
Jamey Johnson. Photo: David McClister
Award-winning singer-songwriter Jamey Johnson will release his new album, Midnight Gasoline, on Nov. 8 as his first with Warner Music Nashville. The project will mark his first solo studio album in 14 years.
Midnight Gasoline is also the first of Johnson’s Cash Cabin Series, which is a collection of albums recorded at the famed studio in Hendersonville that was owned by Johnny and June Carter Cash, and now owned by their son, John Carter Cash. Johnson spent three weeks recording about 30 songs there, sleeping in his bus that was parked outside.
“I’ve always wanted to make an album there,” he shares. “I went in with an album in mind, where we go in and cut and cut and cut. That is when I knew we were off to the races. This is more than an album; this is a series.”
Also known as Cash One, Midnight Gasoline follows Johnson’s his Platinum-certified That Lonesome Song (2008) and the Gold-certified, Billboard No. 1 album The Guitar Song (2010). The Grand Ole Opry member also released a 2012 duets project, the Grammy-nominated Living for a Song: A Tribute to Hank Cochran and a Christmas EP.
The new album contains “21 Guns,” “What a View,” “Trudy” and “Sober,” all of which were released during the last few months. His “Someday When I’m Old” is out today (Oct. 4).
“I think the only common thread would be me,” Johnson says of Midnight Gasoline. “There isn’t an overtone or some underlying theme in the songs. They are just glimpses of my life. Some of them are just funny stories, and not all of them were written recently. In that regard, I really am kind of picking up where I left off, grabbing those few songs that were probably ready to put out back then. It’s good to get those out there.
“Some of the songs are new,” he adds. “’What a View’ is one of the first of the new ones that was written for this album. It’s straight from a very personal place.”
The album’s first half was produced by The Kent Hardly Playboys—Wayd Battle, Jim “Moose” Brown, Tom Bukovac, T.W. Cargile, Kevin “Swine” Grant, Cowboy Eddie Long, Dave McAfee, James Mitchell and Chris Powell. Dave Cobb, who also worked on That Lonesome Sound and The Guitar Song, produced the album’s second half.
In addition to partnering with Warner Music Nashville, Johnson has also signed with TKO Artist Management as his new management team.
“Jamey and I have been friends for a long time and frequently spoke about working together. You just don’t miss an opportunity to work with a talent like Jamey Johnson,” shares TK Kimbrell, Owner of TKO Artist Management.
Midnight Gasoline Track Listing:
1. “Bad Guy” (Jamey Johnson and Dale Dodson)
2. “Midnight Gasoline” (Scotty Emerick, Dean Dillon and Jeff Hyde)
3. “What a View” (Jamey Johnson, Randy Houser, Rob Hatch and Dallas Davidson)
4. “21 Guns” (Jamey Johnson and Jim “Moose” Brown)
5. “Someday When I’m Old” (Aimee Mayo, Chris Lindsey and Troy Verges)
6. “Trudy” featuring Randy Houser (Charlie Daniels)
7. “One More Time” (Jamey Johnson, Ernest Keith Smith and Rob Hatch)
8. “Saturday Night in New Orleans” (Jamey Johnson, Chris Stapleton and Tony Joe White)
9. “Sober” (Jamey Johnson and James Slater)
10. “I’m Tired of It All” (Dallas Davidson and Kyle Fishman)
11. “No Time Like the Past” (Jamey Johnson and Chris Stapleton)
12. “What Do You Answer To” (Jamey Johnson, Ira Dean, Ajay Popoff and Jeremy Popoff)
The Red Clay Strays To Drop First Live Project In November
/by Lorie HollabaughThe Red Clay Strays are releasing their first live project, Live At The Ryman, Nov. 15 on RCA Records.
The new project was recorded earlier this month during the band’s sold-out, three-night headline debut at Nashville’s Ryman Auditorium, and includes songs from across their catalogue, including “I’m Still Fine,” out today (Oct. 4).
Live At The Ryman adds to a breakout year for The Red Clay Strays, who are nominated for Vocal Group of the Year at the upcoming 58th Annual CMA Awards (their first CMA nomination), won Emerging Act of the Year at the 2024 Americana Music Association Honors & Awards, and released their new album, Made by These Moments, earlier this summer.
