ACM Elevates Tommy Moore Among More Promotions & Additions

Pictured (L-R): Tommy Moore, Kris Reyes, Jesse Knutson and Haley Montgomery

The Academy of Country Music has made several promotions and new hires across various departments.

Tommy Moore has been promoted to Chief of Staff & VP, Industry Relations & Awards. Moore, who most recently served as Vice President, Artist & Industry Relations, Board Administration & Governance, will continue leading artist communication and engagement, overseeing DEI initiatives and managing ACM events and membership operations.

Kris Reyes now serves as Senior Director, Finance, Operations, and HR. The El Paso, Texas native will continue to improve processes, lead HR efforts and help further implement and identify opportunities under CEO Damon Whiteside.

Jesse Knutson is now Director, Publicity & Media Relations. In his new role, Knutson will continue to lead publicity and media relations efforts for the Academy of Country Music including promotional campaigns for the ACM Awards, Academy initiatives, programs and events and ACM Lifting Lives philanthropic work. Knutson reports to Rory Levine, Vice President, Marketing and Digital Strategy & Engagement.

Haley Montgomery has been promoted to Director, Industry Relations & Awards. She will work to ensure a strong connection between ACM and the music industry while overseeing various award processes and membership initiatives. Montgomery will report to Moore.

Pictured (L-R): Jennifer Davis, Brittany Uhniat, Katie Casserly, Maggie Feyrer and Delaney Loughran

Jennifer Davis has been elevated to Senior Manager, Events. In her new role, Davis will continue to manage venue logistics and event operations for the ACM Awards and Academy of Country Music Honors events as well as report to Ben Carter, VP of Live Events & Production.

Brittany Uhniat has been promoted to Manager, Content & Creative Production. Reporting to Steve Mekler, Director of Creative & Content Production, Uhniat will assist in scheduling and managing video shoots and other content productions.

New hires include Katie Casserly as Coordinator, Social Media, who will support the Marketing department with media development and community engagement; Maggie Feyrer as Coordinator, Strategic Partnerships, who will manage and activate partnerships for the Academy and Delaney Loughran as Assistant, Industry Relations & Awards, who will assist in industry communications, relations, memberships and more.

The above team members’ emails are below:
– Tommy Moore: tommy@acmcountry.com
– Kris Reyes: kris@acmcountry.com
– Jesse Knutson: jesse@acmcountry.com
– Haley Montgomery: haleym@acmcountry.com
– Jennifer Davis: jennifer.davis@acmcountry.com
– Brittany Uhniat: brittany@acmcountry.com
– Katie Casserly: katie.casserly@acmcountry.com
– Maggie Feyrer: maggie.feyerer@acmcountry.com
– Delaney Loughran: delaney@acmcountry.com

Patrick Farr Joins WHY&HOW With Client Sophia Scott

Patrick Farr & Sophia Scott

Patrick Farr has joined full-service artist management and music company WHY&HOW alongside client Sophia Scott, who he will continue to manage under the WHY&HOW roster.

Farr lived in Los Angeles for over a decade before relocating to Nashville last year. He most recently spent almost six years at his own company, Revelator Management, and another six at Philymack prior that. Farr brings an abundance of industry knowledge to WHY&HOW, having worked with talent such as Nick Jonas, Demi Lovato, DNCE and Bea Miller.

“Not only does Patrick bring immense experience, but a fitting addition to our roster in Sophia Scott,” says Bruce Kalmick, WHY&HOW Founder & CEO. “I’ve been a fan of Patrick’s work ethic and savvy approach to artist development for a long time—we look forward to having him jump in with our team.”

Scott is a Nashville-based singer-songwriter and multi-instrumentalist who has amassed more than 120 million career streams to date. The Boulder, Colorado native found early success with singles like 2018’s “She Ain’t Me” and 2019’s “Drink Too Much Wine.” In 2021, Scott opened for the Jonas Brothers and was named an emerging artist by People Magazine. She delivered her debut EP, One Of These Days, in 2022, and released her full-length debut album, Barstool Confessions, via Empire in 2023. Scott made her Grand Ole Opry debut the night the project was released.

