
SESAC's Tim Fink, Catt Gravitt, Jon Stone, SESAC's Pat Collins and Trevor Gale. Photo by Ed Rode
Chapter 411
SESAC is galloping toward the winner’s circle. Once small and intimate, the organization’s annual country-music awards banquet is now almost as big a schmooze-fest as its larger rivals. Staged on the 21st floor of The Pinnacle downtown, the Sunday night soiree (10/28) was also notable for live music, award surprises and fellowship.
Another measure of its new competitiveness was announced by SESAC president Pat Collins. “I am honored to tell you that in three short days, SESAC will become the first performance rights organization to distribute MONTHLY royalty payments to songwriters,” he stated. “We intend to increase our services to songwriters. Enjoy the dinner, enjoy the show and most of all enjoy each other.”
The night’s big winners included Publisher of the Year Sony-ATV/EMI-Foray, presented by Trevor Gale to Troy Tomlinson and Tom Luteran. The Song of the Year winner was “A Woman Like You,” accepted by Jon Stone. Country Songwriter of the Year went to a delighted Cat Gravitt, who has provided winning numbers to Jake Owen, Edens Edge and Jana Kramer during the past year.
Gravitt described herself as “shocked, grateful and so blessed.” She spoke of her profession as a great gift to her. “Every day I wake up and get to play in the sandbox with my songwriting friends.”
Also among the country-music songwriting award winners were Arlos Smith, Craig Campbell, Ashe Underwood, Phillip Coleman, Anthony Smith, Hillary Scott, Monty Powell, Brice Long, Lance Miller and Rob Hatch. The last-named is married to SESAC’s Shannon Hatch, who assisted John Mullens and host Tim Fink in the presentations despite being quite pregnant with their soon-to-be-son, Henry.
We also paused to remember the recently departed Tim Johnson, a SESAC songwriting stalwart who was a tremendous mentor to younger writers.
SESAC is the only performing rights organization that salutes songwriters in the Americana genre. Dennis Lord presided over this segment of the ceremony. You will recall that he was recently honored by the Americana Music Association for being its founding president.
Americana winners Bob Dylan, Ray Wylie Hubbard and Jim Lauderdale were not present. Nor was the long-deceased Robert Johnson, although his grandson Michael Johnson was there to accept on the blues legend’s behalf. Dustin Welch won for his contributions to the current CD by Justin Townes Earle.
A highlight of the gala was that there was plenty of music, music, music. Indeed, the Americana segment was capped by Seth Avett of The Avett Brothers, who performed a haunting “The Ballad of Love and Hate” and accepted a SESAC Summit Award. Thompson Square (“If I Didn’t Have You”), Monty Powell with Anna Wilson and Mike Vaughn (“For You”) and Lee Brice (“A Woman Like You”) were also terrific.
The 30th anniversary of The Bluebird Café was celebrated with a mini in-the-round featuring Gary Burr (“I Try to Think About Elvis,” “That’s My Job”), Victoria Shaw (“The River,” “I Love the Way You Love Me”), Kim Williams (“Three Wooden Crosses,” “Papa Loved Mama”) and Don Henry (“Where’ve You Been,” “All Kinds of Kinds”). “Close your eyes and imagine yourselves at that little club that has changed so many lives,” said Fink. “Shhhhhh!” Bluebird founder Amy Kurland and manager Erika Wollam Nichols took the stage to a standing ovation.
Celebrity presenters popped up throughout the ceremony. For instance, Nashville TV show cast members Charles Esten, Sam Palladio and Jonathan Jackson took part in the Bluebird salute. Jerrod Niemann, Jana Kramer and the aforementioned Lee Brice and Hillary Scott also greeted the banquet attendees. “This is always such a fun party,” said Lady Antebellum’s Scott.
Speaking of the banquet, you will not find a better repast all week than at the SESAC event. Our first course was baby greens dressed with port-soaked cranberries, clementine orange slices, toasted almonds, blue cheese wedges and cinnamon raspberry vinaigrette. The main course was crab-stuffed filet mignon, herbed gnocchi, tomato gratin and roast corn fennel sauce over spinach and seared shrimp. I don’t usually eat dessert, but who could resist the chocolate-and-butterscotch pot de crème with pumpkin seed brittle and whipped cream?
