graham Davies of DiMA, Chris Barkley from the NMPA, Morna Willens from the RIAA, Michael Lewan from The Recording Academy, Erin McAnally from SONA and Meredith Rose from Public Knowledge. The group discussed current legislation, policy landscape, prospects of new legal action and the music industry’s future surrounding AI and ticketing reform acts.

“What’s Happening in Washington: A Music Policy Outlook” panel. Photo: Jason Mallory
The Music Biz Brunch kicked off with a keynote address from Music Business Association President Portia Sabin.
During the brunch, Sabin recognized Naomi Fabricant of the SCARS Foundation and Tatum Allsep of Music Health Alliance. Both were recognized for their contribution in kickstarting the Music Biz Mental Health Fund. The fund currently sits at $355,000, helping serve more than 500 industry professionals with 5,426 outpatient counseling and psychiatry visits.

Pictured (L-R): Tatum Allsep (Music Health Alliance), Portia Sabin (Music Business Association), Naomi Fabricant (SCARS Foundation) and Laura Flagler Crowell (Music Health Alliance). Photo: Jason Mallory
Following the keynote address, attendees were treated to performances from Warner Music Group artists Avery Anna, Tyler Halverson and Cassandra Lewis.

Avery Anna. Photo: Jason Mallory
Next, the 2024 Inspiration Award was presented to Porter’s Call Founder Al Andrews for his unwavering dedication to providing community, support and mental health services to artists and their families.

Al Andrews. Photo: Jason Mallory
Olga LaBelle, VP, Head of ESG at Warner Music Group also gave a presentation on Sustainability in Touring during the brunch. To wrap up brunch, Tennessee State Representative Gloria Johnson and Lucille Wenegiame of Headcount talked about the importance of voting and influencing others to vote.

Olga LaBelle. Photo: Jason Mallory
Later in the day, Kobalt CEO Laurent Hubert sat down with CEO & Founder of Sound Royalties Alex Heiche to converse about the streaming revolution and how songwriters can use technology for growth. This marked the opening keynote conversation for the “Music & Money” track.

“Keynote Conversation: The Enduring Value of Songs — Leveraging Technology to Drive Growth for Songwriters and Publishers.” Photo: Jason Mallory
Other panels throughout the day included “Paying Out The Black Box: Is Market Share Fair?” “The Industry’s New SuperWeapon: Creatives As Executives,” “Music Videos: Fandoms & Culture Unfolding” and more.
Additional tracks for day two included “Howdy Neighbor: Understanding Neighboring Rights Opportunities,” “Sync Symposium,” “Startup Lab: A Bootcamp For New Music Ventures” and more.
Music Biz 2024 continued today (May 15) with the Metadata Summit, panels featuring industry executives from Universal Music Group, BandLab, TikTok, Vydia, Hopeless Records, The Black Opry, SoundCloud and more. Tracks included “Artificial Intelligence,” “Glocals Only,” “The Greatest Good” and more. The 2024 Bizzy Awards take place tonight.
Day Two Of Music Biz 2024 Focuses On Mental Health
/by Madison HahnenMusic Business Association President Portia Sabin. Photo: Jason Mallory
The Music Business Association continued its annual Music Biz conference on Tuesday (May 14) at the JW Marriott Nashville.
Programming continued with the Music Biz Roadshow, a collection of panels with artists and industry executives, as well as different track programs. Day two also featured the Music Biz Brunch, sponsored by Warner Music Group.
In the “What’s Happening in Washington: A Music Policy Outlook” panel, attendees heard from Graham Davies of DiMA, Chris Barkley from the NMPA, Morna Willens from the RIAA, Michael Lewan from The Recording Academy, Erin McAnally from SONA and Meredith Rose from Public Knowledge. The group discussed current legislation, policy landscape, prospects of new legal action and the music industry’s future surrounding AI and ticketing reform acts.
“What’s Happening in Washington: A Music Policy Outlook” panel. Photo: Jason Mallory
The Music Biz Brunch kicked off with a keynote address from Music Business Association President Portia Sabin.