She was named one of Pandora Country’s 2024 Artists To Watch, and recently performed at the inaugural Cattle Country Festival, co-created by Kalmick, in Gonzales, Texas. Additionally, Scott plans to support Niko Moon on his “These Are The Days Tour” this fall.

“I’m excited to work with Bruce and the WHY&HOW team, and thrilled Sophia is joining the roster as well,” shares Farr. “WHY&HOW’s unique approach to artist development and the business overall is a huge draw, and I look forward to tapping into the company’s larger team as we continue to cultivate Sophia’s career.”

Keith Urban’s New Album ‘High’ On Tap For September

Keith Urban‘s first album in nearly four years, High, is set to drop on Sept. 20 via Capitol Records Nashville.

The intentionally sequenced project touches on themes of what it is to be alive and the human connection, cutting loose, hope, nostalgia and straight-up fun, with some personal life revelations thrown in along the way.

“What makes you ‘high’ can mean whatever you want it to mean,” says Urban. “It might be physical, spiritual, herbal, meditative, chemical or musical, but it’s definitely a place of utopia. For me it’s my family, my friends, and this rollercoaster musical journey I’m on. Playing guitar, writing songs and the place where I always feel high—playing live. Every night I get a chance to bring an energy and a release to people.”

Urban points out that with highs, come lows, which came for him in 2022.

“At the time I was on tour. I’d do a concert, go back to Nashville to record, do a concert, and come back to record, and over again. So, I thought I’d call the album 615. That’d keep me on track—focused and disciplined,” he says. “There was no continuity. The songs didn’t work well together. I learned that what I thought was a framework to create within, turned out to be musically limiting.”

He’s releasing the new song, “Wildside,” from the album now. The good-time party tune is loosely based on Joan Cusack’s character in the movie The School of Rock. The song’s release follows the tracks “Straight Line,” “Go Home W U” with Lainey Wilson and High’s current radio single “Messed Up as Me.”

YouTube video

High Track Listing:
1. “Blue Sky” (intro)
2. “Straight Line” (Keith Urban, Jerry Flowers, Chase McGill, Greg Wells)
3. “Messed Up as Me” (Rodney Clawson, Jessie Jo Dillon, Michael Lotten, Shane McAnally)
4. “Wildside” (Keith Urban, Ernest, David Garcia, Ashley Gorley)
5. “Go Home W U (With Lainey Wilson)” (Keith Urban, Breland, Sean Small, Sam Sumser)
6. “Chuck Taylors” (Keith Urban, Jerry Flowers, Chase McGill, Greg Wells)
7. “Daytona” (Nathan Barlowe, Steven Lee Olsen)
8. “Love Is Hard” (Eren Cannata, Shane McAnally, Justin Tranter)
9. “Heart Like a Hometown” (Casey Brown, Matt Roy, Parker Welling)
10. “Laughin’ All the Way to the Drank” (Keith Urban, Ben Burgess, Terence F. Clark, Mike Elizondo)
11. “Dodge in a Silverado” (Thomas Archer, Ben Stennis, Michael Tyler)
12. “Break the Chain” (Keith Urban, Marc Scibilia)

Post Malone Notches Third Week At No. 1 On MusicRow Chart With ‘I Had Some Help’

Post Malone holds the No. 1 spot on the MusicRow CountryBreakout Radio Chart again this week with “I Had Some Help” featuring Morgan Wallen, marking the song’s third week at the top.

“I Had Some Help” comes from Post’s upcoming album, F-1 Trillion, and was written by Post, Wallen, Ernest, Louis Bell, Ashley Gorely, Hoskins, Charlie Handsome and Chandler Paul Walters.

Along with his album, Post recently announced the “F-1 Trillion Tour.” Kicking off Sept. 8 in Salt Lake City, the 21-show journey will wrap at Nashville’s Nissan Stadium on Oct. 19.

“I Had Some Help” currently sits at No. 1 on the Billboard Country Airplay chart and No. 2 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

Industry Ink: Musicians On Call, CMT, Becky Parsons, Joseph Habedank

Marcel Pariseau and Sam Hollander Join MOC’s National Board Of Directors

Marcel Pariseau & Sam Hollander.

