
Pictured (L-R): Bonnie Garner, Paula Szeigis, Debi Fleischer-Robin, Sarah Trahern, Gerrie McDowell and Bebe Evans. Photo: Alan Mayor.
Numerous music industry elite turned out Tuesday evening (Sept. 24) to celebrate seven women whose careers have made and continue to make an impact on the music industry. Hosted by Jeannie Seely, the 11th Annual SOURCE Awards were held at Nashville’s Musician’s Hall of Fame and Museum. Nashville Mayor Karl Dean and Marsha Blackburn were both on hand to congratulate the honorees; Seely’s previously announced co-host Brenda Lee could not attend.
As attendees were wined and dined, the evening focused on the honorees including Bebe Evans, who has worked with the Charlie Daniels Band for more than 30 years, along with positions at BMI and Sound Seventy Corporation; Debi Fleischer-Robin (Robin Enterprises, Columbia/Sony Records, United Artists Records, Crystal Gayle); Bonnie Garner (Rothbaum and Garner, CBS Records, Dick Cavett Show), Donna Hilley (posthumously), who spearheaded Sony/ATV Publishing, Gerrie McDowell (Gerrieco Texas, Curb Records, Capitol Records), Paula Szeigis (who also spent most of her career working with The Charlie Daniels Band, along with Sound Seventy Corporation), and Sarah Trahern (Great American Country, TNN, C-Span).
Szeigis and Evans were feted by longtime boss Charlie Daniels via video. “Three women run my life,” said Daniels. “My wife, Paula and Bebe. I couldn’t imagine my life without them. They deserve every award they can be honored with.” Szeigis has spent the better part of her four-decade career as a publicist working with the Charlie Daniels Band. In 1992, Charlie manager David Corlew started management company Corlew O’Grady and Szeigis began working with several new artists, including John Berry. Evans began running the Charlie Daniels Band’s touring operations in 1988, a position she still holds more than 30 years later. Evans’ niece, Marcie Allen VanMol, was on hand to honor her aunt as a mentor and respected career woman.
Video tributes to the honorees were also made by Carrie Underwood, Gary Allan and other artists.
“I’m honored to join a group of extraordinary women to have the people in my career who have mentored, encouraged and even pushed me along,” said honoree Garner, who forged a 40-plus year career in concert promotion, record label A&R, television production and artist management. In 1984, she was promoted to the VP of A&R, the first woman to gain that position at CBS Records. In 1987, she left to join Mark Rothbaum & Associates, later named Rothbaum & Garner. “I haven’t been bored a single day in my career and I’m not done yet.”
Crystal Gayle attended to honor Fleischer-Robin, who became Gayle’s tour manager in 1977. Two years later, she was named VP of Operations for Gayle Enterprises. In 1981, she joined the promotion staff at CBS Records in Nashville (which later became Sony Music) and worked there for 17 years, working radio promotion for artists including Johnny Cash, Willie Nelson, Rosanne Cash, Vern Gosdin and many others. She founded Robin Enterprises in 1998, specializing in artist and radio development. She spearheaded comeback songs for Kenny Rogers (“Buy Me A Rose”) and Randy Travis (“Three Wooden Crosses”).
“It is my pleasure to be here to honor Debi,” said Gayle. Talking about her early days of being on the road with Fleischer-Robin, Gayle said, “My career was exploding and there we were, two girls taking on the world. I only wanted the best, and she was.”
Kix Brooks honored Hilley via video, and Sony/ATV’s president/CEO Troy Tomlinson gave a tribute to the former leader of Sony/ATV in Nashville. “Donna Hilley made Margaret Thatcher look like a sissy,” said Tomlinson. “She had two traits; she was tough in all the right places and soft in all the right places. Particularly, that endeared her to songwriters. Songwriters can be very sensitive. They sense when someone is being tough for their best interest, and Hilley knew when to give grace. That balance helped make her a great leader.”
Donna’s three daughters, Vickie Arney, Debbie Tenpenny and Whitney Stewart accepted the award on her behalf. Seely also spoke a few words about Hilley. “She was a role model for me in how to act, though I didn’t always turn out that way,” said the quick-witted host for the evening.
