I understand that I am a week or so behind the curve on this topic. It was early last week when the Big Machine Label Group and Clear Channel cut a deal that had Nashville and Washington, DC. buzzing for a day or two.
I think much of the buzz was because of the timing of the announcement. Many broadcasters were surprised (and angered) that this came down the day before they were going before Congress with this issue on the agenda.
Much of the buzz has died down since because most people see this as inconsequential today. It appears to be much ado about not much. I don’t believe that the actual number was ever publically announced and not many outside of Scott Borchetta and Bob Pittman actually know it. Or know the real purpose of the deal.
I want to go on record as saying that Scott is a friend of mine. I consider him a first class promotion person, businessperson and he has proven to be a step ahead of most others in Nashville for several years now.
I have met Bob but he wouldn’t know me if I stepped on his toes in an elevator. I have written in the past that I think that Bob is good for broadcast radio. I like high profile people saying good things about the business and he is radio’s number one cheerleader.
I cannot tell you who went to whom with this idea. This would be in character for either of them. They could both see a promotional benefit. Scott sees a benefit of this being announced at the beginning of CMA week in Nashville and Bob sees this as a benefit to control the room the day before Congress meets. Who the hell knows who benefits the most from the announcement’s timing?
That can be said of the entire deal. Mr. Pittman says that iHeartRadio accounts for 2% of the CCME business today. I wonder if this deal also is going to include Cumulus? Cumulus is soon to be part of iHeartRadio so is it automatically included in this deal?
Does Mike Dungan now say, “Hey, what about my music? I have more music on Clear Channel digital than Scott does. Where is my cut?” What about Gary Overton?
I thought that all of this digital money was supposed to be shared across the entire recording platform. Wasn’t that the original thought? How could radio chains and labels possibly do separate deals?
RIAA says it likes the “acknowledge(ment)” of Clear Channel. RIAA’s Cary Sherman calls this a “breakthrough.”
The National Association of Broadcasters and musicFIRST danced to separate songs after the announcement but it will be interesting to see if this moves the issue forward. I guess that it is possible these organizations know the inside of the deal and maybe this will be a starting point. If that is the case then something good may come from the agreement.
My fear is that Mr. Pittman has taken the issues important to broadcasters off the table. This is not just a digital issue. Radio needs help with FM chips and performance rights costs that deal with music on the broadcast side.
Because radio provides a 360 experience to listeners, not just online, it is in radio’s best interest to keep all of our leverage on the table.
Without question the digital royalty structure is out of whack. But people like Tim Westergren, who does nothing in the public interest, to demand a level playing field is ludicrous. Let him step up and provide public service, daily and during times of tragedy, then he can ask for level playing field.
You do not have a level playing field because you stream music. That’s it.
Until you provide more than just the music, pay your 50% of total revenue and recognize that the model is a tough one. That’s why broadcasters are not willing to come down to your level.
I hope that Scott and Bob see way down the field and have a plan that works on every level.
(The views expressed in this article are those of the author and do not necessarily reflect those of MusicRow.)
Charlie Cook On Air: Clear Channel and Big Machine
/by contributorI think much of the buzz was because of the timing of the announcement. Many broadcasters were surprised (and angered) that this came down the day before they were going before Congress with this issue on the agenda.
Much of the buzz has died down since because most people see this as inconsequential today. It appears to be much ado about not much. I don’t believe that the actual number was ever publically announced and not many outside of Scott Borchetta and Bob Pittman actually know it. Or know the real purpose of the deal.
I want to go on record as saying that Scott is a friend of mine. I consider him a first class promotion person, businessperson and he has proven to be a step ahead of most others in Nashville for several years now.
I have met Bob but he wouldn’t know me if I stepped on his toes in an elevator. I have written in the past that I think that Bob is good for broadcast radio. I like high profile people saying good things about the business and he is radio’s number one cheerleader.
I cannot tell you who went to whom with this idea. This would be in character for either of them. They could both see a promotional benefit. Scott sees a benefit of this being announced at the beginning of CMA week in Nashville and Bob sees this as a benefit to control the room the day before Congress meets. Who the hell knows who benefits the most from the announcement’s timing?