During the brunch, Sabin recognized Naomi Fabricant of the SCARS Foundation and Tatum Allsep of Music Health Alliance. Both were recognized for their contribution in kickstarting the Music Biz Mental Health Fund. The fund currently sits at $355,000, helping serve more than 500 industry professionals with 5,426 outpatient counseling and psychiatry visits.
Pictured (L-R): Tatum Allsep (Music Health Alliance), Portia Sabin (Music Business Association), Naomi Fabricant (SCARS Foundation) and Laura Flagler Crowell (Music Health Alliance). Photo: Jason Mallory
Following the keynote address, attendees were treated to performances from Warner Music Group artists Avery Anna, Tyler Halverson and Cassandra Lewis.
Avery Anna. Photo: Jason Mallory
Next, the 2024 Inspiration Award was presented to Porter’s Call Founder Al Andrews for his unwavering dedication to providing community, support and mental health services to artists and their families.
Al Andrews. Photo: Jason Mallory
Olga LaBelle, VP, Head of ESG at Warner Music Group also gave a presentation on Sustainability in Touring during the brunch. To wrap up brunch, Tennessee State Representative Gloria Johnson and Lucille Wenegiame of Headcount talked about the importance of voting and influencing others to vote.
Olga LaBelle. Photo: Jason Mallory
Later in the day, Kobalt CEO Laurent Hubert sat down with CEO & Founder of Sound Royalties Alex Heiche to converse about the streaming revolution and how songwriters can use technology for growth. This marked the opening keynote conversation for the “Music & Money” track.
“Keynote Conversation: The Enduring Value of Songs — Leveraging Technology to Drive Growth for Songwriters and Publishers.” Photo: Jason Mallory
Other panels throughout the day included “Paying Out The Black Box: Is Market Share Fair?” “The Industry’s New SuperWeapon: Creatives As Executives,” “Music Videos: Fandoms & Culture Unfolding” and more.
Additional tracks for day two included “Howdy Neighbor: Understanding Neighboring Rights Opportunities,” “Sync Symposium,” “Startup Lab: A Bootcamp For New Music Ventures” and more.
Music Biz 2024 continued today (May 15) with the Metadata Summit, panels featuring industry executives from Universal Music Group, BandLab, TikTok, Vydia, Hopeless Records, The Black Opry, SoundCloud and more. Tracks included “Artificial Intelligence,” “Glocals Only,” “The Greatest Good” and more. The 2024 Bizzy Awards take place tonight.
CMHOFM To Open ‘Luke Combs: The Man I Am’ Exhibit In July
/by Liza AndersonThe Country Music Hall of Fame and Museum plans to open a new exhibit, “Luke Combs: The Man I Am,” on July 11. On display until June 2025, the exhibit will explore Combs’ life and career—from singing with his school choir in North Carolina to headlining stadiums around the world.
“Few artists have experienced the kind of meteoric rise and sustained success Luke Combs has since signing his first recording contract just two years after moving to Nashville,” says Kyle Young, CMHOFM CEO. “He has earned a career-defining string of No. 1 singles, set new benchmarks on the music charts, won more than a dozen major country music industry awards since 2016 and sold out stadiums around the world.”
Included with museum admission, “Luke Combs: The Man I Am” will consist of stage wear, tour memorabilia, manuscripts, set lists, instruments, photographs, posters, childhood memorabilia and more. Featured items include: the Martin GPCPA4 Sapele acoustic guitar that Combs used extensively during his early performances in 2012–2014, which he later gifted to his friend and fellow performer Adam Church; the playbill from his high school’s rendition of the musical Guys And Dolls, in which the multi-Platinum artist played the leading role of Nathan Detroit; CD-R of the three songs recorded for Combs’ debut EP, The Way She Rides, signed by the hitmaker and Church that was given to Church’s parents; the Columbia PFG shirt and Swamp Assassin baseball cap that Combs wore in the 2016 music video for “Hurricane”; the manuscript of “Six Feet Apart,” co-written by Combs, Brent Cobb and Rob Snyder on April 14, 2020; the Dale Earnhardt commemorative leather jacket Combs wore in honor of the late stock car racer and team owner when he performed at Daytona International Speedway prior to the start of the Nascar Daytona 500 on Feb. 14, 2021; his high school football jersey; a dollar bill Combs kept as a memento from his first paying gig at Boone’s Parthenon Café, where the cover charge was one dollar; and the Crosley Dansette portable record player he used to share his recording of “Beautiful Crazy” with his now wife, Nicole, for the first time.