Musicians On Call has added Marcel Pariseau and Sam Hollander to its national Board of Directors.

Pariseau is the Co-Owner of True Public Relations where he works with icons such as Scarlett Johansson, Kristen Bell, Dolly Parton, Wynonna Judd and more. Hollander is an award-winning songwriter with cuts from Panic! at the Disco, One Direction, Train, Katy Perry, Fitz & The Tantrums, Carole King, Ringo Starr, Aloe Blacc, Goo Goo Dolls, Kelly Rowland, Matt Nathanson, O.A.R. and others.

“Marcel Pariseau and Sam Hollander have made lasting marks on music culture through their respective careers, and their charitable nature has already significantly boosted Musicians On Call’s mission of bringing the healing power of music to those in need. We are incredibly grateful to both of them for now bringing their leadership to our National Board of Directors,” shares Musicians On Call President & CEO Pete Griffin. “Marcel’s visionary guidance and Sam’s unparalleled creativity will be invaluable assets as we work to expand our programs nationwide. Their commitment to our cause resonates deeply, and we look forward to their continued support in making an even greater impact on the lives of individuals facing health challenges.”

 

CMT Shines A Light On Rising Artists With City Winery Showcase

Members of the CMT Listen Up Showcase with CMT’s Leslie Fram. Photo: Collette Badora

CMT welcomed the latest group of rising country artists with its “CMT Listen Up” showcase at City Winery on Tuesday night (June 25). Among those to perform were Alana Springsteen, Catie Offerman, Chayce Beckham, Dalton Dover, Fancy Hagood, Jake Worthington, Jordyn Shellhart and Madeline Edwards. CMT’s Leslie Fram and country singer Hannah Ellis hosted the evening.

Sponsored by Change The Conversation, The Change Agent·cy and Porter’s Call, the CMT Listen Up program showcases rising artists to watch with members named annually and given full cross-brand support for their music and videos across CMT and various Paramount properties.

 

Becky Parsons Launches Found Sound Media

Becky Parsons. Photo: Sam Wiseman/BLK Creative

Becky Parsons has launched her new public relations and artist management company, Found Sound Media. Parsons was most recently Director of Publicity and Branding for PLA Media, was selected as part of the Equal Access 2024 cohort and is on the Board of Directors for SOLID. Her new company will offer a wide range of services including media relations, brand strategy, artist management, event coordination and more.

“I am dedicated to amplifying authentic voices in country music, with a special focus on representing LGBTQ+ and female artists,” shares Parsons. “Our mission is to create a platform where each voice is heard and celebrated. By leveraging extensive experience in publicity, branding and artist management, we aim to secure prominent media exposure and foster meaningful connections within the music community.”

Reach Parsons at becky@foundsound.us.

 

Joseph Habedank Renews With Daywind Records

Pictured (L-R): Dusty Wells, Joseph Habedank and Ed Leonard.

Joseph Habedank has renewed his record deal with Daywind Records. Since originally joining the label, Habedank has nabbed two Grammy nominations, three GMA Dove Award wins and six Singing News Soloist of the Year wins.

“Daywind is not just a record label to me. They are family. After being on their roster for more than two decades now, it made perfect sense for me to re-sign with them,” says Habedank. They signed me to my first record deal as a solo artist when I was only 6 months out of rehab, and I will never forget the chance they took on me. I am so grateful to Ed Leonard, Dottie Leonard, Dusty Wells, and the entire Daywind team for taking a chance on me yet again. The best is yet to come.”

Lucinda Williams, Ashley McBryde, More Support Third Annual VetFest

Ashley McBryde performs during the Bob Woodruff Foundation’s third annual VetFest. Photo: Catherine Powell/Getty Images for Bob Woodruff Foundation

The Bob Woodruff Foundation hosted its third annual VetFest event this past weekend at the Skydeck on Broadway in Nashville.