That can be said of the entire deal. Mr. Pittman says that iHeartRadio accounts for 2% of the CCME business today. I wonder if this deal also is going to include Cumulus? Cumulus is soon to be part of iHeartRadio so is it automatically included in this deal?
Does Mike Dungan now say, “Hey, what about my music? I have more music on Clear Channel digital than Scott does. Where is my cut?” What about Gary Overton?
I thought that all of this digital money was supposed to be shared across the entire recording platform. Wasn’t that the original thought? How could radio chains and labels possibly do separate deals?
RIAA says it likes the “acknowledge(ment)” of Clear Channel. RIAA’s Cary Sherman calls this a “breakthrough.”
The National Association of Broadcasters and musicFIRST danced to separate songs after the announcement but it will be interesting to see if this moves the issue forward. I guess that it is possible these organizations know the inside of the deal and maybe this will be a starting point. If that is the case then something good may come from the agreement.
My fear is that Mr. Pittman has taken the issues important to broadcasters off the table. This is not just a digital issue. Radio needs help with FM chips and performance rights costs that deal with music on the broadcast side.
Because radio provides a 360 experience to listeners, not just online, it is in radio’s best interest to keep all of our leverage on the table.
Without question the digital royalty structure is out of whack. But people like Tim Westergren, who does nothing in the public interest, to demand a level playing field is ludicrous. Let him step up and provide public service, daily and during times of tragedy, then he can ask for level playing field.
You do not have a level playing field because you stream music. That’s it.
Until you provide more than just the music, pay your 50% of total revenue and recognize that the model is a tough one. That’s why broadcasters are not willing to come down to your level.
I hope that Scott and Bob see way down the field and have a plan that works on every level.
(The views expressed in this article are those of the author and do not necessarily reflect those of MusicRow.)
Somethin’ ‘Bout The First No. 1
/by Sarah SkatesPictured (L-R): Red Light Management’s Shawn McSpadden, BMG Chrysalis Music’s Kevin Lane, Cornman Music’s Brett James, Kip Moore, co-writer Dan Couch, BMI’s Jody Williams, and MCA Nashville’s Mike Dungan. Photo: Steve Lowry
The show must go on, and the late Frances Preston wouldn’t have wanted it any other way. BMI toasted the No. 1 hit “Somethin’ ‘Bout A Truck” yesterday (6/13), the same day as the passing of its legendary leader.
Jody Williams discussed her devotion to songwriters at the opening of the ceremony. He explained, “The first thing Frances would say about today is, ‘get that party started and honor those songwriters.’” Flags flapped at half-staff above the crowd gathered on BMI’s sunny rooftop.
Penning a charttopping song is a grand achievement for any writer, but the first time is often the sweetest. “Truck” is the first No. 1 for songwriters Kip Moore and Dan Couch, and is also Moore’s first No. 1 as an artist. BMI presented him with a guitar to mark the occasion. The song, which hung out at the radio pinnacle for two weeks, is well on its way to Platinum download status.
Mike Dungan was also celebrating a first. “Truck” is his first No. 1 as leader of UMG Nashville. “I’m getting lots of nods, but I’ve had nothing to do with it,” he said, turning the spotlight to his label team. Ever the colorful character, Dungan took the opportunity to hand out his own unique prizes. Moore received a tie-dyed T-shirt that said “Get F*&%@d,” Couch’s trophy was a Richie Sambora figurine, and producer Brett James was honored with a lifesize Jonas Brothers cardboard stand-up.
James has shepherded younger tunesmith Moore for years. “He’s my little brother and he’s one of my best friends,” said James before presenting Moore with a small body road guitar. James took the usual honors one step further, giving plaques to engineers Nick Brophy and Ben Fowler, as well as Nate Lowery, who operates his publishing outfit Cornman Music.
Several others took the stage to honor the writers. Avenue Bank’s Ron Cox presented a donation to the Muscular Dystrophy Association on their behalf. Brandi Simms represented the CMA.
