The 2025 inductees for the Country Music Hall of Fame have been announced, including Tony Brown, June Carter Cash and Kenny Chesney.
Brown will be inducted in the Non-Performer category, which is awarded every third year in rotation with the Songwriter and Recording and/or Touring Musician categories. Cash will be inducted into the Veterans Era Artist category and Chesney will be inducted in the Modern Era Artist category.
Country Music Hall of Fame member Vince Gill hosted the press conference to announce the news, which was also streamed live on CMA’s YouTube channel.
“This year’s inductees embody the relentless drive and dedication that defines Country Music,” says Sarah Trahern, CMA Chief Executive Officer. “Kenny, June and Tony have each left a lasting imprint on the genre, shaping its history with their contributions. From a young age, each of them was immersed in music, and their lifelong commitment has led to this very moment. Their achievements speak to the passion and dedication that have defined their extraordinary careers, and the impact of their work will continue to inspire future generations. There’s something incredibly special about being able to surprise each inductee or their family with this recognition – it’s one of the most rewarding aspects of my job, knowing how deeply their careers have touched the lives of so many, including myself. It is with great pride that we honor these three remarkable individuals and celebrate the lasting legacy they have created within our format.”
“All three of the new inductees have left indelible impacts on the genre and firmly established themselves as unforgettable contributors to Country Music,” says Kyle Young, Country Music Hall of Fame and Museum Chief Executive Officer. “North Carolina native Tony Brown is a trailblazing record producer and executive who has helped shape the sound of modern Country since the 1980s, supervising many best-selling records while also ushering in outsider talents to the genre. Virginia-born June Carter Cash was a vibrant torchbearer of her family’s enduring Country Music legacy who forged her own distinctive path during her more than 60-year career as a beloved singer, comedienne and songwriter. And Kenny Chesney, from Tennessee, has maintained one of the biggest hitmaking careers in Country Music since 2000, with more than 50 Top 10 hits, 16 Platinum albums, and is a regular top touring act who continues to delight audiences. Fittingly, they will now forever be enshrined in the Country Music Hall of Fame with their illustrious peers who shaped our art form.”
“When you’re producing No.1 records, you feel like you know what you’re doing,” says Brown. “But being inducted into the Country Music Hall of Fame — especially for someone as idealistic as me —makes it feel like you’ve truly made an impact. And that has always been my goal.”
“June Carter Cash represents the whole cloth of Country Music, it’s breadth and heritage,” says the Cash family. “And June’s place in Country Music is undeniable. From the 1940s, across the decades and into the current century, her voice has been heard across the country and throughout much of the world, both with Mother Maybelle Carter, sisters Helen and Anita, and on her own, as well as with her duet partners, including her beloved Johnny Cash, with whom she told stories and inspired musicians both past, present, and future. She was a loving wife and mother, an actress, singer, songwriter, comedienne and a truly gifted performer whose persona was never exactly what was expected but was always and totally June. She profoundly respected, and was respected for, her craft, and that endures to this day. We, the Carter and Cash families, are most grateful and proud that the County Music Association has given June this well-deserved honor for her undeniable contribution to the fabric of Country Music and American culture.”
“You don’t dare dream of being in the Country Music Hall of Fame, alongside legends including George Jones, Willie Nelson, Alabama, even Dean Dillon,” says Chesney. “I’ve been lucky enough to get to call them my friends, and that was plenty. But hearing the news I’d been voted into the Hall, I can honestly say beyond my wildest dreams, it’s an honor that defies words. I am humbled, grateful, honored…as much for all the songwriters, musicians, artists and people who’ve helped me build my career; they have truly inspired me every single day.”
About the Inductees:
Non-Performer Category – Tony Brown
“I never wanted to be famous,” Tony Brown wrote in his 2018 book “Elvis, Strait, to Jesus: An Iconic Producer’s Journey with Legends of Rock ‘n’ Roll, Country, and Gospel Music,” “I just wanted to be noticed.”
Within the Country Music industry, he became both — a musician, producer and record label executive that the Los Angeles Times Magazine once anointed “The Kingmaker of Country Music.” He has produced more than 100 chart-topping Country hits and has worked with dozens of artists. His parallel paths prompted Rodney Crowell to say, “It would take five of everybody else in the music business to equal one of Tony Brown.”
Born December 11, 1946, in Greensboro, NC, Brown grew up in a strict, religious household, the youngest of four children born to a man who left his job at a dairy to become a Baptist evangelist after receiving a lung cancer diagnosis. As a member of The Brown Family Singers, he sang harmony with his two brothers and a sister, later switching to piano. At 13, he caught the bug for performing from the audience response to his playing at the annual Southern Gospel Music Festival in Benson, NC.
Eventually, he joined the Oak Ridge Boys’ backing band, The Mighty Oaks Band. That same year, the Gospel Music Association named him the Best Gospel Instrumentalist. Brown soon found himself in Elvis Presley’s orbit as a member of Voice, described as Presley’s “on call” house band, available for the late nights when the King wanted to sing gospel songs. From there, he went to the Sweet Inspirations and then to Presley’s TCB Band, succeeding Glen D. Hardin. Brown played piano for Presley’s final concert in Indianapolis on June 26, 1977.
In the months after Presley’s death, Brown joined Emmylou Harris’ renowned Hot Band, replacing Hardin once again. During the 1970s and 1980s, he appeared on her albums Blue Kentucky Girl, Light of the Stable, Evangeline and White Shoes.
Around the same time, he joined Free Flight Records, a Nashville-based pop label under the RCA Records umbrella, as a staff producer, moving to RCA’s Nashville division when Free Flight folded after less than a year. RCA was the top label in town, a status Brown helped solidify when he signed Alabama.
Brown also joined former Hot Band alum Rodney Crowell’s backing band The Cherry Bombs, which featured other Hot Band members as well as Vince Gill, whom Brown had convinced to move to Nashville. When Brown returned to RCA, he signed Gill to the label.
Brown began producing more, as well, having his first hit with Steve Wariner’s 1983 Top 5 single, “Midnight Fire,” which he produced with Norro Wilson.
In March 1984, he jumped from RCA to MCA Nashville, helping make it Nashville’s No. 1 label during Country’s boom years of the 1990s and eventually rising to President of the division. Brown developed a reputation for signing and producing not only commercially successful acts but also adventurous, influential ones.
“He gravitated to artist types that were most often unique and cutting edge, but at the same time he was very much a purist and a traditionalist,” said Ronnie Dunn of Brooks & Dunn, for whom Brown produced the 2006 CMA Single of the Year, “Believe.” “He didn’t try to dictate to the people that he worked with how to do what they did; he challenged them to be all that they could be.”
In 1986, he produced Steve Earle’s seminal Guitar Town, which Brown has said defined his start as a promising producer. He fulfilled that promise when he co-produced Rodney Crowell’s 1988 release Diamonds & Dirt, the first Country album to yield five No. 1 singles.
