Caylee Hammack. Photo: Kirsten Balani
Capitol Records Nashville recording artist and ACM Award winner Caylee Hammack released her critically acclaimed debut album If It Wasn’t For You in 2o20. After years of touring, connecting with fans and being part of some incredible collaborations, she is ready to pull back the curtain on her new era of music, starting with the release of her new single “The Hill,” out today (June 14).
Hammack recently took some time to speak to MusicRow about her new music.
When she first moved to town in 2013, Hammack immediately got her boots on the ground and started playing in bars all up and down broadway. After two and half years of playing the bars and getting in as many writes as she could, she landed a publishing deal with UMPG Nashville.
Unfortunately, tragedy struck in Hammack’s life when she lost her home in electrical fire while at a writer’s retreat. Despite her hard times, the singer-songwriter found her support system here in town, and it showed her what she truly needed in her life.
While her personal life was down, she found that her professional life was going up through that support. At the time, Hammack was starting to hammer down on finding songs for her debut album. She enlisted friend and producer Mikey Reaves for song sampling, and a few of those demos are what you hear on the record today, such as “Family Tree.”
After signing her record deal in 2018, Hammack was off to the races on radio tours to begin introducing herself to industry gatekeepers. She released her debut album in August of 2020, and recalls how hard it was not being able to see fans reacting to songs out on the road, as being able to see music connect is vital to her.
“There’s just a tangible magic, connection and unity that I have with complete strangers [at shows]. That is one of the most beautiful things that music does. It’s a conduit for people and it connects us all,” she says.
“We have so many differing opinions, but for some reason, when that one song plays, people will drunkenly put their arms around each other’s shoulders and sing along together. For those three minutes, we agree on something and we’re happy together,” Hammack explains. “During that time, I realized in an ever deeper level what I already knew—that it is magic the way music is able to draw people in.”
Since live shows have come back, Hammack has been sharing her music with the world non-stop, opening up for Brothers Osborne, Brad Paisley, Darius Rucker and more. She also embarked on a co-headline tour in the UK with Tenille Arts, and has played CMA Fest, The Long Road Festival, Watershed Festival and more.
“I truly cried after the first gig back [from COVID]. There’s something about when you look out into a crowd. Someone once told me every single show that you play is most likely one person’s first-ever show and one person’s last-ever show, so you better play it that way. That’s how I’ve always viewed it.”
That’s why heading into this new album, Hammack is excited to take on a whole new approach by seeing real-time reactions.
“I feel like I’m getting to do [the album cycle for the first time] all over again. I’m working on these songs and am on the road at the same time,” she says. “We’re releasing stuff, getting to tour, getting to do the TV shows and everything versus just spending eight or nine hours a day on Zoom doing interviews, Instagram lives and DM-ing people and then laying in bed going, ‘I hope they like it.'”
Gearing up for the project, Hammack zeroed in on her sound and artistry.
“This next record is much more organically influenced and infused with more acoustic energy like the music I was raised on. On the first album, we did a lot of sampling and such because we were working with demo budgets. That album came out exactly how it should, but I remember listening back and it felt poppy for me. It doesn’t sound the way my heart sounds when I sing these new songs.”
Hammack enlisted trusted producers Dann Huff and John Osborne to co-produce her next album with. By letting her creativity flow with no limits and learning from Huff and Osborne, she’s confident that it will truly show who she is as an artist.
“I was able to truly fall into the bells and whistles, the little pad parts, the ways of layering things and certain effects that I love dearly. I had so much more freedom. I got to step back and truly be the artist.”
Hammack is a co-writer on all but one of the album’s songs, but feels her first outside cut was truly made for her. Her friend and fellow songwriter Mia Mantia played her a track she was working on that was a spin off of “Mammas Don’t Let Your Babies Grow Up To Be Cowboys.” This version was from the woman’s point of view, saying, “don’t let your babies grow up to love cowboys.”
The song struck a chord with Hammack, as it reminded her of a family member Matthew Rue, who had just passed away from complications with MS. Rue was a huge musical influence for Hammack, as he was her only musical family member.
“I heard it and thought of Matthew and the old country music that he loved. I got these goosebumps all over my body,” Hammack recalls. “I just felt like God was telling me that I needed to cut the song. It just was so serendipitous the way it happened and the way my body reacted.”