The band will continue to perform through fall including upcoming shows at Los Angeles’ The Wiltern, Boston’s Roadrunner, Philadelphia’s The Fillmore, Denver’s Mission Ballroom and San Diego’s SOMA, among several others. The Red Clay Strays have sold out every one of their headline shows this year as well as their newly-confirmed 2025 Canadian tour.
Live At The Ryman Track List:
1. “Ramblin”’
2. “Wanna Be Loved”
3. “I’m Still Fine”
4. “Wondering Why”
5. “Will The Lord Remember Me”
6. “Drowning”
7. “Stones Throw”
8. “Disaster”
9. “No One Else Likes Me”
10. “Ghosts”
11. “Don’t Care”
Jamey Johnson Readies First Solo Studio Album In 14 Years
/by LB CantrellJamey Johnson. Photo: David McClister
Award-winning singer-songwriter Jamey Johnson will release his new album, Midnight Gasoline, on Nov. 8 as his first with Warner Music Nashville. The project will mark his first solo studio album in 14 years.
Midnight Gasoline is also the first of Johnson’s Cash Cabin Series, which is a collection of albums recorded at the famed studio in Hendersonville that was owned by Johnny and June Carter Cash, and now owned by their son, John Carter Cash. Johnson spent three weeks recording about 30 songs there, sleeping in his bus that was parked outside.
“I’ve always wanted to make an album there,” he shares. “I went in with an album in mind, where we go in and cut and cut and cut. That is when I knew we were off to the races. This is more than an album; this is a series.”
Also known as Cash One, Midnight Gasoline follows Johnson’s his Platinum-certified That Lonesome Song (2008) and the Gold-certified, Billboard No. 1 album The Guitar Song (2010). The Grand Ole Opry member also released a 2012 duets project, the Grammy-nominated Living for a Song: A Tribute to Hank Cochran and a Christmas EP.
The new album contains “21 Guns,” “What a View,” “Trudy” and “Sober,” all of which were released during the last few months. His “Someday When I’m Old” is out today (Oct. 4).
“I think the only common thread would be me,” Johnson says of Midnight Gasoline. “There isn’t an overtone or some underlying theme in the songs. They are just glimpses of my life. Some of them are just funny stories, and not all of them were written recently. In that regard, I really am kind of picking up where I left off, grabbing those few songs that were probably ready to put out back then. It’s good to get those out there.
“Some of the songs are new,” he adds. “’What a View’ is one of the first of the new ones that was written for this album. It’s straight from a very personal place.”
The album’s first half was produced by The Kent Hardly Playboys—Wayd Battle, Jim “Moose” Brown, Tom Bukovac, T.W. Cargile, Kevin “Swine” Grant, Cowboy Eddie Long, Dave McAfee, James Mitchell and Chris Powell. Dave Cobb, who also worked on That Lonesome Sound and The Guitar Song, produced the album’s second half.
In addition to partnering with Warner Music Nashville, Johnson has also signed with TKO Artist Management as his new management team.
“Jamey and I have been friends for a long time and frequently spoke about working together. You just don’t miss an opportunity to work with a talent like Jamey Johnson,” shares TK Kimbrell, Owner of TKO Artist Management.
Midnight Gasoline Track Listing:
1. “Bad Guy” (Jamey Johnson and Dale Dodson)
2. “Midnight Gasoline” (Scotty Emerick, Dean Dillon and Jeff Hyde)
3. “What a View” (Jamey Johnson, Randy Houser, Rob Hatch and Dallas Davidson)
4. “21 Guns” (Jamey Johnson and Jim “Moose” Brown)
5. “Someday When I’m Old” (Aimee Mayo, Chris Lindsey and Troy Verges)
6. “Trudy” featuring Randy Houser (Charlie Daniels)
7. “One More Time” (Jamey Johnson, Ernest Keith Smith and Rob Hatch)
8. “Saturday Night in New Orleans” (Jamey Johnson, Chris Stapleton and Tony Joe White)
9. “Sober” (Jamey Johnson and James Slater)
10. “I’m Tired of It All” (Dallas Davidson and Kyle Fishman)
11. “No Time Like the Past” (Jamey Johnson and Chris Stapleton)
12. “What Do You Answer To” (Jamey Johnson, Ira Dean, Ajay Popoff and Jeremy Popoff)
Lindsay Ell Inks With Universal Music Canada, Announces New EP
/by Lorie HollabaughLindsay Ell
Platinum hitmaker Lindsay Ell has signed with Universal Music Canada and is set to release her new EP Love Myself, on Oct. 25.
