Ingram Hill, Hunter Hayes
Progress is our most important product.
Young Hunter Hayes continues his march to stardom with “Somebody’s Heartbreak,” a track that shows his continued growth as an artist. It is also the Disc of the Day.
Both Bonnie Bishop and Lindi Ortega continue to impress. Both women seem to improve and deepen with each album. Which means that both are on the path to becoming the stars that destiny intends for them to be. Again, progress.
On the songwriting front, give kudos to Jerry Salley for continuing to polish his gift. He’s still a model of country craftsmanship, and despite what the title to his CD implies, he only improves with age. So that’s progress, too.
This week’s DisCovery Award goes to Ingram Hill. This trio is comprised of Justin Moore, Phil Bogard and Zach Kirk. They cowrote all the songs on their CD.
THE WASHERS/Like a Gypsy Should
Writer: Todd Janik; Producer: Billy Jo High & Adam Odor; Publisher: none listed; W (www.thewashersmusic.com)
—Muffled and muddy sounding, with the lead vocal buried deep in the mix. Find a better producer.
MONTGOMERY GENTRY/I’ll Keep the Kids
Writer: Eddie Montgomery/Ira Dean/Phil O’Donnell; Producer: Michael Knox; Publisher: Plowin’ Ground Music/Average ZJS Music/EMI Blackwood Music, Inc./Tune Pang Music/Sixteen Stars Music/Rooster Pecked Music (BMI); Average Joe’s (ERG)
—She wants everything in the divorce, and he’s willing to give it to her. Except for one thing, and it’s in the title. Well written, and probably Eddie’s best vocal performance ever.
BONNIE BISHOP/Bad Seed
Writer: Bonnie Bishop/Al Anderson; Producer: Bonnie Bishop; Publisher: none listed; BB (track) (www.bonniebishop.com)
—Bishop had a major breakthrough this year when Bonnie Raitt recorded her co-written “Not ‘Cause I Wanted To.” Bishop’s new Free CD is Kickstarter funded and includes this sizzling country-rocker featuring her soulful, slightly raspy, smokin’ hot vocal delivery as well as killer piano and electric guitar work. The title character’s behavior might be a little too raw for mainstream country radio, but those of you who listen will be richly rewarded. Unreservedly recommended.
HUNTER HAYES/Somebody’s Heartbreak
Writer: Andrew Dorff/Luke Laird/Hunter Hayes; Producer: Dann Huff & Hunter Hayes; Publisher: Songs of Universal/Universal Careers/High Powered Machine/Happy Little Man, BMI; Atlantic/Warner
—Very nice and classy, with a seductive groove and a gently jazzy vocal vibe. Confused in romance, he asks her, “If you’re gonna be somebody’s heartbreak, be mine.” As cool as the breeze.
JERRY SALLEY/Paper & Pen
Writer: Jerry Salley/Allison Mellon; Producer: Jerry Salley; Publisher: W.B.M./Beach Nut/Bases Loaded, SESAC/ASCAP; Very Jerry (track) (www.jerrysalley.com)
—This veteran country tunesmith (Reba, Toby, Brad, Loretta etc.) is back with a collection of self-penned tunes titled Showing My Age. This aching, waltzing ballad concerns a broken hearted gal who gets the last word by writing a revenge note to the man she thinks wronged her. How country is this? In response, he hits the bottle and ends his life. Salley sings it like a honky-tonk master in full barroom cry.
WAYLON JENNINGS/Goin’ Down Rockin’
Writer: Tony Joe White/Leann White/Waylon Jennings; Producer: Robby Turner; Publisher: none listed; Saguaro Road (track) (www.saguroroad.com)
—Not long before he died in 2002, Waylon recorded a batch of demos, believing that his band would turn them into full recordings one day. That day is now. The collection’s title tune is vintage “outlaw,” with a thumping backbeat and stinging guitar lines. Co-writer Tony Joe White adds a ghostly second voice to the minor-key track. An intriguing, involving final testament from one of our true country legends.
LINDI ORTEGA/Cigarettes & Truckstops
Writer: none listed; Producer: Colin Linden; Publisher: none listed; Last Gang (track) (www.lindiortega.com)
—I am already a huge fan of this lady’s musical charms. She sings like a hillbilly angel, managing to be simultaneously as tremulous as young Dolly and as tough as vintage Patsy. Her echoey, alt-country backing is mesmerizing and perfect on this languid trucker title tune to her new collection. Also check out its neo-rockabilly tracks. Look for Ortega opening for the rock band Social Distortion this fall. In the meantime, BUY THIS.