Lyrically, Hammack is sharing some of her favorite stories from her catalog, some tracks even dating back to 2018. She wants to share the vulnerable part of herself, hoping to cultivate connection to the fans.
“What I’ve learned is the songs that are the most vulnerable—the ones about the grittiest and saddest parts of my life—have been the ones that most people have connected to,” she shares. “When I realized that they connected to the vulnerable parts of me that I tried to hide, it gave me this new revival of hope.”
To start off the new era, Hammack released her new single “The Hill” today (June 14). Written with Tenille Townes and Logan Wall, the single kicks off the album’s vulnerability.
“‘The Hill’ is a white flag being waved by a broken arm in the middle of a battle. There is no point in fighting. If you win this argument, you might just lose the other person, so winning this argument is not worth it at all if you lose them.”
More of Hammack’s new music is on the way.
Caylee Hammack Readies Next Era With Vulnerable New Single [Interview]
/by Madison HahnenCaylee Hammack. Photo: Kirsten Balani
Capitol Records Nashville recording artist and ACM Award winner Caylee Hammack released her critically acclaimed debut album If It Wasn’t For You in 2o20. After years of touring, connecting with fans and being part of some incredible collaborations, she is ready to pull back the curtain on her new era of music, starting with the release of her new single “The Hill,” out today (June 14).
Hammack recently took some time to speak to MusicRow about her new music.
When she first moved to town in 2013, Hammack immediately got her boots on the ground and started playing in bars all up and down broadway. After two and half years of playing the bars and getting in as many writes as she could, she landed a publishing deal with UMPG Nashville.
Unfortunately, tragedy struck in Hammack’s life when she lost her home in electrical fire while at a writer’s retreat. Despite her hard times, the singer-songwriter found her support system here in town, and it showed her what she truly needed in her life.
While her personal life was down, she found that her professional life was going up through that support. At the time, Hammack was starting to hammer down on finding songs for her debut album. She enlisted friend and producer Mikey Reaves for song sampling, and a few of those demos are what you hear on the record today, such as “Family Tree.”
After signing her record deal in 2018, Hammack was off to the races on radio tours to begin introducing herself to industry gatekeepers. She released her debut album in August of 2020, and recalls how hard it was not being able to see fans reacting to songs out on the road, as being able to see music connect is vital to her.
“There’s just a tangible magic, connection and unity that I have with complete strangers [at shows]. That is one of the most beautiful things that music does. It’s a conduit for people and it connects us all,” she says.
“We have so many differing opinions, but for some reason, when that one song plays, people will drunkenly put their arms around each other’s shoulders and sing along together. For those three minutes, we agree on something and we’re happy together,” Hammack explains. “During that time, I realized in an ever deeper level what I already knew—that it is magic the way music is able to draw people in.”
Since live shows have come back, Hammack has been sharing her music with the world non-stop, opening up for Brothers Osborne, Brad Paisley, Darius Rucker and more. She also embarked on a co-headline tour in the UK with Tenille Arts, and has played CMA Fest, The Long Road Festival, Watershed Festival and more.
“I truly cried after the first gig back [from COVID]. There’s something about when you look out into a crowd. Someone once told me every single show that you play is most likely one person’s first-ever show and one person’s last-ever show, so you better play it that way. That’s how I’ve always viewed it.”
That’s why heading into this new album, Hammack is excited to take on a whole new approach by seeing real-time reactions.
“I feel like I’m getting to do [the album cycle for the first time] all over again. I’m working on these songs and am on the road at the same time,” she says. “We’re releasing stuff, getting to tour, getting to do the TV shows and everything versus just spending eight or nine hours a day on Zoom doing interviews, Instagram lives and DM-ing people and then laying in bed going, ‘I hope they like it.'”
Gearing up for the project, Hammack zeroed in on her sound and artistry.
“This next record is much more organically influenced and infused with more acoustic energy like the music I was raised on. On the first album, we did a lot of sampling and such because we were working with demo budgets. That album came out exactly how it should, but I remember listening back and it felt poppy for me. It doesn’t sound the way my heart sounds when I sing these new songs.”
Hammack enlisted trusted producers Dann Huff and John Osborne to co-produce her next album with. By letting her creativity flow with no limits and learning from Huff and Osborne, she’s confident that it will truly show who she is as an artist.
