Dallas Davidson Celebrates String of Hits

Songwriter Dallas Davidson had an explosive 2010. He was a co-writer on five singles to hit the top of the charts last year, including “That’s How Country Boys Roll” (Billy Currington), “Gimmie That Girl” (Joe Nichols), “Rain is a Good Thing” (Luke Bryan), “All About Tonight” (Blake Shelton), and “All Over Me” (Josh Turner). All of this success added up to Davidson being named Billboard‘s Country Songwriter of the Year.
To celebrate the serial hitmaker, BMI and EMI Music Publishing co-hosted a dinner on January 27 in Nashville and awarded him a plaque marking the occasion.

Pictured are (back row, l-r): BMI’s Jody Williams and Bradley Collins; EMI Music Publishing’s Laura Wright; BMI’s Mark Mason; wife Sarah Davidson; and BMI’s Leslie Roberts, Perry Howard, and Clay Bradley; (front row, l-r): EMI Music Publishing’s Tom Luteran and Ben Vaughn, Dallas Davidson; and EMI Music Publishing’s Missy Wilson. Photo by Eric England

Today's Famous Facts

Republic Nashville loses Bartholomew • Voorhis opens bookkeeping firm • CMHoF hosts Norro Wilson and free admission • MCTI Songwriter Show

Chip Voorhis


>>Chip Voorhis has opened Voorhis Consulting, a bookkeeping firm specializing in financial services for music publishers, songwriters, engineers and studios. “As a publisher myself, I was aware of the need on Music Row for a cost effective option for daily financial operations,” says Voorhis. “We take care of all those things that keep creative people from being creative.” Services include accounts payable and receivable, demo and master session bookkeeping, payroll and payroll returns, quarterly returns etc. Voorhis may be reached at 615-977-4727, or chip@voorhisconsulting.com.
>>Republic Nashville Southwest Regional Promotion representative Weslea Bartholomew will be leaving her position on Feb. 22nd. Republic Nashville is now accepting applications to fill that position. Email resumes to matthew.hargis@republicnashville.com

Norro Wilson. Photo: CMHOF


>>Nashville Songwriter Hall of Fame member, and acclaimed producer Norro Wilson will appear at the Country Music Hall of Fame and Museum on March 5, as the latest subject of the quarterly programming series Poets and Prophets: Legendary Country Songwriters. The 1:30 p.m. in-depth interview and performance, held in the Museum’s Ford Theater and hosted by Museum Editor Michael Gray, is included with Museum admission and free to Museum members. The program will be streamed live at www.countrymusichalloffame.org. Wilson has written hits, such as “The Most Beautiful Girl,” “A Picture of Me (Without You),” “The Grand Tour” and “Soul Song.” He’s also produced records for John Anderson, Kenny Chesney, Sara Evans, George Jones, Sammy Kershaw, Reba McEntire, Steve Wariner, Tammy Wynette and more… Also at the Musuem, admission is free this Saturday (2/5). Special programs that day will include a Songwriter Session with Kent Blazy and Cory Batten; a Musical Petting Zoo for kids; and a performance by Street Corner Symphony.
>>The 38th annual Music City Tennis Invitational (MCTI) will begin the year’s activities with a songwriter showcase at the Bluebird Cafe on Feb. 10. Featured, award-winning songwriters include Victoria Shaw, Gary Burr, Jim Photoglo and Bob DiPiero. (for reservations call 615-383-1461). The two-day tennis tournament will take place on April 30 and May 1 at Vanderbilt University, where tennis players will compete with recording artists, celebrities, and other music industry insiders. MCTI is the only fundraising event that directly benefits the Center for Child Development at the Monroe Carell Jr. Children’s Hospital at Vanderbilt. The Center helps with a wide variety of developmental concerns, including developmental delay, cognitive impairment and intellectual disabilities (mental retardation), autism, cerebral palsy, ADHD and other behavior problems. For more info visit www.musiccitytennis.com.