The mood turned emotional when Couch and Moore swapped turns at the mic, choking back tears as they savored the hard earned moment. Couch recalled his 16-year journey and how his family supported his career. His hometown even cheered his success recently when the mayor of Logansport, Ind. declared it “Dan Couch Day.”
“I’m more nervous now than when I played the stadium the other night,” exclaimed Moore, who performed last weekend at CMA Music Festival. He acknowledged James’ patience while helping him develop as an artist and writer. “In an instant world, Brett has stood by me,” he said gratefully.
Partygoers munched on a spread of mini hot dogs, black bean burgers, chips and canned beer—perfect food for a “Truck” tailgate party.
Shelton’s “Over” Music Video to Premiere on CMT
/by Caitlin RantalaCMT teamed with Hi-Fi Fusion Shelton and director Roman White to launch a special four-part webisode series leading up to the premiere. Diary of a Director will give fans a humorous glimpse at what goes into making a music video, including the inside scoop on why Shelton fears this particular video more than his previous three creations with White. “Over” will also be the featured bonus video in this week’s CMT Top 20 Countdown airing Friday, June 15 at 10 a.m. CT
Shelton’s “Over” will air across CMT, CMT.com and CMT Pure, the network’s 24-hour all music channel.
NMPA Presents Steve Cropper With Songwriting Icon Award
/by FreemanSteve Cropper performs at the NMPA annual meeting. Photo: Gary Gershoff/NMPA
Music industry guests gathered for The National Music Publishers’ Association annual meeting yesterday (6/13) in New York City.
The organization honored songwriting legend Steve Cropper with the 2012 NMPA Songwriter Icon Award, which recognizes outstanding songwriters for personal achievement and who personify the NMPA’s vision. Additionally, U.S. Rep. Mel Watt (NC) was honored with the 2012 President’s Award, which recognizes an individual who works diligently to strengthen intellectual property protection.
“The NMPA is pleased and privileged to recognize Steve Cropper and U.S. Rep. Mel Watt for their achievements in their respective professions,” said NMPA President and CEO David Israelite. “At first glance it may appear that these two individuals are very different. Steve’s illustrious music career has led him to the Hall of Fame while Mel’s distinguished public service career has most recently been spent in the halls of Congress. But these two do have one thing in common: unwavering dedication to the creative spirit and to those who generate it. And it’s for that reason that we honor them today.”
As a songwriter, Cropper penned (with Booker T & the MGs) the No. 1 hit “Green Onions,” as well as co-writing “Knock On Wood,” “Midnight Hour,” and Otis Redding’s timeless “(Sittin’ On) The Dock of the Bay.” Additionally, his guitar work can be heard on numerous albums by artists including Rod Stewart, Peter Frampton and Ringo Starr, among others.
Songwriters Hall of Fame awardee, Lance Freed (left) with David Israelite, President and CEO of the National Music Publishers' Association (right), present legendary songwriter and musician Steve Cropper with the 2012 NMPA Songwriter Icon Award. Photo: Gary Gershoff/NMPA
Artist News (6/14/12)
/by Freeman(L-R) Kathie Lee Gifford, Josh Turner, Hoda Kotb
Josh Turner performed his current hit single “Time Is Love” on NBC’s Today Show yesterday (6/13). Turner’s new album Punching Bag hit stores on Tuesday, June 12. See the performance here.
• • •
Tim McGraw was recently interviewed by CNN to talk about his HomeFront program, which aids military veterans in getting mortgage-free homes. See the interview here.
• • •
Sara Evans will perform the national anthem tonight (6/14) prior to Game 2 of the NBA Finals between the Oklahoma City Thunder and the Miami Heat at the Chesapeake Energy Arena in Oklahoma City. The performance and game airs live on ABC beginning at 7:53 pm/CT.
• • •
Photo: Ed Bunker/No Problem! Marketing
Lee Brice performed his hit “A Woman Like You” on CBS’ The Late Late Show With Craig Ferguson last night (6/13). The single has sold more than 1 million digital downloads to date.
• • •
Maggie Rose has been tapped to be Country Weekly’s on the road correspondent during the 2012 Country Throwdown Tour. Rose will provide five installments of behind the scenes footage, which will be featured on the magazine’s website.