Pictured (L–R): Dave Woodruff, Maddie Font, Tae Kerr and Anne Marie Dougherty at the Bob Woodruff Foundation’s third annual VetFest. Photo: Jason Kempin/Getty Images for Bob Woodruff Foundation

The free, family-friendly function for the local military and veteran community featured performances by Lucinda Williams, Ashley McBryde, Maddie & Tae and Michael Warren. Former Tennessee Titans player Blaine Bishop was also on hand to raffle off a signed Titans football. The event also included an activation from the Bob Woodruff Foundation Gaming Initiative and a raffle of guitars signed by Dolly Parton, Carrie Underwood, Eric Church, Luke Bryan and more.

Additionally, VetFest connected attendees with local organizations that are part of the Bob Woodruff Foundation Got Your 6 Network to give them the opportunity to learn more about the resources and programs dedicated to supporting veterans, service members and their families in the Nashville area. Participating organizations included CreatiVets, Memories of Honor, Military Officers Association of America (MOAA), Middle Tennessee State University (MTSU)’s Charlie and Hazel Daniels Veterans and Military Family Center, Operation Song, Operation Stand Down Tennessee and Steven A. Cohen Military Family Clinic at Centerstone. These partners offer services that are accessible to over 500,000 veterans and uniformed service members in the state of Tennessee.

DISClaimer Single Reviews: Brothers Osborne Gives An Electrifying Performance

Brothers Osborne.

Today belongs to country music’s groups and duos.

Old Dominion, Maddie & Tae, The Castellows and Midland are all here with new sounds. So are both of our award winners. The Reklaws take home this week’s DISCovery Award. Brothers Osborne owns the Disc of the Day prize.

As for solo efforts, I direct your attention to the ultra fine offerings by Josh Turner, HunterGirl and Jelly Roll, the three main competitors with Brothers Osborne for disc supremacy.

COLBY ACUFF / “American Son”
Writer: Colby Acuff; Producer: Eddie Spear; Label: Sony Music Nashville
– This is an acoustic folk tune with topical lyrics. Always a charismatic singer, Acuff takes an anti-capitalist, anti-war tone on this riveting meditation. Intriguing.

MADDIE & TAE / “Sad Girl Summer”
Writers: Josh Kerr/Maddie Font/Matt McGinn/Taylor Kerr; Producer: Corey Crowder; Label: Mercury Nashville
– This good-time banger suggests that going out honky tonkin’ is a dandy way to get past the guy who has been making you cry. Their harmonies are flawless, the electric guitars are churning and the beats don’t quit. Raise a glass and dance.

TYLER HUBBARD / “Park”
Writers: Ashley Gorley/Canaan Smith/Jesse Frasure/Tyler Hubbard; Producers: Jordan Schmidt, Tyler Hubbard; Label: EMI Nashville
– His car can burn rubber all the way “from Holler to Hollywood,” but rather than tear it up at high speed, he’d rather park. The track burbles along happily while he wails this uptempo romp. A summertime jam.

BROTHERS OSBORNE / “Break Mine (Live)”
Writers: John Osborne/Pete Good/Shane McAnally/TJ Osborne; Producers: none listed; Label: EMI Nashville
– This was arguably the most electrifying performance on Tuesday’s ABC TV special of the CMA Music Fest, and it is now a YouTube clip. T.J.’s commanding lead singing and John’s jaw-dropping guitar solos are both at the top of their games. This will make you proud to be a country-music fan.

THE REKLAWS / “One Beer Away”
Writers: The Reklaws/Callum Maudsley/Scott Helman; Producer: Callum Maudsley; Label: Starseed Records
– The brother-sister duo captured everyone’s attention on America’s Got Talent. Meanwhile, north of the border, The Reklaws hold eight Juno Award nominations, eight CCMA Awards, four No.1’s at Canadian radio, two double Platinum, eight Platinum and 13 Gold singles and a Gold certified debut album. In addition, siblings Jenna & Stuart Walker have more than 300 million global streams. Their new single is an upbeat jangler with banjo ripples, punchy rhythm and a joyous, party-hearty vibe. They swap lead vocals and harmonize delightfully. Get in that convertible, speed it on an open road and sing along.

