Nashville Film Festival Adds Music-centric Flicks

naffThe Nashville Film Festival (NaFF) will offer numerous music-related flicks when it takes place April 18-25 at Regal Green Hills Cinema. Several of these pictures fall under the Tennessee First feature film category, including:
Music City USA (Director: Chris McDaniel) – A behind the scenes look at the artists, entertainers, and musicians that put the music in Music City. A resilient city filled with creativity and heart.
Nashville 2012 (Director: Jace Freeman) – From underground wrestlers and street musicians to environmental activists and empowered immigrants, this accumulation of gritty narratives combine for an intimate portrait of a city.
Sleepy LaBeef Rides Again (Director: Dave Pomeroy) Explore the fascinating world of “The Human Jukebox,” roots artist Sleepy LaBeef.
Two: The Story of Roman & Nyro (Director: Heather Winters) – The journey of songwriter Desmond Child and his lifelong partner Curtis Shaw, and how they met Angela Whittaker, the woman who would carry their twin sons, Roman and Nyro, into the world.
On the Graveyard Shift line up is: East Nashville Tonight (A Work in Progress) (Directors: Brad Barnes and Todd Barnes) — Starring Elizabeth Cook.
As previously reported, here is a list of other music-centric films at NaFF. See the complete schedule at nashvillefilmfestival.org.

Performers Announced for The ACM Experience in Las Vegas

ACM ExperienceJewel, Katie Armiger, Easton Corbin, Jerrod Niemann, Danielle Peck, Tate Stevens, Charlie Worsham, Blackberry Smoke, Love and Theft, Meghan Linsey and additional performers will be featured during the lineup of free performances and special events held during the ACM Experience, April 5-7 at The Orleans Hotel and Casino in Las Vegas.
Special ACM Experience music events (full schedule below) include:

  • Sneak peek of scenes from the upcoming Lifetime Original Movie Ring of Fire, starring Jewel as June Carter Cash, including a LIVE acoustic performance by Jewel
  • ACM Songwriter Show at Orleans Showroom will bring the fan experience akin to Nashville’s Bluebird Café to Las Vegas!  Hosted by Dallas Davidson and Don Schlitz and featuring ACM Song and Songwriter of the Year nominees Phil Barton, Johnny Bulford, Will Hoge, Luke Laird, Shane McAnally and Jon Stone.
  • Free-to-the-public performances on many stages throughout the weekend, at Bourbon Street Lounge, Brendan’s and the Orleans Showroom in The Orleans Hotel and Casino and more

The schedule for performances on the Cooper Tire Stage, presented by Digs4Gigs.com and PBR Rock Bar & Grill, located in the East Parking Lot of the Orleans Arena at THE ACM EXPERIENCE includes:
 Friday, April 5 – 10 a.m.-10 p.m.

  • 10:15 a.m. – Kaila Tingle – Digs4Gigs.com Talent Competition Finalist
  • 11:25 a.m. – Wynn Williams  – Digs4Gigs.com Talent Competition Finalist
  • 12:35 p.m. – Dave Russell – Digs4Gigs.com Talent Competition Finalist
  • 1:45 p.m. – Kalsey Kulyk Digs4Gigs.com Talent Competition Finalist
  • 3:30 p.m. – Barry Van Wie
  • 4:20 p.m. – Kenny Foster
  • 5:25 p.m. – Ray Scott
  • 6:40 p.m. – Katie Armiger
  • 7:55 p.m. – Danielle Peck

Saturday, April 6 – 11 a.m.-7:30pm

  • 10:00 a.m. – Wynn Williams – Digs4Gigs.com Talent Competition Finalist
  • 11:10 a.m.– Dave Russell – Digs4Gigs.com Talent Competition Finalist
  • 12:35 p.m. – Kaila Tingle – Digs4Gigs.com Talent Competition Finalist
  • 1:40 p.m. – Kalsey Kulyk – Digs4Gigs.com Talent Competition Finalist
  • 2:45 p.m. – Kenny Foster
  • 4 p.m.– Charlie Worsham
  • 5:45 p.m. – Morgan Frazier

Sunday, April 7 – 10 a.m.-4 p.m.