“Once I decided I wanted to do music as a career, it didn’t matter if it was for 100 people or 1,000 people, I just wanted to be playing country music for anyone who would listen,” shares Combs. “If I could have enough fans to call it a job, I was set. Other than that, I never dreamed of being featured in the Country Music Hall of Fame and Museum, much less having my own exhibit; that was beyond my wildest dreams. But honestly, it’s all a credit to my fans, family, songwriters and team. I have only made it to where I am today because of them, and this honor is one of my most humbling yet. At my core I love country music and this exhibit is as prestigious of an honor as it gets.”
In support of the exhibit, the country star and collaborators Ray Fulcher, James McNair, Drew Parker and Rob Williford will share stories and perform some of the tunes they’ve written together during a songwriters round in the museum’s CMA Theater on July 11. Tickets will be available this Friday (May 17) at 10 a.m. CT. For more information, click here.
Vincent Mason Inks With Hang Your Hat Music & Concord Music Publishing
/by LB CantrellPictured (L-R, back row): Kyle Marsh, Champ Management; Matt Musacchio, Champ Management; Hillary Lindsey, Hang Your Hat Music; MaryAnn Keen, BMI; Josh Brackin, Brackin Law; (L-R, front row): Brad Kennard, Concord Music Publishing; Vincent Mason; Emily Baldridge, Hang Your Hat Music. Photo: Sam Shelton
Rising singer-songwriter Vincent Mason has signed a worldwide publishing deal with Hillary Lindsey‘s Hang Your Hat Music and Concord Music Publishing.
“We are so excited to welcome Vincent to the Hang Your Hat family! He is such a natural talent with an ease about himself in the writing room—always bringing in his own unique artist spin on ideas, which creates the space for a great song,” says Lindsey. “I can’t wait to see where this road is gonna lead him, and we are so proud to be a part of it!”
“We are thrilled to have Vincent join the Concord & Hang Your Hat team! It’s been exciting to watch him rise and see the hard work paying off,” adds Brad Kennard, SVP of A&R, Concord Music Publishing. “We’re fired up to jump in and continue to build with him!”
Mason’s breakout hit “Hell is a Dance Floor” has amassed over 17 million streams, and was recently added to SiriusXM The Highway. The artist toured alongside Parker McCollum, Niko Moon and Ashley Cooke in 2023, and will be opening for Gavin Adcock this fall.
“When I moved to Nashville, all I ever wanted to be was a songwriter and to have a seat at the table,” shares Mason. “I’m grateful a writer like Hillary Lindsey and the teams at Hang Your Hat and Concord believe in me enough to give me a shot to do this.”
The BMI affiliate’s team also includes WME, Champ Management, King Publicity and Brackin Law.
Musicians On Call Celebrates National Hospital Week With ‘Concert For Caregivers’
/by Lorie HollabaughLauren Alaina, Charles Esten and Matthew Ramsey with Tennessee hospital staff and more at MOC’s second annual “Concert For Caregivers.” Photo: Heather Durham Photography
In celebration of National Hospital Week, Musicians On Call (MOC) recently hosted its second annual “Concert For Caregivers” at Analog at Hutton Hotel in Nashville to thank caregivers and hospital workers for their continued sacrifices.
Lauren Alaina, Charles Esten and Matthew Ramsey of Old Dominion performed some of their biggest hits for Tennessee hospital staff during the intimate show. A recording of the concert is being distributed to 5,000 hospitals and healthcare systems across the country during National Hospital Week thanks to the American Hospital Association (AHA), MOC’s Healthcare Community Partner.
