
SPIN ZONE

Casey James (L) recently stopped in Wichita to help 100.5/KVWF the Wolf celebrate it’s 5th Anniversary and promote his new single, “The Good Life” with afternoon/MD Colby Ericson (R).
Capitol Nashville’s
Lady Antebellum took a stroll right up to the top of the
MusicRow Country Breakout Chart this week with their single “Downtown,” with 3660 spins on reporting stations.
Miranda Lambert‘s “Mama’s Broken Heart” is in second place this week with 3457 spins.
Florida Georgia Line‘s “Shine On” still has plenty of glimmer at No. 3.
Kenny Chesney‘s “Pirate Flag” and
Eric Church‘s “Like Jesus Does” round out the Top 5.
Darius Rucker‘s “Wagon Wheel” climbs from No. 8 to No. 6 this week, while
Brantley Gilbert‘s “More Than Miles” rises from No. 9 to No. 7. Last week’s No. 1 single,
Chris Young‘s “I Can Take It From There” falls to No. 8 this week. Making its debut in the Top 10 is
Rascal Flatts‘ “Changed,” while “Don’t Rush” from
Kelly Clarkson (featuring
Vince Gill) holds steady at No. 10 for a second week.
Top gainers this week include
Blake Shelton‘s “Boys Round Here” with 611 added spins,
Pistol Annies‘ “Hush, Hush” which gains 483 spins,
Tim McGraw with
Taylor Swift‘s “Highway Don’t Care,” which rises from No. 21 to No. 16 with 427 additional spins,
Brad Paisley‘s “Beat This Summer,” which rises from No. 19 to No. 13, and gained 420 spins and
Justin Moore‘s “Point At You,” which amassed 310 more spins this week.
Blake Shelton also has the highest debut this week with “Boys Round Here,” which enters the charts at No. 43.
Drake White‘s “Simple Life” debuts at No. 68, followed by
JJ Lawhorn‘s “Stomping Grounds” at No. 73,
Ashley Monroe‘s “Like A Rose” at No. 76,
Jay Jolley‘s “It’s A Friday Thing” at No. 77,
Rusty Rierson‘s “Souvenirs” at No. 78,
James Wesley‘s “Thank A Farmer” at No. 79 and
Clinton Gregory‘s “Too Much Ain’t Enough” at No. 80.
Frozen Playlists:KIAI, KXBZ, WKWS, WRHT
Upcoming Singles
April 1
Casey James/The Good Life/19-BNA
Kacey Musgraves/Blowin’ Smoke/Mercury
Lucas Hoge/Should’ve Loved/WeBlast-Animal House
Lisa Torres/Get A Little Lonesome/Render
Angela Hesse/Which One of You Boys/Ash Records
Shanna Strassberg/Has Anybody Seen My Heart?/UnStuck Records
April 8
Pistol Annies/Hush Hush/RCA Nashville
April 15
Rachel Holder/Five Days/Curb
Chris Cagle/Dance Baby Dance/BPG
Casey Donahew Band/Whiskey Baby/Almost Country Entertainment
April 25
Steve Richard/Keep On Rollin’/Force MP
April 29
IMAJ/Guess Who’s Coming To Dinner/Triomphe Records
• • •
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Blake Shelton/Boys Round Here/Warner Bros. – 43
Drake White/The Simple Life/UMG Nashville – 68
JJ Lawhorn/Stomping Grounds/Average Joes – 73
Ashley Monroe/Like A Rose/Warner Bros. Records – 76
Jay Jolley/It’s A Friday Thing/Double – J – 77
Rusty Rierson/Souvenirs/Red Dirt Music – 78
James Wesley/Thank A Farmer/Broken Bow Records – 79
Clinton Gregory/Too Much Ain’t Enough/Melody Roundup Music – 80
Most Added
Artist/song/label — New Adds
Blake Shelton/Boys Round Here/Warner Bros. – 44
Rachel Holder/Five Days/Curb Records – 22
Kacey Musgraves/Blowin’ Smoke/Mercury Nashville – 22
Justin Moore/Point At You/Valory Music Co. – 18
Pistol Annies/Hush, Hush/RCA – 16
Phil Vassar/Love Is Alive/Rodeowave Entertainment – 14
Drake White/The Simple Life/UMG Nashville – 13
Little Big Town/Your Side Of The Bed/Capitol – 13
Greatest Spin Increase
Artist/song/label — spin+
Blake Shelton/Boys Round Here/Warner Bros. – 611
Pistol Annies/Hush, Hush/RCA – 483
Tim McGraw w/ Taylor Swift/Highway Don’t Care/Big Machine – 427
Brad Paisley/Beat This Summer/Arista Nashville – 420
Justin Moore/Point At You/Valory Music Co. – 310
On Deck—Soon To Be Charting
Artist/song/label — spins
Rosehill/Did You Ever Turn Around/Tenacity Records – 167
Jason Charles Miller/The Way You Still Want Me/Render Records – 166
Jason Cassidy/Blame It On Waylon/Blake Records – 160
Little Big Town/Your Side Of The Bed/Capitol – 160
Danny Griego/I Wear My Own Kind Of Hat – 152

Tyler Dean recently paid a visit to KDKD to promote his latest single, “I Wanna Wake Up With You,” with MD, Dave Young.