  • 10 a.m. – Barry Van Wie
  • 11 a.m. – Josh Ward
  • 12 p.m. – Meghan Linsey
  • 1 p.m. – Blackberry Smoke

The schedule for performances held in other Orleans Hotel and Casino venues at THE ACM EXPERIENCE include:
Friday, April 5

  •  9:30 p.m.-12:30 a.m. – performances by Kristen Kelly, Jerrod Niemann, Joanna Smith, Tate Stevens, Love and Theft and The Henningsens at the Sony Green Room at Brendan’s Pub
  • 9:30 p.m.-1 a.m. – performances by Easton Corbin, Sara Davidson, Eric Paslay, William Michael and Charlie Worsham, hosted by Ayla Brown at the WME Speakeasy at Bourbon Street Lounge
  • 9:30 p.m. – “Ring of Fire” with Jewel in Orleans Showroom includes a sneak peek of scenes from the Lifetime Original Movie with an acoustic performance. “Ring of Fire” will make its world premiere on Lifetime on Monday, May 27 at 8:00pm ET/PT. This event is free and open to the public. Tickets are available on a first-come, first-served basis beginning at 10am PT Friday, April 5 (day of show only) from the Orleans Showroom Box Office inside the Orleans Hotel and Casino.

Saturday, April 6

  • 9:30 p.m.–12:30 a.m. – performances by Dakota Bradley, Jaida Dreyer and Austin Webb at Streamsound Records at Bourbon Street Lounge
  • 10 p.m.–12:30 a.m. – Meghan Linsey  hosts “Country Karaoke” at Brendan’s Pub
  • 9:30 p.m.–11:30 p.m. – ACM Songwriter Show at Orleans Showroom, hosted by Dallas Davidson and Don Schlitz and featuring ACM Song and Songwriter of the Year nominees Phil Barton, Johnny Bulford, Will Hoge, Luke Laird, Shane McAnally and Jon Stone. This event is free and open to the public. Tickets are available on a first-come, first-served basis beginning at 10 a.m.  PT on April 6 (day of show only) from the Orleans Showroom Box Office inside the Orleans Hotel and Casino.

For updates on all THE ACM EXPERIENCE activities, and times for music performances and artist appearances, please visit www.theacmexperience.com

