Matt Schuster Inks New Management Deal

Matt Schuster. Photo: Joshua Erb

Rising country artist Matt Schuster has signed with new management, partnering with Dillon Goldberg of Nashville-based FNGRPRNT.

The Nashville-based management firm also represents Adrien Nunez (Warner Nashville/Warner Records), Graham Barham (Disruptor Records/Sony Nashville) and Steinza (Listen To The Kids/Santa Anna).

In the past year, Schuster has joined Bailey Zimmerman, Jessie Murph, Myles Smith and Walker Hayes as a supporting act on their headline tours. He is currently signed to Warner Music Nashville for records, Universal Music Publishing Group for publishing and WME for booking representation.

“Matt is an exceptional talent with the kind of voice and songwriting ability that cuts through,” says Goldberg. “I’m thrilled to partner with him and help realize the full scope of what he’s capable of.”

“Dillon brings a lot of experience to the table and really understands the landscape of breaking artists in 2025,” shares Schuster. “He gets how music, content, and culture all work together today, and I’m looking forward to building something strong together.”

The Crowe Boys’ Debut Album ‘Made To Wander’ On Deck For June

The Crowe Boys are releasing their UMG Nashville debut, Made To Wander, on June 6.

The 10-track album of self-penned songs from brothers Ocie and Wes Crowe includes their latest single, “Bonfire In My Soul,” along with a new video for the song, the second of a three-video series, out now.

“I wrote this song for people in our circle who were like, ‘you should quit, or you should give up, or, you know, you’re not a man.’ This was me and my wife saying ‘No, this is us,'” says Ocie. “We care about you guys, and your opinions are valid, but this is what we believe for us.’ My hope is that people know it’s okay to ask questions that you’ve been told not to ask your whole life.”

YouTube video

The video for “Bonfire In My Soul” is the second in the duo’s video trilogy and opens to Ocie and Wes’s characters escaping from guards introduced in “Bootstraps.” The brothers begin unraveling a mystery involving new friends, a mysterious map with secret codes, and a time travel device. In the process, Ocie makes a special connection with a girl. As he takes her hand, the couple takes one last look back before running toward their next adventure. The video trilogy is made up of “Bootstraps,” “Bonfire In My Soul,” and “Debris,” out June 6 with the full album.

Made To Wander Track List:
1. Bootstraps (Ocie Crowe)
2. Let Me Feel Alone (Ocie Crowe)
3. Where Did I Go Wrong (Ocie Crowe)
4. Debris (Ocie Crowe)
5. Bonfire In My Soul (Ocie Crowe)
6. Made To Wander (Ocie Crowe)
7. Good Days (Ocie Crowe, Clara Crowe)
8. Brother Song (Ocie Crowe)
9. Lucky To Be Alive (Ocie Crowe)
10. Hello, I Know (Ocie Crowe, Alex Bachari)

Ali Patton Joins PERK PR & Creative As Publicist

Ali Patton; Photo: Nolan Sritan

Ali Patton has joined PERK PR & Creative Agency as a publicist.

Patton’s prior stops include time at The Nashville Briefing and The 615 House, where she managed social media platforms and curated industry news and updates. Most recently, Patton served as an agent assistant at The Neal Agency, providing administrative support to music agents representing a diverse range of talent.

“This past year for PERK has been a journey – I’m so grateful,” shares Trevor Perkins. “When I met Ali a year ago through various events, I knew that her energy was infectious. Adding her to the team has been one of the best decisions yet. I’m excited to continue to work alongside her and my existing team.”

“I’m excited to join PERK PR and Creative Agency because of its innovative approach and dynamic environment. I’m eager to contribute my skills, learn from a talented team, and help elevate clients’ brands through impactful storytelling,” says Patton.

Weekly Register: Chappell Roan Gets The Job Done On Country Charts

Chappell Roan

Morgan Wallen keeps the top position on the country albums and streaming songs charts this week, according to Luminate data. His 2023 album One Thing At A Time accrued 45K in total consumption (1.5K album only and 57 million song streams) and his latest song “Just in Case,” jumps to the No. 1 position on the songs chart with 19 million streams.