Miss Mary and I estimated the crowd at 500, and it looked bigger than ever. Merrily mingling were The Roys, Ron Stuve, Rod Essig, Roger Nichols, Steve Moore, Steve Fishell & Tracy Gershon, Charlie Stefl, Charlie Monk, Pat Higdon, Pat McMaken, Tim McFadden, Jon Vezner, John Beiter, John Briggs, Jim Zumwalt, Jim Femino (who has a new alias, “Uncle Sexy”), James Otto, Jamie Johnson of The Grascals & Susanne Mumpower a.k.a. Iodine, Doug Johnson, Ed Morris and Jason Morris.
Also: Georgia Middleman, Kerry O’Neill, Craig Hayes, Nancy Shapiro, Bill Mayne, Paul Worley, Alan Kates, Becky Harris, Neil Spielberg, Sherod Robertson, Lang Scott & Linda Davis, Karen Clark, Tinti Moffatt, Jerry Salley (check out his new Showing My Age country CD), Butch Baker, Fletcher Foster, Caroline Davis, Rep. Marsha Blackburn, Bob Doyle, Pete Fisher, Debbie Carroll, David Corlew, Bart Herbison, Woody Bomar, Hank Adam Locklin, Lisa Harless, Drew Alexander, Jewel Coburn and the seen-everywhere trio of Holly Bell, Diane Pearson and Lori Badgett.
This year, the décor was elegantly simple. The dimly lit cocktail area was draped in black. The dining tables were dressed in an autumn motif. Both rooms overlooked clear, crisp views of downtown Nashville or the East Bank and its stadium, where our football team had lost again that very afternoon.
Bobby Karl Works The SESAC Awards
/by Bobby KarlSESAC's Tim Fink, Catt Gravitt, Jon Stone, SESAC's Pat Collins and Trevor Gale. Photo by Ed Rode
Chapter 411
SESAC is galloping toward the winner’s circle. Once small and intimate, the organization’s annual country-music awards banquet is now almost as big a schmooze-fest as its larger rivals. Staged on the 21st floor of The Pinnacle downtown, the Sunday night soiree (10/28) was also notable for live music, award surprises and fellowship.
Another measure of its new competitiveness was announced by SESAC president Pat Collins. “I am honored to tell you that in three short days, SESAC will become the first performance rights organization to distribute MONTHLY royalty payments to songwriters,” he stated. “We intend to increase our services to songwriters. Enjoy the dinner, enjoy the show and most of all enjoy each other.”
The night’s big winners included Publisher of the Year Sony-ATV/EMI-Foray, presented by Trevor Gale to Troy Tomlinson and Tom Luteran. The Song of the Year winner was “A Woman Like You,” accepted by Jon Stone. Country Songwriter of the Year went to a delighted Cat Gravitt, who has provided winning numbers to Jake Owen, Edens Edge and Jana Kramer during the past year.
Gravitt described herself as “shocked, grateful and so blessed.” She spoke of her profession as a great gift to her. “Every day I wake up and get to play in the sandbox with my songwriting friends.”
Also among the country-music songwriting award winners were Arlos Smith, Craig Campbell, Ashe Underwood, Phillip Coleman, Anthony Smith, Hillary Scott, Monty Powell, Brice Long, Lance Miller and Rob Hatch. The last-named is married to SESAC’s Shannon Hatch, who assisted John Mullens and host Tim Fink in the presentations despite being quite pregnant with their soon-to-be-son, Henry.
We also paused to remember the recently departed Tim Johnson, a SESAC songwriting stalwart who was a tremendous mentor to younger writers.
SESAC is the only performing rights organization that salutes songwriters in the Americana genre. Dennis Lord presided over this segment of the ceremony. You will recall that he was recently honored by the Americana Music Association for being its founding president.
Americana winners Bob Dylan, Ray Wylie Hubbard and Jim Lauderdale were not present. Nor was the long-deceased Robert Johnson, although his grandson Michael Johnson was there to accept on the blues legend’s behalf. Dustin Welch won for his contributions to the current CD by Justin Townes Earle.
A highlight of the gala was that there was plenty of music, music, music. Indeed, the Americana segment was capped by Seth Avett of The Avett Brothers, who performed a haunting “The Ballad of Love and Hate” and accepted a SESAC Summit Award. Thompson Square (“If I Didn’t Have You”), Monty Powell with Anna Wilson and Mike Vaughn (“For You”) and Lee Brice (“A Woman Like You”) were also terrific.