Brown brought Gill to MCA, where he had his biggest hits. He also signed other future Country Music Hall of Fame members Patty Loveless and Marty Stuart. He produced even more, working with Wynonna Judd on her first three solo albums and developing long-lasting production relationships with Reba McEntire and George Strait. He was a pioneering force in what would become known as Americana, either signing or producing the likes of Joe Ely, Shooter Jennings, Lyle Lovett, The Mavericks, and Allison Moorer. After leaving MCA, he founded Universal South with former Arista Records Nashville chief Tim DuBois in 2002.
Brown is a six-time GRAMMY winner, a Gospel Music Hall of Fame member and a North Carolina Music Hall of Fame member. In 2004, he received Leadership Music’s inaugural Dale Franklin Leadership Award, which honors exemplary leadership in the music community, and the Academy of Country Music’s Icon Award in 2024. The Americana Music Association gave him its Lifetime Achievement Award in 2008. Over the course of his career, he has amassed more than 100 No. 1 singles and seen record sales exceed 100 million units.
Strait, who has recorded 20 albums with Brown as his producer, has said, “Tony Brown is going to leave a big footprint in the music world when he decides to step away.” That day has yet to come, but there’s no doubt people will notice the impact he has made as he steps into the Country Music Hall of Fame.
Veterans Era Artist Category – June Carter Cash
If Country Music really is a family, June Carter Cash was its matriarch for decades. She earned her standing in the Country community not only because of her talent but also because of the way she brought together musicians from across generations, encouraging them and bringing out the best in people as if they were her own family.
She was more than that, of course. There was always more to June Carter. The middle daughter of Ezra and Maybelle Carter, Valerie June was born in Maces Springs, VA, on June 23, 1929. Her mother was five months pregnant with June when she recorded “I’m Thinking Tonight of My Blue Eyes” with A.P. and Sara Carter. Collectively, her mother, aunt and uncle were known as the Carter Family, a trio whose music laid much of the foundation for commercial Country Music.
She entered the family business as a child. By age 10, she had learned to play autoharp and had begun appearing on the Carters’ radio broadcasts, first on stations at the Texas-Mexico border, then at WBT-AM in Charlotte, NC, and on to WRNL-AM and WRVA-AM in Richmond, VA. She performed with her mother and sisters Helen and Anita, developing her comedic chops with characters like Aunt Polly Carter and learning to do anything for a laugh. “I think I tried to be funny when I couldn’t think of anything else to do,” she said.
The family act appeared as regulars on several radio shows — Richmond’s “Old Dominion Barn Dance,” Knoxville’s “Tennessee Barn Dance,” and the “Ozark Mountain Jubilee” in Springfield, MO, before settling at Nashville’s Grand Ole Opry in 1950.
In 1952, June married Opry star Carl Smith. Their four-year marriage produced a daughter, Carlene, who eventually had a successful music career of her own.
After her split from Smith, June and Carlene moved to New York in 1956. She fell into the creative Greenwich Village scene, befriending director Elia Kazan, whom she had met at the Opry, and studying with Sandy Meisner at the Neighborhood Playhouse School of Theatre. She began to land acting roles, including episodes of “Gunsmoke” and “The Adventures of Jim Bowie,” while also flying home on weekends to appear on the Opry.
She returned to Nashville when she married Edwin “Rip” Nix, a local businessman and sportsman, in 1957. Their daughter, Rosie, was born the following year. June and Nix divorced in 1966.
During the early 1960s, Mother Maybelle and the Carter Sisters began touring in support of Johnny Cash, whom June had met backstage at the Ryman Auditorium a few years before. The attraction between the two entertainers was undeniable. June wrote a song about her feelings for Johnny. When Johnny heard “Ring of Fire,” he added mariachi horns and transformed it into a signature hit that topped the Country charts for seven weeks in 1963. They soon began recording duets together, releasing Carryin’ On With Johnny Cash and June Carter in 1967. A song from that album, “Jackson,” won them a GRAMMY.
June married Johnny on March 1, 1968, in Franklin, KY.
Most of the spotlight during the couple’s 35-year marriage fell on Johnny, though they won a second GRAMMY together for their 1970 single “If I Were a Carpenter.” Son John Carter Cash was born on March 3, 1970, while that record was climbing the charts. June also placed a single called “A Good Man” inside the Billboard Country Top 30 in 1971.
Behind the scenes, June played an invaluable role in the Country Music community as she turned the Cash home in Hendersonville, TN, into a creative hub and welcomed established and aspiring musicians and songwriters. She nurtured her “babies,” who included Kris Kristofferson, Waylon Jennings and Larry Gatlin. She inspired and assisted countless others.
While June may have chosen a supporting role as her primary one during those years — she often referred to herself as Aaron to Johnny’s Moses — she also found ways to satisfy her creative spirit. She appeared in the 1997 film “The Apostle” opposite Robert Duvall, who, like June, had studied with Sandy Meisner in New York. In 1999 at age 70, she released Press On, her first album in 25 years. It won the Best Traditional Folk Album GRAMMY in 2000. June won two more GRAMMYs for her follow-up album, Wildwood Flower, in 2004, though those awards came posthumously.
June Carter Cash died on May 15, 2003, at age 73.
Two years later, Reese Witherspoon portrayed June in the film “Walk the Line” and won a Best Actress Oscar for the role.
In 2024, “JUNE,” the critically acclaimed documentary telling the story of her life, was released on Paramount+ and was nominated for a GRAMMY Award in the Best Music Film category.
In 1997’s “Cash: The Autobiography,” Johnny Cash said that June Carter was the greatest woman he ever knew. Only his mother, he said, came close. He also called her “one of the most neglected artists in Country Music. Sadly, I think her contributions to Country Music will go underrecognized simply because she’s my wife; it certainly has been up to now.” That was, he wrote, his only regret about marrying her.
Now, those contributions have finally been properly recognized as she joins so many members of her family and her friends in the unbroken circle of the Country Music Hall of Fame.
Modern Era Artist Category – Kenny Chesney
Kenny Chesney put his car on I-40 heading west on the day the Gulf War started. The young man from East Tennessee was chasing a dream he couldn’t truly know the magnitude of – only that he wanted to write songs and touch people the way George Jones, Conway Twitty and Alabama, as well as Van Halen, Bruce Springsteen and Jackson Browne, had touched him.
The recent East Tennessee State graduate, who’d gone to Russia with the school’s Bluegrass Band alongside future members of Alison Krauss’ Union Station, had already made a few trips to Music City, meeting with publishers, producers and even a couple record company people. He’d play the Turf on a decidedly different Lower Broadway, get a publishing deal at iconic Acuff Rose a year later and be signed to a record deal with legendary Southern rock label Capricorn by no less than founder Phil Walden. In My Wildest Dreams was released in 1994, with “Whatever It Takes” not making much of a dent, but Chesney’s self-penned “The Tin Man” showed a strong creative voice.