MARTY STUART/Tear the Woodpile Down
Writer: Marty Stuart; Producer: Marty Stuart; Publisher: Marty Stuart, BMI; Sugar Hill/Superlatone (track) (www.martystuart.net)
—When in doubt, record some real country music. That’s Stuart’s attitude on his new Nashville, Volume 1: Tear the Woodpile Down. It kicks off with this lickety-split romp featuring Buck Trent on electric banjo and call-and-response vocals from the Fabulous Superlatives. As always, the rest of the collection is similarly ear-cleansing magic.
MIKE CULLISON & THE REGULARS/Wish I Didn’t Like Whiskey
Writer: Cullison/Neel; Producer: Mark Robinson; Publisher: Cullison/Real Deal, BMI/ASCAP; Joedog (track) (www.cullisonmusic.com)
—Nashville singer-songwriter Cullison’s CD is titled The Barstool Monologues. It’s a thematically-linked collection of characters’ songs, interspersed with comments from a bartender named Hollis. Sorta like a hillbilly Canterbury Tales. Anyhow, it leads off with this two-step, honky-tonk lament that sets the tone for what follows. He doesn’t set the world on fire as a singer, but sincerity carries the day.
INGRAM HILL/Behind My Guitar
Writer: Ingram Hill/Benjy Davis/Lisa Goe; Producer: Ingam Hill; Publisher: Eager Bill/Lashar/Goe Fight Win, BMI/ASCAP; Rock Ridge (track) (www.ingramhillmusic.com)
—This male trio’s self-titled CD begins with this driving country-rocker featuring a kinda stuttering, nervous instrumental track that gives it an exciting edge. The countryboy vocals flow smoothly over the lyric of a traveling musician watching the world unfold from his spot on stage. I dig these guys.
MusicRowPics: Parmalee Artist Visit
/by Caitlin RantalaYesterday (10/09), Stoney Creek Records’ Parmalee stopped by MusicRow headquarters before heading back out on the road. The North Carolina based group is made up of member Matt Thomas, Scott Thomas, Barry Knox and Josh McSwain. The band, who is still in the process of recording their upcoming album, played several songs including “Carolina,” “Wanna Take You Home,” “Another Day Gone,” and their single “Musta Had a Good Time.”
Their single “Musta Had a Good Time,” which is based on true events, is now at country radio. It’s been voted by fans as the no. 1 song on The Highway’s The Hot 30 Live for four consecutive weeks.
Parmalee is currently giving fans a chance to submit their crazy “good time” moments through Facebook and Twitter. All photos will be uploaded into an exclusive musical digital photo frame that plays “Musta Had A Good Time.”
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Nashvillians Among Songwriters Hall of Fame Nominees
/by Sarah SkatesNon-performing songwriters up for nomination include Don Covay (“Chain of Fools”), Holly Knight (“Love Is a Battlefield”), Linda Perry (Christina Aguilera’s “Beautiful”), Rick Nowels, Tony Hatch, as well as Dennis Lambert and Brian Potter, and P.F. Sloan and Steve Barri.
The induction gala will take place June 13 in New York City. This news is according to the Associated Press, which received the information prior to the official announcement set for Oct. 16.
New ‘Crossroads’ To Pair Avett Brothers and Randy Travis
/by FreemanOriginally from North Carolina, the Avett Brothers was formed in 2001 by siblings Scott and Seth Avett with bass-playing buddy Bob Crawford. Since then, the group has released a string of acclaimed albums, including Emotionalism (2007) and I and Love and You (2009). The group’s latest album, The Carpenter, was produced by Rick Rubin and debuted at No. 4 on the Billboard Top 200.
Over the course of his storied career, Randy Travis has sold over 20 million albums, notched 18 No. 1 singles and won numerous industry awards. He was inducted to the Grand Ole Opry in 1986 and awarded a Star on the Hollywood Walk of Fame in 2004. He is also a three-time CMA Song of the Year winner, for “On the Other Hand,” “Forever and Ever Amen,” and “Three Wooden Crosses.”
CMT Crossroads: The Avett Brothers and Randy Travis premieres Friday, November 23 at 11 pm/ET.
Weekly Register: Tracking Swift Mania
/by bossrossAnswer: You betcha. In fact that is exactly what Taylor Swift and her marketing team have accomplished, which may be a country music first. Of course we are talking about TEA sales (track equivalent albums 10 tracks= 1 album).