Thirty Tigers Celebrates 10th Anniversary


President and co-founder David Macias


Marketing, management and distribution company Thirty Tigers is celebrating its 10th year in business this March. Co-founded by David Macias and Deb Markland, the company started as a small home-based consultancy, and today is a nine-person outfit with national distribution, and a Grammy-award winning release to its credit. Last year, Thirty Tigers’ sales totaled more than $4.3 million, up from $3.3 million in 2009.
Thirty Tigers plans to mark the occasion with events at SXSW and in Nashville.
The company’s growth was spurred by a 2002 partnership with Sony’s independent distribution and marketing arm, RED, which it recently re-upped through 2015. In 2006, Thirty Tigers added a management division, with a current roster that includes Jason Isbell, Elizabeth Cook, Low, Trampled By Turtles and Those Darlins.
Over the last decade, Thirty Tigers clients have included The Avett Brothers, James McMurtry, Drive-By Truckers, Todd Snider, Caitlin Rose, Beth Nielsen Chapman, Billy Joe Shaver, North Mississippi All Stars, and Kathy Mattea. They also released the 2005 Grammy-winning collection Beautiful Dreamer: The Songs of Stephen Foster, which was co-produced by Macias.
In exchange for about 10% of wholesale retail sales, Thirty Tigers provides project management, publicity services, radio promotion, new media marketing, financial modeling and distribution.
“I’m very proud of our business model,” says Macias. “We’re a great value proposition for our artists. My favorite quote about us was from an interview with Beth Nielsen Chapman about self-releasing artists, and she said that being with us was just like being with a label, only you got a check. I love that.”

Faxon's Note To EMI Staff

Roger Faxon


Last week’s sudden takeover of EMI by lien holder Citigroup shocked industry analysts who were not expecting any ownership changes until late March. MusicRow has obtained a copy of a letter from EMI head Roger Faxon that was sent to all EMI employees.
Faxon, spins the development as a “good thing – for EMI, for its staff, and most importantly for the artists and writers we are privileged to represent.” He notes that a sale of the company is inevitable, but he expects the record label and publishing assets to remain united. “It is our belief that EMI is greater than the sum of its parts, and that keeping the business together is the best way to create value for our artists and writers – and for our owners. And that is what we are absolutely focused on.”
Here is the letter in its entirety…

You may by now have heard the news that earlier today ownership of EMI passed from Terra Firma to Citigroup. I wanted to write to you all myself to explain why I think this is a good thing – for EMI, for its staff, and most importantly for the artists and writers we are privileged to represent.
First off, I’d like to explain exactly what has happened. When a company’s value is less than its debts, one solution is to go through an administration procedure which allows the sale of the business in partial satisfaction of those debts. In our case it is not hard to see that our parent company would never be able to repay the £3.4 billion it owed to Citi. With that being the case, it appointed an administrator empowered to sell EMI Group to Citi. This is sometimes called a ‘pre-pack’ because it can be done in a matter of hours – and that’s exactly what happened here.  This was followed by an immediate recapitalization of EMI, reducing the debt by 65% to £1.2 billion.
So that’s what happened, but what does new ownership mean for EMI and for you?
Well first off, it’s business as usual at EMI. Our staff, artists and songwriters are not affected in any way by these changes – all that has happened is that we now have a new owner in the shape of Citi. This change of ownership has taken place in the holding company above EMI, so it does not have an impact on the day to day business, except a positive one as it removes uncertainty and significantly reduces our debt burden. The existing management team, and everybody you deal with on a day to day basis, remains in place.
While clearly speculation will continue around us – this is EMI, after all – today’s news is incredibly positive for the company. We now not only have a clear strategy, but we also have the right capital and financial structure in place to deliver successful outcomes for artists and writers – and in the end, that is why every single one of us at EMI is here.
I am sure that you will all be aware that we have already made dramatic progress in transforming the business and creating a “new” and better EMI. We have been looking at every single system, process and technology that we have in place to ensure that we have the right set-up to be able to connect audiences to the great music that our creative talent produces. Today’s announcement will free us all up to focus our energy on continuing the transformation of the business.
Our new owners have made it very clear that they are absolutely supportive of our business and our strategy. They will provide us with a stable and supportive environment to continue on our present course as we build that Global Rights Management business. Clearly, a music company – even one as great as EMI – doesn’t exactly sit comfortably in a giant financial services company like Citi. So while Citi is clear that they are under no time pressure to sell, and that they intend to stabilize the business, there is no doubt that in due course EMI will be up for sale – just like it has been from the day Terra Firma bought it.
With the recent news about Warner Music being up for sale, we will no doubt continue to be the subject of the usual media frenzy.  The press will inevitably write that EMI will be broken up and sold in pieces, so let me say this as clearly as I can: our global rights management strategy with greater co-operation and collaboration between EMI Music and EMI Music Publishing is the future, and it takes both parts of the business working together to achieve that future. It is our belief that EMI is greater than the sum of its parts, and that keeping the business together is the best way to create value for our artists and writers – and for our owners. And that is what we are absolutely focused on.
I’d also like to quash one other suggestion. Regardless of the country of origin of our owner, EMI remains a British company – both legally and spiritually. The history, tradition, heritage of this company cannot, and will not, be erased by a change in shareholding. We are EMI not because of who owns us, but because of who we are — the home of great artists and songwriters of the past, present and future.
Much has changed at EMI and in our industry over the last three and a half years. But, what has not changed at EMI, and never will, is our fierce devotion to the artists and songwriters we represent. I believe that EMI, in both publishing and in recorded music, is stronger today because of that commitment. And I believe that, as a result of today’s announcement and the progress we have made in changing the company to date, we are better placed than ever to deliver on the promises that we make to every single one of the artists and writers that entrust us with their music.
Thank you to you and your artists for working with EMI, and for your support as we forge a new and exciting music business for the future.
All the best, Roger