JOSH TURNER / “Down In Georgia”
Writers: Anthony Olympia/Brent Rupard/Tyler Booth; Producer: Kenny Greenberg; Label: MCA Nashville
– Dark and swampy, with a gripping bass undertow. Not to mention Turner’s always compelling bass-vocal dips. Addictive as all get out. Can’t wait to hear the album.

DALTON DOVER / “Here’s The Deal”
Writers: Chase McGill/Matt Dragstrem/Michael Hardy; Producer: Matt McVaney; Label: Mercury Nashville
– He beckons her to join him in romance, but only if she’s down with his down-home, hometown values. There’s too much going on in the production, so his vocal is buried.

MIDLAND / “Lucky Sometimes”
Writers: Cameron Duddy/Jess Carson/Josh Osborne/Mark Wystrach/Matt Dragstrem; Producer: Dave Cobb; Label: Big Machine Records
– A very refreshing change of pace. The harmony trio strips its sound back to acoustic basics and leans back in a relaxing posture for this gently sunny outing. It is a taste of what we can expect on the group’s Barely Blue upcoming collection, and it sure sounds good.

HUNTERGIRL / “Bad Boy”
Writers: Greg Bates/Lindsay Rimes/Tristyn Hunter Wolkonowski; Producer: Lindsay Rimes; Label: Wheelhouse Records
– HunterGirl has competed on American Idol and won fans with appearances on CMT’s “Next Women of Country” tour as well as on Kelly Clarkson’s show. Her new song is a total blast. If the guy has tattoos, smokes cigarettes, is a one-night stand and looks a little dangerous, she’s in. “I really got it bad for a bad, bad boy,” she sings, knowing that her dad is going to hate this song. The light-hearted video features her teaching nerds how to be outlaws. One more thing: This woman sings her face off. Make her a star.

OLD DOMINION / “Coming Home”
Writers: Matthew Ramsey/Trevor Rosen/Whit Sellers/Geoff Sprung/Brad Tursi/Shane McAnally; Producers: Old Dominion, Shane McAnally; Label: Sony Music Nashville
– It’s a rousing, uplifting jam that communicates the joy, enthusiasm and anticipation of a loving homecoming. A hit if I’ve ever heard one.

THE CASTELLOWS / “Miss America”
Writers: The Castellows/Nicolle Galyon/Will Bundy; Producer: Chip Matthews; Label: Warner Music Nashville/Warner Records
– The blonde sister trio has never sounded smoother. The sweet-sad, jaunty tune rolls along while they sing of a small-town girl who gets her heart broken. Very pretty, very hooky, very nice.

JELLY ROLL / “Burning”
Writers: none listed; Producer: none listed; Label: Stoney Creek Records
– Jelly Roll held his own during his Tuesday appearance on Jimmy Kimmel! Live. He chatted easily with guest host Martin Short and comedy star Jane Lynch, both of whom turned out to be fans. Then he staged the world premiere of his next single. It’s a frothing rocker where he begs for redemption while the band flames around him. It is also the finest vocal of his career to date and the first sample of the music that will be on his fall album. Roll, Jelly, roll.

Capitol Christian Music Group Elevates Walter Thomas & Adds Alexandria Dollar

Walter Thomas & Alexandria Dollar. Photo: Austin Lord

Capitol Christian Music Group (CCMG) has elevated Walter Thomas to Vice President of Artist Development and added Alexandria “Dria” Dollar as Senior Director of A&R for Motown Gospel and TAMLA Records.

Thomas most recently served as CCMG’s Director of Artist Development. Reporting to Co-Presidents Brad O’Donnell and Hudson Plachy, his expanded responsibilities will include overseeing the growth and care of the company’s artist roster and development initiatives as well as facilitating its marketing initiatives. Prior to CCMG, Thomas served as CEO of Agency 22 Music & Entertainment, where he managed Doe, JJ Hairston, Jonathan McReynolds, Maverick City Music, Smokie Norful and more.

“Walter Thomas is a great music executive and we are confident he’ll excel in this new role,” says O’Donnell. “He has great instincts and strong relationships across the entire industry. I know he’ll serve our artists and partners well in this expanded capacity.”