Swift’s team released her “Never Ever…” single 8 weeks ago and RTD has sold 2.2 million copies. To further raise awareness for the Oct. 22 album launch, the label began offering a new track each week. Two weeks ago it was “Begin Again,” which now has sold almost 390k units and last week they released title track “Red” which now sits atop the Country tracks chart with debut week sales of 312k.
Summed, Swift has scanned 2,908,459 track sales from the upcoming set. Album launch is 11 days and counting with two more tracks scheduled to debut. So it is entirely possible this new album will pre-launch, Gold (TEA).
Also gaining honorable tracks mention this week is Florida Georgia Line at No. 4 with weekly scans of almost 68k. Gary Allan (49k) and Brad Paisley (40k) have debut tracks entering at No. 7 and 8 respectively.
Album Notes
Currently, 27% of total country album sales are digital which compares with 39.2% for all genre product. Therefore 73% of all country album sales are physical. So Walmart, Target and Best Buy–please keep those shelves loaded.
Looking to the Top 200 Top Albums list for perspective we note that Mumford and Sons turned in a second stellar week shifting 169k units for a two week total of 769k. In fact the Top 10 spots featured seven debuts— Muse, Miguel, Three Days Grace, Diana Krall, Jackie Evancho, Cher Lloyd and Van Morrison.
Country album sales (-2.7%) slipped a bit deeper into the minus column this week (see grids), but expectations are high for upcoming releases from Swift and Jason Aldean (10/16).
Aldean’s label has not released a series of tracks from his upcoming new album, but a pre-order link and free stream of the entire album went live today on iTunes. His single “Take A Little Ride,” is No. 9 on the Country tracks list after 12 weeks with RTD sales of 803k.
Stay tuned for the final 11 weeks of 2012 sales!
Nokia Music Taps Eli Young Band For Launch Party
/by Sarah SkatesBillboard’s Ray Waddell will host the event which also benefits Musicians On Call, the organization that brings music to the bedsides of patients in healthcare facilities. Additionally, members of Eli Young Band will visit the local VA facility that day.
Nokia Music, under the direction of Nokia VP of Entertainment Jyrki Rosenberg, allows consumers to stream unlimited music from a suite of over 150 playlists spanning numerous genres. Top artists including Rihanna, Lady Gaga and Lana Del Ray have contributed playlists and music fans can create their own soundtracks on the app. Nokia Music can be streamed offline. It is advertisement-free, and requires no registration or subscription. It is exclusive to Nokia Lumia handsets available at AT&T stores.
IEBA Conference Closes With Awards Presentation
/by Sarah Skates(L-R): IEBA Awards Host MC Hammer, Charley Pride and Neal McCoy. Photo: Rick Diamond, Getty Images
The International Entertainment Buyers Association’s 42nd Annual Conference in Nashville wrapped yesterday (10/9) with record-breaking attendance of nearly 700 registrants.
MC Hammer hosted last night’s dinner and ceremony, which was a joint celebration of the IEBA Industry Awards and the CMA SRO Awards (see SRO winners list). Artist Charley Pride, entertainment publisher Ray Pilszak and talent buyer Joe LaGuardia, posthumously, were inducted into the IEBA Hall of Fame.
The evening included appearances by David Cassidy, Peter Noone, Mike Love, Bruce Johnston, Ronnie Dunn, Neal McCoy, John Schneider and Tom Wopat (The Duke Boys) as well as performances by Melinda Doolittle and Belmont University School of Music students.
“The conference and awards dinner exceeded all of our expectations,” said Tiffany Davis, Executive Director of IEBA. “It was a once in a lifetime experience with the legendary Charley Pride and the many other current and future legends of our industry all in the room together. MC Hammer entertained and charmed everyone. It was a perfect conference with an enchanted ending.”
See MusicRow’s coverage of the conference’s reality TV panel discussion here.