Performance News: Toby, Currington, JaneDear girls

Toby Keith Returns to The Opry • Billy Currington on Leno • the JaneDear girls on Access Hollywood

Toby Keith Returns to The Grand Ole Opry

On December 14, 2002, Toby Keith made his first and only appearance on the Grand Ole Opry, until January 29 of this year when he returned to the Opry stage. “The Opry is the most prestigious historical music-related event in all of country music,” Toby says. “I don’t live in Tennessee and it’s always been difficult for me to make the arrangements to perform on that grand stage. But it doesn’t keep me from listening almost ritualistically to it.”

(L-R): Toby Keith and Opry Group/Gaylord Ent. President Steve Buchanan

Billy Currington Celebrates 10th Top 10 On The Tonight Show With Jay Leno

Mercury Nashville recording artist Billy Currington celebrated his 10th Top 10 hit, “Let Me Down Easy,” with a performance on The Tonight Show With Jay Leno on January 27. Currington will join Kenny Chesney on his 2011 ‘Goin’ Coastal’ Tour beginning March 17 in West Palm Beach, FL.

(L-R): Jay Leno and Billy Currington. Photo: Paul Drinkwater

the JaneDear girls Featured on Access Hollywood

Warner Bros. Records’ duo the JaneDear girls (Susie Brown and Danelle Leverett) stopped by Access Hollywood this week while promoting their self-titled debut album released February 1. Their visit came fresh off learning of their ACM Award nomination for Top Vocal Duo of the Year in addition to their nomination for Top New Vocal Duo.

Music Videos: Reba, Sarah Darling

Taillight TV produces Reba video • Sarah Darling gets carried away
>>  Taillight TV produced the music video for Reba McEntire’s “If I Were A Boy.” The video was shot on location in Nashville. (L-R): Big Machine Records’ Sandi Spika Borchetta, Taillight TV Exec. Producer Chandra Pereira, McEntire, producer Brandon Arolfo, and Director Peter Zavadil

>>On the set of her latest video “Something To Do With Your Hands,” Black River Entertainment artist Sarah Darling hams it up with her famous co-star—two-time TNA World Heavyweight Wrestling Champion, AJ Styles. The video was directed by Stephen Shepherd and produced by John Burke. Photo by Kay Williams