Further down on the albums chart, Wallen’s Dangerous: The Double Album maintains the No. 2 spot earning 33K in total consumption, Post Malone’s F-1 Trillion sits at No. 3 with 23K in total consumption, Zach Top’s Cold Beer & Country Music rises to No. 4 with 19K and, returning to the chart this week, Zach Bryan‘s American Heartbreak at No. 5 with 19K.

On the songs chart, Wallen usurps Shaboozey at No. 2 with “I’m A Little Crazy” earning 16 million streams, Wallen’s “I’m The Problem” comes in at No. 3 with 14 million streams, Shaboozey’s “A Bar Song (Tipsy)” drops to No. 4 with 12 million streams and Chappell Roan makes her country chart debut with “The Giver” accruing 12 million streams.

Craig Wiseman Honored With Mississippi Country Music Trail Marker

Pictured (L-R): Stacy Blythe, Jeff Tanner, Austen Adams, Kimberly Gleason, Craig Wiseman, Patch Culbertson, Mike Giangreco and Eric England; Photo: Courtesy of Visit Mississippi

Big Loud Partner and Nashville Songwriters Hall of Famer Craig Wiseman was honored last week with a Mississippi Country Music Trail Marker in Hattiesburg. The marker, located in Midtown Green Park, commemorates Wiseman’s lasting impact on country music as a part of the Mississippi Country Music Trail which celebrates legendary artists, songwriters, venues and landmarks that have shaped the state’s impact on country music.

In addition to the trail marker, Wiseman was presented with a key to the city, and March 27 was officially proclaimed Craig Wiseman day in Hattiesburg in honor of his achievements. Continuing his legacy of philanthropy, the day also included the dedication of the Midtown Green Bandshell in his honor, made possible through his commitment to giving back to his hometown.

“To be honored like this in the place where it all began—it’s hard to put into words,” shares Wiseman. “Hattiesburg gave me the roots I needed to chase big dreams, and I’ll always carry this city with me. This moment, this marker, this bandshell—it all means the world.”

Dylan Scott Notches Sixth No. 1 Country Radio Hit

Dylan Scott has earned his sixth No. 1 single on country radio with “This Town’s Been Too Good To Us.” The track has hit the top spot on both the Billboard and Medibase country charts.

Written by Scott alongside John Byron, Ashley Gorley, Taylor Phillips and Charlie Handsome, the tune is Scott’s second No. 1 hit of 2025, and serves as the lead single to his upcoming album Easy Does It, releasing May 30 via Curb Records.

“This No. 1 is special to me!” shares Scott. “A song about where I grew up and the people I grew up with. To be able to have two songs hit No. 1 in 2025 is crazy! I’m grateful for my promo team at Curb who fight for my music every single day and to all the radio stations out there that continue to support my music. Thank y’all!”

“This Town’s Been Too Good To Us” celebrates Scott’s hometown of Bastrop, Louisiana, as reflects on the passing memories that have shaped his identity.

This No. 1 claim also marks Scott as the fourth most played artist at country radio so far this year, following Morgan Wallen, Post Malone and Jelly Roll.

Scott will kick off his “Country Till I Die Tour” this Thursday (April 3) in Boston. The trek will include stops in Toronto, Salt Lake City, Orlando and more. George Birge, Dasha and Graham Barham will join Scott as special guests. Additionally, Scott will also play a headline show at Nashville’s The Pinnacle on Sept. 26 with Birge and Mackenzie Carpenter.

Songwriting Legend Troy Seals Passes

Troy Seals. Photo: Courtesy of ASCAP

Nashville Songwriters Hall of Fame member Troy Seals has died at age 86.

During his illustrious career, Seals co-wrote more than 75 charted singles, including 30 top 10 hits and 11 No. 1 records. Among his classics are “Seven Spanish Angels,” “Lost in the Fifties Tonight,” “There’s a Honky-Tonk Angel (Who’ll Take Me Back In)” and “If You Ever Have Forever in Mind.” Troy Seals was also a recording artist and a session guitarist.