It wasn’t until manager Dale Morris took Chesney to RCA’s Joe Galante, himself now a Country Music Hall of Fame member, that things began to fall into place. Heart-forward, decidedly Country, “Fall in Love,” his first BNA single, cracked the Top 10, while 1997’s “She’s Got It All” became his first No. 1.
By 2000, Chesney had a triple Platinum Greatest Hits that included “How Forever Feels,” “I Lost It,” “That’s Why I’m Here,” “Don’t Happen Twice” and “She Thinks My Tractor’s Sexy.” Headlining small arenas, he experienced explosive growth on George Strait’s Country Music Festival stadium tours in 1999 and 2000, which fired his desire to create a sound all his own.
With 2002’s “Young,” the guitar-forward coming of age joyride, Chesney came into his own. Pulling the rock influences he loved through the bluegrass and Country he was born to; a sound that reflected his generation was born. No Shoes, No Shirt, No Problems debuted at No. 1 on Billboard’s all-genre Top 200 Albums chart and forged a new Country aesthetic – as America asked, “Who the hell is Kenny Chesney?”
Hit singles, awards and blown-out switchboards and ticket sites followed in rapid order. By the time 2004’s When The Sun Goes Down also debuted at No. 1 on the Top 200 Albums chart, Chesney had sold-out the University of Tennessee’s Neyland Stadium, the first artist to play there since the Jacksons. Between the thoughtful balladry of “There Goes My Life,” the driving “I Go Back,” the tropical title track duet with Uncle Kracker and the punched up “Keg In The Closet,” the album suggested a thrilling kind of Country for young people with a thirst for life.
Beyond winning four Country Music Association and four Academy of Country Music Entertainer of the Year awards, the soft-spoken songwriter and rising superstar began taking Country to places one wouldn’t expect. Selling out NFL stadiums in Boston, Philadelphia, Pittsburgh, Oakland, Minneapolis, Chicago, Detroit and more, his duets brought Dave Matthews, the Wailers, Grace Potter, Willie Nelson and Mac McAnally to the top of Country radio charts – on his way to being the only Country artist on Billboard’s Top 10 Touring Acts of the Last 25 Years for the last 16 years.
His love of the ocean, always an undertow in his commercial records, inspired a series of singer-songwriter projects that also debuted at No. 1 on the Top 200 Albums chart. Be As You Are (Songs from an Old Blue Chair) spoke to the musical force’s soul, while Lucky Old Sun, Life on a Rock and Songs for the Saints celebrated different aspects of the people and places Chesney inhabited beyond the spotlight. They also yielded “Get Along,” “Pirate Flag,” “Everybody Wants To Go To Heaven” and “Spread The Love.”
Restless and creatively driven, 20 years after his debut, Chesney delivered “American Kids” from his “The Big Revival” – and once again, changed the game. Rhythmically forward, it pressed the energy even higher for the man the Wall Street Journal crowned “The King of the Road” and Variety deemed “Country Music’s only true long-term stadium act.”
That energy permeates Cosmic Hallelujah, Here And Now and BORN, his latest. He has continued pushing the envelope, collaborating across genres with Ziggy Marley, Mindy Smith, P!nk, David Lee Murphy, Kelsea Ballerini and good friend Jimmy Buffett, whom he helped induct into the Rock & Roll Hall of Fame.
And his fans, named No Shoes Nation, are equally voracious. Variety called them, “a concert-going community rivaled perhaps only by Parrotheads and Deadheads.” Chesney sees them as friends, people who share his work hard, love hard, live in the moment and absorb all the positive energy possible ethos.
Whether creating No Shoes Radio to keep the music flowing, “Boys of Fall,” the definitive high school football song that inspired an ESPN documentary, an unprecedented three nights at Gillette Stadium in August of 2024, or taking No Shoes Nation to a whole new dimension as the first Country artist at Sphere in Las Vegas, the high-impact performer is always looking for ways to enrich the people whose own lives are reflected in his albums.
Like “HEART*LIFE*MUSIC,” his first book due this fall, Chesney created a world based on his heart, pulled through his life and infused his music with all the things he valued. Giving everything he had, he delivered the kind of truth that became the sound of coming of age across the nation in the 21st century.
And if there’s anybody in Country Music who puts all of his heart and his life into his music, it’s Kenny Chesney. That’s the mindset that got him to the Country Music Hall of Fame.
Colt Graves Makes Grand Ole Opry Debut
/by Lorie HollabaughPictured (L-R): UMGN’s Shana Saunders, Timbaland, Colt Graves, Gary Marella (Founder, Mono Music Group), UMGN’s Charlene Bryant, Grand Ole Opry’s Dan Rogers and Eric Spence (Mosley Music Group). Photo: Rachael Black/Grand Ole Opry
Universal Music Group Nashville and Mosley Music recording artist Colt Graves made his debut on the Grand Ole Opry stage on Saturday (March 22).
Graves was introduced by Grammy-winning producer, rapper, singer and songwriter Timbaland, who discovered Graves and signed him to his Mosley music, in association with UMGN. Known for his fusion of folk, country and a blend of modern influences drawn from the realms of pop and hip-hop, Graves performed “Lonesome Roads” and “We Both Lie” during his appearance.
He also brought his father onto the stage which was a poignant moment for the recording artist, since Graves’ grandfather and father once performed on the Opry stage as well.
Bluegrass Banjo Wizard Eddie Adcock Passes
/by Lorie HollabaughEddie Adcock. Photo: Courtesy of the Country Music Hall of Fame and Museum
Bluegrass banjo master Eddie Adcock passed away on March 20. He was 86.
A native of Scottsville, Virginia, Eddie left home when he was 14 and backed Mac Wiseman, Bill Harrell, Bill Monroe and more in his early days. He played with the Country Gentlemen beginning in the late ’50s, and rose to prominence as their banjoist, playing on numerous albums. Eddie left the Country Gentlemen in 1970 and founded the IInd Generation in 1971, a bluegrass ensemble that also featured Martha, Eddie’s wife, on guitar and vocals.
The Country Gentlemen reunited in 1989 to record Classic Country Gents Reunion for Sugar Hill Records, and the project was named IBMA’s Recorded Event of the Year for 1990. That year he also teamed up with Kenny Baker, Josh Graves and Jesse McReynolds billed as The Masters, with Martha Adcock on guitar. Eddie and Martha continued to record through the years for Pinecastle Records, until he formed his own Radio Therapy Records. Eddie was inducted into the International Bluegrass Music Association’s Hall of Fame in 1996 as a member of the Country Gentlemen, and he also won the Steve Martin Prize for Excellence in Banjo and Bluegrass Music in 2014.
Eddie also notably won 34 consecutive drag races with his car, Mr. Banjo. He became an internet sensation at the age of 70 when video circulated showing him undergoing brain surgery at Vanderbilt University Medical Center to address a hand tremor, where he remained conscious and played his banjo throughout the operation, showing surgeons when they had found the spot.