After a decade of establishing herself as a successful artist in Nashville with three No.1 hits and over 220 million streams, Ell feels that she has undergone a musical metamorphosis, transforming into an unbound, fearless and unapologetic artist. She is making her producing debut alongside Doug Schadt on the new project, and has released the lead single, “Story I Tell Myself,” which offers a first glimpse into her most autobiographical music to date. The track is a reflection on damaging self-talk and an attempted shift towards a kinder inner voice.
“Lindsay Ell is a one-of-a-kind human, and a once-in-a-lifetime artist. We are so honored to partner with her to share her powerful music and message to the world,” says Julie Adam, Executive Vice President & General Manager, Universal Music Canada. “Lindsay is a multi-talented musician, and her positive energy and resilience will inspire and connect with fans globally.”
“I am more inspired and excited to make music than I ever have been before and, for the first time in a long time, I’m no longer standing under a veil of trying to be who I’m not,” says Ell. “This project is all about learning how to love myself again. This has been my journey back to myself, back to the music that I have wanted to make since I first moved to Nashville.”
Ell has toured alongside artists like Keith Urban, OneRepublic and Maren Morris, and brought her electric live performance style to audiences across the U.S., Canada, Europe and the U.K. Fans have recently seen Ell as Shania Twain’s lead guitarist on the superstar’s “Come on Over” international tour and Las Vegas residency, which continues into 2025.
Morgan Wallen Notches Another No. 1 On The MusicRow Radio Chart
/by John Nix ArledgeMorgan Wallen has reached the top of the MusicRow CountryBreakout Radio Chart this week with “Lies Lies Lies.”
The track is part of his Abbey Road Sessions, released in celebration of his third studio album One Thing At A Time, and was written by Jessie Jo Dillon, Josh Miller, Daniel Ross and Chris Tompkins.
Wallen recently made headlines after donating $500,000 to the Red Cross through the Morgan Wallen Foundation to support Hurricane Helene relief efforts in his home of east Tennessee.
“Lies Lies Lies” currently sits at No. 11 on the Billboard Country Airplay chart and No. 9 on the Mediabase chart.
Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
Eric Church To Support Home State Through Its ‘Darkest Hour’ After Hurricane Helene
/by Liza AndersonEric Church. Photo: Robby Klein
Eric Church has announced his plans to sign over all of his publishing royalties for new song “Darkest Hour” to the people of North Carolina to support relief following the devastation of Hurricane Helene and provide ongoing funds to build a more resilient future for his home state. Available everywhere now, “Darkest Hour” marks his first solo release in over three years.
“From Western North Carolina, East Tennessee, Upstate South Carolina, parts of Georgia and even Florida which took a direct hit, there are so many places that were impacted. Specifically in the area that I’m from, the mountains of Western North Carolina were devastated. There are places that are just biblically gone. These are our family members, they’re our friends, they’re our neighbors—and they’re in dire need of help,” reflects Church. “And I’ve been in the studio for a while, trying some different things and exploring creativity. I had this song that I’d written, and the line that struck me in light of the recent devastation was ‘I’ll come running,’ because there are a lot of people out there right now who are in their darkest hour and they need people to come running. We were going to wait to release music until next year, but it just didn’t feel right to wait with this song. Sometimes you give songs their moment and sometimes they find their own moment.
This song, ‘Darkest Hour,’ was the best way I could think to try to help. We’ve been helping with boots-on-the-ground efforts, but this is something that will live beyond just the immediate recovery. This is not a quick thing to fix, so hopefully ‘Darkest Hour’ will be able to contribute to that for a long time to come. This song goes to my home, North Carolina, now and forever.”
Additionally, Church’s Chief Cares Fund will not only be assisting in North Carolina, but in all states and communities affected from Appalachia to the Gulf. For more information, click here.
