Another Country Radio Seminar is behind us. I want to emphasize to everyone in Country Radio who did not attend this year or have never attended: please add the Seminar to your bucket list.
There are so many benefits to being in Nashville for the show.
Not only do you learn from industry leaders in both radio and records, you actually do rub shoulders with these people. I promise you do not need to know Clay Hunnicut to engage him in a conversation that will benefit your career and learning experience.
If you have a CRS name badge you are welcome into almost every event and conversation. Broadcasters and promotion people will draw you into the discussion. I have seen it happen. I have initiated it and I have benefited from it.
In my other life, as a CRB board member, I was the chair of the research committee. There are normally two research projects going on for the CRB. The first is the one that the attendees see as a presentation to the entire group.
This year my friends, Larry Rosin and Tom Webster, of Edison Research presented the results of their P2 project. I like that the agenda committee has begun allowing a follow-up panel that takes the research and puts it into usable language.
The second research project is for their internal use. This post seminar task is so the committee can better plan next year’s Seminar.
What I found when I chaired the committee, was that networking and entertainment were the top draws. Attendees loved that they met others in the business, but also that they were able to experience–in more intimate settings–some of the top talent and many newcomers.
This year attendees saw Lady Antebellum, Carrie Underwood, Sara Evans, Kellie Pickler, Jake Owen, Eli Young Band, Hunter Hayes, Sunny Sweeny, David Nail, Luke Bryan, Alan Jackson, Faith Hill and many saw Jason Aldean at the Bridgestone Arena. I don’t have enough fingers and toes to count the No. 1 songs in that list.
Then each night they got to squeeze into a small, overheated room and see newcomers that will be stars in the format in years ahead. In those cases the room was cooled by Budweiser. There is nothing better than free music and free beer at midnight.
If you are a station owner and/or a General Manager you might think, “Why should I send my programming staff to Nashville for what amounts to a week’s vacation?”
Well, the Seminar is fun but what I described above takes place during lunches and after a full day of learning and panels.
This year, along with the Edison Research presentation that included actionable information that programmers could take back to their station and institute immediately, there was a panel on how to maximize your station’s ratings if you’re in a diary market.
There was a discussion on what diary market programmers can learn from PPM markets. Again, information that you could bring back to the station the following Monday.
I learned a great deal from consultant Steve Reynold’s presentation. In fact, I used a lot of his thinking for a morning show meeting Monday with a newly configured morning show at one of WV Radio’s stations. Spending an hour listening to Steve helped me make our morning show better and I believe this will translate into higher ratings and better rates.
Of course there were panels on Social Media. How much additional revenue can you expect from what you can learn at these panels? Unless of course you’re already full up on website sales?
Not enough sales information? Center for Sales Strategy’s Matt Sunshine led a couple of panels on how to maximize your relationship with clients. This was specific, actionable information.
There was a panel, always a favorite, on 90 promotional ideas in 50 minutes. These are more opportunities to maximize your sales effort.
This is just scratching the surface of what there was to do last week.
I did the shows. I did the networking. I did the panels. The visit to the Seminar is always the best week of the year for individuals and stations that participate.
Now for the issue most of us stumble on: cost. No way around it. The cost is going to be about $2000 a person (unless you share a room, the largest expense). Between travel and hotel you are going to rack up some expenses. The cost of the Seminar, $399.00 is the best deal going. Check around.
If you are an owner or GM and responsible for costs, that is a tough pill to swallow. If you are a broadcaster on your own, it is very difficult to budget. But like my mother, who used to save weekly in the Christmas Club at the bank, you should put aside $20 a week.
You will get your money back with your first visit.
Did I mention a lot of the beer was free?
Charlie Cook On Air: Post Country Radio Seminar
/by contributorThere are so many benefits to being in Nashville for the show.
Not only do you learn from industry leaders in both radio and records, you actually do rub shoulders with these people. I promise you do not need to know Clay Hunnicut to engage him in a conversation that will benefit your career and learning experience.
If you have a CRS name badge you are welcome into almost every event and conversation. Broadcasters and promotion people will draw you into the discussion. I have seen it happen. I have initiated it and I have benefited from it.
In my other life, as a CRB board member, I was the chair of the research committee. There are normally two research projects going on for the CRB. The first is the one that the attendees see as a presentation to the entire group.
This year my friends, Larry Rosin and Tom Webster, of Edison Research presented the results of their P2 project. I like that the agenda committee has begun allowing a follow-up panel that takes the research and puts it into usable language.
The second research project is for their internal use. This post seminar task is so the committee can better plan next year’s Seminar.