“I am deeply honored to step into the role of Vice President of Artist Development for Motown Gospel and TAMLA. These iconic labels have a legacy of inspiring and uplifting music, and I am committed to continuing this tradition by developing the next generation of extraordinary artists,” shares Thomas. “I am equally thrilled to welcome Alexandria Dollar as our new Senior Director of A&R. Alexandria’s innovative approach and keen ear for talent are unmatched, and I am confident that together we will elevate our artists to new heights. This is an exciting time for us, and I look forward to all that we will accomplish at Motown Gospel and TAMLA.”

Dollar brings a wealth of industry experience to her new position from her time as Director of A&R at Reach Records in Atlanta, where she collaborated with Lecrae, For King & Country, Kirk Franklin, Chloe x Halle, PJ Morton, Tasha Cobbs Leonard and Disney Channel, among others. The two-time Grammy winner has also been recognized with Stellar Gospel Music and GMA Dove Awards. As Senior Director of A&R, she will work closely with Thomas and spearhead efforts to discover, develop and sign new acts.

Randy Travis & SoundExchange’s Michael Huppe Testify For American Music Fairness Act

Randy Travis & SoundExchange’s Michael Huppe. Photo: Tom Brenner

Country music icon Randy Travis and SoundExchange CEO & President Michael Huppe testified before Congress on Wednesday (June 26) in support of the American Music Fairness Act (H.R. 791). The act would require AM/FM radio stations to pay artists royalties when their songs are played on the air.

In his testimony, Huppe highlighted that the U.S. is the only democratic nation in the world without a performance right for artists on AM/FM radio. He called on Congress to modernize the nation’s copyright law to protect creators.

“Congress must set a standard that creators need to be compensated wherever and whenever their music is played–especially when their creations form the backbone of the business model like they do for AM/FM radio,” stated Huppe. “American musicians lose almost $300 million of taxable U.S. income each year because we lack these protections in the U.S.—this is on top of the hundreds of millions of dollars they are already missing out on domestically.”

Travis also provided testimony via his wife Mary, and emphasized the need to provide fair compensation for artists.

“Music is, was and will always be his lifeline. But that lifeline has changed. And we need to acknowledge that,” Mary shared. “The days of Randy packing a car and trekking thousands of miles across the country to visit radio stations and deliver copies of his newest cuts on cassette, in hopes of having his music heard, are a thing of the past.

“Of all the things we do differently than we did a century ago, one thing remains the same—the voice is still the mandatory bridge between the writer and the listener. And it’s time to do right by the ones that create the sound, the melody, the emotion that keeps the listeners coming back and the advertisers buying in.”

Recording Academy Extends Membership Invitation To Nearly 4,000

The Recording Academy has extended membership invitations to more than 3,900 music professionals spanning across diverse backgrounds, genres and disciplines, underscoring the Academy’s commitment to inclusivity and representation within the music industry.

This year’s 2024 class of invitees is 45% women, 57% people of color and 47% under the age of 40. With this year’s new member invitees, the Recording Academy is on track to achieve its goal of adding 2,500 women voting members by 2025 this year, one year ahead of schedule.

Invitations must be formally accepted by July 31 for recipients to become Recording Academy members and participate in the Online Entry Process for the upcoming Grammy awards. Through OEP, members can submit recordings, music videos and other eligible content for Grammy consideration. Individuals invited as voting members who accept their invitations are eligible to vote for the Grammy Awards, with the first voting ballot opening on Oct. 4 and closing on Oct. 15. The 67th Grammys will take place on Feb. 2, 2025, at Crypto.com Arena in Los Angeles.

“There’s no better way to kick off Grammy season than by inviting thousands of diverse and talented music creators and professionals to join our Recording Academy family,” says Harvey Mason jr., CEO of the Recording Academy. “Our members are the heart of the Academy, driving our mission to make lasting, positive impacts on the music community and shape music history. We are hopeful that all 3,900+ invitees join us in serving, celebrating and championing the voices of music creators year-round.”