“This evening is one of those special moments where we can say thank you to the caregivers who do such critical work taking care of their patients all year long. Being able to bring them an unforgettable experience like ‘Concert For Caregivers’ is MOC’s own, unique way to show our appreciation for all they do,” said Pete Griffin, MOC President & CEO. “This wouldn’t have been possible without Charles Esten, who organized this writers’ round for the second year in a row; Analog at Hutton Hotel for the generous donation of their beautiful space; and our partners at the American Hospital Association for giving us the chance to share this night of music with hospital staff nationwide.”
“Our nation’s healthcare caregivers are the backbone of hospitals and the heart of healthcare, and they deserve our deep thanks and gratitude each and every day,” stated Rick Pollack, AHA President & CEO. “The AHA is proud to once again partner with Musicians On Call during National Hospital Week to share the gift of music as we honor the entire healthcare team for all they do to advance health in our communities.”
For 25 years, MOC has used music to promote and complement the healing process through bedside, virtual and digital streaming programs across all 50 states. The nonprofit’s volunteers have performed for more than a million individuals in healthcare facilities nationwide.
Scott Borchetta To Receive 2024 CRB President’s Award
/by LB CantrellScott Borchetta will receive the 2024 CRB President’s Award from the Country Radio Broadcasters, Inc.
Given to individuals who have demonstrated exceptional dedication and played a vital role in shaping the success of the Country Radio Seminar and its mission to advance the country radio format, Borchetta joins past recipients such as John Esposito, Beverlee Brannigan, Sarah Trahern, Mike Dungan, Charlie Morgan, Bob Kingsley, Joe Galante and Erica Farber, among others.
“Scott is one of those you can count on one hand. Music Row visionary and trailblazer, race car driver, television celebrity, entrepreneur, maverick,” says CRB/CRS Board President Kurt Johnson. “From his first days in promotion in Nashville to his iconic status today, he continues to be a true original. I hope you’ll be in the room as we celebrate one of the best ever in the business.”
Borchetta is the Chairman and CEO of Big Machine Label Group, the independent label home to artists such as Tim McGraw, Garth Brooks, Dolly Parton, Thomas Rhett, Carly Pearce, Sheryl Crow, and Lady A. He also serves as the HYBE America Chairman of Record Labels. Under his leadership, Big Machine has achieved monumental success over nearly 20 years, garnering a multitude of industry awards and selling over 220 million albums, with more than 200 singles reaching No. 1 on the country, pop, and rock charts.
Borchetta has been recognized as part of Billboard’s Power 100 list and Fast Company’s 100 Most Creative People in Business, along with the Music Business Association’s Presidential Award for Outstanding Executive. He made history in 2012 with a groundbreaking deal with iHeart Radio, securing sound-recording performance royalties for Big Machine and its artists, marking the first time artists and labels would be paid for their sound recordings on terrestrial radio stations in the U.S.
As a philanthropist, Borchetta has significantly contributed to the Monroe Carell Jr. Children’s Hospital at Vanderbilt. In 2020, he and his wife Sandi created The Big Machine Neighborhood, the Neonatal Intensive Care Unit wing. They also co-founded the Music Has Value fund to support music in schools and music therapy.
The presentation of the CRB President’s Award will take place during the 2024 Country Radio Hall of Fame event, scheduled to be held on June 19 at the Virgin Hotel Nashville. More information, including the time and ticket information, will be released closer to the event.
Wynonna Judd Adds Second Leg To ‘Back To Wy Tour’
/by Lorie HollabaughWynonna Judd. Photo: Jim Wright
Wynonna Judd has added a second leg of over a dozen dates to her “Back To Wy Tour” in response to fan demand.
Kicking off in September, the new leg will consist of stops in Tulsa, Lubbock, Colorado Springs, Boise, Phoenix and more through Oct. 5. Produced by Live Nation, the “Back To Wy Tour” will continue to feature performances of tracks from her solo albums, Wynonna (1992) and Tell Me Why (1993), as well as an acoustic set of her hits along with classics from The Judds.
“The fans have turned the ‘Back To Wy Tour’ into something far greater than I ever imagined,” says the country star. “This tour isn’t JUST about the songs; it’s about our shared experiences, the memories we create together in each city, each venue, each moment. It’s about returning to the roots of where it all began for me as a solo artist and celebrating the nostalgic feeling of what we were doing when these two albums entered our lives…whether that was 1992 or 2022.
