New Kids In Town: Idols and MP MusicHouse

American Idol winner Scotty McCreery and runner up Lauren Alaina thank some of the Mercury Nashville staff for getting their new singles played on country radio. Scotty’s song is “I Love You This Big” and Lauren’s is “Like My Mother Does.” They began work on their albums today.

(L-R) Chris Fabiani, promotion coordinator UMG Nashville; Katie Dean, vice president of Radio Marketing, UMG Nashville; Damon Moberly, Vice President -Promotion, Mercury; Scotty McCreery; Lauren Alaina; Bruce Shindler, Vice President-Southeast Promotion, Mercury; and Royce Risser, Senior Vice President - Promotion, UMG Nashville. Photo: Alan Mayor


 
 
New York songwriters and entrepreneurs, Dan Marshall and Tom Petrone have opened a Nashville office for their publishing company, MP Musichouse.  The office is located at 30 Music Square West, Suite 201.
Pictured here are: (L-R) Chris Keaton, MP Musichouse Director of Marketing Brenna Mader, Dan Marshall and Tom Petrone.

Reba Announces North American Tour

Reba has announced plans for her upcoming fall tour, which will hit 31 cities in the U.S. and Canada. Fellow Big Machine Label Group artists The Band Perry, Edens Edge, and Steel Magnolia have been tapped to open select U.S. dates starting in October.
“I am very excited about the fall tour. We are designing new production and staging. I’m looking forward to touring with The Band Perry, Steel Magnolia and Eden’s Edge. It will be a night of great music and I’m planning on having a blast,” says Reba.
The full tour schedule and ticketing information have not been announced yet, but will be available on reba.com at a later date. Reba is also scheduled to play LP Field during CMA Music Festival tomorrow night (6/10), where audience members will be treated to some of the musical selections she’ll play on the road.

Urban Partners With AT&T, Samsung

Keith Urban has secured an endorsement agreement with AT&T and Samsung Mobile, who will be the presenting sponsors of his Get Closer 2011 World Tour. The superstar will also endorse the new Samsung Infuse 4G smartphone, available exclusively through AT&T.
Launching June 16 in Biloxi, Miss., the tour’s North American leg includes more than 50 concert dates. The outing completed an Australian run in April.
From the road, Urban will record vignettes of his life on his Samsung Infuse 4G and post them to www.keithurban.net. At concerts fans will have the opportunity to appear in a video and photo with Urban via green screen technology and share their experience with friends instantly via email, Facebook or Twitter. Additionally, brand ambassadors will be at concerts capturing fan photos on the Infuse smartphone, and sending them instantly to the fans so that they can share the pics with friends and post to their social media sites.

Digital Licensing Changes To Impact PROs And Publishers

Roger Faxon


Technologists and music industry futurists have noted the need to refine and simplify digital licensing for quite some time. But despite a mantra of innovation, the music industry often moves slowly, especially with regard to revenue streams and licensing. However, the wheels may have begun turning— at last.
Last May, EMI Music Publishing announced that it was planning to bundle online mechanical and performance licenses (for EMI April) and offer them directly to online services. Previously these functions were handled by ASCAP. EMI Music Chairman/CEO Roger Faxon says in an open opinion letter published in Billboard (6/11) that publishers have to find ways to make it easier for digital services to license music.
“The simple fact is that as the representatives of the greatest songwriting and recording talent in the world, we as an industry have a duty to encourage digital platforms and services to come to a market for the benefit of creators and consumers alike. Yet…[we] cling to an existing licensing framework that does little to advance the cause of creators.”
In a companion article in the same publication writer Ed Christman notes three “competitive challenges” that could affect the way performing rights organizations in the U.S. (ASCAP, BMI and SESAC) do business, and the amount of money they are able to collect. EMI’s decision to direct license a bundle of mechanical and performance digital rights for example is quite likely to spread amongst other top level publishers and divert money away from PROs. “It’s a move other leading music publishers are expected to make,” says Christman.
Two other important factors likely to be felt by performing rights collectors are efforts to create pan-European licensing and a central/global database of repertoire information.
ASCAP CEO John LoFrumento tells Billboard, “We see the efficiency of licensing in bundles and feel strongly it will…result in a new business model over the next few years.” Both BMI’s Sr. VP Corporate Strategy Richard Conlon and SESAC’s President/COO Pat Collins also see change coming, but are optimistic about its impact as technology also creates efficiencies and new opportunities.
With respect to databases, LoFrumento says he would welcome the PROs consolidating their backroom functions. “The idea of multiple back offices with multiple personnel doesn’t bode well for us,” he says.
“Services don’t care what specific rights are called or which part of the value chain those rights sit within,” says Faxon. “They just want to get the permission to do what they want to do in a timely and efficient manner. Rather than forcing services to adapt to our processes it is incumbent on us to adapt to their needs. Only by doing so will we speed digital development. The existing licensing framework was not designed for a world in which music is omnipresent—its overhaul is essential.”