Another video congratulations came from Kenny Rogers, as McDowell was honored. “There are different periods of a career, and Gerri was so responsible for some of my greatest hits,” said Rogers. McDowell was brought to Nashville by Capitol executive Lynn Shults, and she became the first female national promotion executive at a Nashville record label. She later worked in a similar capacity at Curb Records, then as national VP for Curb/Universal. She was the first VP of Promotion to hire an all-female regional promotion staff. In 2000, she began Gerrieco, a Texas music promotion and consulting company.
Trahern, GM/Sr. VP of Scripps Networks Interactive’s Great American Country, moved to Nashville in 1995 to oversee specials and entertainment for TNN. She began her career at C-SPAN in Washington, DC covering politics and public affairs. She joined GAC in 2005 and was promoted to Sr. VP of programming, and in 2010, to GM of the network. “Television is a team sport,” said Trahern. “I may be the coach, but the coach can’t get you touchdowns.” To her team, who was in attendance, she said, “You move us down the field everyday, so this is for all of you.” She also gave ample thanks to her supportive parents, especially her father, who was in attendance. She recalled wanting to become a stewardess and then an airplane pilot as a child; her father was equally supportive of both. “I didn’t learn to limit. When I decided to do something crazy to leave politics to come to Nashville…He taught me that everything was possible.”
Judging by the careers displayed throughout the evening, the 11th Annual SOURCE awards were a potent reminder that in this industry, anything is possible.
All photos courtesy of Alan Mayor.
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Opry Country Classics Series Returns To Ryman In October
/by Lorie HollabaughNeal McCoy will perform songs from his new tribute album, Pride: A Tribute To Charley Pride, on his segment Oct. 10, Bobby Bare celebrates his upcoming induction into the Country Music Hall of Fame on the Oct. 24 show, and Charlie Daniels will have a spooky Halloween-themed time on his show Oct. 31 on the historic Ryman stage.
Opry Country Classics tickets and ticket combos with admission to both Thursday night’s Opry Country Classics shows and Tuesday, Friday, or Saturday Grand Ole Opry shows are available by visiting opry.com.
Rounder Records Moving To Nashville
/by Jessica NicholsonKey members of Rounder’s creative and marketing team including President John Virant, VP A&R Scott Billington, Sr. Director of Promotion Howard Frank, and Project Manager Liza Levy will lead Rounder’s team in Nashville. The label is in the process of securing office space in Nashville. Rounder Records will continue to maintain a presence in Boston via Rounder founders Ken Irwin, Marian Levy, and Bill Nowlin. Director of Publicity Regina Joskow will continue to be based in New York City.
The label is recording home to numerous artists including Alison Krauss & Union Station, Dailey & Vincent, Steep Canyon Rangers, Blue Highway, The Time Jumpers, and Mary Chapin Carpenter.
Rounder Records was founded in 1970 by Irwin, Leighton-Levy and Bill Nowlin. In 2010, Rounder was purchased by Concord Music Group and is distributed by Concord.
SOURCE Awards Honors Women at 11th Annual Event
/by Jessica NicholsonPictured (L-R): Bonnie Garner, Paula Szeigis, Debi Fleischer-Robin, Sarah Trahern, Gerrie McDowell and Bebe Evans. Photo: Alan Mayor.
Numerous music industry elite turned out Tuesday evening (Sept. 24) to celebrate seven women whose careers have made and continue to make an impact on the music industry. Hosted by Jeannie Seely, the 11th Annual SOURCE Awards were held at Nashville’s Musician’s Hall of Fame and Museum. Nashville Mayor Karl Dean and Marsha Blackburn were both on hand to congratulate the honorees; Seely’s previously announced co-host Brenda Lee could not attend.