“I was able to truly fall into the bells and whistles, the little pad parts, the ways of layering things and certain effects that I love dearly. I had so much more freedom. I got to step back and truly be the artist.”
Hammack is a co-writer on all but one of the album’s songs, but feels her first outside cut was truly made for her. Her friend and fellow songwriter Mia Mantia played her a track she was working on that was a spin off of “Mammas Don’t Let Your Babies Grow Up To Be Cowboys.” This version was from the woman’s point of view, saying, “don’t let your babies grow up to love cowboys.”
The song struck a chord with Hammack, as it reminded her of a family member Matthew Rue, who had just passed away from complications with MS. Rue was a huge musical influence for Hammack, as he was her only musical family member.
“I heard it and thought of Matthew and the old country music that he loved. I got these goosebumps all over my body,” Hammack recalls. “I just felt like God was telling me that I needed to cut the song. It just was so serendipitous the way it happened and the way my body reacted.”
Lyrically, Hammack is sharing some of her favorite stories from her catalog, some tracks even dating back to 2018. She wants to share the vulnerable part of herself, hoping to cultivate connection to the fans.
“What I’ve learned is the songs that are the most vulnerable—the ones about the grittiest and saddest parts of my life—have been the ones that most people have connected to,” she shares. “When I realized that they connected to the vulnerable parts of me that I tried to hide, it gave me this new revival of hope.”
To start off the new era, Hammack released her new single “The Hill” today (June 14). Written with Tenille Townes and Logan Wall, the single kicks off the album’s vulnerability.
“‘The Hill’ is a white flag being waved by a broken arm in the middle of a battle. There is no point in fighting. If you win this argument, you might just lose the other person, so winning this argument is not worth it at all if you lose them.”
More of Hammack’s new music is on the way.
Sadler Vaden Releases Surprise Solo Project For Father’s Day
/by Lorie HollabaughSadler Vaden of Jason Isbell and the 400 Unit has released a surprise solo project, Dad Rock, via Thirty Tigersjust in time for Father’s Day.
Vaden recorded the eight-song set of classic rock jams and ballads just after he became a father, and recruited fellow dad rockers Benmont Tench, Elliot Easton, Art Edmaiston and more to join him on the album.
Dad Rock includes new tracks that Vaden wrote specifically for his two sons, “Townsend’s Theme” and “I’ll Always Come Back,” the latter of which was inspired by what he tells them every time he leaves for tour, as well as older tracks he has waited to share with the world, like “Two Balloons,” a tribute to his late parents that matches the tattoo on his left arm.
“I was technically only in the studio for two days, two sessions in December just days before my second son Theo was born,” says Vaden. “Everything else was done remotely or at my home studio when I could carve out an hour here and there. I really knew what I wanted things to sound like on this record, so it was important to me to not let things get overcooked by laboring over parts and sounds too much. We mixed the record remotely with Owen Lewis using Audiomovers, which is software that you can put on the stereo output of your DAW and send a link to a mix or recording session in real time. I’d be listening to the link in my airpods while he’s mixing and I’d be changing dirty diapers or making bottles or chasing my toddler around getting ready for bedtime, ‘Dad Rock’ indeed.”
Since his last release, Vaden has continued touring and recording with Isbell while further establishing himself behind the board by producing Morgan Wade’s last two records, Reckless and Psychopath, among others.
Ben Goldsmith To Share ‘The Start Of Something Beautiful’ In September
/by Liza AndersonBen Goldsmith will share his new album, The Start Of Something Beautiful, on Sept. 13.
The Free Flight Records artist developed the collection with Dan Wilson, Rick Nowels and Alex Hope, among others. Spanning coming-of-age themes of heartbreak, first love and more, The Start Of Something Beautiful credits the 18-year-old as a writer on every track and producer on nearly half of the project. Goldsmith also plays guitar, piano, lap steel, organ, mellotron and bass throughout the album. Two of its 11 songs, “When I Said Goodbye” and “Love Again,” are available now.
“Over the past year, I’ve been traveling to many new places and meeting new people that have challenged me and inspired my art, both in L.A. and my new home in Nashville,” he says. “My primary goal for this album was to write the best songs I possibly could and cover new musical ground. The lyrics explore feelings of growing pains, heartbreak, hope and a desire to prove myself because I took a less traveled path.”
Additionally, Goldsmith will hit the road this summer with Australian trio Sons Of The East in addition to select headlining dates across the country.