He is survived by wife, Martha, three children: Edward Adcock, Jr., Beatrice Adcock and Dennis Adcock; four grandchildren and five great-great grandchildren. No information has been provided on services at this time.
Electric Feel Expands Global Footprint To Nashville’s Music Row
/by LB CantrellPictured (L-R): John Bradley (Country A&R), Jamie Lierk (Chief of Staff), Austin Rosen (CEO & Founder), Danielle Engen (Director, Facilities & Studios), Chandler Nicole Sherrill (Senior Director, Creative) and Nick Mac (Chief Engineer & Technical Director. Photo: Danielle Del Valle
Electric Feel Entertainment has officially opened the doors to its new Nashville studio and office space, marking a significant expansion for the Los Angeles-based powerhouse. Located in the heart of Music Row, the newly renovated 3,000-square-foot space signals the company’s commitment to deepening its presence in Music City’s thriving creative scene.
Electric Feel’s Nashville office and studio. Photo: Danielle Del Valle
Founded in 2013 by CEO Austin Rosen, Electric Feel has earned a reputation as one of the most forward-thinking entertainment companies in the business. Over the past decade, the company has grown into a full-service label, management company, publishing house, studio and venture firm—building an innovative in-house ecosystem that’s helped fuel global hits for Post Malone, The Kid LAROI, Quavo, Taylor Swift, Justin Bieber, Doja Cat and many more.
With a catalog that boasts over 450 billion streams, 726 Platinum records, 19 Diamond records and more than 40 tracks in the Spotify Billions Club, Electric Feel brings its hitmaking legacy to Nashville with a clear purpose.
“Our connection to Nashville started organically while working on Post Malone’s album last year—we fell in love with the city, the creative energy, and the strong sense of community,” says Rosen in an exclusive statement to MusicRow. “Electric Feel is a global company with roots across the US and Europe, and Nashville is a vital part of that network. It’s more than just a studio; it’s a fully operational hub that leverages Nashville’s rich songwriting culture to complement our broader approach to music creation and artist development, making expansion there a natural fit.”
Electric Feel’s Nashville office and studio. Photo: Danielle Del Valle
The Nashville studio features two luxury studios, a production suite, an open-plan kitchen and lounge, and private outdoor areas designed for collaboration and comfort. The main studio includes a 350-square-foot control room outfitted with soffit-mounted Genelec 1234A mains, an SSL AWS 948 console and a spacious 500-square-foot live room. Eight isolation booths and a curated collection of high-end microphones and instruments—including gear from Sony, Telefunken, and Neumann—make the space primed for world-class production.
Leading the Nashville team are key executives and creatives Danielle Engen (Director, Facilities & Studios), Nick Mac (Chief Engineer & Technical Director), Chandler Nicole Sherrill (Senior Director, Creative) and John Bradley (Country A&R), alongside Rosen. The Music Row office has already begun signing new talent.
“Electric Feel’s primary contribution to Nashville’s music community will be to actively find, develop, and nurture the exceptional talent already thriving here,” Rosen shares. “Our goal is to provide the resources and opportunities that empower local songwriters and artists to grow creatively and build meaningful connections. We envision creating a collaborative environment where we can leverage our global network and expertise to amplify the existing talent, helping them connect with wider audiences and navigate the modern music landscape, all while staying true to the spirit of Nashville.”
Stagecoach Unveils Lineup for 2025 Diplo’s HonkyTonk
/by John Nix ArledgeCalifornia’s country music festival, Stagecoach, has unveiled the lineup for Diplo’s HonkyTonk. Returning for a third year, the tent seeks to bridge country music and today’s musical movements. This year’s roster, curated by Diplo himself, includes exclusive performances from Paris Hilton, DJ Pee .Wee (Anderson .Paak), Chromeo, Sofi Tukker and a mix of global dance music artists.
The HonkyTonk Lineup joins a wide array of artists set to perform at the festival with headlining performances from stars such as Zach Bryan, Jelly Roll and Luke Combs, as well as sets from Brothers Osborne, Lana Del Ray, Sturgill Simpson, Nelly, The Backstreet Boys, Midland, Sammy Hagar, Carly Pearce, Ashley McBryde and more.
2025 Diplo’s HonkyTonk Full Lineup:
30rack
Chase Manhattan
Chromeo
Coral
DJ Pee .Wee (aka Anderson .Paak)
Diplo
Famous Dave
Honky Tonkin’ in Queens
Kermie J Rock
Kevin Bolt
Lauren
Paris Hilton
Rick
Sofi Tukker
Sidepiece
Shaddix
Slim McGraw
Vavo
Louie TheSinger To Dedicate ‘One For The Hometown’ This June
/by Madison HahnenLouie TheSinger will release his new EP One For The Hometown on June 6 via UMG Nashville.
The eight-song project will include his recently released “Quicker Way To Jesus,” “Good Girl” and “Hometown,” featuring Chris Pérez.
“When I was younger and first started chasing this dream of music, I remember my mom telling me ‘No matter how far you get with this, never forget who you are and where you came from,’” reflects Louie TheSinger of “Hometown.” “I think of that all the time.”
Louie TheSinger is a co-writer on five of the tracks, as well as a solo-write on two. His writing partners on the project include Joe and Rob Ragosta, Rob Hatch, Justin Ebach and more.
“The last couple of years have been a dream come true,” he shares. “I’ve lived each line of every song on this EP and through them I get I pay tribute to my home, my family and the friends who love me like family. This truly is one for the hometown.”
The artist recently released the “Hometown” music video, directed and edited by Cakemaster and produced by Alex Pescosta and Moon Tower Cinema. The video was shot in the singer’s hometown of Fort Worth.
Louie TheSinger played sold-out venues all across the country last year and closed it out by showcasing his culture at the People’s Choice Country Awards in Nashville, sporting a jacket paying tribute to one of his musical heroes, Freddy Fender. In November, he was recognized for his contribution to country music as a Latino with the Origin Impact Award.
One For The Hometown Track List:
1. “Hometown” feat. Chris Pérez (Louie TheSinger, Nick Bailey, Josh Dorr)
2. “On My Way” (Louie TheSinger, Joe Ragosta, Rob Ragosta, Mitch Allan, Aldo Ramón)
3. “Más Maria” (Louie TheSinger, Rob Hatch, Jackson Nance)
4. “Good Girl” (Nate Kenyon, Joe Ginsberg, Luis Palacios II)
5. “Quicker Way To Jesus” (Louie TheSinger, Justin Ebach, Josh Thompson)
6. “Adiós” (Louie TheSinger, Austin Nivarel, Joe Ragosta)
7. “If I Die Tomorrow” (Louie TheSinger)
8. “Goodbye” (Louie TheSinger)
Cole Swindell Readies Fifth Studio Album, ‘Spanish Moss’
/by LB CantrellCole Swindell. Photo: Robby Klein
Multi-Platinum hitmaker and ACM Award winner Cole Swindell will release his fifth studio album, Spanish Moss, on June 27 via Warner Music Nashville.