As attendees were wined and dined, the evening focused on the honorees including Bebe Evans, who has worked with the Charlie Daniels Band for more than 30 years, along with positions at BMI and Sound Seventy Corporation; Debi Fleischer-Robin (Robin Enterprises, Columbia/Sony Records, United Artists Records, Crystal Gayle); Bonnie Garner (Rothbaum and Garner, CBS Records, Dick Cavett Show), Donna Hilley (posthumously), who spearheaded Sony/ATV Publishing, Gerrie McDowell (Gerrieco Texas, Curb Records, Capitol Records), Paula Szeigis (who also spent most of her career working with The Charlie Daniels Band, along with Sound Seventy Corporation), and Sarah Trahern (Great American Country, TNN, C-Span).
Szeigis and Evans were feted by longtime boss Charlie Daniels via video. “Three women run my life,” said Daniels. “My wife, Paula and Bebe. I couldn’t imagine my life without them. They deserve every award they can be honored with.” Szeigis has spent the better part of her four-decade career as a publicist working with the Charlie Daniels Band. In 1992, Charlie manager David Corlew started management company Corlew O’Grady and Szeigis began working with several new artists, including John Berry. Evans began running the Charlie Daniels Band’s touring operations in 1988, a position she still holds more than 30 years later. Evans’ niece, Marcie Allen VanMol, was on hand to honor her aunt as a mentor and respected career woman.
Video tributes to the honorees were also made by Carrie Underwood, Gary Allan and other artists.
“I’m honored to join a group of extraordinary women to have the people in my career who have mentored, encouraged and even pushed me along,” said honoree Garner, who forged a 40-plus year career in concert promotion, record label A&R, television production and artist management. In 1984, she was promoted to the VP of A&R, the first woman to gain that position at CBS Records. In 1987, she left to join Mark Rothbaum & Associates, later named Rothbaum & Garner. “I haven’t been bored a single day in my career and I’m not done yet.”
Crystal Gayle attended to honor Fleischer-Robin, who became Gayle’s tour manager in 1977. Two years later, she was named VP of Operations for Gayle Enterprises. In 1981, she joined the promotion staff at CBS Records in Nashville (which later became Sony Music) and worked there for 17 years, working radio promotion for artists including Johnny Cash, Willie Nelson, Rosanne Cash, Vern Gosdin and many others. She founded Robin Enterprises in 1998, specializing in artist and radio development. She spearheaded comeback songs for Kenny Rogers (“Buy Me A Rose”) and Randy Travis (“Three Wooden Crosses”).
“It is my pleasure to be here to honor Debi,” said Gayle. Talking about her early days of being on the road with Fleischer-Robin, Gayle said, “My career was exploding and there we were, two girls taking on the world. I only wanted the best, and she was.”
Kix Brooks honored Hilley via video, and Sony/ATV’s president/CEO Troy Tomlinson gave a tribute to the former leader of Sony/ATV in Nashville. “Donna Hilley made Margaret Thatcher look like a sissy,” said Tomlinson. “She had two traits; she was tough in all the right places and soft in all the right places. Particularly, that endeared her to songwriters. Songwriters can be very sensitive. They sense when someone is being tough for their best interest, and Hilley knew when to give grace. That balance helped make her a great leader.”
Donna’s three daughters, Vickie Arney, Debbie Tenpenny and Whitney Stewart accepted the award on her behalf. Seely also spoke a few words about Hilley. “She was a role model for me in how to act, though I didn’t always turn out that way,” said the quick-witted host for the evening.
Another video congratulations came from Kenny Rogers, as McDowell was honored. “There are different periods of a career, and Gerri was so responsible for some of my greatest hits,” said Rogers. McDowell was brought to Nashville by Capitol executive Lynn Shults, and she became the first female national promotion executive at a Nashville record label. She later worked in a similar capacity at Curb Records, then as national VP for Curb/Universal. She was the first VP of Promotion to hire an all-female regional promotion staff. In 2000, she began Gerrieco, a Texas music promotion and consulting company.