Production Manager Jason Parkin Passes
/by Lorie HollabaughJason Parkin, Darius Rucker’s longtime production manager, passed away on Sept. 30. He was 49.
The Raleigh, North Carolina native spent 25 years working on the road, including working on Hootie & the Blowfish’s 2019 “Group Therapy Tour,” which Rucker fronted.
Rucker wrote in a statement about his friend: “For nearly 25 years, Jason ‘Devil Boy’ Parkin was a staple in our crew. He was more than our production manager, he was our brother. We are devastated by his passing this week. Our prayers are with his family — thank you for loaning him to us all these years.”
Services have not been scheduled yet but will be handled by Brown-Wynne Funeral Home in Raleigh, North Carolina.
Terri Jo Box Re-Ups With Jonas Group Publishing
/by Lorie HollabaughPictured (L-R, front row): Denise Jonas, Emily Peacock (Sr. Creative Dir., JGP) and Leslie T. DiPiero (Pres., JGP); (L-R, back row): Kevin Jonas Sr. (Founder/Chairman Jonas Group Entertainment) and Terri Jo Box. Photo: Cole Barnhill
Texas-born songwriter Terri Jo Box has re-signed her deal with Jonas Group Publishing.
Box was the first writer signed to JGP in 2020, and has had cuts with Cody Johnson on “God Bless The Boy (Cori’s Song)” and Lainey Wilson with “Those Boots (Deddy’s Song)” and “Hillbilly Hippie,” which both appeared on Wilson’s Grammy-winning Bell Bottom Country album.
In addition to her JGP cuts, she’s enjoyed success with Ashley McBryde’s “American Scandal” and “Bible and a .44,” which has also been recorded by Eric Church, Trisha Yearwood and others. Her song, “Dear Old Sun,” written with Miranda Lambert and Gwen Sebastian, was featured on Lambert’s Weight Of These Wings album, which won the 2017 ACM Album of the Year award. Named to the 2023 Class of Up-and-Coming Songwriters by the Association of Independent Music Publishers, Box has also had songs recorded by Patty Loveless, Joe Nichols, Gary LeVox, Wade Hayes, Bryan Martin, Annie Bosko and more.
“I heard something so unique in Terri Jo, that I signed her to a publishing deal even before JGP was established,” says JGE Founder and Chairman Kevin Jonas Sr. “She writes from a different viewpoint from most of us, but she speaks to all of us, and that’s a special gift.”
“Terri Jo has a deep understanding of what makes country music country,” says JGP President Leslie T. DiPiero. “She is a visible thread between new and established artists and writers. Her approach to songwriting and encouragement of all songwriters enriches our creative community.”
“Having Leslie DiPiero on my side is such a gift,” says Box. “Leslie is a songwriter’s best friend; she will fight, crawl, scrap, cheer, celebrate, and work tirelessly to get her writers across the line to win. She, Emily Peacock and the entire team are Music Row royalty, and I am so grateful to call them ‘my team.’ And working with Kevin Jonas Sr. has been an honor and growing experience for me. To have the wisdom AND kindness of somebody who has been so immersed in all aspects of the industry has been invaluable. He is such a lover of songs. Kevin, Denise Jonas, and all ‘the boys’ are such a beautiful, epic, family love story.”
BREAKING: Garth Brooks Accused Of Sexual Assault & Battery
/by LB CantrellGarth Brooks
According to multiple outlets, including CNN, Garth Brooks has been accused of sexual assault and battery by a woman who says she worked for him as a hairstylist and makeup artist.
Named “Jane Roe” in the complaint, filed in a state court in California today (Oct. 3), she claims that she was raped by Brooks during a work trip in 2019. The suit alleges that Roe began handling hair and makeup services for Brooks in 2017, and that she was first hired to do hair and makeup for his wife, Trisha Yearwood, in 1999.
Read more from CNN here.
Brooks has responded to the allegations, stating, “For the last two months, I have been hassled to no end with threats, lies and tragic tales of what my future would be if I did not write a check for many millions of dollars. It has been like having a loaded gun waved in my face.
“Hush money, no matter how much or how little, is still hush money. In my mind, that means I am admitting to behavior I am incapable of—ugly acts no human should ever do to another.