2011 © www.musicreports.com

Much Ado About Bonnaroo

Arcade Fire (L) and Eminem (R) are among the headliners at Bonnaroo 2011.


While a good portion of Nashville’s music industry will spend this weekend downtown for the CMA Music Festival, it’s a safe bet that another group will make the hour drive out to Manchester for Bonnaroo 2011.
The massive outdoor, multi-stage summer festival is now in its 10th year of existence and continues to grow more eclectic with every iteration. The 4-day lineup represents the farthest corners of musical diversity and is guaranteed to please crowds.
Headliners include Eminem, Arcade Fire, Widespread Panic, The Black Keys, Buffalo Springfield (feat. Richie Furay, Stephen Stills, Neil Young, Rick Rosas, and Joe Vitale), My Morning Jacket, Lil Wayne, Robert Plant & Band of Joy, Mumford & Sons, The Strokes, The Decemberists, Ray Lamontagne, Iron & Wine, Girl Talk, Dr. John with the Original Meters and Allen Toussaint, Alison Krauss & Union Station feat. Jerry Douglas and many, many more.
To help provide a little guidance for newbies, the nice folks over at emusic.com have put together a list of 40 must-see artists at Bonnaroo 2011. Check it out and play clips from the artists here. Similarly, Spin has a mixtape of 20 Bonnaroo artists for download from its Facebook page. Get it here and read about Spin’s 25 must-hear Bonnaroo artists here.

Putting The "Spin" on Americana

The latest issue of Spin gives a big boost to the Americana scene, including a cover story about Mumford & Sons under the heading “The New Americana Revolution.”
“It’s a sign of the times,” states Jed Hilly, Executive Director of the Americana Music Association, which has been promoting the music for ten years. “It’s definitely a fast growing genre.”
Scott Avett of the Avett Brothers agrees, telling Spin, “I feel like in the past decade, this thing has been swelling.” Avett was interviewed for the “Meet the New Stars of Americana” story, which highlights his band as well as Old Crow Medicine Show, Those Darlins, the Civil Wars, and more.
Writer Amanda Petrusich explains the genre and its growing presence, noting that popular Mumford & Sons aren’t even American:

In music, it’s a catch-all term for songs that are influenced, in part, by the indigent, rural, acoustic traditions (namely blues, bluegrass, country, and old-time) of the American South. It’s populist, minimally produced, rowdy, and sincere. It’s also enjoying an unexpected commercial and cultural renaissance, particularly among the indie-rock set….
Indeed, more than any single musical thread, the idea uniting these bands is their joint pursuit of Americana “feeling” — a warm-and-friendly guilelessness that’s been largely absent from the pop landscape for years (and from indie rock almost forever).

Keep reading.

Anatomy of An Award Show-CMT Wins BossRoss Trophy

Sugarland


Last night’s 2011 CMT Music Awards overachieved, and succeeded. Under the watchful gaze of CMT President Brian Philips, Sr. VP Music Events John Hamlin and Sr. VP Music Strategy Jay Frank and a great team, the production delivered its message of country music FUN across a multi-tiered construct of communication channels, social networks and live in front of a sold out audience of over 12,000 fans. Finally, to accommodate the on-demand “I want when I want it” crowd, there will be numerous re-airings over the next few weeks.
But what defines a hit award show recipe in 2011?
Without getting scholastic, it should be fast-paced, entertaining and sprinkled with humor. Great musical performances as well as special pairings are a requisite. It also needs a script that can connect the various moments without being predictable. Blend in high profile red carpet coverage and a comprehensive online strategy. Then sprinkle a bit of magic dust in the form of celebrity sightings that make fans feel they are peeking behind the curtain, stir and simmer for 2-3 hours.
So how did CMT stack up against the above ingredients? Let’s hand out some newly-minted BossRoss trophies where deserved. In the fast-paced, humor department, witness the opening prerecorded Taylor and Shania sequence where the dual femmes channeled Thelma and Louise. (If you haven’t seen it click here.)
Kid Rock was also right on the money this year and kept the show in motion (unlike last year’s on-camera drinking shots backstage with other artists fiasco). Loved the frequent camera cut aways to seated celebs, which kept the fan’s eyes stuck like glue to the CMT screen.
Great performances were there as well. Sugarland, The Band Perry, Lady Antebellum and a Kid Rock/Sheryl Crow duet all earned trophy status. @Musicrow tweeted after the Sugarland segment, “If Jennifer Nettles voice doesn’t touch your heart….check with your doctor, you might be dead #CMTAwards” and it was retweeted over 31 times! The show closer pairing of Jason Aldean and Ludacris was innovative, if not a perfect fit.
The script was brief but sharp. For example, imagine Martina McBride and Train’s Pat Monahan quipping about the dangers of cellphone mishaps (Anthony Weiner and Brett Favre) before announcing the Collaborative Video Award.
To discover CMT’s online strategy, start at their web site, click to facebook (310,000 likes) and then check out @followCMT (80,000 Twitter followers). A barrage of coverage was flowing out to fans before, during and after the show. Links to various short clips, comments, photos backstage comments and much more. The online team was also engaging the crowd in a two-way conversation. Online was treated as a key ingredient, not an afterthought. (Hand them another trophy.)
CMT makes no apology for its edgy, big-tent concept of country music and takes some heat as a result. Some fans complain about seeing Ludacris or Kid Rock and others on the country show. It’s a personal preference and when the ratings come back later today we’ll see how they fared. My guess is that even though they might complain some, they were mostly watching…
Perfection is elusive, but this production ranked “heavenly” in the increasingly packed sky of country music awards constellations.
 