Trahern, GM/Sr. VP of Scripps Networks Interactive’s Great American Country, moved to Nashville in 1995 to oversee specials and entertainment for TNN. She began her career at C-SPAN in Washington, DC covering politics and public affairs. She joined GAC in 2005 and was promoted to Sr. VP of programming, and in 2010, to GM of the network. “Television is a team sport,” said Trahern. “I may be the coach, but the coach can’t get you touchdowns.” To her team, who was in attendance, she said, “You move us down the field everyday, so this is for all of you.” She also gave ample thanks to her supportive parents, especially her father, who was in attendance. She recalled wanting to become a stewardess and then an airplane pilot as a child; her father was equally supportive of both. “I didn’t learn to limit. When I decided to do something crazy to leave politics to come to Nashville…He taught me that everything was possible.”
Judging by the careers displayed throughout the evening, the 11th Annual SOURCE awards were a potent reminder that in this industry, anything is possible.
All photos courtesy of Alan Mayor.
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CMHoF Pays Tribute to Buddy Emmons
/by Jessica NicholsonPictured (L-R): Guthrie Trapp, Vice President of Museum Programs Jay Orr, Bill Lloyd, Byron House, Pig Robbins, Leon Rhodes, Greg Morrow, Buddy Emmons, Duane Eddy, Dan Dugmore, Dean Miller, Buck Reid, (seated) Steve Fishell and Tommy White.
The Country Music Hall of Fame ® and Museum presented a special program to honor pedal steel guitar legend Buddy Emmons on Saturday (Sept. 21). The program included performances from the new CD, The Big E: Salute to Buddy Emmons, interviews with the musicians featured on the record and a conversation between the record’s producer, Steve Fishell, and Emmons.
The program was presented in partnership with the Americana Music Association.
Vector Management Forms Venture With Boardwalk Entertainment Group
/by Jessica NicholsonBogart, a songwriter, producer and now manager, will base the Boardwalk-Vector venture in Vector’s Los Angeles office.
“Evan and Larry are both astute music executives and great managers,” says Jack Rovner, Co-President and Partner of Vector Management. “There is enormous potential in this new relationship and we are thrilled to be growing a business together.”
“Evan has the music business in his blood and a relentless creativity that we look forward to integrating with our team,” adds Ken Levitan, Vector Management Co-President and Partner.
“Ken and Jack are two of the smartest, experienced and strategic music executives that I’ve ever worked with,” says Evan “Kidd” Bogart. “Our combined knowledge base, infrastructure and global reach combined with our like-minded passion for artist development, both in and out of the studio, make for an unstoppable partnership. I couldn’t be more excited!”
MusicRowPics: Chris Weaver Band
/by Jessica NicholsonChris Weaver Band Artist Visit
Chris Weaver Band visited the MusicRow offices Tuesday afternoon (Sept. 24). He performed his new single, “Raise The Dead,” which was written by Chris Weaver along with James LeBlanc and Josh Leo.
The West Virginia native’s sophomore album, American Dreamer, will be available Nov. 5. The soulful country project was recorded in Nashville with producer Leo (Alabama, Nitty Gritty Dirt Band); also featured are Jack Pearson (slide guitar), Kim Carnes (background vocals), Tony Harrell (keyboards), Steve Mackey (bass) and Tom Bukovac (guitar). Weaver wrote or co-wrote all songs for the project.
During his visit to the MusicRow offices, Weaver followed with “California High” and “I Should Have Said That.”
He has been touring the country recently and visiting reporting stations in support of “Raise The Dead.”
For more information on Chris Weaver Band, visit chrisweaverband.com.
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Big Machine Music Signs Thompson
/by Jessica NicholsonJosh Thompson
Big Machine Music has announced an exclusive publishing agreement with songwriter Josh Thompson.
“We are proud to welcome Josh Thompson to the Big Machine Music team! We count ourselves among the many in this creative community who are fans of his songwriting and look forward to working with him and his songs,” said Big Machine Music VP, Mike Molinar.
As an artist, Thompson has written and released the singles “Beer On The Table” and “Way Out Here.” His latest album will feature Thompson’s single, “Cold Beer With Your Name On It.” The Wisconsin native has also had cuts by Jason Aldean, Brad Paisley, Gary Allan and others.