The Start Of Something Beautiful Track Listing:
1. “Crazy” (Ben Goldsmith, Peter Fenn)
2. “Love Again” (Ben Goldsmith, Alex Hope)
3. “When I Said Goodbye” (Ben Goldsmith, Alex Hope)
4. “Graduate” (Ben Goldsmith, Kate York, Dave Cohen)
5. “I Miss NYC” (Ben Goldsmith, Tiffany Johnson)
6. “Trying” (Ben Goldsmith, Aiden Halliday)
7. “Wish We Never Met” (Ben Goldsmith, Joseph Patton)
8. “Look On” (Ben Goldsmith, Alex Hope)
9. “Easy” (Ben Goldsmith, Jon Green, Caitlyn Smith)
10. “Treetops” (Ben Goldsmith, Rick Nowels)
11. “The Start Of Something Beautiful” (Ben Goldsmith, Rick Nowels)
Brinley Addington To Bring Listeners New Album Next Friday
/by Liza AndersonNashville singer-songwriter Brinley Addington will bring listeners his new album, Nobody’s Favorite, next Friday (June 21).
The 12-track project aims to highlight Addington’s traditional twang, vivid storytelling and mountain soul. He plans to celebrate Nobody’s Favorite with show at The Listening Room Cafe on the album’s release date.
The Kingsport, Tennessee native moved to Music City in 2008 to attend Belmont University. He began performing on lower Broadway, and toured the country playing clubs, fairs, festivals and opening shows for Florida Georgia Line, Thomas Rhett, Chris Young, Jon Pardi, Marty Stuart, Ronnie Milsap and more. He has also written songs recorded by Ryan Hurd and Maren Morris, Darius Rucker, Chris Janson, Parmalee and Kameron Marlowe, among others.
Nobody’s Favorite Track Listing:
1. “Something Light” (Brinley Addington, AJ Pruis, Mike Walker)
2. “Goodbye Darlin’” (Brinley Addington, Joel Shewmake)
3. “Belle Of The Bar” (Brinley Addington, AJ Pruis, Mike Walker, Andrew Cohen)
4. “Talkin’ To Her Through The Jukebox” (Brinley Addington, Ryan Beaver, Mike Walker)
5. “If You Don’t” (Josh Thompson, Sarah Allison Turner, Mike Walker)
6. “Free That Day” (Brinley Addington, Aaron Eshuis)
7. “Nobody’s Favorite” (Brinley Addington, Ryan Beaver, Neil Medley)
8. “Still Got That Radio” (Brinley Addington, Brent Anderson)
9. “Mind Of Its Own” (Brinley Addington, Brandon Ratcliff, Logan Wall)
10. “Darlene” (Adam Wright)
11. “Same Ole Sins” (Brinley Addington, Jason Blaine, Mark Collie)
12. “Late To Church” (Brinley Addington, Blake Chaffin, Aaron Eshuis)
Jon Bon Jovi Celebrates Bar Opening With Performance
/by Madison HahnenPictured (L-R): Tico Torres, Hugh McDonald, David Bryan, Missy Wolf and Jon Bon Jovi. Photo: Tommy Lemon
Jon Bon Jovi celebrated the opening of his new Nashville bar, located on Broadway, during last week’s CMA Fest. The opening of the bar marks the first time a rock band has opened a bar in music city.
Last Friday (June 7), Jovi and his band, Bon Jovi, took the stage inside the bar for a special performance. The band sang some of their biggest hits along with the crowd. Many country stars and celebrities were also in attendance, including including Jamie O’Neal, Big Kenny, Jelly Roll, Jeremy and Ajay Popoff from the band Lit, Vince Neil and many more.
The bar was developed by Jovi in partnership with BPH Hospitality. The 37,000 square foot building is the second largest on the iconic strip. The space features two entrances, two outdoor rooftop decks with panoramic views and more.
Country Music Hall Of Fame And Museum Reveals Tom Petty Display
/by John Nix ArledgePhoto: Courtesy of the Country Music Hall of Fame and Museum
The Country Music Hall of Fame and Museum has unveiled “Tom Petty: Where I Come From,” a display highlighting the legendary artist’s southern roots and continued influence on today’s country artists.