The project follows his 2022 release Stereotype, which delivered a trio of Platinum-certified, multi-week No. 1s: “Single Saturday Night,” “Never Say Never” (with Lainey Wilson) and the five-week, three-times Platinum smash “She Had Me At Heads Carolina.” That track alone earned Swindell three ACM Awards, including Single and Song of the Year, plus an iHeartRadio Music Award for Country Song of the Year and a CMA nomination. He followed it up with Stereotype Broken, a deluxe edition featuring his 2023 top 10 hit “Drinkaby.”
Spanish Moss features Swindell’s current top 10-and-climbing single “Forever To Me,” written alongside Greylan James and Rocky Block as a tribute to his engagement and marriage to wife Courtney. The album’s title track—co-written with Devin Dawson, Jordan Minton and Jordan Reynolds—drops Friday (March 28).
“Spanish Moss has been a work in progress for over two years now,” Swindell shares. “I knew it would be a tough task following up Stereotype and the success we had from that album, but sometimes a challenge can be motivating and exactly what’s needed to grow. For me, the album making process has always had a common theme … best song wins. Although it’s never that simple.
“Life has changed a lot for me in the best way since the last project and I wanted to be able write and sing about those blessings while also not forgetting where I came from and the pain from the past,” he adds. “One of the beautiful things about music is even though you may not be currently going through something at this very moment, more than likely someone out there IS. I think this album is balanced that way and has a little bit of everything from songs like: ‘Kill A Prayer,’ ‘Dirty Dancing,’ ‘Forever to Me’ to ‘Dale Jr.,’ ‘Country Boy Can’t Survive,’ and ‘Heads Up Heaven.’”
After headlining his “Win The Night Tour” last year, Swindell will embark on his first international tour dates in March opening for Cody Johnson’s “Leather Deluxe Tour” in Australia and New Zealand.
Spanish Moss Track List:
1. “Kill A Prayer” (Cole Taylor, Josh Thompson, Jesse Frasure)
2. “Dirty Dancing” (Beau Bailey, Ned Cameron, Hunter Phelps)
3. “Dale, Jr.” (Cole Swindell, Greylan James, Matt Alderman)
4. “Spanish Moss” (Cole Swindell, Devin Dawson, Jordan Minton, Jordan Reynolds)
5. “We Can Always Move On” (Kyle Fishman, Thomas Archer, Michael Tyler)
6. “Georgia (Ain’t On Her Mind)” (Cole Swindell, John Byron, Ben Johnson)
7. “Lost Heart” (Rodney Clawson, Zach Kale, Tawgs Salter, Nolen Sipe)
8. “Bottom Of It” (Cole Swindell, Jonathon Singleton, Chase McGill, Ben Simonetti)
9. “Left To Get Right” (Greylan James, Thomas Archer, Rocky Block)
10. “Longneck List” (Lindsay Rimes, Jameson Rodgers, Matt Rogers)
11. “Country Boy Can’t Survive” (Cole Swindell, Josh Osborne, Travis Wood, Jared Keim)
12. “Happy Hour Sad” (Jimmy Robbins, Micah Carpenter, Travis Wood, Lydia Vaughan)
13. “Wild” (Cole Swindell, Matt Dragstrem, Matt Rogers, Jordan Minton)
14. “One Day” (Chase McGill, Ernest K. Smith, Jordan Schmidt)
15. “Forever To Me” (Cole Swindell, Greylan James, Rocky Block)
16. “Someone Worth Missing” (Ben Stennis, Michael Tyler, Brad Rempel)
17. “First Second” (Greylan James, Josh Osborne, David Garcia, Rocky Block)
18. “’99 Problems” (Devin Dawson, Seth Ennis, Jordan Minton, Jordan Reynolds)
19. “It Don’t Hurt Anymore” (Blake Bollinger, Trea Landon, Craig Campbell)
20. “Take Me Down” (Cole Swindell, Jessie Jo Dillon, Chris Tompkins, David Garcia)
21. “Heads Up Heaven” (Cole Swindell, Chase McGill, Bobby Pinson)
Trisha Yearwood Gets Star On Hollywood Walk Of Fame
/by Lorie HollabaughTrisha Yearwood
Trisha Yearwood got her own Hollywood Walk of Fame star on Monday (March 24) during a midday unveiling on the sidewalk in front of the historic Capitol Records building.
Yearwood was joined at the event by members of her team, her sister and brother-in-law and husband Garth Brooks, (whose own star on the Hollywood Walk of Fame is just a few steps away from hers.) Her star at 1750 North Vine Street in the heart of Hollywood is the 2805th to be awarded.
Reba McEntire, Trisha Yearwood and Carly Pearce
“It’s very surreal to be here. Such an honor,” said Yearwood, thanking those on hand. “The thing that makes it so special are the people who are here. I see a lot of faces who have been coming to see me live since 1991,” she said. “I love you, and you know that!”
Before accepting the honor, Yearwood’s reputation and persona were heralded in words from close friends and fellow artists Carly Pearce and Reba McEntire.
“People tell you never to meet your heroes,” shared Pearce. “But the woman that we are all celebrating today had made me and so many other aspiring country music singers think differently. I remember from a very young age becoming infatuated with Trisha’s voice. I later realized that she has a tone that is unmatched. Her God-given ability has since entertained millions for decades. For me, what matters is the impact she has continued to have on this industry, this genre, on me and all of the next generation of female country artists, and as my friend.”
“We are in the country music business where girls stick together. We have fun together. We complain and gripe to each other because you can’t do that with anybody else,” said McEntire. “Nobody else understands. So, congratulations on this today. I’m thrilled to pieces for you. I love you with all my heart. Congratulations!”
Maddox Batson Drops Debut EP ‘First Dance’
/by Lorie HollabaughRising country artist Maddox Batson has released his new First Dance EP, via Prosper Entertainment/Warner Records.
First Dance features seven tracks including the cinematic single “Girl In Green,” the turbulent “Problem,” the romantic “It Was You” and more. Batson first connected with fans through his viral hits like “Tears In The River” and “I Wanna Know.” The new EP arrives after the standout “I Don’t Like You Anymore,” which is approaching one million Spotify streams and 2.6 million YouTube views, and follows in the wake of the buzzing “X’s,” which has already amassed over 5.7 million Spotify streams and 11 million YouTube views.
Raised in Birmingham, the now 15-year-old developed a fervent passion for music when he was little. Developing his songwriting chops early, he has already had cuts like a current Lana Del Rey and Quavo single “Tough,” and will make his debut on the Grand Ole Opry stage tomorrow (March 26). Batson is also set to hit the road once again with headlining tour dates in New York City, Dallas, Chicago and more before supporting Lainey Wilson’s “Whirlwind Tour” this fall.