The musician was born in Big Hill, Kentucky, and his family moved to Cincinnati when he was 11. Troy Seals began his career at age 17 in 1956. He and his band The Earthquakes performed on the rock & roll nightclub circuit during the 1950s, working with such legends as Fats Domino, Jackie Wilson, Bo Diddley, The Drifters, Lloyd Price, Dorsey Burnette and Chubby Checker.

At one rock & roll show, Seals met rockabilly recording artist Jo-Ann Campbell, who was featured in such teen films as Go, Johnny Go (1958) and Hey Let’s Twist (1961). Not long after Seals and Campbell married, she scored a 1963 country hit with “I’m the Girl From Wolverton Mountain.” Billed as “Jo-Ann & Troy,” the couple had pop success with “I Found a Love, Oh What a Love” in 1964.

After regular appearances on Dick Clark’s TV shows American Bandstand and Where the Action Is, Campbell retired in 1965. Seals gave up music and founded a construction company in 1968. The couple moved to Nashville in early 1969. Troy Seals continued to work in construction, building Music Row’s Quadraphonic Studio. He also took work as a session musician, hoping to break into the country industry.

He began to make inroads as a songwriter in the 1970s. In 1972, Sammi Smith had a top 40 hit with his “Girl in New Orleans.” Waylon Jennings introduced Seals’ co-written ballad “We Had It All” in 1973. Although never a big hit, the song became something of a country standard with subsequent versions by Dolly Parton, Dottie West, Tom Jones, B.J. Thomas, Tina Turner, Donna Fargo and co-writer Donnie Fritts, among others.

Troy Seals recorded his debut album at Quadraphonic in 1973. Titled Now Presenting Troy Seals, the Atlantic Records collection included his version of “We Had It All,” as well as “There’s a Honky Tonk Angel (Who’ll Take Me Back In).”

Another of the artists Troy Seals worked with on the rock & roll circuit was Conway Twitty, who had transitioned into country stardom in Nashville. Twitty took Seals under his wing and in 1974 turned “There’s a Honky Tonk Angel” into the songwriter’s first No. 1 smash. Twitty also had No. 1 hits with the Seals tunes “Don’t Take It Away” (1979), “Red Neckin’ Love Makin’ Night” (1982) and “Fallin’ for You for Years” (1987). Three Troy Seals songs were duet hits for Twitty and Loretta Lynn, “Feelin’s” (1975), “I Can’t Love You Enough” (1977) and “From Seven Till Ten” (1978).

Producer Billy Sherrill recorded Troy Seals as the songwriter’s second album. It was issued by Columbia Records in 1976. Seals also recorded singles for Elektra, RCA, Polydor and several smaller labels. But he became increasingly known for his writing, rather than his recordings.

By the close of the 1970s, Troy Seals was established as a Music Row tunesmith. He worked with a variety of co-writers, most successfully Eddie Setser, Max D. Barnes, Graham Lyle and Mike Reid. Seals and wife Jo-Ann Campbell were also sometimes cowriters. His early songs were recorded by Johnny Paycheck, Jeanne Pruett, Jerry Lee Lewis, Nat Stuckey, Bob Luman and Connie Smith. In 1979, Elvis Presley had a posthumous, top 10 country hit with his revival of “There’s a Honky Tonk Angel.”

The 1980s witnessed his full flowering as a songwriter. During the decade, Troy Seals provided top-10 hits for Charley Pride (1980’s “You Almost Slipped My Mind”), The Bellamy Brothers (1984’s “Forget About Me”), George Jones (1985’s “Who’s Gonna Fill Their Shoes”), Keith Whitley (1986’s “Ten Feet Away”), Alabama (1984’s “When We Make Love”), John Schneider (1985’s “Country Girls”), Ronnie McDowell (1984’s “I Dream of Women Like You”), Lee Greenwood (1986’s “Didn’t We”) and Waylon Jennings (1985’s “Drinkin’ and Dreamin’”).