Petty’s music bridged the gap between his southern upbringing and his life in southern California, where he cites country-rock bands The Byrds, Buffalo Springfield and other Los Angeles groups as inspiration for his sound. The display works to complement the museum’s current exhibit, “Western Edge: The Roots and Reverberations of Los Angeles Country-Rock,” presented by City National Bank.
The Tom Petty exhibit features various artifacts from his career, including a Gretsch Roundup guitar, a jacket worn during the 1985 Live Aid concert and the Southern Accents Tour and stage wear from Mudcrutch reunion tours. Also on display are the handwritten lyrics for “Southern Accents,” the title track of his 1985 album, recently covered by Dolly Parton.
Over his career, Petty collaborated with several Country Music Hall of Fame members such as Parton, Johnny Cash, Willie Nelson, George Strait and Marty Stuart. The artist’s influence on today’s country music is evident by the upcoming tribute album, Petty Country: A Country Music Celebration of Tom Petty, which includes performances by stars Luke Combs, Rhiannon Giddens, Chris Stapleton and others.
The display is included with museum admission and runs through summer 2025.
Songwriters Hall Of Fame Inducts Hillary Lindsey, More
/by LB CantrellPictured (L-R): Carrie Underwood, Hillary Lindsey and Keith Urban attend the 2024 Songwriters Hall of Fame Induction and Awards Gala. Photo: L. Busacca/Getty Images for Songwriters Hall Of Fame
The Songwriters Hall of Fame’s 53rd Annual Induction and Awards Dinner took place Thursday night (June 13) in New York City.
The evening honored 2024 inductees Hillary Lindsey, Timothy Mosley (Timbaland), Dean Pitchford, Bill Berry, Peter Buck, Mike Mills and Michael Stipe of R.E.M. and Walter Becker and Donald Fagan of Steely Dan. Each were saluted for the immeasurable impact of their songs.
Additionally, multi-award-winner Diane Warren received the prestigious Johnny Mercer Award, and four-time Grammy winner SZA was given the Hal David Starlight Award. The night also followed the posthumous induction of legendary country songwriter Cindy Walker to the SHOF in a special tribute held at a SHOF Master Session in Nashville.
Hillary Lindsey performs onstage during the 2024 Songwriters Hall of Fame Induction and Awards Gala. Photo: Bennett Raglin/Getty Images for Songwriters Hall Of Fame
To honor Nashville-based hitmaker Hillary Lindsey, country superstar Carrie Underwood gave a powerful performance of the Lindsey-penned “Jesus Take the Wheel.” Underwood bestowed her with the title “the queen of modern Nashville songwriting,” and Keith Urban joined her on stage for the induction.
“Music has so much power. It can bring you to your knees and make you feel every single piece of your heart that is breaking. It can send an electric shock through you and make you feel more alive than you’ve ever felt,” Lindsey said in her speech. “It has been one of the biggest blessings in my life.”
The inductee performed a stripped-down medley of some of the songs she has written, with a rendition of Lady Gaga’s “Million Reasons” turning into a duet with Urban on “Blue Ain’t Your Color.”
Other performers and presenters included Trey Anastasio, The Bacon Brothers, Cary Barlowe, Andra Day, El Debarge, Missy Elliott, Jason Isbell, Nile Rodgers, Irving Azoff, Deniece Williams and Paul Williams.
Alan Jackson’s Fourth Batch Of Silverbelly Whiskey To Hit Shelves
/by Lorie HollabaughAlan Jackson is rolling out a fourth batch of his Silverbelly Whiskey, “I’d Love You All Over Again,” continuing the tradition of naming sequential releases after his No. 1 hits.
The new batch makes its debut nearly two years to the day since the premium bourbon brand first launched, and has aged twice as long as the brand’s first three batches. It is also the first Silverbelly Whiskey distilled, aged and bottled in Tennessee from start-to-finish. “I’d Love You All Over Again” was the fourth and final single from Jackson’s breakthrough debut album, Here In the Real World. He wrote the 1991 chart-topper for his wife Denise in celebration of their 10th wedding anniversary a few years earlier.
The “I’d Love You All Over Again” edition will be available at more than 1,000 retailers in 15 states in the weeks to come. Silverbelly Whiskey is also available online and ships to almost all 50 states and the United Kingdom. For more information, click here.