International Buyer of the Year: Larry Werner, Panhandle Productions
Fair Buyer of the Year: Todd Boltin, Variety Attractions
Festival Buyer of the Year: Mike Smardak, Outback Concerts
Club Buyer of the Year: Gary Osier, Gary Osier Presents
College Buyer of the Year: Mark Letson, EastCoast Entertainment
Corporate Buyer of the Year: Fran Romeo, Romeo Entertainment Group
Casino Buyer of the Year: Kell Houston, Houston Productions
Venue Executive of the Year: Sally Williams, Ryman Auditorium, Nashville
Emerging Talent Agent of the Year: Travis Wolfe, Paradigm Agency
IEBA Talks Reality TV and the Music Industry
/by Eric T. ParkerPictured (L-R): Scott Siman (RPM Entertainment), Paula Abdul, Barry Adelman (Dick Clark Productions), singer Melinda Doolittle and moderator Fred Bronson. Photo: Rick Diamond/Getty Images for IEBA
Moderator Fred Bronson led a panel discussion with Paula Abdul (former American Idol judge), Melinda Doolittle (former AI contestant), Barry Adelman (Dick Clark Productions) and Scott Siman (President, RPM Entertainment) titled “How Reality TV has Affected the Music Industry,” Monday (10/8) in TPAC’s James Polk Theater during the IEBA conference. Bronson has guest‐starred on AI, CMT’s Next Superstar and has contributed writing for The American Music Awards, ACM Awards and multiple Dick Clark Productions concert specials.
The panel began by recognizing that talent competitions have had a longstanding history on TV, dating to the ’30s on radio with the show Major Bowes Armature Hour, which helped Frank Sinatra gain popularity in his group Hoboken Four. Country Music Hall of Fame singer Brenda Lee began on ABC’s TV program Ozark Jubilee (produced by Siman’s father). Chris Young, Miranda Lambert, and UMG Nashville’s new artist Kacey Musgraves all came from Nashville Star while numerous others have origins in shows produced by Nigel Lythgoe and Simon Cowell.
“There is a connection between music and TV to have an impact on careers,” said Siman. “We launched Julianne Hough’s single right after her performance on Dancing with the Stars with Apolo Ohno. She went on to sell 500k records. In 2000, Billy Gilman took off after a performance on the ACM Awards with Asleep At The Wheel. TV is a great partner and it’s here to stay. You can’t dismiss the impact it has on our format. If you’re stuck thinking it doesn’t, you’re not mining down far enough. We need to understand it.”
The panel discussed the impact of AI, which distinguishes itself from previous talent competitions by introducing a critical panel.
“AI was accused of ruining the industry,” said Abdul. “I had to remind every contestant that it is a TV show first, second and third. Talent comes fourth or fifth. Good singers were left behind for the extraordinarily great or wacky. It introduced me to a whole new aspect of humiliating people. These young adults would leave devastated and crying. It takes a lot to put it all out there.”
“AI changed everything for me,” said Doolittle. “It was a bootcamp. It was cool to have people sharing in your journey, but the attachment was so strong that people feel free to criticize wherever I go.”
“Dick Clark was criticized for American Bandstand,” commented Adelman. “Dick would say, ‘I’m a retail shopkeeper. I stock the shelves with what people want. Whatever sells, I put out.’ The people have created the stars, so viewers take ownership of them.”
For the contestants, TV creates a valuable channel for exposure, but does not necessarily translate to success in the industry. That still comes down to image and audience perception.
“You have to give the contestants a chance to make it after the show,” said Abdul. “They got the TV show part right, but picked some of the worst songs to be released at radio at the end. The tour schedule kept the winner from releasing a CD until the next season had began. By then, the audience’s interest was lower. So, I encouraged them to set up their own websites and YouTube channels.”
“It is really difficult to jump from reality TV to the recording industry,” said Siman. “Demand is high, and ultimately it comes back to hit singles. The issue is: do you have what it takes?”
“My catalog continue to sell because of the show,” added Abdul. “It’s a bullet train. Change was everywhere bringing pressure far beyond a normal artist. It all boils down to whether or not you have paid your dues.”
Following the panel discussion, Abdul received the IEBA Career Achievement Award.
CMA Presents SRO Touring Industry Awards
/by Eric T. ParkerPictured (L-R) Back: Touring Musician of the Year winner Nick Hoffman; Video Director of the Year Shaun Silva; CMA Board Chairman Gary Overton; Business Manager of the Year winner Mary Ann McCready; CMA Chief Executive Officer Steve Moore; Coach/Truck Driver of the Year winner John Stalder; and Robin Majors accepting on behalf of Production Manager of the Year winner Ed Wannebo. Front: Tour Manager of the Year David Farmer; Publicist of the Year winner Mary Hilliard Harrington; Martina McBride accepting on behalf of Front of House Engineer of the Year winner John McBride; Monitor Engineer of the Year winner Robert Bull; and Tom Morales accepting on behalf of Tour Caterer of the Year winner TomKats Catering.