First Dance EP Track List:
1. “I Don’t Like You Anymore” – Maddox Batson, Hunter Phelps, David Garcia and Ashley Gorley
2. “Girl In Green” – Maddox Batson, Peter Fenn and Sam Romans
3. “X’s” – Maddox Batson, Benjamin Negrin, Elysse Yulo, Jaxson Free, Josh Dorr and Nick Bailey
4. “God Talkin’” – Maddox Batson, Josh Dorr, Elysse Yulo, Tiggi, Ned Cameron and Hallie Hertrick
5. “Problem” – Maddox Batson, Johnny Simpson, Dan Henig, JKash, Jake Torrey and Sean Cook
6. “It Was You” – Maddox Batson, Andy Sheridan Josh Dorr
7. “Southbound” – Maddox Batson, Benjamin Negrin, Nick Bailey, Brett Truitt, Josh Dorr and Elysse Yulo
BREAKING: Kenny Chesney, June Carter Cash & Tony Brown To Be Inducted Into Country Music Hall Of Fame
/by LB CantrellThe 2025 inductees for the Country Music Hall of Fame have been announced, including Tony Brown, June Carter Cash and Kenny Chesney.
Brown will be inducted in the Non-Performer category, which is awarded every third year in rotation with the Songwriter and Recording and/or Touring Musician categories. Cash will be inducted into the Veterans Era Artist category and Chesney will be inducted in the Modern Era Artist category.
Country Music Hall of Fame member Vince Gill hosted the press conference to announce the news, which was also streamed live on CMA’s YouTube channel.
“This year’s inductees embody the relentless drive and dedication that defines Country Music,” says Sarah Trahern, CMA Chief Executive Officer. “Kenny, June and Tony have each left a lasting imprint on the genre, shaping its history with their contributions. From a young age, each of them was immersed in music, and their lifelong commitment has led to this very moment. Their achievements speak to the passion and dedication that have defined their extraordinary careers, and the impact of their work will continue to inspire future generations. There’s something incredibly special about being able to surprise each inductee or their family with this recognition – it’s one of the most rewarding aspects of my job, knowing how deeply their careers have touched the lives of so many, including myself. It is with great pride that we honor these three remarkable individuals and celebrate the lasting legacy they have created within our format.”
“All three of the new inductees have left indelible impacts on the genre and firmly established themselves as unforgettable contributors to Country Music,” says Kyle Young, Country Music Hall of Fame and Museum Chief Executive Officer. “North Carolina native Tony Brown is a trailblazing record producer and executive who has helped shape the sound of modern Country since the 1980s, supervising many best-selling records while also ushering in outsider talents to the genre. Virginia-born June Carter Cash was a vibrant torchbearer of her family’s enduring Country Music legacy who forged her own distinctive path during her more than 60-year career as a beloved singer, comedienne and songwriter. And Kenny Chesney, from Tennessee, has maintained one of the biggest hitmaking careers in Country Music since 2000, with more than 50 Top 10 hits, 16 Platinum albums, and is a regular top touring act who continues to delight audiences. Fittingly, they will now forever be enshrined in the Country Music Hall of Fame with their illustrious peers who shaped our art form.”
“When you’re producing No.1 records, you feel like you know what you’re doing,” says Brown. “But being inducted into the Country Music Hall of Fame — especially for someone as idealistic as me —makes it feel like you’ve truly made an impact. And that has always been my goal.”
“June Carter Cash represents the whole cloth of Country Music, it’s breadth and heritage,” says the Cash family. “And June’s place in Country Music is undeniable. From the 1940s, across the decades and into the current century, her voice has been heard across the country and throughout much of the world, both with Mother Maybelle Carter, sisters Helen and Anita, and on her own, as well as with her duet partners, including her beloved Johnny Cash, with whom she told stories and inspired musicians both past, present, and future. She was a loving wife and mother, an actress, singer, songwriter, comedienne and a truly gifted performer whose persona was never exactly what was expected but was always and totally June. She profoundly respected, and was respected for, her craft, and that endures to this day. We, the Carter and Cash families, are most grateful and proud that the County Music Association has given June this well-deserved honor for her undeniable contribution to the fabric of Country Music and American culture.”
“You don’t dare dream of being in the Country Music Hall of Fame, alongside legends including George Jones, Willie Nelson, Alabama, even Dean Dillon,” says Chesney. “I’ve been lucky enough to get to call them my friends, and that was plenty. But hearing the news I’d been voted into the Hall, I can honestly say beyond my wildest dreams, it’s an honor that defies words. I am humbled, grateful, honored…as much for all the songwriters, musicians, artists and people who’ve helped me build my career; they have truly inspired me every single day.”
About the Inductees:
Non-Performer Category – Tony Brown
“I never wanted to be famous,” Tony Brown wrote in his 2018 book “Elvis, Strait, to Jesus: An Iconic Producer’s Journey with Legends of Rock ‘n’ Roll, Country, and Gospel Music,” “I just wanted to be noticed.”
Within the Country Music industry, he became both — a musician, producer and record label executive that the Los Angeles Times Magazine once anointed “The Kingmaker of Country Music.” He has produced more than 100 chart-topping Country hits and has worked with dozens of artists. His parallel paths prompted Rodney Crowell to say, “It would take five of everybody else in the music business to equal one of Tony Brown.”
Born December 11, 1946, in Greensboro, NC, Brown grew up in a strict, religious household, the youngest of four children born to a man who left his job at a dairy to become a Baptist evangelist after receiving a lung cancer diagnosis. As a member of The Brown Family Singers, he sang harmony with his two brothers and a sister, later switching to piano. At 13, he caught the bug for performing from the audience response to his playing at the annual Southern Gospel Music Festival in Benson, NC.
Eventually, he joined the Oak Ridge Boys’ backing band, The Mighty Oaks Band. That same year, the Gospel Music Association named him the Best Gospel Instrumentalist. Brown soon found himself in Elvis Presley’s orbit as a member of Voice, described as Presley’s “on call” house band, available for the late nights when the King wanted to sing gospel songs. From there, he went to the Sweet Inspirations and then to Presley’s TCB Band, succeeding Glen D. Hardin. Brown played piano for Presley’s final concert in Indianapolis on June 26, 1977.
In the months after Presley’s death, Brown joined Emmylou Harris’ renowned Hot Band, replacing Hardin once again. During the 1970s and 1980s, he appeared on her albums Blue Kentucky Girl, Light of the Stable, Evangeline and White Shoes.
Around the same time, he joined Free Flight Records, a Nashville-based pop label under the RCA Records umbrella, as a staff producer, moving to RCA’s Nashville division when Free Flight folded after less than a year. RCA was the top label in town, a status Brown helped solidify when he signed Alabama.
Brown also joined former Hot Band alum Rodney Crowell’s backing band The Cherry Bombs, which featured other Hot Band members as well as Vince Gill, whom Brown had convinced to move to Nashville. When Brown returned to RCA, he signed Gill to the label.
Brown began producing more, as well, having his first hit with Steve Wariner’s 1983 Top 5 single, “Midnight Fire,” which he produced with Norro Wilson.