Rodeowave Entertainment’s Phil Vassar took his new single, “Love Is Alive,” to 98.7 WMZQ in our nation’s capital. Pictured (L-R): Meg Stevens (Clear Channel DC/Baltimore OM); Vassar; and Paul Donovan (WMZQ MD).
Aristo Releases International Report for March 2013
/by Jessica NicholsonClick above for full report.
Weekly Chart Report (3/29/13)
/by Jessica NicholsonSPIN ZONE
Casey James (L) recently stopped in Wichita to help 100.5/KVWF the Wolf celebrate it’s 5th Anniversary and promote his new single, “The Good Life” with afternoon/MD Colby Ericson (R).
Capitol Nashville’s Lady Antebellum took a stroll right up to the top of the MusicRow Country Breakout Chart this week with their single “Downtown,” with 3660 spins on reporting stations. Miranda Lambert‘s “Mama’s Broken Heart” is in second place this week with 3457 spins. Florida Georgia Line‘s “Shine On” still has plenty of glimmer at No. 3. Kenny Chesney‘s “Pirate Flag” and Eric Church‘s “Like Jesus Does” round out the Top 5. Darius Rucker‘s “Wagon Wheel” climbs from No. 8 to No. 6 this week, while Brantley Gilbert‘s “More Than Miles” rises from No. 9 to No. 7. Last week’s No. 1 single, Chris Young‘s “I Can Take It From There” falls to No. 8 this week. Making its debut in the Top 10 is Rascal Flatts‘ “Changed,” while “Don’t Rush” from Kelly Clarkson (featuring Vince Gill) holds steady at No. 10 for a second week.
Top gainers this week include Blake Shelton‘s “Boys Round Here” with 611 added spins, Pistol Annies‘ “Hush, Hush” which gains 483 spins, Tim McGraw with Taylor Swift‘s “Highway Don’t Care,” which rises from No. 21 to No. 16 with 427 additional spins, Brad Paisley‘s “Beat This Summer,” which rises from No. 19 to No. 13, and gained 420 spins and Justin Moore‘s “Point At You,” which amassed 310 more spins this week.
Blake Shelton also has the highest debut this week with “Boys Round Here,” which enters the charts at No. 43. Drake White‘s “Simple Life” debuts at No. 68, followed by JJ Lawhorn‘s “Stomping Grounds” at No. 73, Ashley Monroe‘s “Like A Rose” at No. 76, Jay Jolley‘s “It’s A Friday Thing” at No. 77, Rusty Rierson‘s “Souvenirs” at No. 78, James Wesley‘s “Thank A Farmer” at No. 79 and Clinton Gregory‘s “Too Much Ain’t Enough” at No. 80.
