Wade Bowen Plays Nashville’s Exit-In

Wade Bowen’s current single “Saturday Night” (Sea Gayle/BNA) bears the refrain “So why does everybody love Saturday night/Stale smell of beer and the smoke in your eyes/I keep sittin’ and drinkin’ and thinkin’ ‘bout a sad good-bye/So tell me why is everybody so in love with Saturday night?” It’s an inversion of the usual party-hearty weekend theme found in popular country songs, set to a jangling, uptempo track. It works really well because, let’s face it, the weekend sucks when you’re alone and brokenhearted.

That marriage of darker subject matter to gritty, driving country rock is a particular strength of Bowen’s, and he was in fine form when he played Nashville’s Exit-In last Thursday (Feb. 9) with Charlie Worsham and Striking Matches. Backed by his usual six-piece band, the beloved Texas artist debuted songs from his upcoming BNA Records album and spirited versions of his older material.

The set kicked off with “God Bless This Town,” a bitter take on the gossip and narrow-mindedness that plagues small town dwellers. He originally recorded the song in 2006, but has re-recorded it for the new album. Other new songs included “All That’s Left,” “Say Anything,” and the rocking “Patch of Bad Weather.”

Years of playing hundreds of dates have given Bowen a commanding stage presence, and he’s built a great chemistry with his band. As a unit, they excel in building the suspense for each new song.

Failed relationships were a popular topic in the evening’s selections, and they range from the haunted memory ballad “Ghost In This Town,” to the done-me-wrong kiss off “Nobody’s Fool,” and breakup aftermath tale “You Had Me At My Best.” He even touched on the casualties of alcoholism in “Daddy And The Devil.” Pretty grim stuff, but the crowd loved it.

Fans were also treated to a special appearance by Dave Loggins, whose “Please Come To Boston” is a staple of Bowen’s live sets. Loggins joined the band onstage for a verse and chorus of the song before turning the stage back over.

Bowen closed out his main set with the cathartic and triumphant “Resurrection,” which ought to feel familiar to anyone who’s ever endured a bad breakup. “We’ve all been there,” he said. “If you haven’t, you’re not living like you should.”

For his encore, he played an acoustic “Before These Walls Were Blue” accompanied by vocalist Jessica Murray. He closed out the evening with one more poison-arrow anthem called “Beat Me Down,” accompanied by the song’s co-writer Sean McConnell and a pack of rowdy music lovers pumping their fists in time.

Being bummed out never felt so good.

NRA Takes Aim With Country Compilation

The National Rile Association has assembled some of country music’s favorite male stars for a new compilation release, This Is NRA Country, Vol. 1. Featured artists include Charlie Daniels, Trace Adkins, Justin Moore and others. The album is currently available for purchase here.

The organization has cozied up to Nashville lately through its This is NRA Country campaign, which launched in Sept. 2011. So far, Moore, Lee Brice, Trace Adkins, and Craig Morgan have all been featured as This is NRA Country Artists of the Month.

Tracklist:
1. Justin Moore “This is NRA Country
2. Hank Williams Jr. “A Country Boy Can Survive”
3. Montgomery Gentry “My Town”
4. Rodney Atkins “Cleaning This Gun”
5. Trace Adkins “More Of Us”
6. Craig Morgan “I’m Country”
7. Charlie Daniels “In America”
8. Josh Thompson “Way Out Here”
9. John Rich “Shutting Detroit Down”
10. Lee Brice “She Ain’t Right”
11. Rhett Akins & Dallas Davidson “Opening Day”

Berry Named Manager Regional Promotion For RCA

David “Bubba” Berry has been hired as Manager Regional Promotion for RCA Records. The position will be based out of Dallas and report directly to Vice President of National Promotion for RCA Nashville, Keith Gale, who made the announcement today (Feb. 13).

A 20-year promotion veteran, Berry previously worked as Manager Regional Promotion for BNA Records from 2006 until his exit in August 2011. Most recently, he served as Midwest Regional Promotion & Marketing Director for Show Dog-Universal.