Gibson Guitar Inks Deal with Japan's TEAC Corporation

gibsonGibson Guitar Corp. has made a strategic investment into Japan’s TEAC Corporation. EAC is a top name in audio and visual equipment, and a producer of data storage equipment and related products. The transaction was unanimously approved by the Boards of Directors of both companies.
Gibson has entered into an agreement with Phoenix Capital in which two investment funds operated by Phoenix Capital have agreed to sell to Gibson all the shares they own in TEAC Corporation, or 157,447,000 shares, (54.4 percent) of the issued and outstanding shares), at a price agreed between the parties of 31 JPY per share. As this will result in Gibson acquiring over one-third of TEAC, Japan’s Financial Instruments and Exchange Law requires Gibson to undertake a tender offer process.
Thus, Gibson will make an all-cash tender offer to purchase 157,447,000 shares of TEAC common stock for 31 Japanese Yen per share in cash. Gibson will purchase a maximum of 157,500,000 shares. The tender offer period is scheduled to commence on April 1, 2013 and will remain open for 21 Japanese business days.
Upon completion of the acquisition, TEAC will become a member of the Gibson family. This will not only expand the size and reach of Gibson’s Pro Audio business, with products that both complement and build upon the KRK, Cerwin-Vega!, and Stanton portfolio of world-class studio monitors, sound reinforcement equipment, and DJ gear respectively, in addition to the premium consumer electronics of strategic partner, Onkyo Corporation (“Onkyo”), but also in future product development, has the potential to add value to the Gibson MI segments, and even with the fretted instrument category.
TEAC is recognized for high grade audio through its Esoteric brand, including multichannel recorders, handheld recorders, and Apple iOS devices, with growing opportunities in mixers and computer audio interfaces. Furthermore, TEAC introduced affordable multi-track recording, a technology invented by Les Paul, whose namesake Gibson guitar has established itself as the most coveted electric guitar.
TEAC’s product lines range from industrial data acquisition and storage, high-end audio, disc publishing, medical video, and broadcast into a broad-based consumer market through their TASCAM division. The company’s leadership in multichannel recorders, sound contractor products, field recorders, audio interfaces, and more has resulted in breakthrough products like the self-contained Portastudio that includes all elements needed to produce professional-quality recordings while retaining a consumer-friendly price. The implications of integrating these diverse elements into the Gibson family of brands are far-reaching, and further enhance Gibson’s diversification into the lifestyle arena.
This transaction represents a significant commitment and investment into Japan by Gibson. This is the second transaction Gibson has made in Japan. In January 2012, Gibson announced a strategic alliance with audio company Onkyo, where both companies made investments into each other. The size of this TEAC transaction – one of the largest Gibson has pursued – reflects the high level of confidence of the board and senior management in the Japanese market, and recognizes the technical and engineering excellence of one of the leading trailblazers in the specialist audio industry in Japan.
Post-closure, TEAC will remain a listed company on the Tokyo Stock Exchange’s first section. The company will continue to be led by the current management.
Commenting on the transaction, Henry E. Juszkiewicz, Chairman and CEO of Gibson, said: “We are delighted to welcome TEAC and its talented employees to the Gibson family. We have both known each other for a long time and share a vision for the future: bringing together world-class engineering and technical innovation in the audio space with the world’s premier musical instrument manufacturer, and the capability to market music innovation on a global scale.
“Gibson is a strong believer in ‘Cool Japan’ and together with TEAC, we look forward to not only contributing to the global understanding of the ‘Cool’ products emanating from Japan in the music area, but also promoting the excellence of Japanese innovation in the industry,” Juszkiewicz continued.
This transaction is expected to bring about substantial synergies in joint marketing and global distribution, with benefits to both companies expected to include
–Overlapping channels for both the pro and consumer audio products in the United States, offer an opportunity to combine logistics with Gibson and Onkyo USA
–Further access to Asian markets for all Gibson products
–Combined scale in EMEA with an opportunity to consolidate logistics through Gibson’s warehouse
–Gibson can leverage both TEAC’s R&D expertise to develop a new pipeline of products for Stanton DJ. in the Pro Audio field, as well as in the MI and fretted instruments segments for further product development, and
–Operational cost synergies that allow both TEAC and Gibson to leverage back-office costs across its selected segments within the United States.
Macquarie Capital Securities (Japan) Limited is acting as financial advisor to Gibson and Baker & McKenzie LLP is acting as legal counsel. Citi Yuwa is acting as legal counsel to TEAC. SMBC Nikko Securities is the tender offer agent for this transaction.
 
 

Paisley to Appear on 'Good Morning America'

braidpaisleyOn Monday, April 1, country superstar Brad Paisley will join the anchors of Good Morning America as a special guest. The appearance precedes the April 9 release of his eighth studio album, Wheelhouse, and Building A Wheelhouse Interactive Book.
Starting today online, Paisley fans can embark on the Wheelhouse Scavenger Hunt here. Each day during the contest, Paisley will post via Facebook or Twitter clues to the location of a hidden icon, photo or video to be found by contest entrants. The first eligible entrant each day who locates the hidden item, returns to the promotion site and follows the prompts will win a prize. This interactive journey provides insights into the making of Paisley’s Wheelhouse and its songs.
All contest participants are eligible to compete for the Wheelhouse Scavenger Hunt Grand Prize – a flyaway for the winner and a guest to a Brad Paisley concert; the experience includes a meet and greet with Paisley and ground and hotel accommodations. For complete Official Rules, click here.
Fans can pre-order Building A Wheelhouse here. Created and designed specifically for the iBookstore, Building A Wheelhouse offers an in-depth look at the album, from both songwriting and production perspectives, with insights from Paisley and the collaborative team behind the making of this album.