I can’t wait to see your smiling faces, to feel your energy and to create new memories surrounding these songs that will last us the rest of our lives! Thank you for being the heartbeat of this tour, for allowing us a second chance to connect with you over these two albums, and for making every moment on stage feel like coming home…Back To Wy.”
Fan club members have access to presale tickets now before general sales start this Friday (May 17) at 10 a.m. local time. Fans can also purchase VIP Packages, which may include premium tickets, commemorative laminate and concert ticket as well as a special cocktail set. For more information, click here.
RIAA Elevates Erin D. D. Burr & Matthew Bass
/by Liza AndersonErin D. D. Burr. Photo: Katie Kauss. Matthew Bass. Photo: Courtesy of RIAA
The Recording Industry Association of America (RIAA) has elevated Erin D. D. Burr to Senior Vice President, Media Relations | Gold & Platinum Program and Matthew Bass to Vice President, Research and Gold & Platinum Operations, effective immediately.
“Erin and Matt are stars who have already shined so brightly at RIAA and, in their new roles, will be even more visible and effective,” says Mitch Glazier, RIAA Chairman & CEO. “As the music community works together to address unprecedented new opportunities and challenges from the meteoric rise of streaming to the current effort to chart a path towards responsible and pro-artist AI, we are all lucky to have Erin and Matt embracing greater responsibilities.”
Burr will continue to lead RIAA’s press outreach while serving as a communications strategist for RIAA initiatives such as celebrating Gold and Platinum certifications, advancing C-suite profiles and supporting the Human Artistry CampAIgn—a growing global coalition whose mission is to keep irreplaceable human expression at the core of technological innovation. To help others understand the challenges and opportunities within the music industry, Burr aims to make policy that effects creators more digestible—recently with the Ensuring Likeness Voice and Image Security (ELVIS) Act press conference to modernize the Tennessee right of publicity law. She also currently sits on the Musicians On Call (MOC) Music Industry Advisory Board. Prior to joining RIAA, Burr spent over a decade at Big Machine Label Group executing high-profile releases for Reba McEntire, Carly Pearce and The Mavericks, among others.
“Connection through people, stories and music has always been instinctual to me–and has also served as the basis for my entire career. I’m grateful for this amplified role, RIAA’s culture of community and passion advocating for the creative talents across the entire industry,” shares Burr. “As we navigate ever-evolving opportunities where artistry intersects with policy and technology, I’m excited to explore more ways to support human creators and our member labels while nurturing a vital relationship with media.”
Bass’ passion for music led him to RIAA, where he has spent more than a decade developing annual reports that seek to set the table for policy discussions and support efforts to protect copyright in the United States. Bass explores findings in these research efforts with industry panels, universities, reporters, legislators and other stakeholders. He also manages the association’s authoritative data holdings, and has played a key part in modernization efforts across its Gold & Platinum Program. Bass began his career working with federal agencies in the renewable energy field, managing federal funds for the research and development of projects within the Department of Energy’s Geothermal and Solar Energy offices. He also worked on technology projects for the General Services Administration (GSA) in addition to serving as an analyst under the Dodd-Frank Wall Street Reform and Consumer Protection Act.
“I feel privileged to have spent the last 11 years at RIAA, where I’m able to combine two of my passions—music and data—and call it work,” says Bass. “I’m proud to produce our annual revenue reports, work with esteemed researchers and economists as well as uncover trends in the industry or new milestones in our Gold & Platinum Program that celebrate artist and label successes.”
Burr can be reached at eburr@riaa.com, and Bass is available at mbass@riaa.com.
Randy Travis To Bring ‘More Life Tour’ To The Ryman
/by Lorie HollabaughRandy Travis is bringing his “More Life Tour” to the Ryman Auditorium on June 5, featuring the Country Music Hall of Famer’s original touring band and special guest vocalist James Dupré.
The concert news follows the recent release of Travis’ new AI-generated single, “Where That Came From,” his first song in over a decade. The track was created with Travis’ longtime producer Kyle Lehning and a group of musicians including Dupré, who supplied the vocal bed for the song. Released May 3, “Where That Came From” debuted on the charts at No. 45. The creation of the track was recently explored on CBS Sunday Morning.
