
Pictured (L-R, back row): Pinnacle Bank’s David DeVaul, Capitol Records Nashville’s Chris Schuler, SESAC’s Lydia Cahill, BMI’s MaryAnn Keen, UMPG’s Missy Roberts and ASCAP’s Mike Sistad;(L-R, front row): Studio Bank’s Ron Cox, Ryan Gore, Justin Ebach, Jon Pardi, Bart Butler and John Pierce. Photo: Larry McCormack for BMI
Members of the music community came together to commemorate Jon Pardi‘s sixth No. 1, “Your Heart Or Mine,” yesterday (June 10) at The Nashville Palace.
The Capitol Records Nashville artist and Ryan Gore co-produced “Your Heart Or Mine” with Bart Butler, who co-wrote the tune alongside Justin Ebach and John Pierce. The song is featured on Pardi’s latest studio album, Mr. Saturday Night, and serves as the follow-up to fellow chart-topping track “Last Night Lonely.”
With a silver disco ball glittering above, the rustic music venue housed rowdy energy as the five collaborators took their seats onstage. The BMI, ASCAP and SESAC-hosted celebration was emceed by BMI’s MaryAnn Keen, who kicked off the party by welcoming the “Your Heart Or Mine” crew and sharing a few words about Pardi, Gore and Butler. Keen then introduced ASCAP’s Mike Sistad, who took the mic to talk about Pierce, before handing it off to SESAC’s Lydia Schultz Cahill. After speaking about Ebach, Cahill invited Pinnacle Bank’s David DeVaul to stage.
Presentations were then made by both UMPG Nashville’s Missy Roberts and event sponsor Studio Bank’s Rox Cox. Cox shared that Studio Bank had made a special donation to The Starlight Fund on behalf of the artist and songwriters. Created by Pardi and his wife Summer, The Starlight Fund seeks to support youth enrichment in trade, agriculture and construction.
Another presentation was made by Capitol Records Nashville’s Chris Schuler before Gore had the floor to make his remarks and express his gratitude. Butler, Ebach and Pierce followed by giving thanks to all those involved in the hit. Lastly, Pardi was passed the mic and thanked his record label for giving him creative freedom as well as all of the party attendees, his band and everyone who has ever pitched him a song—regardless of whether or not he has recorded it.
“It’s always fun celebrating a No. 1 song, and it always means so much to songwriters and publishers. That’s why I record songs I wrote and that’s why I record songs I didn’t, because I see what it does for everybody,” he stated, adding, “I ain’t done yet. I want more No. 1s, we can get more. I start writing in August, so send me some dates.”
Weekly Register: Shaboozey Shakes Up Country Albums Chart With New Project
/by Liza AndersonShaboozey
Shaboozey‘s Where I’ve Been, Isn’t Where I’m Going shakes up the country albums chart this week, debuting at No. 2 with 50K in total consumption (7.8K album only/49 million song streams) according to Luminate data.
Morgan Wallen’s One Thing At A Time maintains its No. 1 streak with 71K (1.2K album only/90 million song streams), while his Dangerous: The Double Album drops to No. 3 with 43K (443 album only/56 million song streams). Zach Bryan‘s self-titled album shifts down to No. 4 with 36K (3.1K album only/43 million song streams), followed by his American Heartbreak at No. 5 with 31K (1K album only/40 million song streams).
On the country streaming songs chart, Wallen and Post Malone‘s “I Had Some Help” continues to hold the top slot with 40 million new streams, adding to 215 million ATD. Shaboozey’s “A Bar Song (Tipsy)” takes No. 2 again with 33 million streams, adding to 254 million ATD, as Bryan’s “Pink Skies” stay at No. 3 with 27 million new streams, adding to 58 million ATD. Bryan and Kacey Musgraves‘ “I Remember Everything” remains at No. 4 with 14 million streams, adding to 787 million ATD, while Dasha‘s “Austin” returns to No. 5 after three weeks with 13 million new streams, adding to 149 million ATD.
BMG Extends With Jelly Roll, Partners With Republic Records For His Next Album
/by LB CantrellPictured (L–R): Republic’s Monte Lipman, Jelly Roll, BMG’s Jon Loba and Republic’s Avery Lipman. Photo: Courtesy of BMG
Jelly Roll has extended his current label partnership with BBR Music Group (BBRMG), BBRMG imprint Stoney Creek Records and BMG music publishing. BMG has simultaneously entered into a worldwide deal with Republic Records for his next album.