“We filed suit against this person nearly a month ago to speak out against extortion and defamation of character. We filed it anonymously for the sake of families on both sides.
“I want to play music tonight,” he says in reference to his Las Vegas residency show at The Colosseum at Caesars Palace. “I want to continue our good deeds going forward. It breaks my heart these wonderful things are in question now. I trust the system, I do not fear the truth, and I am not the man they have painted me to be.”
BREAKING: Mary Catherine Kinney Joins Republic
/by LB CantrellMary Catherine Kinney
Mary Catherine Kinney has joined Republic as Executive VP of Artist & Label Strategy.
In her new role, Kinney will lead artist and label strategy for the label group’s Republic Records, Island Records, Mercury Records and Def Jam Recordings. Based in Nashville, she will lead business strategy for Republic’s labels and reinforce their Nashville presence.
Kinney joins Republic after six years at Spotify, where she was most recently Head of Artist Partnerships. Prior to her work at Spotify, Kinney spent time at Sony Music Nashville and Universal Music Group Nashville.
“Mary Catherine is one of the music industry’s most inspiring leaders. She’s widely respected across the business and in Nashville,” says Republic Corps President/COO Jim Roppo. “Her reputation and work ethic have uniquely positioned her to flourish supporting the labels at Republic. She’s the perfect executive to seamlessly facilitate our expansion in the market.”
“I’m thrilled to join Republic to build with each label team on their unique mission and work with such a phenomenal roster of artists. For over a decade, I’ve called Nashville home and I’m honored for the opportunity to steward Republic vision within this vibrant, ever-growing creative community,” shares Kinney. “I have deeply admired Monte, Avery and Jim as visionaries and esteemed leaders for many years; I thank them for this extraordinary opportunity.”
DISClaimer Single Reviews: Three Tunes Share The Disc Of The Day
/by Robert K OermannPictured (L-R): Jamey Johnson, Mickey Guyton, Nate Smith and Avril Lavigne.
Collaborations are the order of the day in this week’s DISClaimer country music roundup.
We have Brooks & Dunn with Lainey Wilson, Cody Johnson with Carrie Underwood, Nate Smith with Avril Lavigne and Gangstagrass with Reef The Lost Cauze (whoever that is). Mix in great new sounds by The War and Treaty, Elle King, Sierra Ferrell and Kat Luna and there’s an awful lot to like.
So much so that we have three Disc of the Day winners. The Male prize goes to the eternally great Jamey Johnson. The Female awardee is Mickey Guyton. The group honor belongs to Smith and Lavigne.
Give a DISCovery Award to the bluesy Alabama band The Red Clay Strays.
Writers: Kevin Fisher/Michael Matosic/Tom Walker; Producer: Lindsay Rimes; Label: RCA Nashville
– His soulful baritone groan and her aching/piercing soprano blend beautifully on this broken-hearted power ballad. Smith is on a roll, with three consecutive country chart-toppers under his belt. Lavigne is a zillion-selling pop star. The single is a sonic masterpiece. This can’t miss.
BROOKS & DUNN & LAINEY WILSON / “Play Something Country”
Writers: Ronnie Dunn/Terry McBride; Producer: Dann Huff; Label: Sony Music Nashville
– One of the greatest of all the Brooks & Dunn songs, gets a kick-ass revival with Lainey sassing her way into the bar, wailing “I shaved my legs/I paid my money.” The new diva holds her own opposite platinum-plated country vocal legend Ronnie. The 2005 number has always rocked, and it does so again. It’s drawn from a forthcoming (Nov. 15) album of collaborations. In addition to Wilson, the album will feature contributions from Morgan Wallen, Marcus King Band, Megan Moroney, Warren Zeiders, Jelly Roll, Riley Green, The Cadillac Three, Halestorm, Mitchell Tenpenny, The Earls of Leicester, Jake Worthington, Hailey Whitters, Christone “Kingfish” Ingram, Hardy, Ernest, A Thousand Horses and Corey Kent. Can’t wait.
THE RED CLAY STRAYS / “Drowning”
Writer: Drew Nix; Producer: Dave Cobb; Label: RCA Records
– The 2024 winners of the Americana Emerging Artist award showcase their blues chops on this downbeat ballad that’s dripping with soul. Their debut RCA album Made By These Moments also features the heartbreaking “Wanna Be Loved” and tormented “Devil in My Ear.” These guys rock.