The 30th anniversary of The Bluebird Café was celebrated with a mini in-the-round featuring Gary Burr (“I Try to Think About Elvis,” “That’s My Job”), Victoria Shaw (“The River,” “I Love the Way You Love Me”), Kim Williams (“Three Wooden Crosses,” “Papa Loved Mama”) and Don Henry (“Where’ve You Been,” “All Kinds of Kinds”). “Close your eyes and imagine yourselves at that little club that has changed so many lives,” said Fink. “Shhhhhh!” Bluebird founder Amy Kurland and manager Erika Wollam Nichols took the stage to a standing ovation.
Celebrity presenters popped up throughout the ceremony. For instance, Nashville TV show cast members Charles Esten, Sam Palladio and Jonathan Jackson took part in the Bluebird salute. Jerrod Niemann, Jana Kramer and the aforementioned Lee Brice and Hillary Scott also greeted the banquet attendees. “This is always such a fun party,” said Lady Antebellum’s Scott.
Speaking of the banquet, you will not find a better repast all week than at the SESAC event. Our first course was baby greens dressed with port-soaked cranberries, clementine orange slices, toasted almonds, blue cheese wedges and cinnamon raspberry vinaigrette. The main course was crab-stuffed filet mignon, herbed gnocchi, tomato gratin and roast corn fennel sauce over spinach and seared shrimp. I don’t usually eat dessert, but who could resist the chocolate-and-butterscotch pot de crème with pumpkin seed brittle and whipped cream?
Miss Mary and I estimated the crowd at 500, and it looked bigger than ever. Merrily mingling were The Roys, Ron Stuve, Rod Essig, Roger Nichols, Steve Moore, Steve Fishell & Tracy Gershon, Charlie Stefl, Charlie Monk, Pat Higdon, Pat McMaken, Tim McFadden, Jon Vezner, John Beiter, John Briggs, Jim Zumwalt, Jim Femino (who has a new alias, “Uncle Sexy”), James Otto, Jamie Johnson of The Grascals & Susanne Mumpower a.k.a. Iodine, Doug Johnson, Ed Morris and Jason Morris.
Also: Georgia Middleman, Kerry O’Neill, Craig Hayes, Nancy Shapiro, Bill Mayne, Paul Worley, Alan Kates, Becky Harris, Neil Spielberg, Sherod Robertson, Lang Scott & Linda Davis, Karen Clark, Tinti Moffatt, Jerry Salley (check out his new Showing My Age country CD), Butch Baker, Fletcher Foster, Caroline Davis, Rep. Marsha Blackburn, Bob Doyle, Pete Fisher, Debbie Carroll, David Corlew, Bart Herbison, Woody Bomar, Hank Adam Locklin, Lisa Harless, Drew Alexander, Jewel Coburn and the seen-everywhere trio of Holly Bell, Diane Pearson and Lori Badgett.
This year, the décor was elegantly simple. The dimly lit cocktail area was draped in black. The dining tables were dressed in an autumn motif. Both rooms overlooked clear, crisp views of downtown Nashville or the East Bank and its stadium, where our football team had lost again that very afternoon.
Changes Continue at UMG Nashville
/by FreemanMusicRow has confirmed the departures of the following individuals from the two companies:
Retta Harvey Hatfield, VP, Video Production, UMG;
Dixie Owen, Sr. Dir., Artist & Media Relations, UMG.
Kevin Herring, VP Promotion, EMI Records Nashville
Scott Goetter, Executive Assistant, UMG.
D’Ette Brosius, Manager, Digital, UMG.
James Stewart, Manager, Digital, UMG.
Melissa Spillman, Manager, A&R, Capitol.
Hatfield spent nearly two decades with UMG, overseeing all music video projects for its imprints. Reach her at rettahatfield@gmail.com. Owen joined UMG in March 2011 from Capitol Nashville, where she served as Senior Director of Media & Public Relations. Contact her at dixie.owen94@att.net. Promotion vet Herring joined EMI in May following a stint with Skyville Records and 13 years heading up radio strategy for Lyric Street Records. Contact him at kevin.herring@comcast.net.
Reach Scott Goetter at scottog7@gmail.com, D’Ette Brosius at d.brosius@gmail.com, James Stewart at james.stewart615@gmail.com, and Spillman at Spillman.Melissa@gmail.com.
Earlier in October, UMG Nashville execs Ken Robold and Beverly Keel exited their posts as part of the integration.