• • •
Sugarland’s Kristian Bush has penned “She Won’t Drive In The Rain Anymore,” for Falling Off The Sky, the first album in 30 years by influential Southern power pop group the dB’s. Bush, a longtime fan of the North Carolina band, co-wrote the song with dB’s leader Peter Holsapple and it is the first song released via Bush’s Songs of the Architect publishing company. Bush will also join the CMA Songwriters Series later in June, appearing at Los Angeles’ House of Blues on June 26 and Phoenix’s Musical Instrument Museum on June 27.
• • •
Gwen Sebastian recently visited KBEQ/Kansas City to promote her new single and perform for some lucky listeners. (L-R): Q104’s Joshua James, Sebastian, Q104’s T.J. McEntire, and Q104 PD Mike Kennedy
Flying Island’s Gwen Sebastian, fresh from a performance at LP Field during CMA Music Festival, will make her Grand Ole Opry debut on Saturday, June 16. Sebastian is also currently out visiting radio to promote her new single “Met Him in a Motel Room.”
• • •
Glen Templeton will make his national television debut Sunday, June 17, when he visits Fox News Channel’s Fox & Friends. His two performances will be his latest single “Sing That Song Again,” and his rendition of Conway Twitty’s classic “That’s My Job.” The appearance will air beginning at 7:10 am/CT on Father’s Day.
• • •
Render Records’ Jason Charles Miller has been added to the lineup of the KKGO “Go Country 105 Summer Under the Stars” concert, set for July 20 at the Greek Theatre in Los Angeles. Alan Jackson is the headliner, and Ashley Monroe will also perform.
• • •
Mark Wayne Glasmire is featured this week on Inside Music Row, which airs locally in Nashville on WNAB-TV. Glasmire and host Kelly Lynn taped the segment in Hillsboro Village across from the Belcourt Theatre and discussed his summer touring plans and new self-titled EP.
Trustees Re-elected to Country Music Hall of Fame Board
/by Sarah SkatesTrustees and officers were elected at the Country Music Hall of Fame® and Museum’s quarterly board meeting today (6/14). Re-elected to three-year terms as trustees were Rod Essig, agent, Creative Artists Agency; Keel Hunt, president, the Strategy Group; Ken Levitan, co-president, Vector Management; Mary Ann McCready, president, Flood, Bumstead, McCready & McCarthy, Inc.; and Steve Turner, president, Butler’s Run LLC.
Turner was also tapped for a fifth term as chairman, and Country Music Hall of Fame member Vince Gill was re-elected to an eleventh consecutive term as president.
Remaining trustees include David Conrad, J. William Denny, Randy Goodman, John Grady, Henry Juszkiewicz, Ernie Williams and Jody Williams.
Current officers Earl Bentz, Mark Bloom, Connie Bradley, Tony Brown, Mike Dungan, Vince Gill, Al Giombetti, Francis Guess, Lon Helton, Mike Helton, Don Light, Donna Nicely, Brian O’Connell, David Ross, John Seigenthaler, Clarence Spalding, Troy Tomlinson and Tim Wipperman were all re-elected.
• • • •
In more news from the Hall, the Museums welcomed country fans with a slew of events during the recent CMA Music Festival, and is hosting the Hot Nights At The Hall series throughout the summer.
David Nail became an honorary “Friends and Family” member of the Country Music Hall of Fame® and Museum when he kicked off the members-only Hot Nights at the Hall summer concert series. Pictured (L-R): Rachel Weingartner, Membership Manager; Jeff Krones, Agent, CAA; Kyle Young, Director; David Nail; Pamela Johnson, VP, Development; and Brian Wolf, Red Stick Management.
Steve Wariner performed at the Hall on Sat., June 9 during CMA Music Festival in support of the Chet Atkins exhibit, which closes July 15. Pictured (L-R): Director of Education and Public Programs Ali Tonn, John Knowles, Marie Yandell, Steve Wariner and Don Light. Photo: Larry McCormack
Corb Lund to Release New Album
/by Caitlin RantalaMixing witty observations with imagery from cowboy life and elsewhere, Cabin Fever places Lund in the company of songwriters like Hayes Carll, James McMurtry, and Dave Alvin. He cites his time in the punk/metal band The Smalls as an influence on his writing. Lund says, “Chaos and irreverence informs the way I write. I’m also drawn to harmony and chord choices that are outside the norms of country.”