Between 1980 and 1986, Brenda Lee, David Allan Coe, Johnny Rodriguez, Merle Haggard, Glen Campbell, Dobie Gray and others also issued country singles of Troy Seals songs. In 1985, his co-written “Seven Spanish Angels” became a smash hit for Willie Nelson and Ray Charles. It was nominated as Song of the Year by the CMA and was the biggest country hit of Charles’ career.

Seals songs reached beyond country music. In 1983, Eric Clapton had a pop hit with the songwriter’s “I’ve Got a Rock and Roll Heart.” Over the years, Troy Seals copyrights were also recorded by such pop and R&B stars as Joe Cocker, Millie Jackson, Celine Dion, Three Dog Night, Etta James, Jodeci, Delbert McClinton, Aretha Franklin, The Rolling Stones and Barry Manilow, among others.

In 1985, Ronnie Milsap had a huge hit with “Lost in the Fifties Tonight.” This became the second Troy Seals song nominated for a CMA Award. It won the ACM’s Song of the Year honor, was ASCAP’s Country Song of the Year and earned Milsap a Grammy. It also led to Troy Seals being named Country Songwriter of the Year by ASCAP.

Troy Seals became even more successful in 1987-88, when he co-wrote six top 10 country hits. In addition to Twitty’s “Fallin’ for You for Years,” these included “Maybe Your Baby’s Got the Blues” for The Judds, “Let the Music Lift You Up” for Reba McEntire, “No More One More Time” for Jo-El Sonnier, “Joe Knows How to Live” for Eddy Raven and “I Won’t Need You Anymore (Always and Forever)” for Randy Travis, which won the singer a Grammy Award. During this same two-year span, Seals also provided singles for Gene Watson, The Bama Band and Hank Williams Jr. This era was capped by his induction into the Nashville Songwriters Hall of Fame in 1988.

Troy Seals closed out the 1980s by cowriting a top-10 hit for The Oak Ridge Boys (“Beyond Those Years”) and a No. 1 success for Eddy Raven (“Bayou Boys”). Around this time, the songwriter’s nephew Brady Seals was becoming known at the keyboardist/singer in the band Little Texas. The extended family also included country stars Dan Seals and Johnny Duncan, pop star Jim Seals of Seals & Crofts and hit songwriter Chuck Seals (“Crazy Arms”).

Troy Seals began the 1990s with a flurry of successes. He co-wrote the George Jones/Randy Travis duet “A Few Ole Country Boys,” as well as Eddy Raven’s “Island” and Travis Tritt’s “Looking Out for Number One.” Seals earned his third CMA Song of the Year nomination along with co-writer Vince Gill for 1999’s “If You Ever Have Forever in Mind.”

His 1990s singles also included songs recorded by Faith Hill, John Anderson, Clinton Gregory, John Berry, Neal McCoy, J.P. Pennington, Chris LeDoux, Mike Reid and nephew Brady Seals, who was then recording as a solo artist. The songwriter’s last notable chart success was with his co-written “Good Little Girls,” recorded by the duo Blue County in 2003. At the time, Troy Seals was 65 years old.

Troy Seals died at home in Hendersonville on March 6. He is survived by wife Jo-Ann and by son Troy Jr. Funeral services were private.

The Museum Of Christian & Gospel Music Set To Open Labor Day Weekend

The Museum of Christian & Gospel Music (The C&G) is set to open Labor Day weekend in the heart of Music City, just steps from the Ryman Auditorium.

Presented by The Gospel Music Association (GMA), The Museum of Christian & Gospel Music will be an immersive, interactive experience where visitors can step into powerful stories of faith and transformation, hear stirring music and even create remixes of iconic songs. From the soaring harmonies of gospel greats to today’s chart-topping Christian songs, The C&G will honor the full spectrum of Christian and gospel music past, present and future.

The C&G will be a living, breathing part of the industry, offering live performances, workshops, interviews and artist encounters. The museum’s rotating collections will feature music milestones, timeless memorabilia and more. Special inaugural ticket pricing, commemorative items and exclusive Founding Memberships are available here.