Frozen Playlists:KIAI, KXBZ, WKWS, WRHT
Upcoming Singles
April 1
Casey James/The Good Life/19-BNA
Kacey Musgraves/Blowin’ Smoke/Mercury
Lucas Hoge/Should’ve Loved/WeBlast-Animal House
Lisa Torres/Get A Little Lonesome/Render
Angela Hesse/Which One of You Boys/Ash Records
Shanna Strassberg/Has Anybody Seen My Heart?/UnStuck Records
April 8
Pistol Annies/Hush Hush/RCA Nashville
April 15
Rachel Holder/Five Days/Curb
Chris Cagle/Dance Baby Dance/BPG
Casey Donahew Band/Whiskey Baby/Almost Country Entertainment
April 25
Steve Richard/Keep On Rollin’/Force MP
April 29
IMAJ/Guess Who’s Coming To Dinner/Triomphe Records
• • •
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Blake Shelton/Boys Round Here/Warner Bros. – 43
Drake White/The Simple Life/UMG Nashville – 68
JJ Lawhorn/Stomping Grounds/Average Joes – 73
Ashley Monroe/Like A Rose/Warner Bros. Records – 76
Jay Jolley/It’s A Friday Thing/Double – J – 77
Rusty Rierson/Souvenirs/Red Dirt Music – 78
James Wesley/Thank A Farmer/Broken Bow Records – 79
Clinton Gregory/Too Much Ain’t Enough/Melody Roundup Music – 80
Most Added
Artist/song/label — New Adds
Blake Shelton/Boys Round Here/Warner Bros. – 44
Rachel Holder/Five Days/Curb Records – 22
Kacey Musgraves/Blowin’ Smoke/Mercury Nashville – 22
Justin Moore/Point At You/Valory Music Co. – 18
Pistol Annies/Hush, Hush/RCA – 16
Phil Vassar/Love Is Alive/Rodeowave Entertainment – 14
Drake White/The Simple Life/UMG Nashville – 13
Little Big Town/Your Side Of The Bed/Capitol – 13
Greatest Spin Increase
Artist/song/label — spin+
Blake Shelton/Boys Round Here/Warner Bros. – 611
Pistol Annies/Hush, Hush/RCA – 483
Tim McGraw w/ Taylor Swift/Highway Don’t Care/Big Machine – 427
Brad Paisley/Beat This Summer/Arista Nashville – 420
Justin Moore/Point At You/Valory Music Co. – 310
On Deck—Soon To Be Charting
Artist/song/label — spins
Rosehill/Did You Ever Turn Around/Tenacity Records – 167
Jason Charles Miller/The Way You Still Want Me/Render Records – 166
Jason Cassidy/Blame It On Waylon/Blake Records – 160
Little Big Town/Your Side Of The Bed/Capitol – 160
Danny Griego/I Wear My Own Kind Of Hat – 152
Tyler Dean recently paid a visit to KDKD to promote his latest single, “I Wanna Wake Up With You,” with MD, Dave Young.
Rodeowave Entertainment’s Phil Vassar took his new single, “Love Is Alive,” to 98.7 WMZQ in our nation’s capital. Pictured (L-R): Meg Stevens (Clear Channel DC/Baltimore OM); Vassar; and Paul Donovan (WMZQ MD).
Charlie Cook: Will Broadcasters Step Up?
/by contributorThe journalist that heard something not said, stated that the GM rep had predicted AM/FM was coming off the dashboard in the next year or two. This is not what was said and it started a firestorm about the future of the “radio” in cars. HD radio is being added to many dashboards. As are apps for Pandora, iHeartRadio and Spotify. Soon your dashboard is going to look like your iPad, which is okay with me as long as they continue to add apps and not eliminate choices used by 250,000,000 Americans every week.
Is HD the answer for AM/FM broadcasters? I agree the limited power output was a disadvantage but the increase to higher broadcast power levels for digital carriers will significantly increase the coverage in the auto and help with building penetration. I have not heard many current broadcasters complain about HD, but not too many have been vocal supporters. I would think if you have the ability to add stations to your reach, with drastically reduced costs, you would be on board.
As a consumer I like being offered more choices, without having to pay a subscription fee. I would be interested in hearing what is being offered. If my new car comes with HD factory installed I am excited about the additional choices. I can see why Sirius/XM, Pandora and Spotify will pooh-pooh HD radio. Unfortunately if I am a listener right now, I am also going to pooh-pooh HD radio. Many stations are simply rebroadcasting a co-owned AM signal, trying to expand that reach. I like this is some cases. I have a problem hearing WAJR-AM in my office. This is more about the hardware then the station, but now I have an HD radio in my office so I can listen to WAJR-AM as WVAQ-FM HD2. The coverage in my car will also be better in the evening after WAJR-AM changes their signal pattern.