Thompson says, “As a songwriter, I’ve been at a handful of publishing companies over the years, and I know firsthand that change is good especially when it comes to creativity. The staff at Big Machine Music is top notch, and I’m back working with one of my good friends, Alex Heddle. I’m looking forward to makin’ some noise with this publishing team.”
'Nashville' Back With More Drama For Second Season Tonight
/by Lorie HollabaughThe cast of ‘Nashville’ returns Wednesday night (Sept. 25).
Nashville, the hot ABC-TV drama that helped ramp up Music City’s “it factor” over the past year, is back tonight beginning 10 p.m. ET for a second season. There were plenty of cliffhangers and loose ends to be tied up at the conclusion of season one a few months back, as main character Rayna, portrayed by Connie Britton, and her longtime love and band member Deacon, (Charles Esten), were smashed up in a horrific car accident. Aspiring artists/songwriters Gunnar (Sam Palladio) and Scarlett (Clare Bowen) contemplated marriage with a proposal, and dramatic, rising starlet Juliette (Hayden Panettiere) was left to pick up the pieces after a blackmail attempt and betrayal and her mother’s shocking suicide.
Season two will introduce some new characters into the already spicy mix, including actor Oliver Hudson, who joins the cast as Edgehill Records’ new chief who sets his sights on Rayna, and a reality show vixen who will reportedly give Juliette some stiff competition in the attention-grabbing department.
For a recap of some of last season’s most memorable moments, including Rayna and Deacon’s sizzling lip-lock in the elevator, Deacon’s devastating fall off the wagon, and Rayna’s daughters (Lennon and Maisy Stella) singing “Ho Hey,” check out Nashville creator Callie Khouri’s Top 5 picks from season one moments.
Watch the Nashville season two preview below:
Weekly Register: Justin Moore, Chris Young, Billy Currington
/by Michael_SmithLuke Bryan’s Crash My Party moves to No. 3 (No. 6 overall) selling another 47k units (947k RTD) and Keith Urban’s Fuse maintains its spark, coming in at No. 4 (No. 8 overall) and selling 30k units in its second week (129k RTD). Overall albums are down 6% over prior year while Country albums are down only .2%.
Bryan’s “That’s My Kind Of Night” remains the week’s top country track (No. 11 overall) with another 103k units sold (711k RTD). Tyler Farr’s “Redneck Crazy” holds the second position on the country track chart selling 47k (818k RTD) and No. 25 overall, while Thomas Rhett’s “It Goes Like This” sells another 47k units this week (728k RTD) and sits at No. 3 (No. 26 overall). Top debuts on the Country Tracks chart include Moore’s “Lettin’ The Night Roll” with 13k units sold and Young’s “Who Am I With You” with 11k in sales debuts at No. 36. Currington’s “We Are Tonight” debuts at No. 48 with 8k sold. Overall tracks are down 3.2% while Country tracks are up 5% over prior year.
The top overall album this week is Jack Johnson’s From Here To Now To You selling 117k units, while the top overall track this week is Lorde’s “Royals” selling 306k units (1.6 million RTD).
Next week’s releases include Alan Jackson’s The Bluegrass Album and Willie Nelson’s To All The Girls. The Kings Of Leon, who helped produce Nashville’s recent Music City Eats festival, will also release their album Mechanical Bull next week.
DISClaimer: Ladies Have the Best Sound
/by Robert K OermannAshley Monroe
It’s a girl-power day.
Males dominate the releases this week – what else is new? – but the ladies have most of the best sounds. The finest vocal comes from Bekka Bramlett. The most refreshing new production approach belongs to Heidi Feek. The Disc of the Day is by Ashley Monroe. And the DisCovery Award goes to Leah Turner.
Meanwhile, such fellows as Robby Armstrong and George Ducas remain stuck in that endless country-party loop. The male highlights include Rodney Atkins with his stirring song and Brett Eldredge with his equally stirring groove.
PETE ANDERSON & BEKKA BRAMLETT/Rock In My Shoe
Writer: Pete Anderson; Producers: Michael Murphy and Tony Rambo; Publisher: Jesse Lee, BMI; Little Dog (track)
-Swamp country, with a heaping load of bluesy guitar groove answering Bekka’s every soul-sister vocal lick. Beyond cool. Pete’s just-released CD is titled Birds Above Guitarland. If you have even a passing acquaintance with a six string, you need this record.