There will be a variety of series for all genres, including Podcasts, Brown Bag Lunch Symposiums, Writers Workshops and more. Limited tickets are on sale today for the initial Legacy Series event at the museum, with its first-ever Artist in Residence: 16-time Dove Award-winner and three-time GMA Hall of Fame inductee, Russ Taff. Fans can connect with him in powerful new ways through this special program.

“The Christian Music industry has been rooted in Nashville for decades and people have dreamed of this museum for just as long,” says Steve Gilreath, Executive Director of The Museum. “Now, right in the heart of downtown, we’re creating a space where people can touch the music that has touched us all.”

GMA President Jackie Patillo adds, “The GMA mission to expose, promote, and celebrate the Gospel through music is being fulfilled in this first-ever Museum of Christian & Gospel Music. Thanks to our Board of Directors, artists, and supporters, a team of experts have come together to present the many diverse styles including gospel, CCM, Southern Gospel, rap, hip hop, and worship, which will all be celebrated with the power of its life-changing message filling the air.”

FBMM Elevates Three To Associate Business Manager

Laura Beth Hendricks, Ben Huddleston & Abby Lamb

Entertainment business management firm FBMM has promoted Laura Beth Hendricks, Ben Huddleston and Abby Lamb to Associate Business Manager, all based in the firm’s Nashville office.

“We are committed to developing the next generation of leaders and cultivating an environment where employees choose to grow their careers,” shares FBMM Owner Jen Conger. “Abby, Ben and Laura Beth have each forged their own career paths at FBMM, and the other owners and I all look forward to seeing them continue to do so in this new role.”

Hendricks has held her CPA since 1996, and joined FBMM in 2010. She held the role of Director of Internal Compliance and Support and also worked with several clients. In her new role, Hendricks will be in full-time business management.

“I love the collaborative nature of FBMM, the clients I get to work with and the amazing experiences that come with this job,” says Hendricks. “FBMM has always been supportive of my career path over the years and now is the right time to take this next step. This promotion is especially meaningful to me as I celebrate 15 years at FBMM while the company celebrates its 35th anniversary this year.”

Joining FBMM in 2016, Huddleston has crafted a team that works with music executives and high net worth individuals. The team creates individualized plans for each client and service bookkeeping, cashflow and tax planning, risk management and more.

“It’s rewarding to play a role on an artist’s larger team that is responsible for getting music into the world,” adds Huddleston. “I’m thankful to have found a career that combines my love for music with my finance background. I look forward to continuing to serve my clients and grow my team.”

Celebrating 10 years at the firm, Lamb supports international touring acts, independent artists, Grammy award-winning producers and more on her diverse roster. She has a wealth of knowledge for tour planning, budgeting and financial development and sees her clients throughout every stage of their career.

“We handle one of the things that means the most to people – their financial wellbeing – and I take that responsibility seriously,” explains Lamb. “FBMM sets a high standard for excellence in business management and becoming an associate business manager signifies the trust the FBMM owners and my clients have in me and my team.”

Lainey Wilson Celebrates Two More No. 1 Hits At Historic Bradley’s Barn

Pictured (L-R): BMI’s Clay Bradley, Broken Bow Records’ Lee Adams, Trannie Anderson (BMI), Sony Music Publishing’s Rusty Gaston, Lainey Wilson (BMI), ASCAP’s Duane Hobson, Paul Sikes (ASCAP), Endurance Music Group’s Lauren Funk, BBR Music Group/BMG Nashville’s Shelley Hargis and Studio Bank’s Kari Barnhart. Photo: Larry McCormack for BMI

Lainey Wilson brought members of the music industry out to Mt. Juliet last week to celebrate her seventh and eighth chart-toppers, “Wildflowers and Wild Horses” and “4x4xU,” with a special event at the historic Bradley’s Barn.