Additionally, Silverbelly Whiskey will serve as Presenting Sponsor of Jackson’s “Last Call: One More for the Road Tour.” Kicking off in August, the journey is a continuation of his 2022 tour that will find the entertainer playing several cities in 2024 and 2025 for the last time ever.
Blanco Brown Gets Nostalgic On New EP ‘Cedar Walls & Whiskey’
/by Lorie HollabaughBlanco Brown has released his latest EP, Cedar Walls & Whiskey, the second out of a three-part project.
“Snapshot,” the first single from Cedar Walls & Whiskey, was written by Diane Warren and produced by Brown. The song is a reflection on the special memories we hold of our loved ones and how they bring us back to cherished moments in our lives, providing motivation and hope just when needed. Other tracks on the EP include “You’re Incredible,” a romantic tune about the innate value within us all even when we don’t feel it, “One Day Less,” a love song about not wanting to be on earth without those we love most and “Bad Man,” a take on the slang definition where bad means good.
“Regarding ‘Bad Man’, my brother actually sent me the track and the chorus,” says Brown. “I wanted to make my mentor/friend a part of this record so I sent it to him and he wrote the coolest line ever sang! God’s been blessing me. I’m riding high. He put a lift kit on my life. The pressure was on when I wrote the second verse. ‘Bad Man’ is a bop at an all-time high!” says Blanco.
Brown is celebrating not only his new EP but a second chance at life and a newfound appreciation for everything he does. After the chart-topping viral success of “The Git Up,” which went 11-times Platinum and garnered over one billion streams, everything changed for the artist. A drunk driver hit him head on while riding his motorcycle, breaking multiple bones in his body which required 12 blood transfusions and resuscitation in the ambulance on the way to the hospital. Despite the lengthy and challenging rehabilitation process, Brown made a full recovery, relearning fundamental skills like walking and holding a microphone.
He recently aligned with Mothers Against Drunk Driving in a special initiative to raise awareness of the recent increase in crashes caused by impaired drivers, partnering with the Atlanta and Los Angeles chapters.
“It’s hard for me to understand why with all the education and knowledge we have acquired and the options for ride share companies, how we have numbers on the rise,” says Brown. “I have partnered with MADD to help spread the word and continue educating the public. Nobody cares how much you drink or smoke, just don’t drive for the sake of yourself and others.”
Borman Entertainment Adds Donna Hughes To Team, Promotes Two
/by LB CantrellDonna Hughes
Industry veteran Donna Hughes has joined Borman Entertainment as VP of Touring/Communications. Reporting to SVP of Tour Marketing & Radio Donna Jean Kisshauer, Hughes will work on numerous aspects of tour marketing as well as radio outreach.
Prior to joining Borman Entertainment, Hughes spent 13 years at UMG Nashville, most recently serving as National Director/Radio Marketing.
“When the opportunity to join Borman Entertainment arose, I decided this was the perfect place to utilize my experience in new and innovative ways. Borman Entertainment will afford me the chance to grow and learn in ways I never thought possible,” she shares. “To be able to continue to work with Keith Urban and Tyler Hubbard, the Borman team and my friends at UMG Nashville—in a different capacity—is a dream come true.”
“We couldn’t pass up the opportunity to add Donna’s experience and perspective. The depth of her knowledge and passion will provide great value and creativity to every facet of what we do,” says Borman Entertainment CEO/Owner Gary Borman.
At UMG, Hughes worked with syndicated radio, gathered and coordinated artist content and was involved in marketing campaigns and expanding the reach of artists such as Borman Entertainment acts Urban and Hubbard as well as Luke Bryan, Sam Hunt, Jordan Davis, Chris Stapleton, Eric Church, Brothers Osborne and more.
She previously served as Executive Producer of the nationally syndicated radio program GAC Nights: Live From Nashville; Senior Producer for Premiere Radio Networks; morning show talent for Nashville’s Rockin’ Country 102.9 and Talent Coordinator for TNN’s Crook & Chase and Music City Tonight. In 2006, Hughes received the prestigious CMA Media Achievement Award.
In addition to Hughes’ appointment, Borman Entertainment has also promoted Nikki Abbamont to Sr. Marketing Manager and Katie Mangan to Management & Marketing Coordinator. Both have been with the company for two years and work with all the artists on the roster.
Hughes can be reached at donna.hughes@bormantn.com, Abbamont at nikki.abbamont@bormantn.com and Mangan at katie.mangan@bormantn.com.