“We are very fortunate to be able to add a person to the RCA team with Bubba’s experience, passion, and creativity,” Gale said of Berry. “It is a real luxury, and we are excited to welcome him back to The RCA Records Label.”

1 Million Music Lovers Join Myspace

Myspace is gaining users for the first time in recent memory. Since the site debuted its Myspace Music Player in December, it has averaged 40,000 new U.S. registrants daily—a total of more than 1 million new users in 30 days.

The player offers free streaming of 42 million songs, the largest online catalog in the world. Myspace has unlimited, on-demand listening, lean-back personalized radio modes, a sophisticated recommendation engine, and integration with Facebook.

Owners Tim Vanderhook, Chris Vanderhook, and Justin Timberlake continue to rebrand the site as a music and entertainment destination. In June they bought Myspace for $35 million from News Corp., which had paid $580 million for the company in 2005.

In January, monthly traffic on Myspace saw its first uptick in almost a year. The four percent increase to 25.1 million visitors, is still greatly reduced from the 2008 peak of 75.9 million unique visitors a month.

To experience the new Myspace music player, go to http://www.myspace.com/guide/music-player.

Grammys Ratings Through The Roof

Jason Aldean and Kelly Clarkson perform on the Grammy Awards.

Last night’s Grammy Awards attracted the show’s biggest audience in almost 30 years, with 41.2 million viewers tuning in for the ceremony on CBS, reports Zap2It.com. This is a gigantic leap from last year’s 26.6 million viewers.

According to Zap2It.com, it was the Grammy’s second biggest audience since total-viewer counts started being kept in the late 1970s.

Saturday’s death of superstar singer Whitney Houston could have contributed to the increase in viewership.

By comparison, the biggest ratings magnets of the year on US television are the Super Bowl and the Academy Awards. Earlier this month the Super Bowl drew 111.3 million viewers to become the most-watched television program in U.S. history, according to Nielsen.

The 2011 Academy Awards drew 37.6 million viewers. The 2012 show is set for Feb. 26.

Photos: Artists Around Nashville

Urban Joined by Wariner on Ryman Stage 

Keith Urban performed publicly for the first time (Fri., Feb. 3) since his vocal surgery on the 61-year-old Ryman stage for the final time before it was taken out for replacement the following morning.

Urban played his latest single, “Long Hot Summer,” with a string quartet, then went into “Making Memories of Us,” sitting on a monitor at the front of the stage with no amplification. “You Gonna’ Fly” was followed by an encore featuring “Somebody Like You.”

Steve Wariner was set to close the show, and as he began, he called Urban back on stage to join him on “Let My Guitar Do The Talking.”

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ASCAP Nashville Salutes David Nail’s “Let It Rain”

(L-R) LeAnn Phelan (ASCAP), Singleton, Taylor Lindsey (BMG Chrysalis) and Sara Johnson, David Nail and Ryan Beuschel (ASCAP). Photo: Ed Rode

ASCAP hosted a No. 1 Party for David Nail’s “Let It Rain,” a song Nail co-wrote with Jonathan Singleton.

Producers Chuck Ainlay and Frank Liddell were also honored at the event alongside publishers BMG Chrysalis and Carnival Music.

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Fricke Visits CMA

(L-R) Sheri Warnke (CMA Vice President of Strategic Partnerships), Fricke, Betsy Walker (CMA Senior Coordinator of Member Relations and Services), Brandi Simms (CMA Senior Manager of Membership and Balloting) and Montine Felso (Webster & Associates PR). Photo: Christian Bottorff.

Two-time CMA Female Vocalist of the Year Janie Fricke stopped by the CMA offices last week (Feb. 10) to talk about her latest album, Country Side of Bluegrass.

Superstar Whitney Houston Dies In Los Angeles

Pop superstar Whitney Houston passed away at the Beverly Hilton hotel on Saturday, Feb. 11. She was 48 years old. Cause of death has not yet been determined.

One of the greatest singers to step in front of a microphone, Whitney Elizabeth Houston was born in 1963 to a musical family that included her gospel singer mother Cissy Houston, cousins Dionne Warwick and Dee Dee Warwick, and godmother Aretha Franklin. She was discovered by Arista Records head Clive Davis in New York City, who helped propel her on to stardom.