What I found when I chaired the committee, was that networking and entertainment were the top draws. Attendees loved that they met others in the business, but also that they were able to experience–in more intimate settings–some of the top talent and many newcomers.
This year attendees saw Lady Antebellum, Carrie Underwood, Sara Evans, Kellie Pickler, Jake Owen, Eli Young Band, Hunter Hayes, Sunny Sweeny, David Nail, Luke Bryan, Alan Jackson, Faith Hill and many saw Jason Aldean at the Bridgestone Arena. I don’t have enough fingers and toes to count the No. 1 songs in that list.
Then each night they got to squeeze into a small, overheated room and see newcomers that will be stars in the format in years ahead. In those cases the room was cooled by Budweiser. There is nothing better than free music and free beer at midnight.
If you are a station owner and/or a General Manager you might think, “Why should I send my programming staff to Nashville for what amounts to a week’s vacation?”
Well, the Seminar is fun but what I described above takes place during lunches and after a full day of learning and panels.
This year, along with the Edison Research presentation that included actionable information that programmers could take back to their station and institute immediately, there was a panel on how to maximize your station’s ratings if you’re in a diary market.
There was a discussion on what diary market programmers can learn from PPM markets. Again, information that you could bring back to the station the following Monday.
I learned a great deal from consultant Steve Reynold’s presentation. In fact, I used a lot of his thinking for a morning show meeting Monday with a newly configured morning show at one of WV Radio’s stations. Spending an hour listening to Steve helped me make our morning show better and I believe this will translate into higher ratings and better rates.
Of course there were panels on Social Media. How much additional revenue can you expect from what you can learn at these panels? Unless of course you’re already full up on website sales?
Not enough sales information? Center for Sales Strategy’s Matt Sunshine led a couple of panels on how to maximize your relationship with clients. This was specific, actionable information.
There was a panel, always a favorite, on 90 promotional ideas in 50 minutes. These are more opportunities to maximize your sales effort.
This is just scratching the surface of what there was to do last week.
I did the shows. I did the networking. I did the panels. The visit to the Seminar is always the best week of the year for individuals and stations that participate.
Now for the issue most of us stumble on: cost. No way around it. The cost is going to be about $2000 a person (unless you share a room, the largest expense). Between travel and hotel you are going to rack up some expenses. The cost of the Seminar, $399.00 is the best deal going. Check around.
If you are an owner or GM and responsible for costs, that is a tough pill to swallow. If you are a broadcaster on your own, it is very difficult to budget. But like my mother, who used to save weekly in the Christmas Club at the bank, you should put aside $20 a week.
You will get your money back with your first visit.
Did I mention a lot of the beer was free?
CMA Announces Promotions and New Hires
/by Caitlin RantalaThe Country Music Association has announced several staff promotions and new hires across various departments.
Sheri Warnke
Senior Vice Presidents
Sheri Warnke has been promoted to the position of Senior Vice President of Marketing and Communications. In her new role, Warnke will have direct oversight of several departments including Communications; Membership and Balloting; Research; Strategic Partnerships; Strategic Marketing; and CMA’s vast online and social platforms.
Amy Smartt
Amy Smartt has been promoted to Senior Vice President of Finance and Administration. In her new role, Smartt will have direct oversight of Accounting, Facility Operations, Finance, Human Resources, Information Technology Operations, and Legal/Trademarks Administration. She will also serve as Secretary/Treasurer of the CMA Foundation.
Events and Special Projects Department
Chris Crawford
Chris Crawford has been hired as Senior Director of Live Events and Special Projects. Reporting directly to CMA CEO Steve Moore, he will oversee the CMA Events and Special Projects Department, which includes logistical and operational execution of CMA Music Festival, CMA Awards, and the “CMA Country Christmas” television taping, including venue coordination and ticket sales. He previously served as the production manager for Sugarland’s 2011 “Incredible Machine Tour.”
Greg Pitman
Greg Pitman has been hired as Production Manager, and will work on the logistical and operational execution of all CMA events, including CMA Music Festival, CMA Awards, and “CMA Country Christmas,” among others. He will report to Crawford. Pitman previously provided freelance production, including work on the 2011 CMA Awards, Joel Osteen Ministries, and more.
Jessica Turk
Jessica Turk has been hired as Production Coordinator, and will provide support for the department. Turk was previously an intern in the CMA Strategic Partnership Department.