THE GOOD INTENTIONS/Hank’s Last Ride
Writer: R Peter Davies; Producer: Rick Shea; Publisher: none listed; Drumfire (track)
-It’s sung from Hank’s point of view, as he contemplates getting into that fateful Cadillac. Unfortunately, the vocalist sounds like he’s at a tea party with his pinky finger raised.
BRETT ELDREDGE/Beat of the Music
Writers: Brett Eldredge/Ross Copperman/Heather Morgan; Producers: Ross Copperman & Brett Eldredge; Publishers: Paris Not France/Smith Wiles/EMI Blackwood/Ross Copperman/4 Tunes/Sony-ATV Tree, BMI; Atlantic
-Pretty dang irresistible. Falling in love has seldom sounded so catchy and so much fun. Also, he’s singing his lungs out on every one of the soaring choruses. You know what? You’ll sing along.
BOBBY ARMSTRONG/Birthday Happy
Writers: Robby Armstrong/Darrell Brown; Producers: Darrell Brown and Robby Armstrong; Publishers: Robby Armstrong/Grey Ink/BMG Chrysalis, ASCAP; Strong Arm
-All rocked up and no place to go.
RODNEY ATKINS/Doin’ It Right
Writers: Jay Knowles; Producers: Ted Hewitt & Rodney Atkins; Publishers: Dean-Parnell/Acme Nashville/BMI; Curb
-His greatest effort since “If You’re Going Through Hell” in 2006. The production makes my heart beat faster. The lyric fires my brain. His performance rings with heartfelt country honesty. I believe in everything about this record. Play it over and over again. Make it a No. 1 hit.
Leah Turner
LEAH TURNER/Take The Keys
Writers: Leah Turner/Cary Barlowe/Jesse Frasure; Producers: Jim Catino, Cary Barlowe and Jesse Frasure; Publishers: WB/Rockin T/Thankful For This Music/Castle Bound/We Be Pawtying/Rio Bravo, ASCAP/SESAC/BMI; Columbia
-Head for the open road, sing along to the radio and fall back in love. Sounds like a plan to me. Especially when it has such a lovely, airy, rushing production and such a winning, confident vocal performance.
ASHLEY MONROE/Weed Instead of Roses
Writers: Ashley Monroe/Sally Barris/Jon McElroy; Producers: Vince Gill and Justin Niebank; Publishers: Reynsong/Ayden/Wrensong/Vista Larga/Songs of Mighty Isis, BMI/ASCAP; Warner Bros.
-A twangin’ hoot. The saucy song has a few sexy suggestions about how to spice up a relationship. Hilariously hillbilly, complete with galloping piano and stuttering steel. In a word, brilliant.
TJ BROSKOFF/This Is The Moment
Writers: TJ Broskoff; Producers: Bill Green and TJ Broskoff; Publisher: Bill Green, BMI; BGM (track)
-His slightly hoarse tenor vocal style draws you in. The barely-there production is simple and straightforward, embellished by tidy fiddle and steel licks. The song is a toe tapper that goes down easily.
GEORGE DUCAS/CowTown
Writers: J. Beavers/G. Ducas; Producer: none listed; Publisher: none listed; Loud Ranch (track)
-The Ducas disc comeback is a rockin’ party song with plenty of guitar and attitude. Relentlessly rhythmic.
HEIDI FEEK/Someday Somebody
Writers: Heidi Feek/Rory Feek; Producer: Heidi Feek & Rory Feek; Publishers: Western Pinup/Milkbarn, SESAC/BMI; Western Pinup
-The production has a bottomless, bassy echo. Her performance of the bluesy, languid tune is sultry and lushly harmonized. The deep-twang guitar solo only adds to the track’s cool, mysteroso vibe. Highly inventive and intriguing. Heidi is gifted singer-songwriter Rory Lee Feek’s offpring. Like father, like daughter, it seems.