For a complete list of CMT Winners click HERE
For another opinion on the show click HERE

Fun CMA Fest Photos

The EMI Records Nashville promotion team and Alan Jackson gave radio programmers a first listen to his new single “Long Way To Go” last night (6/8) in Nashville. The song was written by Jackson and is the debut single from his studio album to be released this fall.

(L-R): Tom Becci, Capitol Records COO; Cindy Mabe, Capitol Records SVP Marketing; Alan Jackson; Mike Dungan, Capitol Records President and CEO; and Steve Hodges, Capitol Records SVP Promotion

• • • •

Teen artist Payton Rae celebrated the release of her 5-song EP, Dare To Live, with a live streaming concert at The Rutledge. Rae is taking part in her first official CMA Music Festival. She will be performing at the CMA Chevy Acoustic Stage in the “Sports Zone” on June 10 at 5 pm, Margaritaville on June 10 at 11 pm, and at Wild Bills on June 11 at 2 pm.

Pictured at the release party (L-R): Dare To Live producer Brian White, Payton Rae, songwriter/artist Karyn Williams, manager Laticia Lord, and Nashville Hootenanny’s David Malloy. Photo: Matt Andrews

• • • •

The Roys and Hollywood Yates (American Gladiator/WWE/Country artist) strike a pose aboard the Operation Troop Aid Hummer during the CMA Music Festival Kick-Off Parade. Following the parade, both artists performed during OTA’s show at Cadillac Ranch.

(L-R): Elaine Roy, Lee Roy and Hollywood Yates.

• • • •

The Dirt Drifters pictured with the Sounds Mascot at the CMA kick-off parade.

Star Songwriters To Play During Music Fest

The Hard Rock Cafe Nashville will host performances by a slew of songwriters during CMA Music Festival. Kicking off tonight (6/9), the 5th Annual Songwriters Series will run through Saturday, June 11. Shows start at 10 PM. A portion of the proceeds will benefit Musicians On Call.
Thursday, June 9—BMI presents Luke Laird, Natalie Hemby, Thomas Rhett Akins, and Rhett Akins. After-Party featuring LoCash Cowboys.
Friday, June 10—ASCAP presents Dave Berg, Clay Mills, Ashley Gorley, and Chris Stapleton. After-Party featuring Matt Stillwell, Rachel Farley and
 Ty Stone.
Saturday, June 11, 2011—SESAC presents Monty Powell, Jon Nicholson, Rob Hatch, and Brian White. After-Party featuring Aly Sutton, Marthia Sides, and The Roys.
Tickets and details here.

Bobby Karl Works The CMT Awards

Chapter 367


It’s a music-business axiom that the public doesn’t remember who won or lost at awards shows, just who performed well.
I doubt that even the industry really cares about the fan-voted trophy Buckles at the CMT Awards. I, for one, mostly paid attention to who sang the best.