Over the course of her career, she released seven studio albums and three movie soundtracks, all of which have Gold or higher sales certifications. Her numerous accomplishments include earning six Grammys, two Emmy Awards, and many other awards. Houston’s run of seven consecutive No. 1 singles on the Billboard Hot 100—”Saving All My Love For You,” “How Will I Know,” “Greatest Love of All,” “I Wanna Dance With Somebody (Who Loves Me),” “Didn’t We Almost Have It All,” “So Emotional,” and “Where Do Broken Hearts Go”—is still unmatched.

Houston landed her first acting role as the star of The Bodyguard (1992). Her version of Dolly Parton’s “I Will Always Love You,” featured on the blockbuster soundtrack, went on to become the best-selling single of all time. The soundtrack won the 1994 Grammy Award for Album of the Year.

“Mine is only one of the millions of hearts broken over the death of Whitney Houston,” commented Dolly Parton. “I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, Whitney, I will always love you. You will be missed.”

Houston’s work also intersected with Nashville’s gospel community on The Preacher’s Wife soundtrack, one of the best-selling gospel albums in history. Houston starred in the film and performed songs on the soundtrack that were penned by Kirk Franklin and Dottie Rambo, among others.

She married R&B singer Bobby Brown in 1992, and gave birth to her only child Bobbi Kristina Houston Brown in 1993. Their tumultuous relationship was beset by rumors of drug use, and the couple divorced in 2007. Houston mounted a comeback in 2009 with singles “I Look To You” and “Million Dollar Bill,” coming clean about her past drug use in an interview on The Oprah Winfrey Show.

Houston had performed at Grammy nomination party in Los Angeles for R&B singer Kelly Price on Thursday (Feb. 9), and was slated to attend a pre-Grammy party Saturday thrown by Clive Davis in the hotel where she died. Bobby Brown was scheduled to perform with his group New Edition in Nashville Sunday night (Feb. 12), but pulled out of the show last minute to join his daughter in Los Angeles.

No funeral arrangements have been announced.

Beats Audio Distinguishes Verizon Rezound Handset

The premise sounds strong. Get a Verizon 4G LTE Android Gingerbread phone with front and rear facing cameras, an ultra sharp HD 720p display, a 1.5 Ghz dual-core processor and a pair of Beats Headphones by Dr. Dre. The HTC Rezound also promises, “Beats Audio technology for studio sound.” When the package arrived I wasted no time ripping it open to get my eyes and ears all over this baby.

My initial reaction unfortunately, was akin to the disappointment one might feel getting home from a blind date that didn’t match expectations. However, as the Rezound and I got better acquainted, I grew to respect its personality even if I wasn’t awed by its flash and sparkle. I couldn’t help thinking that if this phone had come into my life a year ago I would have fallen in love with its abilities. But ahhh, what a difference a year can make.

The Rezound’s physical characteristics made the first impression. The ultra high resolution 4.3 inch screen simply seemed small to me. I’ve been using a 4.5 inch screen and recently reviewed Verizon’s Samsung Galaxy Nexus with its 4.65 high-def window. In fairness, the Rezound’s screen is clear and sharp, but it didn’t impact my eyes the way the Samsung super amoled displays do. I never felt the WOW! factor.

I began setting up the phone to work with my Google accounts and social networks. The HTC Sense software which rides on top of the Android Gingerbread system operates easily, but to me it represents an unnecessary layer of complication. It does work smoothly, however, and I notice a few expert reviewers really seem to love it. My only setup problem was pushing the volume rocker and power/lock buttons. Clearly the designers were going for a smooth minimalist effect, but the switches are recessed deeply into the top edge and right-hand side of the phone making it difficult for my fingers to operate them. This 6.1 ounce phone sits nicely in your hand, but feels heavy. The Galaxy Nexus, even with its much bigger screen only weighs 5.1 ounces by comparison.