CODY JOHNSON & CARRIE UNDERWOOD / “I’m Gonna Love You”
Writers: Chris Stevens/Kelly Archer/Travis Denning; Producer: Trent Willmon; Label: CoJo Music/Warner Music Nashville
– Cody carries the melody while Carrie harmonizes perfectly on this lovely romantic outing. The piano ballad is a beautifully crafted piece of songwriting, and these two singers make the most of it. An instant wedding classic.
GARY NICHOLSON / “What A Little Love Can Do”
Writers: Gary Nicholson/Stephen Bruton; Producers: Gary Nicholson, John Heithaus, Kevin McKendree; Label: Qualified Records
– This Nashville Songwriters Hall of Fame member has a fine new album called Common Sense. He’s an ace guitarist and a comfy singer, and both skills are flying high on this sprightly country rocker. Charming as can be.
JAMEY JOHNSON / “Someday When I’m Old”
Writers: Aimee Mayo/Chris Lindsey/Troy Verges; Producer: The Kent Hardly Playboys; Label: Warner Music Nashville/Big Gassed Records
– Hallelujah! One of our greatest living country singers is back with a vengeance on this moody contemplation of mortality. It’s a brilliant song, and he totally owns it with his heartfelt performance.
SIERRA FERRELL / “Lighthouse”
Writers: Lindsay Lou/Sierra Ferrell; Producer: Gary Paczosa; Label: Rounder Records
– In any kind of just universe, this woman would already be a country superstar. As it is, she’s this year’s Artist of the Year at the Americana Music Awards. She is a charismatic showman (is showoman a word?) who is an irresistible stage presence. But this stripped-down, guitar-vocal outing showcases that she is also a mighty, mighty country singer. Have I mentioned that I am major fan?
MICKEY GUYTON / “House On Fire”
Writers: Jenna Andrews/Mickey Guyton/Stephen Kirk; Producers: Nolan Verner, Stephen Kirk; Label: Capitol Records Nashville
– Passionate, melodic, fierce, loving and deliciously listenable. This is the title tune of Guyton’s sophomore album, and it’s the performance of a lifetime. A career highlight that takes it up to a whole new level.
THE WAR AND TREATY / “Can I Get An Amen”
Writers: Jonathan Singleton/Michael Trotter Jr./Tanya Trotter; Producers: Andrew Capra, Jonathan Singleton, Michael Trotter Jr.; Label: UMG Nashville
– They brought the house down with this during the NBC telecast of the People’s Choice Country Awards last week. No wonder: The King & Queen of gospel country blaze brightly on this barn-storming ode to love, faith and fidelity. Are they the best singers in Nashville or what?
KAT LUNA / “That Girl”
Writers: Erika Ender/Kat Luna/KK Johnson/Rhett Akins; Producer: Nathan Chapman; Label: Sony Music Nashville
– Luna is issuing this in both English and Spanglish versions. In any language, it’s a super song of survival and empowerment, and she sings the fire out of it.
GANGSTAGRASS / “Mother”
Writers: Brian Farrow/Daniel Ford Whitener/Lawrence Durant/Oscar Owens/Randal Green/Sharif Talib Lacey; Producer: Rench; Label: Rench Audio
– This bi-racial band is currently No. 1 on the bluegrass chart with its fusion of ‘grass and hip-hop elements. The album is titled The Blackest Thing on the Menu, and its fifth single “Mother” is a socially, racially and environmentally conscious spoken lyric with plunked banjo notes and looped percussion. It follows “The Only Way Out Is Through” (featuring Jerry Douglas), “Good at Being Bad,” “Up High Do Or Die” (interpolating Bill Monroe’s “Jerusalem Ridge”) and “Obligatory Braggadocio” as showcases from the collection.
ELLE KING / “High Road”
Writers: Elle King/Paul Dominick DeVincenzo; Producers: Dave Cohen, Elle King; Label: RCA Records
– This performance sets her in stone as a country artist. And I do mean “stone.” There’s an unmistakable Willie vibe here, because when she sings of a “High Road,” the emphasis is on “high.” Country, country, country and cool.