The “More Life Tour” will offer a musical odyssey through Travis’ chart-topping hits, complemented by video highlights from his career in music, film and TV. Travis won’t be taking the microphone due to the 2013 stroke that left him with aphasia, but he and his wife Mary will take the stage the entire show to engage with fans and enjoy the music. Dupré and the band will perform all 16 of Travis’ No. 1s including “On The Other Hand,” “Forever and Ever, Amen” and “Three Wooden Crosses.”
Presale for the show begins tomorrow, May 16, with public tickets available on May 17. Fans can purchase tickets here.
New Artist Of The Year Winners Revealed Prior To 59th ACM Awards
/by LB CantrellACM New Artist of the Year winners Megan Moroney, Nate Smith and Tigirlily Gold. Photo: Courtesy of ACM
The winners of the ACM New Artist of the Year categories were revealed Tuesday night (May 14) during the “Live from the ACM Awards: ACM New Artist Winners Celebration,” part of the ACM Country Kickoff fan festival at The Star.
Megan Moroney was named ACM New Female Artist of the Year, Nate Smith took home New Male Artist of the Year and Tigirlily Gold won ACM New Duo or Group of the Year.
The celebration capped off the first day of the ACM Country Kickoff festival, with the announcement and subsequent live performances from all three winners streamed live on the Amazon Music Channel on Twitch. With their wins, each artist will perform Thursday as part of the ACM Awards show. Moroney will perform during the ACM Awards Red Carpet Show, Smith will make his ACM Awards performance debut in a special collaboration with Avril Lavigne and Tigirlily Gold will take the ACM stage for the first time.
ACM Awards Week continues today (May 15) with the second day of ACM Country Kickoff at The Star, featuring a newly-announced festival closer performance from ACM Award winner Scotty McCreery. The day will also include the ACM Songs & Stories brunch—powered by The Bluebird Cafe and Nashville Songwriters Association International—which celebrates the nominees for ACM Songwriter of the Year and Artist-Songwriter of the Year; as well as Parker McCollum and Friends: ACM Lifting Lives LIVE, Presented by Choctaw Casinos & Resorts, which benefits the philanthropic partner of the ACM.
The 59th ACM Awards will stream live on Thursday, May 16. Hosted by Reba McEntire, the show will feature live performances from Jason Aldean, Kane Brown, Jelly Roll, Cody Johnson, Miranda Lambert, Post Malone, Parker McCollum, Thomas Rhett, Chris Stapleton, Lainey Wilson and more. See a full list of nominees here.
Weekly Register: Dasha Ascends The Country Streaming Songs Chart
/by Liza AndersonDasha. Photo: Adam Budd
Dasha‘s “Austin” ascends to No. 5 on the country streaming songs chart this week with 11 million new streams, adding to 100 million ATD, according to Luminate data.
Shaboozey‘s “A Bar Song (Tipsy)” continues to take the top slot with 34 million streams, adding to 103 million ATD, as Zach Bryan and Kacey Musgraves‘ “I Remember Everything” rests at No. 2 with 16 million new streams, adding to 722 million ATD. Morgan Wallen‘s “Last Night” persists at No. 3 with 12 million streams, adding to 1.37 billion ATD, and Bryan’s “Something In The Orange” stays at No. 4 with 11.6 million new streams, adding to 1.38 billion ATD.
Additionally, Kane Brown and Marshmello‘s “Miles On It” marks the top debut at No. 10 with 10 million streams.
On the country albums chart, Wallen’s One Thing At A Time rules at No. 1 with 71K in total consumption (1.5K album only/89 million song streams), followed by his Dangerous: The Double Album at No. 2 with 42K (401 album only/54 million song streams). Beyoncé‘s Cowboy Carter falls to No. 3 with 41K (5K album only/45 million song streams). Bryan’s self-titled album bides at No. 4 with 36K (2.6K album only/43 million song streams), while his American Heartbreak resides at No. 5 with 30K (721 album only/38 million song streams).