Communications Department
Dawn Fisher Copley
Dawn Fisher Copley has been promoted to Senior Media Relations Coordinator. She will oversee all media logistics needs for CMA events and serve as a liaison with ABC affiliates to facilitate their coverage of CMA’s television properties. She will pitch stories to media outlets, write press releases, and create video and web tools that aid media outlets in their coverage. In addition, she will oversee the department’s intern and event volunteer program. She reports to Scott Stem, CMA Director of Media Relations.
Amanda Severs
Amanda Severs has been hired as Communications Coordinator role. She has served as a temporary assistant shared by the CMA Communications, Strategic Marketing, and Strategic Partnerships Departments since August 2011.
Finance and Administration Department
Lance Morton
Lance Morton has joined CMA as the Network Administrator. He will be responsible for maintaining the CMA internal network, connectivity and network servers; providing hardware and software end-user support; assisting with the planning and implementation of Information Technology (IT) needs for company events; and more. He reports to Ken Sanderson, Senior Manager of Information Technology. Morton spent more than 10 years with the United States Navy.
Brittany Norton
Brittany Norton has been hired as receptionist. Norton was previously a tour manager with several artists, including Jessica Lea Mayfield. Prior to that, she worked at Vector Management. Norton graduated from Belmont University.
Strategic Marketing Department
Matt Ames
Matt Ames has joined as the Digital Marketing Manager. He will create content, implement, and analyze results for all of CMA’s digital initiatives. He reports to Ben Bennett, Senior Manager, Digital Strategy. Ames is a professional web designer/developer who previously worked with the Tennessee Medical Association as project manager.
Rusty Gaston Receives Milestone Award from Belmont and ASCAP
/by Eric T. ParkerL-R: ASCAP's Ryan Beuschel, Michael Martin, LeAnn Phelan, Rusty Gaston, Belmont's Sarah Cates, Dan Keen. Photo: Donnie Hedden
Belmont’s Mike Curb College of Entertainment and Music Business and industry partner ASCAP celebrated Belmont’s connection to Music Row by honoring alumnus Rusty Gaston, GM and partner of This Music, as the first recipient of The Music City Milestone Award (MCMA). The award recognizes a young Belmont graduate who has achieved superlative success in the entertainment and music industry.
Gaston’s moved from Texas to Nashville 16 years ago and is today at the helm of This Music, a partnership with writers Tim Nichols and Connie Harrington. The company is a joint venture with Warner/Chappell and supports nine songwriters with hits from artists such as Blake Shelton, Josh Turner, Chris Young and Luke Bryan.
Belmont Instructor of Music Business and creative force behind the MCMA award, Dan Keen notes, “One of the most rewarding facets of nurturing young people is celebrating their growth and successes. Rusty Gaston was a stand out student in my music publishing class at Belmont and is already one of the most successful independent publishers on Music Row. He is the type of person that Belmont and ASCAP want to encourage students and young executives to emulate.”
New Biography Tells The Story of Marty Robbins
/by FreemanTwentieth Century Drifter is the first biography of the hitmaking country artist and NASCAR driver who recorded timeless gunfighter classics like “Big Iron” and “El Paso.” Author Diane Diekman drew on personal interviews and in-depth research for the project, and shows Robbins to be a drifter who longed for inner peace. Diekman is also the author of Live Fast, Love Hard: The Faron Young Story. Read an interview with the author here.
Diekman will be discussing and signing copies of the book at the Country Music Hall of Fame and Museum at 12:30 PM on March 31.
Lambert Schedules Nashville Tour Date
/by Sarah SkatesThere will be a Ran Fan presale for the show beginning on March 7 at 10 a.m. CT. See the private Ran Fan forum 24 hours prior to presale for details.
Tickets to the public go on sale Friday, March 9 at 10 a.m. CT through Ticketmaster at 1-800-745-3000 or www.ticketmaster.com.
In related news, the singer recently debuted the video for new single “Over You.” See below.
Levon Helm’s Ramble Returns To The Ryman
/by FreemanLevon Helm with Sheryl Crow and Buddy Miller. Photo: Ray Kennedy
The Americana Music Association has announced the return of Levon Helm’s “Ramble on the Road” to Nashville’s Ryman Auditorium on Sunday, May 6. Tickets are priced at $45, $55, and $65 values, and go on sale Friday, March 9 at 10 AM/CT.
Helm first brought Ramble to the Ryman in July 2007, and in 2008 it kicked off the AMA’s annual Festival and Conference. Since 2007, Helm has released three Grammy-winning albums (Dirt Farmer, Electric Dirt, and Ramble at the Ryman), and been presented with a Lifetime Achievement Grammy for his time with The Band and a Lifetime Achievement Award for Performance from the AMA.