The news was announced by newly-promoted BMG President of Frontline Recordings for North America Jon Loba and Republic Records Founder & Chairman Monte Lipman. The alliance between the two labels is focused on maximizing Jelly Roll’s impact across multiple genres with an expansion of marketing into new territories. BMG and Republic Records are set to release the Grammy-nominated singer-songwriter’s next project later this year.
“I couldn’t have accomplished what we’ve done with Whitsitt Chapel and all that’s happened in the last year without the support and belief I’ve had from Thomas Coesfeld, Jon Loba and the rest of the team at BBR,” Jelly Roll says. “Being able to now also work with Republic, Monte and his team—I’ve never been more inspired musically and I am looking forward to releasing this new music with great partners.”
Loba shares, “Jelly Roll embodies artistry and independence. His authenticity is the key to his success. He continually uses his platform to not only captivate audiences with his music but also to uplift communities. As an artist, he is a true trailblazer, as a human being, he has left a legacy of both talent and kindness, winning over fans all around the world. We are proud of everything we have accomplished together and look forward to achieving even more success in the future.”
“Jelly Roll is a global icon who’s rewritten the rule book and continues to smash traditional boundaries, all on his own terms. His strength, determination and creative vision is that of legends. We’re honored to join his strategic partnership with Stoney Creek Records, BMG and trusted hitman and consigliere John Meneilly,” says Lipman.
Jelly Roll’s new song “I Am Not OK,” set to premiere tomorrow (June 12), serves as the first single from his forthcoming collection. The new album will follow his debut country project, Whitsitt Chapel, which became the biggest country debut album in Billboard consumption chart history upon release and scored multiple No. 1 hits across the country and rock charts.
Jon Pardi & ‘Your Heart Or Mine’ Creators Commemorate No. 1 At The Nashville Palace
/by Liza AndersonPictured (L-R, back row): Pinnacle Bank’s David DeVaul, Capitol Records Nashville’s Chris Schuler, SESAC’s Lydia Cahill, BMI’s MaryAnn Keen, UMPG’s Missy Roberts and ASCAP’s Mike Sistad;(L-R, front row): Studio Bank’s Ron Cox, Ryan Gore, Justin Ebach, Jon Pardi, Bart Butler and John Pierce. Photo: Larry McCormack for BMI
Members of the music community came together to commemorate Jon Pardi‘s sixth No. 1, “Your Heart Or Mine,” yesterday (June 10) at The Nashville Palace.
The Capitol Records Nashville artist and Ryan Gore co-produced “Your Heart Or Mine” with Bart Butler, who co-wrote the tune alongside Justin Ebach and John Pierce. The song is featured on Pardi’s latest studio album, Mr. Saturday Night, and serves as the follow-up to fellow chart-topping track “Last Night Lonely.”
With a silver disco ball glittering above, the rustic music venue housed rowdy energy as the five collaborators took their seats onstage. The BMI, ASCAP and SESAC-hosted celebration was emceed by BMI’s MaryAnn Keen, who kicked off the party by welcoming the “Your Heart Or Mine” crew and sharing a few words about Pardi, Gore and Butler. Keen then introduced ASCAP’s Mike Sistad, who took the mic to talk about Pierce, before handing it off to SESAC’s Lydia Schultz Cahill. After speaking about Ebach, Cahill invited Pinnacle Bank’s David DeVaul to stage.
Presentations were then made by both UMPG Nashville’s Missy Roberts and event sponsor Studio Bank’s Rox Cox. Cox shared that Studio Bank had made a special donation to The Starlight Fund on behalf of the artist and songwriters. Created by Pardi and his wife Summer, The Starlight Fund seeks to support youth enrichment in trade, agriculture and construction.
Another presentation was made by Capitol Records Nashville’s Chris Schuler before Gore had the floor to make his remarks and express his gratitude. Butler, Ebach and Pierce followed by giving thanks to all those involved in the hit. Lastly, Pardi was passed the mic and thanked his record label for giving him creative freedom as well as all of the party attendees, his band and everyone who has ever pitched him a song—regardless of whether or not he has recorded it.
