Songwriter D. Vincent Williams has opened Black Ink Music Publishing, a Nashville-based independent music publisher. A former staff writer for Warner-Chappell Music, Williams has penned hits including ACM Song of the Year “I’m Movin’ On,” recorded by Rascal Flatts, and James Otto’s recent No. 1, “Just Got Started Loving You.” He will serve as the new company’s CEO. Joining Williams in the new venture are Melinda Duncan, Eric Gioia and industry veteran Noah Dewey. Black Ink’s roster of writers includes Williams, Duncan, Justin Lantz, Cliff “Crash” Cody and writer/artist Matt Jenkins. The company will celebrate its official kick-off this week at a private, invitation-only event.
NSAI’s annual songwriters festival, Tin Pan South, is coming up Tuesday, March 31 – Saturday, April 4. Venues around Nashville will come alive with a slew of in-the-rounds and songwriter showcases. NSAI will post a calendar of Tin Pan South events on Wednesday, (3/11) and make a “Fast-Access Pass” available that same day. The pass allows attendees advance seating (room permitting) over those who purchase tickets at the door. Fast-Access Passes will also be available online at http://www.tinpansouth.com/tickets.asp. NSAI will hold a Festival Preview Party tomorrow, Tuesday (3/10), from 3:30 to 5:30 p.m. at The Rutledge, 410 4th Avenue South. In addition to announcements regarding Tin Pan South details, Kelly Archer, Regie Hamm, James House and Rissi Palmer will perform in the round.
Nashville hit songwriter Layng Martine, Jr. (Reba McEntire’s “The Greatest Man I Never Knew,” Trisha Yearwood’s “I Wanna Go Too Far”) has written a poignant and inspirational story that appeared in Sunday’s (3/8) New York Times. “In a Charmed Life, a Road Less Traveled” tells the heartrending story of the songwriter’s wife, Linda, who became a paraplegic after a devastating car accident. With unflinching honesty and emotional frankness, Martine, Jr. tells of the accident’s effect on their lives and their love, both of which have grown deeper and more meaningful as a result of the tragic event. It’s an inspired read and well worth your attention. You can link to the story at http://tinyurl.com/bnoou2.
The Nashville Songwriters Hall of Fame Foundation has elected Dr. Bethel “Bo” Thomas, Vice President for University Advancement, Belmont University; and Kelli L. Gabriel, Sr. Vice President and Financial Advisor, Morgan Stanley in Nashville; to its 2009/2010 Board of Directors. The NaSHOF Board also elected its 2009 officers. Roger Murrah will serve a fourth term as Chair. Other newly elected officers are: Vice Chair – Wayland Holyfield, Nashville Songwriters Hall of Fame member; Vice Chair – John Van Mol, CEO of Dye, Van Mol & Lawrence; Secretary – Pete Fisher, Vice President/General Manager, Grand Ole Opry, Gaylord Entertainment; and Treasurer – Layng Martine, Jr., songwriter.
Nashville music industry veteran Paul Compton has launched Music Highway Writer Services, a music catalog representation and writer management company. Most recently, Compton served as Senior Vice President of Murrah Music Corporation, where he placed the No. 1 smash, “I’m Movin’ On” with Rascal Flatts and also pitched Billy Currington’s 2008 ASCAP Song of the Year, “Good Directions.” To learn more about Music Highway Services, contact Compton at info@musichighway.net or at (615) 289-0769.
Underwood Croons Mötley Crüe for American Idol
/by LB CantrellSocial Nets Get Facelifts
/by bossrossFacebook is also making vibrant changes which are heating up the debate over whether Twitter is the new Facebook or vice versa. Facebook will move brands away from specially designed pages to layouts that seem more similar to the individual user pages which will also allow more interaction with friends, updates and links. Secondly, the updated info flow will refresh at a faster pace, near real time vs. every 10 minutes, according to a recent Advertising Age article. Facebook CEO Mark Zuckerberg’s blog states, “This creates a continuous stream of information that delivers a deeper understanding for everyone participating in it. As this happens, people will no longer come to Facebook to consume a particular piece or type of content, but to consume and participate in the stream itself.”
The streaming nature of the new info is what is casting the Twitter comparisons. Techcrunch’s Erick Schonfeld analyses, “Facebook doesn’t want Twitter to become the way large companies and public figures connect to fans.” As the sites compete the real winners are the fans who get improved tools and new functionalities as they continue on the quest to communicate across the data universe.
Preston to Be Honored, Womack to Perform at Martell Foundation Honors Gala
/by LB Cantrell“I’m honored to have the opportunity to perform for this inaugural event and the individuals being recognized by an organization whose mission for innovative research is much needed,” said Womack.