Aristo Releases International Report for March 2013

Click above for full report.

Click above for full report.

The Aristo International Report has been released for March 2013. The AristoMedia Group has been issuing a quarterly review of global activities since 2008.
Highlights in this issue include:
  • CMA Marketing Summit at Disneyland Paris
  • CMC Rocks the Hunter
  • C2C at O2
  • CMAA Award Winners
  • CMA Songwriter Series expanding globally
  • A look at recent CMA International Award presentations
  • A reminder of dates for the June Global Shows in Nashville
  • Aristo Q&A with Award-Winning Songwriter Bob DiPiero
  • An overview of Australia’s representation at the recent Country Radio Seminar in Nashville

 
 

Weekly Chart Report (3/29/13)


SPIN ZONE

Casey James (L) recently stopped in Wichita to help 100.5/KVWF the Wolf celebrate it's 5th Anniversary and promote his new single, "The Good Life" with afternoon/MD Colby Ericson (R).

Casey James (L) recently stopped in Wichita to help 100.5/KVWF the Wolf celebrate it’s 5th Anniversary and promote his new single, “The Good Life” with afternoon/MD Colby Ericson (R).


Capitol Nashville’s Lady Antebellum took a stroll right up to the top of the MusicRow Country Breakout Chart this week with their single “Downtown,” with 3660 spins on reporting stations. Miranda Lambert‘s “Mama’s Broken Heart” is in second place this week with 3457 spins. Florida Georgia Line‘s “Shine On” still has plenty of glimmer at No. 3. Kenny Chesney‘s “Pirate Flag” and Eric Church‘s “Like Jesus Does” round out the Top 5. Darius Rucker‘s “Wagon Wheel” climbs from No. 8 to No. 6 this week, while Brantley Gilbert‘s “More Than Miles” rises from No. 9 to No. 7. Last week’s No. 1 single, Chris Young‘s “I Can Take It From There” falls to No. 8 this week. Making its debut in the Top 10 is Rascal Flatts‘ “Changed,” while “Don’t Rush” from Kelly Clarkson (featuring Vince Gill) holds steady at No. 10 for a second week.
Top gainers this week include Blake Shelton‘s “Boys Round Here” with 611 added spins, Pistol Annies‘ “Hush, Hush” which gains 483 spins, Tim McGraw with Taylor Swift‘s “Highway Don’t Care,” which rises from No. 21 to No. 16 with 427 additional spins, Brad Paisley‘s “Beat This Summer,” which rises from No. 19 to No. 13, and gained 420 spins and Justin Moore‘s “Point At You,” which amassed 310 more spins this week.
Blake Shelton also has the highest debut this week with “Boys Round Here,” which enters the charts at No.  43. Drake White‘s “Simple Life” debuts at No. 68, followed by JJ Lawhorn‘s “Stomping Grounds” at No. 73, Ashley Monroe‘s “Like A Rose” at No. 76, Jay Jolley‘s “It’s A Friday Thing” at No. 77, Rusty Rierson‘s “Souvenirs” at No. 78, James Wesley‘s “Thank A Farmer” at No. 79 and Clinton Gregory‘s “Too Much Ain’t Enough” at No. 80.
Frozen Playlists:KIAI, KXBZ, WKWS, WRHT
 