OK, so I wasn’t falling in love, yet…but it was the music that really attracted me to this device in the first place, so I was still filled with anticipation as I carefully unwrapped the red Dr. Dre Beats earbuds. Engadget’s Sharif Sakr enlisted the help of North London’s AMS Acoustics to scientifically measure the Beats performance. Sakr’s article sums, “The Beats Audio software isn’t complete marketing vapor, but it’s still inherently gimmicky… you could achieve a better result… simply by downloading a third-party music player that lets you play with the EQ settings yourself.”

Clearly they weren’t over the moon, but I listen to music for a living, believe I have great ears, and determined, “I’ll decide this for myself, thank you very much.” Lot’s of bravado, but ultimately, I had to agree with Mr. Sakr.

I listened to a wide variety of music with the Beats earbuds and compared the sound against my Subjekt TNT low profile headphopnes ($49.99) that fit over the ear. I listened to music recorded in analog like Steve Miller’s classic “Children Of The Future” and various Beatles tracks; then tried edgy country music like Brad Paisley’s “American Saturday Night,” and Colt Ford’s “Chicken & Biscuits.” Next I played alternative rock from The Black Keys new album El Camino. Throughout I did A/B tests comparing the Beats with the TNTs. As long as I was careful to keep the Beats tightly inserted in my ears they slightly edged out the headphones. I was using the Google music player which with Android/Gingerbread does not allow EQ adjustments. The Beats have a preset U-shape sonic curve boosting the bass and the treble. Had I been able to adjust the EQ, I feel certain that the TNTs would have equalled or surpassed Dr. Dre. And, in real world situations like running or walking, lightweight headphones remain in place over your ears while earbuds tend to slide.

Now for some of that personality which I “grew to respect.” This phone operates on Verizon’s incredible 4G LTE network which means you enjoy lightning fast data transfers and rock solid phone connections and the dual core processor in this unit drives it relentlessly fast. You’ll find it impossible to make it shudder or bog down. A year ago these specs would have placed Rezound at the top of the pile. But today, with the Galaxy Nexus offering 4G LTE and Android version 4.0 (Ice Cream Sandwich), one has to wonder if the Rezound is still a compelling alternative. Amazon currently offers the Galaxy Nexus for $99.99 or the Rezound for $79.99 with 2-year contracts. HTC says the Rezound will get a 4.0 update, perhaps as early as March… that should make Rezound owners very happy.

Nashville Stars Fill in for Blair Garner This Week

Kellie Pickler

Nashville celebrities will take turns guest hosting After MidNite radio show this week while host Blair Garner steps out for vacation. Josh Turner, Kellie Pickler, Hunter Hayes, Chris Harrison (host of The Bachelor); and Actress Melissa Peterman will be among the guest hosts hitting the airwaves.

Peterman will begin subbing duties starting tonight, Feb. 13, ushering a week of various guests until Garner’s return to the air on Tues., Feb. 21.

In addition, Garner’s online video feature where he comments on the latest celebrity news called Backstage Pass, will be hosted by Turner, Hayes and Pickler.

After MidNite is heard by 2.7 million weekly listeners.

Concert Series Debuts With Ronnie Milsap, Phil Keaggy

Ronnie Milsap

Ronnie Milsap and Phil Keaggy will kick-off a new concert series to benefit Gilda’s Club Nashville, which offers cancer support services.

The Rock The Red Door series at the Hard Rock Café Nashville launches on Leap Day, Wed., Feb. 29 at 7:30 p.m. Milsap and Keaggy will be backed by the Rob Galbraith All-Star Band: Rob Galbraith (record producer/publisher/performer), Chester Thompson (drums – Genesis/Phil Collins), Brad Cole (keyboards – Phil Collins), David LaBruyere (bass – John Mayer), Bruce Dees (session guitarist/performer), Max Abrams (session saxophone player), along with appearances by Sam Hunter, Maureen Murphy, and Donica Knight.

Tickets are on sale at ticketalternative.com or via phone at 1-877-725-8849, starting at $20.

Gilda’s Club Nashville is an affiliate of the Cancer Support Community and opened its doors on Music Row in 1998 to offer free services including workshops, support groups and social activities in a non-residential, homelike setting. Gilda’s Club Nashville is a 501(c)(3) corporation and is located at 1707 Division Street.

Phil Keaggy