Here Come Some New Flatts Tracks
/by LB CantrellChesney Rolls Out The “Keg” At Nashville’s Exit In
/by LB CantrellKenny Chesney and band have been busy rehearsing for their upcoming Sun City Carnival Tour, but even country superstars need a break once in a while. Fortunately for music fans, Chesney’s idea of a break is playing unannounced, no-holds-barred gigs at clubs throughout the Southeast. With another year of stadiums and arenas in his immediate future (his tour officially kicks off April 17 in Connecticut), the freewheeling “Keg In The Closet Tour” is a stripped-down, music-driven affair done the old-fashioned way; three sets of music in a hot, sweaty club full of fans. This year’s impromptu run began in Tuscaloosa, Alabama at the Jupiter Bar + Grille. For the fifth year, the band rocked the house all night, performing three sets for the rowdy University of Alabama crowd. Last night (3/9), Chesney opened the “keg” at Nashville’s Exit In, also playing to a packed house. His four-hour performance included guest appearances by Brad Paisley, Mark Collie, David Lee Murphy and Brett James.
Chesney takes over the Exit In. (back row, l-r) Tom Baldrica, VP Marketing, Sony Music Nashville; Bryan Frasher, VP Promotions, BNA Records; Front Row (l-r) Songwriter David Lee Murphy, Sony Music Nashville Executive VP, Butch Waugh; VP, Digital Business, Heather McBee; Chesney and Sony Music Chairman Joe Galante.
Writer/Publisher Buzz
/by LB CantrellSongwriter D. Vincent Williams has opened Black Ink Music Publishing, a Nashville-based independent music publisher. A former staff writer for Warner-Chappell Music, Williams has penned hits including ACM Song of the Year “I’m Movin’ On,” recorded by Rascal Flatts, and James Otto’s recent No. 1, “Just Got Started Loving You.” He will serve as the new company’s CEO. Joining Williams in the new venture are Melinda Duncan, Eric Gioia and industry veteran Noah Dewey. Black Ink’s roster of writers includes Williams, Duncan, Justin Lantz, Cliff “Crash” Cody and writer/artist Matt Jenkins. The company will celebrate its official kick-off this week at a private, invitation-only event.
NSAI’s annual songwriters festival, Tin Pan South, is coming up Tuesday, March 31 – Saturday, April 4. Venues around Nashville will come alive with a slew of in-the-rounds and songwriter showcases. NSAI will post a calendar of Tin Pan South events on Wednesday, (3/11) and make a “Fast-Access Pass” available that same day. The pass allows attendees advance seating (room permitting) over those who purchase tickets at the door. Fast-Access Passes will also be available online at http://www.tinpansouth.com/tickets.asp. NSAI will hold a Festival Preview Party tomorrow, Tuesday (3/10), from 3:30 to 5:30 p.m. at The Rutledge, 410 4th Avenue South. In addition to announcements regarding Tin Pan South details, Kelly Archer, Regie Hamm, James House and Rissi Palmer will perform in the round.
Nashville hit songwriter Layng Martine, Jr. (Reba McEntire’s “The Greatest Man I Never Knew,” Trisha Yearwood’s “I Wanna Go Too Far”) has written a poignant and inspirational story that appeared in Sunday’s (3/8) New York Times. “In a Charmed Life, a Road Less Traveled” tells the heartrending story of the songwriter’s wife, Linda, who became a paraplegic after a devastating car accident. With unflinching honesty and emotional frankness, Martine, Jr. tells of the accident’s effect on their lives and their love, both of which have grown deeper and more meaningful as a result of the tragic event. It’s an inspired read and well worth your attention. You can link to the story at http://tinyurl.com/bnoou2.
The Nashville Songwriters Hall of Fame Foundation has elected Dr. Bethel “Bo” Thomas, Vice President for University Advancement, Belmont University; and Kelli L. Gabriel, Sr. Vice President and Financial Advisor, Morgan Stanley in Nashville; to its 2009/2010 Board of Directors. The NaSHOF Board also elected its 2009 officers. Roger Murrah will serve a fourth term as Chair. Other newly elected officers are: Vice Chair – Wayland Holyfield, Nashville Songwriters Hall of Fame member; Vice Chair – John Van Mol, CEO of Dye, Van Mol & Lawrence; Secretary – Pete Fisher, Vice President/General Manager, Grand Ole Opry, Gaylord Entertainment; and Treasurer – Layng Martine, Jr., songwriter.
Nashville music industry veteran Paul Compton has launched Music Highway Writer Services, a music catalog representation and writer management company. Most recently, Compton served as Senior Vice President of Murrah Music Corporation, where he placed the No. 1 smash, “I’m Movin’ On” with Rascal Flatts and also pitched Billy Currington’s 2008 ASCAP Song of the Year, “Good Directions.” To learn more about Music Highway Services, contact Compton at info@musichighway.net or at (615) 289-0769.