“It’s always fun celebrating a No. 1 song, and it always means so much to songwriters and publishers. That’s why I record songs I wrote and that’s why I record songs I didn’t, because I see what it does for everybody,” he stated, adding, “I ain’t done yet. I want more No. 1s, we can get more. I start writing in August, so send me some dates.”
The MLC Seeking Songwriter Candidate Suggestions For Board Of Directors & Committees
/by Madison HahnenThere is one songwriter representative position on the Board of Directors. The candidate will sit for three-year terms with the opportunity to be re-elected. Seats are filled in accordance to The MLC’s bylaws.
Additionally, the MLC has three committee songwriter seats open. One is on the Dispute Resolution Committee, where they will recommend policies and procedures to the board for the processing of royalties related to works that are subject to disputes over ownership. The two seats on the Unclaimed Royalties Oversight Committee will recommend policies and procedures to the board pertaining to the distribution of unclaimed accrued royalties. Elected committee candidates will serve for three-year terms and are eligible for re-election.
The board and committees meet regularly, with all meetings taking place virtually so travel is not required. More information on the Board of Directors and advisory committees can be found here.
Suggestions for songwriter seats will be accepted until July 11.
Austin Jenkins Named Vice President, A&R At Island Records
/by Liza AndersonAustin Jenkins
Austin Jenkins has been named Vice President, A&R at Island Records.
Since joining Island in 2023, he has played a key role in the signing and development of artists such as Wyatt Flores and Medium Build, among others. In his new position, Jenkins will continue to lead the label’s Nashville operations while identifying, signing and cultivating talent.
“Austin’s love of music and the creative community is infectious,” state Justin Eshak and Imran Majid, Co-CEOs of Island Records. “He’s a magnet for artists and his presence is critical to the label’s culture and future. We’re thrilled he’ll continue his work at Island in an elevated role representing the label in Nashville and beyond.”
“Justin and Imran have architected an environment where true artistry flourishes and risk-taking isn’t just encouraged; it’s championed,” says Jenkins. “We have the latitude to really make some noise and amplify the voices of incredible and innovative artists. I’m looking forward to what the future holds in this position.”
The Weatherford, Texas native’s industry experience ranges from being a performer and songwriter, to producer and label executive. He founded and served as the guitarist and songwriter for Texas band White Denim. In 2014, Jenkins stepped away from the group and co-founded the Niles City Sound recording studio in Fort Worth with Josh Block and Chris Vivion. He and Block then discovered Leon Bridges and co-produced, recorded and mixed his Platinum-certified full-length debut album, Coming Home, under the Niles City Sound name. Jenkins toured as part of Bridges’ band in addition to playing guitar and bass on the Grammy-nominated collection.
Jon Hume Signs Co-Publishing Agreement With Big Machine Music
/by Lorie HollabaughPictured (L-R): Big Machine Music President Mike Molinar, BABZ Founder/CEO & Big Machine Music Consultant Hannah Babitt, Jon Hume, New Tribe Management’s Kit Hume, Big Machine Music SVP of Publishing Alex Heddle. Photo: Courtesy of Big Machine Music
Grammy-nominated songwriter/producer Jon Hume has signed an exclusive co-publishing agreement with Big Machine Music.
The Australia native now calls Nashville home while continuing to write for and produce projects in Los Angeles and overseas. As a co-writer and producer of the Dean Lewis hits “Be Alright,” “Half A Man” and the 2024 ASCAP Pop Award-winning song “How Do I Say Goodbye,” Hume has also penned songs for Sofi Tukker, Bebe Rexha, JP Cooper, Needtobreathe and Calum Scott, as well as forthcoming songs with David Kushner and Bishop Briggs.
Hume’s top syncs include the theme song “Don’t Forget” for the hit series Welcome to Wrexham and The Croods as well as placements with Apple, BMW and Smartwater. Most recently, he served as a producer for ABC’s American Idol including the latest season 22 winner, Abi Carter.
“With over eight billion streams worldwide as a songwriter, Jon is a global presence who can seamlessly cross genres and deliver syncs for some of the biggest programs and brands,” says BMM’s President, Mike Molinar. “We are honored and privileged to welcome him to the Big Machine Music family!”