Written in his cabin in Alberta, New York City, Austin, and Las Vegas, Cabin Fever offers a portrait of a survivalist preparing for the apocalypse (“Gettin’ Down On The Mountain”); a tale of a rural man losing a woman to the allure of New York City life (“September”); an ode to his vintage BMW motorcycles (“Mein Deutsches Motorrad”); and much more. Carll guests on “Bible On The Dash.”
A Juno Award winner who has multiple Canadian Gold Records to his name, he has shared bills with The Who, Emmylou Harris and Robert Plant, Keith Urban, Tim McGraw, James Taylor, and Joni Mitchell. He has also won the Canadian Country Music Awards Roots Artist of the Year seven times running.
Cabin Fever track listing:
1. Gettin’ Down On The Mountain
2. Dig Gravedigger Dig
3. Bible On The Dash
4. September
5. Mein Deutsches Motorrad
6. Cows Around
7. (You Ain’t A Cowboy) If You Ain’t Been Bucked Off
8. Drink It Like You Mean It
9. Priceless Antique Pistol Shoots Startled Owner
10. The Gothest Girl I Can
11. One Left In The Chamber
12. Pour ‘Em Kinda Strong
Pardi Like There’s No Tomorrow
/by Sarah Skates“Joe’s Bar is one of my favorite clubs to play and if the world really is going to end, I can’t think of a better place to spend what might be our last night on earth,” says Pardi, who announced the concert last night (6/13) during a performance at Losers in Nashville. “But if we survive, we’ll party like there’s no tomorrow, all night long!”
He also has a new website at jonpardi.com, and a webisode series called “My Name Is Jon: The Year Of The Pardi,” which showcases his wacky adventures.
Little Big Town’s Ride For a Cure Raises $55,000
/by Freeman(L-R): Jimi Westbrook, Kimberly Schlapman, Mike Wolfe, Karen Fairchild, Phillip Sweet. Photo: Randi Radcliff
Little Big Town’s 6th Annual Ride For a Cure took place over the weekend on Sunday, June 10 in Franklin and Columbia, TN. Due to inclement weather, the motorcycle ride portion of the event was cancelled but the jam sessions at Mickey Roo’s and the Harley Davidson Columbia Superstore went on as planned.
The event raised over $55,000 for the T. J. Martell Foundation and its mission of finding cures for Leukemia, Cancer and AIDS. Since its inception, the popular event has raised more than $310,000 for the cause.
One of the most sought-after auction items from the event was an autographed Epiphone Guitar signed by Little Big Town, Rascal Flatts, and Edens Edge. The winning bid went to none other than Mike Wolfe, co-host of The History Channel’s American Pickers.
CMA Research Study Reveals Listening Behavior
/by Sherod RobertsonHighlights of the findings reveal 87% of country music fans are listening to country radio stations as much or more than a year ago with 18-24 year olds being twice as likely to listen to more Country Music than the previous year. Loyalty is a top influencer, as evidenced by 75% of listeners reporting they have listened to the same station for years.
While AM/FM car radio remains the top source, 74% of fans are also listening to music online via a desktop or laptop computer, ranking it 2nd, and preferring Pandora over Spotify at a ratio of nearly 2 to 1.
Country Music listeners use both terrestrial and online radio radio outlets as their primary source for new artist and song discovery followed by music video channels.
Regarding future purchases, nearly 30% of respondents plan to purchase more Country Music by means of digital tracks, digital CDs, and physical CDs in the next 12 months.
The survey was conducted online with a random sample of 1,109 respondents aged 18+ from the CMA Insider Fan Panel, a group of more than 13,000 Country Music fans. Respondents were queried on their favorite methods to purchase and listen to music and discover new artists and songs, as well as their loyalty to the genre.
CMA’s research reports are a benefit of CMA membership and complete findings of this and previous studies are available on CMA’s members-only website.