The Awards for the 2012 CMA SRO (Standing Room Only) Awards were distributed last night (10/9) during the IEBA Awards and Hall of Fame Induction at the War Memorial Auditorium in Nashville. Kix Brooks and CMA Chief Executive Officer Steve Moore presented the honors in 14 categories. CMA members voted to determine the SRO touring award winners.
For a MusicRow exclusive interview with Moore about the show, click here.
CMA’s SRO Awards 2012 winners:
Business Manager of the Year: Mary Ann McCready (Flood, Bumstead, McCready & McCarthy, Inc.)
Manager of the Year: Clarence Spalding (Spalding Entertainment)
Publicist of the Year: Mary Hilliard Harrington (The GreenRoom PR)
Tour Manager of the Year: David Farmer (Kenny Chesney)
Production Manager of the Year: Ed Wannebo (Kenny Chesney)
Venue of the Year: Ryman Auditorium (Nashville, Tenn.)
Video Director of the Year: Shaun Silva (Tacklebox Films)
Talent Agent of the Year: Mike Betterton (Dale Morris & Associates, Inc.)
Tour Caterer of the Year: TomKats Catering
Touring Musician of the Year: Nick Hoffman (Kenny Chesney)
Coach/Truck Driver of the Year: John Stalder (Kenny Chesney)
FOH (Front of House) Engineer: John McBride (Martina McBride)
Lighting Director of the Year: Aaron Swetland (Jason Aldean)
Monitor Engineer of the Year: Robert Bull (Clair Bros. Audio Entertainment, Inc.)
*An individual or company cannot win two consecutive years in the same category.
SESAC Introduces Monthly Payments
/by Sarah SkatesThe organization plans to roll out monthly royalty distributions to other performance platforms in the near future.
“SESAC is thrilled to offer our talented affiliates the opportunity to receive royalty compensation for their work in the fastest, most accurate way possible,” said Pat Collins, SESAC’s President and Chief Operation Officer. “The new monthly royalty distribution system is yet another example of SESAC’s dedication to providing the most comprehensive and advanced service to our songwriters and music publishers.”
SESAC utilizes Broadcast Data Systems (BDS) to monitor radio performances. It has also fully integrated fingerprinting technology into its survey and distribution systems.
Headquartered in Nashville, the company also has offices in New York, Los Angeles, Atlanta, Miami and London.
DISClaimer Single Reviews (10/10/12)
/by Robert K OermannIngram Hill, Hunter Hayes
Progress is our most important product.
Young Hunter Hayes continues his march to stardom with “Somebody’s Heartbreak,” a track that shows his continued growth as an artist. It is also the Disc of the Day.
Both Bonnie Bishop and Lindi Ortega continue to impress. Both women seem to improve and deepen with each album. Which means that both are on the path to becoming the stars that destiny intends for them to be. Again, progress.
On the songwriting front, give kudos to Jerry Salley for continuing to polish his gift. He’s still a model of country craftsmanship, and despite what the title to his CD implies, he only improves with age. So that’s progress, too.
This week’s DisCovery Award goes to Ingram Hill. This trio is comprised of Justin Moore, Phil Bogard and Zach Kirk. They cowrote all the songs on their CD.
THE WASHERS/Like a Gypsy Should
Writer: Todd Janik; Producer: Billy Jo High & Adam Odor; Publisher: none listed; W (www.thewashersmusic.com)
—Muffled and muddy sounding, with the lead vocal buried deep in the mix. Find a better producer.
MONTGOMERY GENTRY/I’ll Keep the Kids
Writer: Eddie Montgomery/Ira Dean/Phil O’Donnell; Producer: Michael Knox; Publisher: Plowin’ Ground Music/Average ZJS Music/EMI Blackwood Music, Inc./Tune Pang Music/Sixteen Stars Music/Rooster Pecked Music (BMI); Average Joe’s (ERG)
—She wants everything in the divorce, and he’s willing to give it to her. Except for one thing, and it’s in the title. Well written, and probably Eddie’s best vocal performance ever.