A spokesperson from UMG gave the following statement: “Following our acquisition of EMI Recorded Music, UMG will be expanding key creative areas as part of our ongoing integration. While this restructuring will unfortunately result in some redundancies, it is essential to UMG becoming an even more agile and efficient company, not just for this year or the next, but for years to come. Our goal is to maximize the resources available for reinvestment in our labels so they can do what they do best: develop and promote artists, increase the output of new music and expand opportunities for digital innovation. Change is never easy, but we are excited about the future.”
As they migrate under the UMG banner, both Capitol Records Nashville and EMI Music Nashville will reportedly be housed in UMG’s downtown offices alongside MCA and Mercury. Remaining staff are said to be relocating next week.
This story will be updated as news develops.
New Singles: George Strait, The Band Perry
/by Freeman“The song has a very unusual melody and very cool phrasing, which I’ve always been drawn to,” shared Strait.
Strait recently announced his two-year The Cowboy Rides Away Tour, which gets underway Jan. 18 in Lubbock, TX with guest Martina McBride. Visit georgestrait.com for dates.
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“The Republic Nashville Promotion team has been crisscrossing the United States for the past two weeks playing the song for Country radio programmers and have gotten amazing reviews!” said Jimmy Harnen, President of Republic Nashville/EVP Big Machine Label Group.
“Better Dig Two” will be available for purchase at iTunes on Tuesday, Oct. 30 and the group will debut the song during the 46th Annual CMA Awards broadcast Thursday, Nov. 1.
Aldean Sells Out Fenway Park
/by MichelleJason Aldean
Jason Aldean‘s 2013 Night Train Tour stop at Boston’s historic Fenway Park sold out in just seven minutes this morning (10/26). Aldean is the first country artist to headline Fenway, and the July 13, 2013 show will also feature special guests Miranda Lambert, Jake Owen and Thomas Rhett.
“When we started talking about playing stadiums, my only request was to play venues that were special and really meant something to me,” explains Aldean. “At 100 years old, Fenway Park is one of the most iconic baseball stadiums in the country and there is absolutely nothing in the world that could be more special than selling that place out…as an entertainer and as a huge baseball fan. This has been the most unbelievable week…all I can say is THANK YOU.”
Aldean announced the date last Thursday when he jetted across the country and made surprise appearances at Fenway, Chicago’s Wrigley Field and the University of Georgia’s Sanford Stadium to announce that his 2013 Night Train Tour would stop at each of the three stadiums.
The next stops on the Night Train include Aldean’s annual Concert For the Cure to benefit Susan G. Komen for the Cure on Oct. 27 and the 2012 Country Music Association Awards on Nov. 1, where he is nominated for Entertainer of the Year, Male Vocalist of the Year and Single of the Year (for “Dirt Road Anthem”).
Benefit News (10/26/12)
/by Sherod RobertsonA live rendition of “One Moment More,” will be available exclusively here through Oct. 31. The track will be available as a single song download and as a bonus track within the special “Pink” version of Mindy Smith. Written for her mother Sharron, whom she lost in 1991 to breast cancer, the song was the title track to her debut album.
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Built upon the National Fallen Firefighters Foundation’s (NFFF) original program, this campaign urges Americans to pledge to take some simple home fire safety steps. Kidde will also donate 500 of its new Worry-Free smoke alarms to the Nashville Fire Department. For each person who takes the pledge and shares their support through social media, Kidde will donate $1 to NFFF and Help the Good Guys, organizations dedicated to helping the families of injured and fallen firefighters. Kidde expects to donate up to $10,000 to each organization.
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The Haley Bell Blessed Chair Foundation is in memory of Raye’s granddaughter and helps families purchase expensive motorized wheelchairs for their children who have special needs. The newly formed foundation is named from lyrics in the song “She’s with Me,” a song Raye wrote about Haley when she was alive. Collin sings about her “Blessed Chair” which carried Haley everywhere with the family and greatly improved the quality of her life.
Visit here for more information.
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Alabama‘s Randy Owen joined other top songwriters earlier this month at Lucy’s Country Café in Blue Bar to benefit the Charley Foundation, the Nashville-based non-profit organization that provides support to charitable agencies addressing the critical needs of children. The event took place during songwriter Bobby Pinson‘s weekly “Sing for Your Supper” acoustic show.