Sugarland's Kristian Bush and Jennifer Nettles perform "Stand Up" at the 2011 CMT Music Awards. Photo Credit: Jason Merritt/Getty Images/CMT.com


That would be Sugarland, with its stirring duet performance of “Stand Up.” Two Joplin, MO sisters waved flags throughout the song, and its proceeds will go the Red Cross to benefit disaster victims.
Also in the winner’s circle were Big & Rich, plus Gretchen Wilson, for their “Fake ID.” It was on-the-money both vocally and with party attitude. Gretchen promises that their tour together will be, “one band, no breaks, hit after hit.”
Keith Urban’s raspy-cool vocal on “Long Hot Summer” and the Zac Brown Band’s charming rendition of “Knee Deep” were first-rate, as well. The surprise of the performances was probably the super-energetic snippet of “Fast as You” sung by CMT Next Superstar finalists Matt Mason and Steve Clawson.
Toby Keith has the distinction of being the only artist to perform on all 10 CMT Awards telecasts. Alas, he was somewhat pitch-y on “Made in America.” Ditto for Hunter Hayes. And the less said about the Colt Ford train-wreck snippet, the better.
In general, the show was notable as an exercise in country music’s self-loathing. As if the genre’s stars and songs aren’t “good enough” for television, many of them had to be tricked out with rock additions.
First of all, where is it written that Kid Rock has to be on every country awards show, never mind as a host? What’s worse, he and Wynonna actually mocked country music with their “Hell, Yes, I’m Country.”
Throughout the show, much was made of the presence of pop prince Justin Bieber, who tagged along with Rascal Flatts. Nashville rockers Paramore, whom we love, were trotted out inappropriately as presenters.
Lady Antebellum’s lovely “Just a Kiss” apparently wasn’t strong enough to stand on its own without the grafting of Prince’s “Kiss” onto its performance. Ludacris had to rampage in to join Jason Aldean on “Dirt Road Anthem.” I hate to break it to you producers, but fans of Ludacris likely aren’t watching this show, and his appearance won’t cause them to drop what they’re doing and tune in.

The Band Perry's Kimberly Perry performs "You Lie" at the 2011 CMT Music Awards. Photo Credit: Jason Merritt/Getty Images/CMT.com


Ably acquitting themselves musically were The Band Perry, Luke Bryan and snippet singers Thompson Square, Lee Brice and The JaneDear Girls.
One of the cutest moments on the show was the opening video starring Taylor Swift and Shania Twain in a Thelma & Louise parody. Donald Trump, Kenny Rogers, Glee’s Chord Overstreet, Ron White and Kid Rock were featured in it.
On occasions such as this, always thank the fans. “Country music fans are the best,” said Lady A’s Hillary Scott. “I’m honored that you fans all gathered together to vote me Male Video of the Year,” said Blake Shelton via video from the set of The Voice. “Thanks to everybody and to all the love that they show us,” chimed in Zac Brown.
Here’s my favorite: “It takes a village to raise an artist, and you are our village,” said Kimberly Perry of The Band Perry.

Luke Bryan performs "Country Girl (Shake It For Me)" at the 2011 CMT Music Awards. Photo Credit: Jason Merritt/Getty Images/CMT.com


Among my favorite quips was Sara Evans saying on the red carpet, “I hate gowns…I’m such a tomboy.” Jay DeMarcus joked of Bieber, “He reminds me of myself when I was a kid – extremely good looking and talented.” Quoth Shania Twain of her OWN reality show, “It’s been a really great growing, healing experience.” The red carpet walk, by the way, was moved indoors this year. Smart move: The heat index outside by show time was nearly 100 degrees.
“I was voted Best Hair in the NFL,” said pony-tailed linebacker Clay Matthews of The Green Bay Packers. “I’ve won two Super Bowls and Dancing With the Stars,” responded Pittsburgh Steelers receiver Hines Ward.
Sheryl Crow told the viewers that everyone was tweeting about her underwear showing during her performance. What is this culture coming to?
Indianapolis 500 winner Dan Wheldon escorted Sunny Sweeney to the Bridgestone Arena whoop-de-do. Also making the scene were Little Big Town, Martina McBride, Katie Cook, Evan Farmer, Ron White, a nicely amusing Laura Bell Bundy, Terry Bumgarner, Scotty McCreery, Lauren Alaina, Nicole Kidman, Gary Busey, Train lead singer Pat Monahan, Melissa Peterman, Cheryl Hines, Mary Steenburgen, Kristin Chenoweth, Ricky Schroeder and Shania’s handsome hubby Fred Thiebaud.
Missing in action, in addition to Blake, were big winners Taylor Swift and Miranda Lambert. Nevertheless, Jennifer Nettles proclaimed it, “The most fun awards show, ever.”
To read a differing opinion of the CMT Awards show, click here.

Luke Bryan performs "Country Girl (Shake It For Me)" at the 2011 CMT Music Awards. Photo Credit: Jason Merritt/Getty Images/CMT.com


Reunited Big & Rich pose with Gretchen Wilson on the CMT Music Awards Red Carpet. Photo Credit: Alan Mayor