“I couldn’t be more thrilled to join Big Machine Music,” shares Hume. “Mike Molinar, Alex Heddle, Hannah Babitt and the team have unbridled energy and creativity and the roster they have assembled speaks for itself.”
More Special Guests Set To Join Morgan Wallen At London’s Hyde Park
/by Lorie HollabaughMore special guests are set to join Morgan Wallen for his show at London’s Hyde Park on July 4.
Alana Springsteen, Alexandra Kay, Zandi Holup, Abbie Mac, The Halfway Kid and Evan Bartels along with previously-announced guests Riley Green, Ernest and Ella Langley will perform during the one-night-only event. For more information, click here.
“Last fall was my first time in the U.K. and man, I loved it,” says Wallen. “I saw so much while I was there, and the people were incredible. To play where legendary artists like Pink Floyd and The Rolling Stones have played is a huge honor for me and my band, and we can’t wait to be back.”
Additionally, his latest single with Post Malone, “I Had Some Help,” landed at No. 2 on the Official Charts in the U.K., while simultaneously catapulting to No. 1 on the Billboard Hot 100 all-genre chart where it has remained for four consecutive weeks.
Wallen also released his Abbey Road Sessions project to commemorate the one-year anniversary of his record-setting album, One Thing At A Time, earlier this year. Recorded at London’s Abbey Road Studios in Studio Two, the digital series includes five live recordings from One Thing At A Time, unreleased fan favorite “Lies Lies Lies” and a never-before-recorded cover of Nothing But Thieves’ “Graveyard Whistling.”
Alyssa Johnson Establishes Johnson Law PLLC
/by John Nix ArledgeAlyssa Johnson
Attorney Alyssa Johnson has established Johnson Law PLLC, a boutique entertainment law firm based in Nashville. Previously with Safford Motley PLC, Johnson now focuses on advising songwriters, recording artists, producers, authors, influencers, podcasters and more.
“I’m very excited to continue advocating for creators, and very grateful for those in the Music Row community who have already shown me such gracious support in making this new role a reality,” she shares. “My main goal is to remove as much stress (and paperwork) as possible from my clients’ plates so that they can focus on creating.”
Johnson Law PLLC specializes in transactional entertainment matters, supporting creatives through the entire process. The firm works to protect its clients’ creations and proactively position them for long-term creative and commercial success.
Luke Combs & American Greetings Join Forces For New Father’s Day Card Collection
/by Lorie HollabaughLuke Combs and American Greetings have joined forces to develop a Creatacard collection of six Father’s Day greetings that will feature the country star’s new music.
To customize the cards, senders can include a preview of one of five tracks on Comb’s forthcoming Fathers & Sons album, including “Huntin’ By Yourself,” “Plant A Seed,” “Remember Him That Way,” “The Man He Sees In Me” and “Whoever You Turn Out To Be.” The virtual greetings can also be personalized with photos as well as a video, personalized message, liner, stamp and gift card.
“Luke’s lyrics are genuine and emotional, and so many people can relate to the stories he tells through his music,” says Rob Matousek, Executive Director, Direct To Consumer Business, American Greetings. “Luke’s songs in our new Father’s Day greetings help elevate the meaning experienced by those who receive them, and we have no doubt these cards will leave a lasting impression.”
Combs’ Father’s Day cards join the lineup of collections curated by fellow country hitmakers like Dolly Parton, who has a variety of Creatacards with American Greetings, and Lainey Wilson, who recently debuted her series with the brand. For more information, click here.
Stagecoach 2025 Advance Passes On Sale This Friday
/by Madison HahnenIconic country music festival Stagecoach has revealed advance passes for its 2025 festival will be available beginning this Friday (June 14). The festival will take place April 25-27 in Indio, California.
Produced by Goldenvoice, the weekend will mark Stagecoach’s 17th year. The 2025 lineup will be announced in the coming months. 2024’s festival saw performances from Eric Church, Miranda Lambert, Morgan Wallen, Post Malone, Jelly Roll, Megan Moroney, Wyatt Flores, Carin León, Nickelback, Leon Bridges, Wiz Khalifa and more.
Advance passes will be available beginning at 1 p.m. CST on June 14. These passes will be the lowest price point offered.