Broadcasters should provide different programming on their HD channels if they are going to expect this programming to have an impact in the marketplace. If you’re a mainstream country music station on FM how about a Classic Country or Hot Country on your HD2 channel? Or how about programming a format that competes with your direct competitor in the market? Granted, today it would not get a tremendous amount of exposure but as HD shows up in automobiles, the reach will get bigger and bigger.
I know the point has been made that stations have cut back staff in recent times and there are not enough people to program another station in-house. Good point. I hope this does not stifle the growth of a new transmission source. Do you think the other sources are having an easy time at their business? I’m referring to the financial challenges of Pandora and Spotify. They haven’t given up. You think their technology is simple? Heck no. Once a strategy is designed for the HD channels, let’s find the people to execute it.
I hope this isn’t another example of a wasted opportunity. Automakers are being cooperative about installing HD as an option. Please do not respond to their interest in the equipment by failing to provide something that can generate an audience. I do not want radio to lose a place on the dashboard. Maybe not in 2013 but in 2014 and beyond. If someone in each market does not take the lead no one else will step up and this will become a missed opportunity of major proportions. Now this may be applicable to the larger markets only. I know the expense involved for smaller markets may be prohibitive. Not only the start-up costs but the fees stations pay year in and year out. Very likely those smaller market stations are not going to go out there as a leader. This could very well put an obstacle in the whole issue going forward.
That said, where you can do it, I see little downside if broadcasters are willing to step up and provide compelling programming. Of course that is also said of AM/FM.
(The views expressed in this article are those of the author and do not necessarily reflect those of MusicRow.)
Primetime 'Nashville': 'When You're Tired of Breaking Others' Hearts'
/by Jessica NicholsonRayna and Katie Couric
After a few weeks of re-runs, Nashville fans finally get some new material.
After news of her divorce from Teddy hits headlines, Rayna agrees to a sit-down interview with Katie Couric on her show Katie. Rayna and Teddy try to come to terms with parental arrangements for their two children, and decide to the (odd) arrangement of having each parent live at their home for a week or so, so that the children can stay in one place and not be shuttled from place to place. The toll of the divorce is already showing in older daughter Maddie, whose grief is causing her to act out.
In Atlanta, Dominic plays a new mix of “Keep Asking Why” and decides that Avery’s new sound will stay and that there will be no discussion about it, Avery finally musters the courage to steal his sound back–literally. He steals the masters from the recording studio and burns them, which leads to an explosive argument between, Avery, Dominic and Marilyn. Avery turns his back on both of them.
Scarlett returns home to find that Gunner is drinking heavily, still grieving the death of his brother. After Gunner discovers that the detective who is supposedly working hard to find who killed Gunner’s brother doesn’t seem to care about the case, he tries to take matters into his own hands. Unfortunately, his heroic-yet-naive efforts are ill-timed, as he abandons Scarlett on the day of their audition for Rayna James’ new label. O’Connor ends up doing the audition solo, performing the song “Looking For A Place To Shine.” Afterward, O’Connor and her uncle Deacon figure out that Gunner has gone to a bar in a seedy part of town in order to avenge his brother. They track him down in time to prevent him from getting into harm. Later that evening, the real consequences of Gunner’s actions are revealed when O’Connor gets a phone call saying they want to sign her as a solo artist.
Juliette’s determination to keep control of her own career leads to disaster when what was supposed to be a private fan club event turns into a public event after the singer tweets the time and location (Nashville’s Two Old Hippies) to all of her fans. Meanwhile, Rayna cut Scarlett’s audition a bit short when she received a phone call that her daughter Maddie was at said Juliette show. The massive crowd storms the building after seeing Juliette’s tweet. At first, while Juliette sings “Hypnotizing,” the crowd seems content and in calm, eventually, though, they rush the stage, knocking over shelves and other items in Two Old Hippies. One of the shelves falls on top of Maddie. Fortunately, Deacon saves the day.