BONNIE BISHOP/Bad Seed
Writer: Bonnie Bishop/Al Anderson; Producer: Bonnie Bishop; Publisher: none listed; BB (track) (www.bonniebishop.com)
—Bishop had a major breakthrough this year when Bonnie Raitt recorded her co-written “Not ‘Cause I Wanted To.” Bishop’s new Free CD is Kickstarter funded and includes this sizzling country-rocker featuring her soulful, slightly raspy, smokin’ hot vocal delivery as well as killer piano and electric guitar work. The title character’s behavior might be a little too raw for mainstream country radio, but those of you who listen will be richly rewarded. Unreservedly recommended.
HUNTER HAYES/Somebody’s Heartbreak
Writer: Andrew Dorff/Luke Laird/Hunter Hayes; Producer: Dann Huff & Hunter Hayes; Publisher: Songs of Universal/Universal Careers/High Powered Machine/Happy Little Man, BMI; Atlantic/Warner
—Very nice and classy, with a seductive groove and a gently jazzy vocal vibe. Confused in romance, he asks her, “If you’re gonna be somebody’s heartbreak, be mine.” As cool as the breeze.
JERRY SALLEY/Paper & Pen
Writer: Jerry Salley/Allison Mellon; Producer: Jerry Salley; Publisher: W.B.M./Beach Nut/Bases Loaded, SESAC/ASCAP; Very Jerry (track) (www.jerrysalley.com)
—This veteran country tunesmith (Reba, Toby, Brad, Loretta etc.) is back with a collection of self-penned tunes titled Showing My Age. This aching, waltzing ballad concerns a broken hearted gal who gets the last word by writing a revenge note to the man she thinks wronged her. How country is this? In response, he hits the bottle and ends his life. Salley sings it like a honky-tonk master in full barroom cry.
WAYLON JENNINGS/Goin’ Down Rockin’
Writer: Tony Joe White/Leann White/Waylon Jennings; Producer: Robby Turner; Publisher: none listed; Saguaro Road (track) (www.saguroroad.com)
—Not long before he died in 2002, Waylon recorded a batch of demos, believing that his band would turn them into full recordings one day. That day is now. The collection’s title tune is vintage “outlaw,” with a thumping backbeat and stinging guitar lines. Co-writer Tony Joe White adds a ghostly second voice to the minor-key track. An intriguing, involving final testament from one of our true country legends.
LINDI ORTEGA/Cigarettes & Truckstops
Writer: none listed; Producer: Colin Linden; Publisher: none listed; Last Gang (track) (www.lindiortega.com)
—I am already a huge fan of this lady’s musical charms. She sings like a hillbilly angel, managing to be simultaneously as tremulous as young Dolly and as tough as vintage Patsy. Her echoey, alt-country backing is mesmerizing and perfect on this languid trucker title tune to her new collection. Also check out its neo-rockabilly tracks. Look for Ortega opening for the rock band Social Distortion this fall. In the meantime, BUY THIS.
MARTY STUART/Tear the Woodpile Down
Writer: Marty Stuart; Producer: Marty Stuart; Publisher: Marty Stuart, BMI; Sugar Hill/Superlatone (track) (www.martystuart.net)
—When in doubt, record some real country music. That’s Stuart’s attitude on his new Nashville, Volume 1: Tear the Woodpile Down. It kicks off with this lickety-split romp featuring Buck Trent on electric banjo and call-and-response vocals from the Fabulous Superlatives. As always, the rest of the collection is similarly ear-cleansing magic.
MIKE CULLISON & THE REGULARS/Wish I Didn’t Like Whiskey
Writer: Cullison/Neel; Producer: Mark Robinson; Publisher: Cullison/Real Deal, BMI/ASCAP; Joedog (track) (www.cullisonmusic.com)
—Nashville singer-songwriter Cullison’s CD is titled The Barstool Monologues. It’s a thematically-linked collection of characters’ songs, interspersed with comments from a bartender named Hollis. Sorta like a hillbilly Canterbury Tales. Anyhow, it leads off with this two-step, honky-tonk lament that sets the tone for what follows. He doesn’t set the world on fire as a singer, but sincerity carries the day.
INGRAM HILL/Behind My Guitar
Writer: Ingram Hill/Benjy Davis/Lisa Goe; Producer: Ingam Hill; Publisher: Eager Bill/Lashar/Goe Fight Win, BMI/ASCAP; Rock Ridge (track) (www.ingramhillmusic.com)
—This male trio’s self-titled CD begins with this driving country-rocker featuring a kinda stuttering, nervous instrumental track that gives it an exciting edge. The countryboy vocals flow smoothly over the lyric of a traveling musician watching the world unfold from his spot on stage. I dig these guys.