Performers included Owen who played a round with Bridgette Tatum, Marc Beeson, Lisa Carver, Sarah Davidson, David Lee, LoCash Cowboys, Danny Myrick, Bobby Pinson, Jon Stone, Adley Stump, Chad Warrix, Trent Willmon and others.
(L-R): Chad Warrix, Bobby Pinson, Carolyn Miller (MPR Entertainment head and Charley Foundation founder), Bridgette Tatum, Randy Owen, Kelly Owen and John Oates. Photo: Karen Will Rogers
Reba Lines Up TV Promotions for “Malibu Country”
/by Eric T. ParkerTonight (10/26), Reba joins Katie Couric for a Nashville 20/20 special including Leann Rimes, Pistol Annies, Carrie Underwood and Taylor Swift. The superstar will then visit LIVE with Kelly & Michael on Monday (10/29).
The morning of the 46th CMA Awards (11/1), McEntire will perform three songs, including the Malibu Country theme song, “Goodbye Looks Good On Me,” “Turn On The Radio,” as well as an additional song to be posted online, during Good Morning America’s Nashville special. Later that evening at the Awards, McEntire will present a CMA honor with Tim Allen.
In conjunction with Malibu Country’s series premiere on Friday (11/2), McEntire will host a live USTREAM chat shortly before, at 5:00 pm CT, to chat and preview “Goodbye Looks Good On Me.” RSVP to attend the chat here.
On Tuesday (11/6), McEntire will stop by ABC’s The Chew for more talk about Malibu Country.
Average Joes Releases Line Dance EP
/by Eric T. ParkerThe sampler CD includes songs from Colt Ford, Matt Stillwell (feat. The Lacs), The Lacs (feat. Bubba Sparxxx), LoCash Cowboys (feat. Ford) and Redneck Social Club. One finalist from the line dance contest will be featured for each song at the 2013 Country Dance World Championships in Nashville, Jan. 2-5 for a panel of UCWDC (United Country Western Dance Council) judges.
A grand prize winner will be chosen to receive an Average Joes Entertainment Prize Pack including a private meet-and-greet with the artist, paid registration to the 2014 World Championships in Nashville, and featured placement on the Marco Club Connection website.
“This is the first time we have integrated the Country music industry into this event full force,” said Barry Amato, UCWDC Worlds Marketing Manager. “After all, it’s the music that drives our community and the sport of Country dancing, so it’s great to be part of an effort like this.”
Submissions are being accepted now through Dec. 17. Contest details are available here.
CMA Awards Street Closures
/by FreemanSaturday, Oct. 27: Demonbreun will close between 4th Ave. S. and 5th Ave. S.
Monday, Oct. 29: 5th and 6th Ave. S. will close from Broadway to Demonbreun, and Demonbreun will close from 4th Ave. S. to 7th Ave. S.
Thursday, Nov. 1: Demonbreun will close from 4th Ave. S. to 8th Ave. S. Seventh Ave. S. will close from Demonbreun to Broadway. The right lane of 4th Ave. S. will close between the Downtown Hilton and Korean Veterans Blvd.
Demonbreun will be reopened between 4th and 7th, and 5th and 6th Avenues will be reopened no later than Noon on Saturday, Nov. 3. All other roads will be open no later than 2 am/CT Friday, Nov. 2.
Lee Brice: Singing It, Selling It, Living It
/by FreemanThe South Carolina-born artist has been regarded as a consummate Nashville songwriter for some time, landing award-winning monster hits for Eli Young Band (“Crazy Girl”), Garth Brooks (“More Than a Memory”), and even himself (“Love Like Crazy”). So it’s interesting to note that he had no hand in writing his No. 1 hit “A Woman Like You” or “Hard to Love,” both of which appear on his Curb Records sophomore album Hard 2 Love. That’s okay, Brice says, because what matters most is that he identifies with the material.
“If I’m going to record a song I didn’t write, I have to connect with it as if I wrote it,” he explains. “So when I’m singing it, I’m selling it and living it as much as I would if I wrote it.”
“Hard to Love” has its origin in a writers retreat Brice took with friends. Brice and two of his buddies were writing outside, and three others (Billy Montana, John Ozier, Ben Glover) were inside doing the same. When Brice came in for a snack, he heard the group working through the song.
“It felt like I was in the room writing it,” he recalls. “I knew even then [before it was finished], it was something I wanted to record.”