In March 1984, he jumped from RCA to MCA Nashville, helping make it Nashville’s No. 1 label during Country’s boom years of the 1990s and eventually rising to President of the division. Brown developed a reputation for signing and producing not only commercially successful acts but also adventurous, influential ones.
“He gravitated to artist types that were most often unique and cutting edge, but at the same time he was very much a purist and a traditionalist,” said Ronnie Dunn of Brooks & Dunn, for whom Brown produced the 2006 CMA Single of the Year, “Believe.” “He didn’t try to dictate to the people that he worked with how to do what they did; he challenged them to be all that they could be.”
In 1986, he produced Steve Earle’s seminal Guitar Town, which Brown has said defined his start as a promising producer. He fulfilled that promise when he co-produced Rodney Crowell’s 1988 release Diamonds & Dirt, the first Country album to yield five No. 1 singles.
Brown brought Gill to MCA, where he had his biggest hits. He also signed other future Country Music Hall of Fame members Patty Loveless and Marty Stuart. He produced even more, working with Wynonna Judd on her first three solo albums and developing long-lasting production relationships with Reba McEntire and George Strait. He was a pioneering force in what would become known as Americana, either signing or producing the likes of Joe Ely, Shooter Jennings, Lyle Lovett, The Mavericks, and Allison Moorer. After leaving MCA, he founded Universal South with former Arista Records Nashville chief Tim DuBois in 2002.
Brown is a six-time GRAMMY winner, a Gospel Music Hall of Fame member and a North Carolina Music Hall of Fame member. In 2004, he received Leadership Music’s inaugural Dale Franklin Leadership Award, which honors exemplary leadership in the music community, and the Academy of Country Music’s Icon Award in 2024. The Americana Music Association gave him its Lifetime Achievement Award in 2008. Over the course of his career, he has amassed more than 100 No. 1 singles and seen record sales exceed 100 million units.
Strait, who has recorded 20 albums with Brown as his producer, has said, “Tony Brown is going to leave a big footprint in the music world when he decides to step away.” That day has yet to come, but there’s no doubt people will notice the impact he has made as he steps into the Country Music Hall of Fame.
Veterans Era Artist Category – June Carter Cash
If Country Music really is a family, June Carter Cash was its matriarch for decades. She earned her standing in the Country community not only because of her talent but also because of the way she brought together musicians from across generations, encouraging them and bringing out the best in people as if they were her own family.
She was more than that, of course. There was always more to June Carter. The middle daughter of Ezra and Maybelle Carter, Valerie June was born in Maces Springs, VA, on June 23, 1929. Her mother was five months pregnant with June when she recorded “I’m Thinking Tonight of My Blue Eyes” with A.P. and Sara Carter. Collectively, her mother, aunt and uncle were known as the Carter Family, a trio whose music laid much of the foundation for commercial Country Music.
She entered the family business as a child. By age 10, she had learned to play autoharp and had begun appearing on the Carters’ radio broadcasts, first on stations at the Texas-Mexico border, then at WBT-AM in Charlotte, NC, and on to WRNL-AM and WRVA-AM in Richmond, VA. She performed with her mother and sisters Helen and Anita, developing her comedic chops with characters like Aunt Polly Carter and learning to do anything for a laugh. “I think I tried to be funny when I couldn’t think of anything else to do,” she said.
The family act appeared as regulars on several radio shows — Richmond’s “Old Dominion Barn Dance,” Knoxville’s “Tennessee Barn Dance,” and the “Ozark Mountain Jubilee” in Springfield, MO, before settling at Nashville’s Grand Ole Opry in 1950.
In 1952, June married Opry star Carl Smith. Their four-year marriage produced a daughter, Carlene, who eventually had a successful music career of her own.
After her split from Smith, June and Carlene moved to New York in 1956. She fell into the creative Greenwich Village scene, befriending director Elia Kazan, whom she had met at the Opry, and studying with Sandy Meisner at the Neighborhood Playhouse School of Theatre. She began to land acting roles, including episodes of “Gunsmoke” and “The Adventures of Jim Bowie,” while also flying home on weekends to appear on the Opry.
She returned to Nashville when she married Edwin “Rip” Nix, a local businessman and sportsman, in 1957. Their daughter, Rosie, was born the following year. June and Nix divorced in 1966.
During the early 1960s, Mother Maybelle and the Carter Sisters began touring in support of Johnny Cash, whom June had met backstage at the Ryman Auditorium a few years before. The attraction between the two entertainers was undeniable. June wrote a song about her feelings for Johnny. When Johnny heard “Ring of Fire,” he added mariachi horns and transformed it into a signature hit that topped the Country charts for seven weeks in 1963. They soon began recording duets together, releasing Carryin’ On With Johnny Cash and June Carter in 1967. A song from that album, “Jackson,” won them a GRAMMY.
June married Johnny on March 1, 1968, in Franklin, KY.
Most of the spotlight during the couple’s 35-year marriage fell on Johnny, though they won a second GRAMMY together for their 1970 single “If I Were a Carpenter.” Son John Carter Cash was born on March 3, 1970, while that record was climbing the charts. June also placed a single called “A Good Man” inside the Billboard Country Top 30 in 1971.
Behind the scenes, June played an invaluable role in the Country Music community as she turned the Cash home in Hendersonville, TN, into a creative hub and welcomed established and aspiring musicians and songwriters. She nurtured her “babies,” who included Kris Kristofferson, Waylon Jennings and Larry Gatlin. She inspired and assisted countless others.
While June may have chosen a supporting role as her primary one during those years — she often referred to herself as Aaron to Johnny’s Moses — she also found ways to satisfy her creative spirit. She appeared in the 1997 film “The Apostle” opposite Robert Duvall, who, like June, had studied with Sandy Meisner in New York. In 1999 at age 70, she released Press On, her first album in 25 years. It won the Best Traditional Folk Album GRAMMY in 2000. June won two more GRAMMYs for her follow-up album, Wildwood Flower, in 2004, though those awards came posthumously.
June Carter Cash died on May 15, 2003, at age 73.
Two years later, Reese Witherspoon portrayed June in the film “Walk the Line” and won a Best Actress Oscar for the role.
In 2024, “JUNE,” the critically acclaimed documentary telling the story of her life, was released on Paramount+ and was nominated for a GRAMMY Award in the Best Music Film category.
In 1997’s “Cash: The Autobiography,” Johnny Cash said that June Carter was the greatest woman he ever knew. Only his mother, he said, came close. He also called her “one of the most neglected artists in Country Music. Sadly, I think her contributions to Country Music will go underrecognized simply because she’s my wife; it certainly has been up to now.” That was, he wrote, his only regret about marrying her.
Now, those contributions have finally been properly recognized as she joins so many members of her family and her friends in the unbroken circle of the Country Music Hall of Fame.
Modern Era Artist Category – Kenny Chesney
Kenny Chesney put his car on I-40 heading west on the day the Gulf War started. The young man from East Tennessee was chasing a dream he couldn’t truly know the magnitude of – only that he wanted to write songs and touch people the way George Jones, Conway Twitty and Alabama, as well as Van Halen, Bruce Springsteen and Jackson Browne, had touched him.