Team McGraw Strikes With “Bowling for Brains”
/by LB CantrellHall of Fame, Dolly Unplugged & Sheila E. Goes Country
/by LB CantrellRay Talks Hank
The legendary Ray Price visited the Country Music Hall of Fame® and Museum recently (3/7) to share memories of his close friend and mentor, Hank Williams. The interview was hosted by WSM-AM radio personality Eddie Stubbs and was presented in conjunction with the museum’s exhibition Family Tradition: The Williams Family Legacy, co-Presented by SunTrust and Ford Motor Company. (L-R): Stubbs, Price and museum writer/editor Michael McCall, who curated the Family Tradition exhibit. Photo: Donn Jones
Sheila E. Named CMT Gone Country Winner
CMT’s Gone Country host John Rich tapped Sheila E. as the third season winner during the finale on March 7. Sheila won with “Glorious Train,” the song she penned with Nashville songwriters Angie Aparo and James Slater while taping the series. The single is produced by Rich and went out today via the CMT Radio Network. The accompanying video, directed by Sean Weber-Small, debuted after the finale and is currently in rotation on CMT and CMT Pure as well as via CMT.com.
Dolly Unplugged
Dolly Parton stopped by CMT last week to to record an episode of the CMT online series Unplugged At Studio 330, including classics “Jolene” and “I Will Always Love You,” as well as songs from her new album, Backwoods Barbie. The episode will premiere online at CMT.com on Tues., March 31. (L-R): Brian Philips, Exec. VP/GM CMT; Parton; Dolly’s manager Danny Nozell; and Jay Frank, Sr. VP Music Strategy CMT. Photo: Brian Tipton
Carrigan on Nashville Cats
Legendary drummer Jerry Carrigan told humorous anecdotes and spoke candidly about his storied career on Feb. 21 at the Country Music Hall of Fame® and Museum. Carrigan was honored as part of the Museum’s quarterly series Nashville Cats, which shines a light on Music City’s renowned session musicians. (L-R): pianist Hargus “Pig” Robbins, guitarist/producer Jerry Kennedy, bassist Bob Moore and Carrigan. Photo: Donn Jones
Godin Warns Radio At CRS
/by bossrossSeth Godin describes himself as “bestselling author, entrepreneur and agent of change.” (sethgodin.typepad.com) Judging by the intensity and depth of his CRS Keynote address (3/4) his quote seems accurate. Godin has written ten bestselling books including Tribes, Purple Cow and Meatball Sundae plus holds an MBA from Stanford University.
According to Godin’s view, the music industry used to be perfect because there were entire chains devoted solely to selling its products (record stores) and there was scarcity created by the high costs associated with recording and marketing. These factors limited the number of record labels, and FCC-created scarcity limited the number of radio signals. The result, he explains, was a type of oligopoly with a high barrier to entry. But Godin warns that these barriers are dramatically changing. “Wi-fi in cars will mean consumers have an infinite number of stations to choose from. And the cost of recording is no longer a barrier at all.” Summing the new problems Godin said, “Piracy is unstoppable, scarcity is gone and having the RIAA sue your customers hasn’t worked.”
Aiming squarely at the radio audience, Godin urged the industry, to “leap from the old biz to the new. Timid trapeze artists are dead artists. Start dating your listeners and getting their permission for you to send them emails. Radio needs to again be in the scarcity business and can do that by finding a unique niche. The longtail is coming to radio. People want to LOVE what you are playing, not just LIKE. Be their curator and they will pay attention.” The Long Tail concept is all about niche marketing and having smaller, but very loyal audiences.
Godin believes the music industry has passed from an A&R mentality to Brand Management and is now moving toward Tribe Management. “Tribes are key to who we are, our work and our spirituality,” he says. “We can belong to lots of tribes at the same time, all connected. But mediocre won’t work for a tribe. A Tribe must earn its authority to exist from the members and building a tribe requires commitment before success. You can’t market average stuff to average people. Tell a compelling story and your fans will spread the word. “When your communications are anticipated and personally relevant to each member,” says Godin, “then you know you have a loyal tribe.”
Some of the Tribe-building ideas mentioned were; Authenticity—do what you said you are going to do, all the time; challenge the tribe to spread the word; create a culture or secret handshake; be curious and commit to growth; and stand for something.”
Godin readily admits that not all ideas will be strong enough to form and attract a tribe. “You must be able to convince at least 10 industry folks to join before moving forward,” he advises. According to Godin, this concept of Tribes is the rationale for the behavior that is driving the meteoric growth of social networks like Facebook, MySpace and Twitter. Understanding it will be essential toward building careers and media loyalty.
Injured Jewel Dancing With the Stars, NOT
/by LB Cantrell