It has been a gradual evolution for Brice, from hit tunesmith to hit artist. While he wants people to remember his songwriting contributions, his goal since arriving in Nashville has been the less-traveled road of artist singer/songwriter.
“I started writing songs when I was 10 because I wanted to sing and I needed something to sing,” Brice says. “I have been really fortunate to have [my] songs recorded, but I’ve been looking forward to this and this is what I’ve been working for. There’s been a transition but it’s been moving forward to get to this point. It’s where I’ve always wanted to be.”
2012 has been all about moving forward for Brice. “A Woman Like You” hit No. 1, then went on to Gold and Platinum sales designations; Brice toured nonstop, playing shows with Luke Bryan, Miranda Lambert and more; and he just recently returned from the Blake Shelton cruise.
With the busy touring schedule Brice keeps, it only makes sense that he occasionally drops some of his hits for others into the mix at his shows. “More Than a Memory” pops up on occasion, but a newer hit really gets the crowds going.
“I do ‘Crazy Girl’ almost every night,” he says. “[That] was one I wanted to release myself. I wasn’t able to do that and the next best thing is, Eli Young Band makes it a big ol’ smash and changes my life. I appreciate that and now I still get to sing it. It gets a big reaction every night.”
Brice recently had a unique opportunity to put his writing talents to the test. A longtime fan and former player for Clemson University’s football team, Brice was selected by the school to create a game day fight song for the Tigers as they take the field. The result was “Orange Empire,” an AC/DC-esque crunchy rock anthem that will play in the stadium at home games. Brice will get to experience it for himself during Rivalry Weekend, when he hosts a pre-game concert Nov. 23 at Littlejohn Coliseum. The following day, the Clemson Tigers will take on the University of South Carolina Gamecocks.
Before that happens, Brice will experience a whirlwind CMA Awards week. He’s scheduled to perform at the SESAC Awards Oct. 28, and he will be accompanied by his fiancee Sara to the CMA Awards Nov. 1 to see if he wins the Best New Artist honor. Somewhere in between, he will find time to go trick-or-treating with his son Takoda on Halloween. It is a tricky process to balance family and work, but Brice says he is figuring it out.
“It’s difficult but I kind of thrive on challenges,” he says. “It’s an everyday process, learning how to do it. I have to say no sometimes. It’s not as important as doing stuff like trick-or-treating.”
Once the CMA Awards are over, Brice will focus his attention on 2013. He has plans to begin recording his third album (which he says could be titled “I Don’t Dance”) in January, and will embark on a tour with an unspecified male artist. After that, he’s setting a course for the moon.
“Sometimes maybe I reach too far, but my goal is after I get off this tour at the end of next October, by 2014, I want be able to go do arenas,” he says. “If I get to that, I don’t know. But that’s how I live my life, just shooting high.”
Above all, Brice is grateful for everything that has happened in the last year. The hit songs are happening, fans are coming to shows, and he’s got a loving family waiting for him at home.
“I am at one of the best times of my life,” he says. “I’m happy in my personal life, family, and career. It’s one of the high points.”
Snapshots (10/26/12)
/by MichelleCreative Nation songwriters Luke Laird and Barry Dean were joined recently by eleven of Nashville’s finest songwriters to unveil ten new uncut songs at The Basement in Nashville. The crowd was treated to performances by Laird, Dean and their co-writers Trent Dabbs, Tom Douglas, Ashley Gorley, JT Harding, Natalie Hemby, Shane McAnally, Steve Moakler, Josh Osborne, Caitlyn Smith, and The Brothers Osborne.
Three-time CMA Award nominee and Platinum-selling super group Little Big Town performed its current single, “Tornado” on LIVE with Kelly and Michael recently. Afterwards, host Kelly Ripa gushed about the “incredible” performance and said LBT was “definitely the coolest band we have ever seen here on this stage, I’m not kidding!” “Tornado” is the band’s fastest rising single to date.
(L-R): Jimi Westbrook, Kimberly Schlapman, Kelly Ripa, Karen Fairchild, Michael Strahan, and Phillip Sweet
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Sarah Darling stopped by GAC recently to deliver her new music video for “Home To Me” as it officially impacts radio. The single has sold over 23,500 units and the music video will be available soon.
(L-R): Black River's Katie McCartney; GAC's Shanna Strassberg, Sarah Darling; GAC's Tony Trovato and Black River's John Alexander