The recent East Tennessee State graduate, who’d gone to Russia with the school’s Bluegrass Band alongside future members of Alison Krauss’ Union Station, had already made a few trips to Music City, meeting with publishers, producers and even a couple record company people. He’d play the Turf on a decidedly different Lower Broadway, get a publishing deal at iconic Acuff Rose a year later and be signed to a record deal with legendary Southern rock label Capricorn by no less than founder Phil Walden. In My Wildest Dreams was released in 1994, with “Whatever It Takes” not making much of a dent, but Chesney’s self-penned “The Tin Man” showed a strong creative voice.
It wasn’t until manager Dale Morris took Chesney to RCA’s Joe Galante, himself now a Country Music Hall of Fame member, that things began to fall into place. Heart-forward, decidedly Country, “Fall in Love,” his first BNA single, cracked the Top 10, while 1997’s “She’s Got It All” became his first No. 1.
By 2000, Chesney had a triple Platinum Greatest Hits that included “How Forever Feels,” “I Lost It,” “That’s Why I’m Here,” “Don’t Happen Twice” and “She Thinks My Tractor’s Sexy.” Headlining small arenas, he experienced explosive growth on George Strait’s Country Music Festival stadium tours in 1999 and 2000, which fired his desire to create a sound all his own.
With 2002’s “Young,” the guitar-forward coming of age joyride, Chesney came into his own. Pulling the rock influences he loved through the bluegrass and Country he was born to; a sound that reflected his generation was born. No Shoes, No Shirt, No Problems debuted at No. 1 on Billboard’s all-genre Top 200 Albums chart and forged a new Country aesthetic – as America asked, “Who the hell is Kenny Chesney?”
Hit singles, awards and blown-out switchboards and ticket sites followed in rapid order. By the time 2004’s When The Sun Goes Down also debuted at No. 1 on the Top 200 Albums chart, Chesney had sold-out the University of Tennessee’s Neyland Stadium, the first artist to play there since the Jacksons. Between the thoughtful balladry of “There Goes My Life,” the driving “I Go Back,” the tropical title track duet with Uncle Kracker and the punched up “Keg In The Closet,” the album suggested a thrilling kind of Country for young people with a thirst for life.
Beyond winning four Country Music Association and four Academy of Country Music Entertainer of the Year awards, the soft-spoken songwriter and rising superstar began taking Country to places one wouldn’t expect. Selling out NFL stadiums in Boston, Philadelphia, Pittsburgh, Oakland, Minneapolis, Chicago, Detroit and more, his duets brought Dave Matthews, the Wailers, Grace Potter, Willie Nelson and Mac McAnally to the top of Country radio charts – on his way to being the only Country artist on Billboard’s Top 10 Touring Acts of the Last 25 Years for the last 16 years.
His love of the ocean, always an undertow in his commercial records, inspired a series of singer-songwriter projects that also debuted at No. 1 on the Top 200 Albums chart. Be As You Are (Songs from an Old Blue Chair) spoke to the musical force’s soul, while Lucky Old Sun, Life on a Rock and Songs for the Saints celebrated different aspects of the people and places Chesney inhabited beyond the spotlight. They also yielded “Get Along,” “Pirate Flag,” “Everybody Wants To Go To Heaven” and “Spread The Love.”
Restless and creatively driven, 20 years after his debut, Chesney delivered “American Kids” from his “The Big Revival” – and once again, changed the game. Rhythmically forward, it pressed the energy even higher for the man the Wall Street Journal crowned “The King of the Road” and Variety deemed “Country Music’s only true long-term stadium act.”
That energy permeates Cosmic Hallelujah, Here And Now and BORN, his latest. He has continued pushing the envelope, collaborating across genres with Ziggy Marley, Mindy Smith, P!nk, David Lee Murphy, Kelsea Ballerini and good friend Jimmy Buffett, whom he helped induct into the Rock & Roll Hall of Fame.
And his fans, named No Shoes Nation, are equally voracious. Variety called them, “a concert-going community rivaled perhaps only by Parrotheads and Deadheads.” Chesney sees them as friends, people who share his work hard, love hard, live in the moment and absorb all the positive energy possible ethos.
Whether creating No Shoes Radio to keep the music flowing, “Boys of Fall,” the definitive high school football song that inspired an ESPN documentary, an unprecedented three nights at Gillette Stadium in August of 2024, or taking No Shoes Nation to a whole new dimension as the first Country artist at Sphere in Las Vegas, the high-impact performer is always looking for ways to enrich the people whose own lives are reflected in his albums.
Like “HEART*LIFE*MUSIC,” his first book due this fall, Chesney created a world based on his heart, pulled through his life and infused his music with all the things he valued. Giving everything he had, he delivered the kind of truth that became the sound of coming of age across the nation in the 21st century.
And if there’s anybody in Country Music who puts all of his heart and his life into his music, it’s Kenny Chesney. That’s the mindset that got him to the Country Music Hall of Fame.
Lainey Wilson’s Charitable Fund Makes Major Donation To Family Alliance In Music
/by LB CantrellLainey Wilson. Photo: Eric Ryan Anderson
Lainey Wilson is continuing her advocacy for working families in the music industry with a major gift to Family Alliance in Music (FAM) through her Heart Like a Truck charitable fund.
Wilson has supported FAM since the beginning, and this donation deepens her commitment to helping the organization transform the industry into a place where having a career and having a family aren’t mutually exclusive.
Since launching, FAM has worked to build a more supportive culture for music professionals navigating parenthood, caregiving, and family life. From raising awareness to providing critical resources, the nonprofit has made real progress—and now, thanks to Wilson’s donation, it’s taking the next step: awarding its first $25,000 grant.
The inaugural $25,000 grant will be awarded to a music industry professional in one of the following areas:
– Fertility assistance for those pursuing parenthood.
– Needs-based grants for live touring professionals facing financial hardship due to family demands.
– Family caregiving assistance to support those balancing their careers and caring for a loved one.
– A Small business looking to provide employee benefits that support family needs.
“Family Alliance in Music is tackling one of the most important yet often overlooked challenges in the music industry, ensuring that those who bring so much joy and life to the world through music are supported in their own lives,” says Wilson. “I’m proud to stand behind FAM as they provide grants, raise awareness, and build a better future for families in this industry. It’s time we make caring for a family and pursuing professional dreams a reality for everyone.”
“With Lainey Wilson’s support, we’re ready to make an even greater impact,” shares Jackie Jones, FAM Co-Founder and SVP of Artist and Industry Relations at RIAA. “This first grant is a pivotal step in building a music industry that enables professionals to care for their families while also growing in their artistry and ambition. When we remove barriers to balancing family and career, we create space for more voices to rise into leadership roles, shaping a more inclusive and sustainable industry. We are deeply grateful to Lainey for believing in our mission and for her generosity.”