Upcoming Singles
April 1
Casey James/The Good Life/19-BNA
Kacey Musgraves/Blowin’ Smoke/Mercury
Lucas Hoge/Should’ve Loved/WeBlast-Animal House
Lisa Torres/Get A Little Lonesome/Render
Angela Hesse/Which One of You Boys/Ash Records
Shanna Strassberg/Has Anybody Seen My Heart?/UnStuck Records
April 8
Pistol Annies/Hush Hush/RCA Nashville
April 15
Rachel Holder/Five Days/Curb
Chris Cagle/Dance Baby Dance/BPG
Casey Donahew Band/Whiskey Baby/Almost Country Entertainment
 April 25
Steve Richard/Keep On Rollin’/Force MP
April 29
IMAJ/Guess Who’s Coming To Dinner/Triomphe Records
• • •
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Blake Shelton/Boys Round Here/Warner Bros. – 43
Drake White/The Simple Life/UMG Nashville – 68
JJ Lawhorn/Stomping Grounds/Average Joes – 73
Ashley Monroe/Like A Rose/Warner Bros. Records – 76
Jay Jolley/It’s A Friday Thing/Double – J – 77
Rusty Rierson/Souvenirs/Red Dirt Music – 78
James Wesley/Thank A Farmer/Broken Bow Records – 79
Clinton Gregory/Too Much Ain’t Enough/Melody Roundup Music – 80
Most Added
Artist/song/label — New Adds
Blake Shelton/Boys Round Here/Warner Bros. – 44
Rachel Holder/Five Days/Curb Records – 22
Kacey Musgraves/Blowin’ Smoke/Mercury Nashville – 22
Justin Moore/Point At You/Valory Music Co. – 18
Pistol Annies/Hush, Hush/RCA – 16
Phil Vassar/Love Is Alive/Rodeowave Entertainment – 14
Drake White/The Simple Life/UMG Nashville – 13
Little Big Town/Your Side Of The Bed/Capitol – 13
Greatest Spin Increase
Artist/song/label — spin+
Blake Shelton/Boys Round Here/Warner Bros. – 611
Pistol Annies/Hush, Hush/RCA – 483
Tim McGraw w/ Taylor Swift/Highway Don’t Care/Big Machine – 427
Brad Paisley/Beat This Summer/Arista Nashville – 420
Justin Moore/Point At You/Valory Music Co. – 310
On Deck—Soon To Be Charting
Artist/song/label — spins
Rosehill/Did You Ever Turn Around/Tenacity Records – 167
Jason Charles Miller/The Way You Still Want Me/Render Records – 166
Jason Cassidy/Blame It On Waylon/Blake Records – 160
Little Big Town/Your Side Of The Bed/Capitol – 160
Danny Griego/I Wear My Own Kind Of Hat – 152
 
Tyler Dean recently paid a visit to KDKD to promote his latest single, "I Wanna Wake Up With You," with MD, Dave Young.

Tyler Dean recently paid a visit to KDKD to promote his latest single, “I Wanna Wake Up With You,” with MD, Dave Young.


Rodeowave Entertainment's Phil Vassar took his new single, "Love Is Alive," to 98.7 WMZQ in our nation's capital. Pictured (L-R): Meg Stevens (Clear Channel DC/Baltimore OM); Vassar; and Paul Donovan (WMZQ MD).

Rodeowave Entertainment’s Phil Vassar took his new single, “Love Is Alive,” to 98.7 WMZQ in our nation’s capital. Pictured (L-R): Meg Stevens (Clear Channel DC/Baltimore OM); Vassar; and Paul Donovan (WMZQ MD).


 
 
 
 

Charlie Cook: Will Broadcasters Step Up?