Pictured (L-R): One Riot’s Amy Patton, Sony Music Publishing’s Rusty Gaston, Reservoir’s John Ozier, Jon Decious (BMI), BMI’s Clay Bradley, Lainey Wilson (BMI), Studio Bank’s Kari Barnhart, Broken Bow Records’ Lee Adams and BBR Music Group/BMG Nashville’s Shelley Hargis. Photo: Larry McCormack for BMI

Originally established in the mid-1960s by Country Music Hall of Fame member Owen Bradley, the studio was converted from a horse barn into a cutting-edge recording facility. It quickly became a creative haven for legends like Merle Haggard, George Jones, Brenda Lee, Loretta Lynn, Conway Twitty, J.J. Cale and more—helping shape the Nashville sound. After a fire destroyed the original barn in 1980, it was rebuilt in 1984 and continued to serve as a creative space for the Bradley family. Today, Owen’s great-grandchildren, John and Lillian Grace Bradley, have updated the space to host events and live music, preserving its legacy for a new generation.

Hosted by BMI and ASCAP, the event welcomed guests to explore country music artifacts. The parking lot was filled with 4×4 trucks in a nod to Wilson’s hit “4x4xU.”

Pictured (L-R): Red Light Management’s Mandelyn Monchick, Jon Decious, Lainey Wilson and BMI’s MaryAnn Keen. Photo: Larry McCormack for BMI

After a special welcome from BMI’s Clay Bradley, the company’s MaryAnn Keen led the program, beginning with a celebration of “Wildflowers and Wild Horses.” Wilson was joined onstage by co-writers Trannie Anderson and Paul Sikes, with tributes from ASCAP’s Duane Hobson, Sony Music Publishing’s Rusty Gaston, Endurance Music Group’s Lauren Funk and BBR Music Group/BMG Nashville’s Shelley Hargis.

Sikes shared a personal moment, saying his father had come to town for the celebration. “I wouldn’t be here if it weren’t for his support,” he said. “Lainey is a generational talent. I’m honored to be a small part of that.”

Anderson reflected on her journey during her speech. “I moved to Nashville 10 years ago in June. My dream was to figure out some way to write songs full time,” she said. “Having a couple No. 1s under my belt, with one of my best friends in the entire world, is bigger than I ever dreamed.”

Bradley’s Barn. Photo: Larry McCormack for BMI

The celebration continued with “4x4xU,” which had earned ACM nominations that very morning for Song of the Year and Visual Media of the Year. Wilson took the stage with co-writer Jon Decious, who gave a shoutout to fellow co-writer Aaron Raitiere. In Raitiere’s absence, Decious presented Wilson and Red Light Management’s Mandelyn Monchick with matching jerseys—designed by Raitiere after they wrote the song—as a symbol of their belief in its success from the beginning.

Joining the celebration were Sony Music Publishing’s Gaston, Reservoir’s John Ozier, One Riot’s Amy Patton and Broken Bow Records’ Lee Adams.

Sponsored by Studio Bank, the event also featured a special donation presentation from Kari Barnhart on behalf of Wilson and her co-writers to support Wilson’s Heart Like A Truck charitable fund, which champions causes that aim to change lives and celebrate resilience.

Decious was also honored with a custom Taylor 210e DLX guitar to mark his first No. 1 as a BMI songwriter. When he spoke, he thanked his family, team and village, and joked, “I don’t know what goes into making a No. 1 record, but I’m glad y’all know,” drawing laughter from the crowd. “To get to celebrate this song with everyone who is family to me is like a movie. Thank you.”

To close the celebration, Wilson offered heartfelt thanks to her collaborators and supporters.

“I could not have hand picked a better team of people to be in my life,” said the reigning ACM Entertainer of the Year. “Y’all are more than just team members. Y’all are family. A lot of people say don’t mix business and pleasure, but that just ain’t how we roll. We just can’t help it, because we fight for each other when it’s family involved.”

Pictured (L-R): MusicRow’s John Nix Arledge, Trannie Anderson, Lainey Wilson, Paul Sikes and MusicRow’s LB Cantrell. Photo: Larry McCormack for BMI

Pictured (L-R): MusicRow’s John Nix Arledge, Jon Decious, Lainey Wilson and MusicRow’s LB Cantrell. Photo: Larry McCormack for BMI