CRS 2011 Events Highlight Diverse Talent

Details about CRS 2011 are starting to emerge and Arista Nashville’s Ronnie Dunn and Columbia Nashville’s Joanna Smith will be performing at the 2011 Sony Music Nashville luncheon Thursday, March 3 from 12:30 – 2:20 pm in the NCC’s CMA Performance Hall.
“It’s such a pleasure to have Ronnie Dunn and Joanna Smith representing the exciting new musical future of Sony Music Nashville on the stage of our CRS luncheon this year,” says Sony Music Nashville Chairman and CEO, Gary Overton.
The day before the Sony luncheon (Wednesday, March 2) the KCRS Live! Showcase, presented by Stroudavarious Records, will feature the diverse talents of Bob DiPiero, Aaron Lewis, LoCash Cowboys and Jeffrey Steele.
“I am so pleased to present such a tremendous group of writers at KCRS Live!” says Stroudavarious Records CEO James Stroud. “These artists are all coming at this from different places and with different perspectives, but all of them are at the top of their craft and represent the best of what Nashville has to offer.” Scheduled for Wednesday, March 2, 4-5:20 pm CT at the Nashville Convention Center, the musical event will be hosted by award winning personality Bob Kingsley.

Facebook Helping CMA Music Festival Connect With Fans

The spirit of CMA Music Festival is captured in the latest addition to the Spirit of Nashville poster collection by Anderson Design Group. It was unveiled last night at the Keep the Music Playing All Stars Concert. (l-r) Steve Buchanan, CMA Board Chairman and Gaylord Entertainment Sr. VP of Media and Entertainment; Luke Bryan; Steve Moore, CMA CEO.


Preparations are underway for the 2011 CMA Music Festival, and proving the power of Facebook, the organization will use the social media site to announce the first festival performers. The news will hit the CMA’s official Facebook page on Tuesday, Feb. 8 at 10:00 AM (CST). Running June 9-12, 2011, this will mark the 40th anniversary of the event that began as Fan Fair®.
Half the net proceeds from CMA Music Festival are donated to CMA’s Keep the Music Playing campaign to support music education in Metro Nashville public schools. To date, more than $4.7 million has been contributed on behalf of the artists who perform at the Festival for free.
Luke Bryan hosted and performed at the Keep the Music Playing All Stars Concert last night (2/1) at the Schermerhorn Symphony Center. It honored the best music programs in Metro Nashville Public Schools.

CMT Debuts Sitcom, Hires Development Exec.

Jayson Dinsmore


As CMT expands its reach into original programming, the network has hired experienced development executive Jayson Dinsmore. This news comes following a successful debut of CMT’s first scripted sitcom, Working Class.
Dinsmore is on board in the newly-created position Executive Vice President, Development. He will oversee all development for the channel, based primarily out of CMT’s Santa Monica offices. He reports to President Brian Philips, effective immediately.
Dinsmore spent the last decade at NBC, ending as Sr. VP, Alternative Development. He was responsible for shows including Deal or No Deal, The Sing-Off, Minute To Win It, and many more in the reality, game show and celebrity focused realms. On the specials front, Dinsmore has overseen production on the Tournament of Roses and Macy’s Thanksgiving Day Parades, Miss USA and Miss Universe Pageants, and the Golden Globes.
Over 6.7 million viewers tuned in for the premiere weekend of CMT’s first scripted sitcom, Working Class, starring Melissa Peterman and Ed Asner. The 8:00 p.m. premiere on Friday, Jan. 28 was the highest rated and most watched series debut in CMT history. Reba McEntire and John Schneider will guest star on the Feb. 4 episode. Peterman and Reba first worked together on the CW sitcom, Reba.

Reba guests on "Working Class."

Shelton, Bentley Named As Grammy Presenters

More performers and the first group of presenters have been announced for the 53rd Annual Grammy Awards Sunday, Feb. 13. Nashville is represented twice on the presenters list as nominees Dierks Bentley, Blake Shelton, Norah Jones, Selena Gomez, LL Cool J, and Nicki Minaj have been included in the initial lineup.
In what sounds like a pretty amazing combination, Cee Lo Green will be joined by Gwyneth Paltrow and the Jim Henson Company Puppets for a special one of a kind performance. Additionally, nominees Drake and Rihanna will be performing together during the telecast. They join previously announced performers Lady Antebellum, Miranda Lambert, Arcade Fire, Eminem, Lady Gaga, Muse, and Katy Perry; nominees Justin Bieber and Usher, with Jaden Smith; and nominees B.o.B, Bruno Mars, and Janelle Monáe.
The 53rd Annual Grammy Awards telecast will air 7-10:30 pm CT on the CBS Television Network.