Once Rayna finds out why Maddie is hurt–and that Maddie lied to Teddy about her whereabouts so she could attend the show–Rayna’s frustration comes to a boiling point when she speaks with Juliette. Rayna tells the younger singer bluntly that she needs to grow up and realize that her actions are hurting other people. Rayna later surprises Maddie back home with a present—Rayna’s first guitar. She tells her daughter that she understands the hurt and confusion she is going through and that she’ll need an outlet for it.
Meanwhile, Juliette’s present to Deacon–a puppy–is the catalyst for newfound love (or lust) when Deacon finds himself attracted to Stacey, a pretty veterinarian.
Avery makes his way back to Nashville, where he gets a performance slot at the Bluebird Cafe. Away from the Dominic-controlled, overly-processed music, he performs “Let There Be Lonely,” with only a piano for accompaniment.
Juliette, who is still in counseling with her mother, eventually accepts Rayna’s (emotionally charged) advice, and vows to pay for the medical costs of all the people injured at the concert. She also invites her mother and the counselor on tour with her.
At the end of the episode, Deacon returns to the veterinary clinic to ask Stacey on a proper date and tells her he named his male dog Sue. A take on Johnny Cash’s song “A Boy Named Sue.” Of course, Stacey really doesn’t like country music, remember? She doesn’t get it (the music or Deacon’s reference).
Songwriters Odie Blackmon and Jim Lauderdale wrote a song called “Tough All Over” that will be featured on “Nashville” this month. Pictured here, they also recorded an installment of On The Record for ABC’s website.
A Look At Jewel Portraying June Carter Cash in 'Ring of Fire'
/by Jessica NicholsonJewel previously appeared in the 1999 Ang Lee film Ride with the Devil and in the 1995 film The Wizard of Oz in Concert: Dreams Come True. Jewel even made a cameo in Walk Hard: The Dewey Cox Story – a parody of the 2005 Johnny Cash biopic Walk the Line.
Watch a scene of Jewel as June Carter Cash in Ring of Fire here.
Industry Ink (3-28-13)
/by Jessica NicholsonMetro is reviewing the building permit required for the wood construction above the two levels of concrete parking deck. 1505 Demonbreun will rise seven stories at its highest point.
Banner Music Adds New Hire
/by Caitlin RantalaKevin Kleindienst grew up in rural Missouri in a musical family. Throughout his youth and as an adult Kleindienst attended concerts and connected with bands and performing artists. He formed business connections to bands and venues.
In 2013 he decided to move to Tennessee and put his music business abilities to work for Banner Music.
“Family is a great foundation but nothing replaces hard work and that’s what I’m here to do,” said Kleindiensth
Kleindienst will be reviewing artists and songwriters, pitching songs, booking and touring with developing acts. You can reach him at kevin@bannermusic.com
Charlie Daniels Recovering in Hospital
/by Sarah SkatesCharlie Daniels
Charlie Daniels is recovering after having a pacemaker implanted today (March 28) at a Nashville area hospital. He plans to be released tomorrow and will spend two weeks resting at home.
As a result of the surgery, his performance at MTSU’s Murphy Center in Murfreesboro, Tenn., as part of the World Outreach Church Easter service, has been cancelled. Additionally, two Charlie Daniels Band concert dates will be re-scheduled, those are performances originally set for April 5 in Englewood, NJ and April 6 in Newark, OH. Daniels will resume his touring schedule April 11 with an appearance in Lynchburg, Va.
During a doctor visit on Monday (March 25), he was diagnosed with a mild case of pneumonia and admitted to the hospital for routine tests. The tests revealed that a pacemaker was needed to regulate his heart rate.
MusicRowPics: Angel Mary and the Tennessee Werewolves
/by Caitlin RantalaEarlier this month (March 12), Angel Mary and the Tennessee Werewolves stopped by MusicRow headquarters. The family trio explained their name is Johnny Cash-inspired rather than Twilight inspired.
They played three songs including their single “Cowboy,” along with “Nashvegas” and “Country Girl.”
For more information on the band, visit www.angelmary.net.
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TNT's 'Nashville Confidential' Coming in 2014
/by Jessica NicholsonEvolution’s Douglas Ross, Greg Stewart and Alex Baskin will executive produce the series.
The series is TNT’s latest unscripted pickup, joining Donnie Wahlberg‘s Boston’s Finest, Dwayne “The Rock” Johnson‘s The Hero, 72 Hours and Cold Justice.