CCook-onair-sm11HD radio has been on the radio landscape the last couple of weeks. It started when a spokesman for General Motors was misquoted about the future of AM/FM in the automobile dashboard.
The journalist that heard something not said, stated that the GM rep had predicted AM/FM was coming off the dashboard in the next year or two. This is not what was said and it started a firestorm about the future of the “radio” in cars. HD radio is being added to many dashboards. As are apps for Pandora, iHeartRadio and Spotify. Soon your dashboard is going to look like your iPad, which is okay with me as long as they continue to add apps and not eliminate choices used by 250,000,000 Americans every week.
Is HD the answer for AM/FM broadcasters? I agree the limited power output was a disadvantage but the increase to higher broadcast power levels for digital carriers will significantly increase the coverage in the auto and help with building penetration. I have not heard many current broadcasters complain about HD, but not too many have been vocal supporters. I would think if you have the ability to add stations to your reach, with drastically reduced costs, you would be on board.
As a consumer I like being offered more choices, without having to pay a subscription fee. I would be interested in hearing what is being offered. If my new car comes with HD factory installed I am excited about the additional choices. I can see why Sirius/XM, Pandora and Spotify will pooh-pooh HD radio. Unfortunately if I am a listener right now, I am also going to pooh-pooh HD radio. Many stations are simply rebroadcasting a co-owned AM signal, trying to expand that reach. I like this is some cases. I have a problem hearing WAJR-AM in my office. This is more about the hardware then the station, but now I have an HD radio in my office so I can listen to WAJR-AM as WVAQ-FM HD2. The coverage in my car will also be better in the evening after WAJR-AM changes their signal pattern.
Broadcasters should provide different programming on their HD channels if they are going to expect this programming to have an impact in the marketplace. If you’re a mainstream country music station on FM how about a Classic Country or Hot Country on your HD2 channel? Or how about programming a format that competes with your direct competitor in the market? Granted, today it would not get a tremendous amount of exposure but as HD shows up in automobiles, the reach will get bigger and bigger.
I know the point has been made that stations have cut back staff in recent times and there are not enough people to program another station in-house. Good point. I hope this does not stifle the growth of a new transmission source. Do you think the other sources are having an easy time at their business? I’m referring to the financial challenges of Pandora and Spotify. They haven’t given up. You think their technology is simple? Heck no. Once a strategy is designed for the HD channels, let’s find the people to execute it.
I hope this isn’t another example of a wasted opportunity. Automakers are being cooperative about installing HD as an option. Please do not respond to their interest in the equipment by failing to provide something that can generate an audience. I do not want radio to lose a place on the dashboard. Maybe not in 2013 but in 2014 and beyond. If someone in each market does not take the lead no one else will step up and this will become a missed opportunity of major proportions. Now this may be applicable to the larger markets only. I know the expense involved for smaller markets may be prohibitive. Not only the start-up costs but the fees stations pay year in and year out. Very likely those smaller market stations are not going to go out there as a leader. This could very well put an obstacle in the whole issue going forward.
That said, where you can do it, I see little downside if broadcasters are willing to step up and provide compelling programming. Of course that is also said of AM/FM.
(The views expressed in this article are those of the author and do not necessarily reflect those of MusicRow.)

Primetime 'Nashville': 'When You're Tired of Breaking Others' Hearts'

Rayna and Katie Couric

Rayna and Katie Couric


After a few weeks of re-runs, Nashville fans finally get some new material.
After news of her divorce from Teddy hits headlines, Rayna agrees to a sit-down interview with Katie Couric on her show Katie. Rayna and Teddy try to come to terms with parental arrangements for their two children, and decide to the (odd) arrangement of having each parent live at their home for a week or so, so that the children can stay in one place and not be shuttled from place to place. The toll of the divorce is already showing in older daughter Maddie, whose grief is causing her to act out.
In Atlanta, Dominic plays a new mix of “Keep Asking Why” and decides that Avery’s new sound will stay and that there will be no discussion about it, Avery finally musters the courage to steal his sound back–literally. He steals the masters from the recording studio and burns them, which leads to an explosive argument between, Avery, Dominic and Marilyn. Avery turns his back on both of them.
Scarlett returns home to find that Gunner is drinking heavily, still grieving the death of his brother. After Gunner discovers that the detective who is supposedly working hard to find who killed Gunner’s brother doesn’t seem to care about the case, he tries to take matters into his own hands. Unfortunately, his heroic-yet-naive efforts are ill-timed, as he abandons Scarlett on the day of their audition for Rayna James’ new label. O’Connor ends up doing the audition solo, performing the song “Looking For A Place To Shine.” Afterward, O’Connor and her uncle Deacon figure out that Gunner has gone to a bar in a seedy part of town in order to avenge his brother. They track him down in time to prevent him from getting into harm. Later that evening, the real consequences of Gunner’s actions are revealed when O’Connor gets a phone call saying they want to sign her as a solo artist.