Well-known guest artists tend to pop up at Helm’s Ramble events. Though the lineup for the May 6 show has not been announced, past guests have included Gillian Welch and Dave Rawlings, Robert Plant and Alison Krauss, Rodney Crowell, Sheryl Crow, John Hiatt, Buddy Miller, Sam Bush, Delbert McClinton, Steve Earle and Allison Moorer, among others.
Photo Roundup (3/01/12)
/by Caitlin Rantala(L-R): ASCAP's Robert Filhart; performers Robert Counts, Daisy Mallory, and Ryan Griffin; ASCAP's Ryan Beuschel and Michael Martin
The ASCAP New Crew Writers Round is a new and exciting quarterly event that showcases up-and-coming singer-songwriters who have created a buzz and their own following. Songwriters are hand-picked by the ASCAP creative staff, and have the opportunity to play in front of some of Nashville’s music decision makers.
• • •
Norro Wilson, Museum Editor Michael Gray, Jerry Foster, Don Schlitz, Bobby Braddock, Curtis, Dallas Frazier and Layng Martine, Jr.
The Country Music Hall of Fame and Museum recently (2/25) honored Sonny Curtis in its quarterly “Poets and Prophets: Legendary Country Songwriters” series. Curtis discussed his life and songwriting career which includes “I Fought the Law,” “I’m No Stranger to the Rain,” “Walk Right Back” and the Mary Tyler Moore Show theme song “Love Is All Around.” Curtis also discussed his time as lead guitarist for The Crickets, a position he still holds today.
• • •
DiPiero, Black, and Anderson are seen here during rehearsals for the show
Bill Anderson, Clint Black and Bob DiPiero were recently invited to perform on upcoming BBC television program “Songwriters Circle,” which was taped in London’s historic Bush Hall and tentatively scheduled to air March 25. The BBC taping was the trio’s first performance together in a week of CMA Songwriter Series shows they did throughout Ireland and the United Kingdom.
Underwood’s “Good Girl” Debuts At No. 1
/by Eric T. Parker“Good Girl” is the lead single from Underwood’s forthcoming album due May 1, and was co-written by Underwood, Chris DeStefano, and Ashley Gorley, and produced by Mark Bright.
Since her 2005 debut Some Hearts, Underwood has sold more than 14 million albums and has taken 14 singles to No. 1.
Rucker Celebrates No. 1, Plans New Album
/by Caitlin RantalaL-R: Steve Hodges/Capitol, Marc Driskill/ASCAP, Frank Rogers, Darius Rucker, Ron Stuve/UMPG, Cyndi Forman/UMPG, Mike Dungan/Capitol. Photo Credit: Jim Wright
Darius Rucker recently celebrated his fifth No. 1 single, “This,” while in Nashville to work on his third album for Capitol Records. The song appears on Rucker’s sophomore album, Charleston, SC 1966.
“‘This’ was a special song for me because it was the first time I ever wrote a song on iChat,” Rucker shared. “Kara [DioGuardi], who had started writing the song with Frank [Rogers], was in Los Angeles and we were in Nashville! I just thought it was the perfect song to really bridge the gap from Learn to Live to this album.”
Rucker is currently in the studio with Rogers and expects to release his new album in Fall 2012. “I come from that ‘album age,’ so with this next record–while we’re writing a lot of material that’s different from Learn to Live and Charleston–we’re still focusing on creating an album fans will hopefully want to listen to from start to finish,” added Rucker.
For more information, visit www.dariusrucker.com.
Date Set For Next Chesney Album
/by Sarah SkatesKenny Chesney performed Bruce Springsteen's "I'm On Fire" Tuesday on "Late Night with Jimmy Fallon."
Kenny Chesney’s next album will be released June 19 on BNA Records. The as-yet-untitled project is the follow-up to his critically acclaimed Hemingway’s Whiskey, a platinum album which yielded major hits “You and Tequila,” “The Boys of Fall,” “Somewhere With You,” “Live A Little,” and “Reality.”
Chesney leads the Academy of Country Music nominations heading into the April 1 show. His nine nods include Entertainer of the Year, Album of the Year (Hemingway’s Whiskey as both artist and producer), and Male Vocalist of the Year.
After playing to more than 11 million fans over the last decade, Chesney will continue the party this summer. His Brothers of the Sun Tour with Tim McGraw kicks off June 2 in Tampa, FL. The outing marks the first time in 10 years the longtime friends have hit the road together. Featuring Grace Potter & The Nocturnals and Jake Owen, the tour will hit stadiums across the country, including a June 23 stop at Nashville’s LP Field, just days after the release of Chesney’s album.
His career sales total more than 30 million units.