Juliette’s determination to keep control of her own career leads to disaster when what was supposed to be a private fan club event turns into a public event after the singer tweets the time and location (Nashville’s Two Old Hippies) to all of her fans. Meanwhile, Rayna cut Scarlett’s audition a bit short when she received a phone call that her daughter Maddie was at said Juliette show. The massive crowd storms the building after seeing Juliette’s tweet. At first, while Juliette sings “Hypnotizing,” the crowd seems content and in calm, eventually, though, they rush the stage, knocking over shelves and other items in Two Old Hippies. One of the shelves falls on top of Maddie. Fortunately, Deacon saves the day.
Once Rayna finds out why Maddie is hurt–and that Maddie lied to Teddy about her whereabouts so she could attend the show–Rayna’s frustration comes to a boiling point when she speaks with Juliette. Rayna tells the younger singer bluntly that she needs to grow up and realize that her actions are hurting other people. Rayna later surprises Maddie back home with a present—Rayna’s first guitar. She tells her daughter that she understands the hurt and confusion she is going through and that she’ll need an outlet for it.
Meanwhile, Juliette’s present to Deacon–a puppy–is the catalyst for newfound love (or lust) when Deacon finds himself attracted to Stacey, a pretty veterinarian.
Avery makes his way back to Nashville, where he gets a  performance slot at the Bluebird Cafe. Away from the Dominic-controlled, overly-processed music, he performs “Let There Be Lonely,” with only a piano for accompaniment.
Juliette, who is still in counseling with her mother, eventually accepts Rayna’s (emotionally charged) advice, and vows to pay for the medical costs of all the people injured at the concert. She also invites her mother and the counselor on tour with her.
At the end of the episode, Deacon returns to the veterinary clinic to ask Stacey on a proper date and tells her he named his male dog Sue. A take on Johnny Cash’s song “A Boy Named Sue.” Of course, Stacey really doesn’t like country music, remember? She doesn’t get it (the music or Deacon’s reference).
Songwriters Odie Blackmon and Jim Lauderdale wrote a song called "Tough All Over" that will be featured on "Nashville" this month. Pictured here, they also recorded an installment of On The Record for ABC's website.

Songwriters Odie Blackmon and Jim Lauderdale wrote a song called “Tough All Over” that will be featured on “Nashville” this month. Pictured here, they also recorded an installment of On The Record for ABC’s website.

A Look At Jewel Portraying June Carter Cash in 'Ring of Fire'

june carter jewel11Rolling Stone has a first look at Jewel in the role of June Carter Cash in the Lifetime biopic Ring of Fire, which premieres May 27. The singer/actress sings “Wildwood Flower” in the clip.
Jewel previously appeared in the 1999 Ang Lee film Ride with the Devil and in the 1995 film The Wizard of Oz in Concert: Dreams Come True. Jewel even made a cameo in Walk Hard: The Dewey Cox Story – a parody of the 2005 Johnny Cash biopic Walk the Line.
Watch a scene of Jewel as June Carter Cash in Ring of Fire here.
 

Industry Ink (3-28-13)

scott_borchettaScott Borchetta, President & CEO of the Big Machine Label Group, will appear on CBS This Morning on Friday, March 29. Charlie Rose and Gayle King will interview Borchetta about the growth of Country music and the success of Borchetta’s label since he open its doors just over seven years ago.

• • •

rendering 150511111Faison & Associates has named its Music Row Roundabout apartment building 1505 Demonbreun, according to the Nashville Post. The site has been excavated for foundations and will begin footings and foundations in mid-April, according to Steve Smith, managing director of construction and development for Faison.

Metro is reviewing the building permit required for the wood construction above the two levels of concrete parking deck. 1505 Demonbreun will rise seven stories at its highest point.

• • •

warner chappell logo1Warner Chappell has signed singer-songwriter Zac Maloy.

• • •

boys11Baillie & The Boys have signed for booking representation with Brand Entertainment Agency. For reunited band members, Kathie Baillie, Michael Bonagura and Alan LeBeouf, the signing with Brand Entertainment Agency celebrates Baillie & The Boys longevity and devotion to country music.

In the late ’80s and early ’90s, the group Blended an East Coast pop sound while keeping the traditional themes of Nashville songwriting and sometimes personal lyrics. The group generated 10 Top 10 Billboard hits and yielded eight CMA and ACM Group/Duo of the Year nominations.