Bonnaroo Music & Arts Festival 2024. Photo: Charles Reagan
Bonnaroo Music & Arts Festival wrapped its 2024 event over the weekend in Manchester, Tennessee. The annual festival took place June 13–16, and featured an array of acts across multiple genres.
Post Malone and Billy Strings perform during Bonnaroo Music & Arts Festival 2024. Photo: Pooneh Ghana
Fans filled The Farm for the four-day function on Thursday (June 13). Acts such as Chapel Hart, Matt Maltese, Say She She, Eggy and more entertained the crowd on the Centeroo stages and around the Outeroo campgrounds before opening headliner Pretty Lights took the What Stage that evening to play a range of tunes including Dolly Parton’s “Jolene” and Pink Floyd’s “Goodbye Blue Sky.” Post Malone headlined the What Stage on Friday night (June 14), performing hits “Better Now,” among others. Following “Rockstar,” he brought Billy Strings for two songs during his set, while the Which Stage radiated energy emitted by Maggie Rogers and T-Pain, among others.
Saturday (June 15) featured Which Stage performances by Reneé Rapp, Melanie Martinez and more as well as an Other Stage set by Diplo, This Tent performance by Sean Paul and That Tent appearance by Tanner Usrey, along with many others. Talent including Jon Basiste and Cage The Elephant set the tone on the What Stage before the Red Hot Chili Peppers took over. After rocking out, the group invited all attendees to a Waffle House afterparty. Chappell Roan graced the Which Stage on Sunday (June 16) with tracks from her new album, The Rise and Fall of a Midwest Princess, followed by Charles Wesley Godwin, Jason Isbell and the 400 Unit and others, while Galantis and more hit The Other Stage. Despite a rain delay, Carley Rae Jepsen jammed out with fans on the What Stage, incorporating her 2012 smash “Call Me Maybe” into her set. Megan Thee Stallion was up next and reportedly brought the heat with “Hot Girl Summer” and a cover of Cardi B’s “Wap,” before headliner Fred Again closed out the festival.
Red Hot Chili Peppers headlining Bonnaroo Music & Arts Festival 2024. Photo: Josh Brasted
https://musicrow.com/wp-content/uploads/2024/06/Aerial-Post-Malone-by-Charles-Reagan-for-Bonnaroo-20241246-scaled-e1718724774309.jpg15921990Liza Andersonhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngLiza Anderson2024-06-18 10:58:352024-06-18 10:58:35Bonnaroo Music & Arts Festival Wraps 2024 Event
Country music star Jake Owen was presented with a celebratory plaque from Pandora honoring his two billion streams on the platform. This award came as Owen kicked off SiriusXM’s CMA Fest party during The Highway’s Music Row Happy Hour at Margaritaville on June 6.
The hardware was presented by SiriusXM/Pandora’s Johnny Chiang, VP Music Programming, Country, Alina Thompson, Associate Director, Strategy & Operations/Artist & Industry Relations, Victoria Alfonso, Coordinator, Artist & Industry Relations, and The Highway Hosts Ania Hammar and Ashley Till. The artist boasts an array of Gold and Platinum albums, billions of streams across multiple platforms and ten No. 1 songs, including “Barefoot Blue Jean Night,” “Made For You,” and “I Was Jack (You Were Diane).”
“It’s truly an incredible feeling to reach two billion streams on Pandora,” expresses Owen. “Knowing that our music is resonating with so many people is deeply gratifying. As artists, we simply hope to connect with listeners, and seeing this kind of support is humbling and heartwarming.”
“We are thrilled to congratulate Jake on this remarkable achievement,” says Chiang. “Reaching over two billion spins on Pandora is a testament to Jake’s incredible talent and the deep connection he has with his fans. Everyone at SiriusXM Pandora looks forward to celebrating many more successes with him.”
Additionally, Owen is currently preparing to hit the road with duo Dan + Shay on “The Heartbreak On The Map Tour,” which kicks off July 18 in Cincinnati, Ohio and continues through the United States until the end of September.
Priscilla Block will kick off a new era of music this Friday (June 21) with the release of her new EP, PB2, via Mercury Nashville.
Block first announced the news during her CMA Fest fan club party, and shared a preview of the project’s accompanying visualizers. The five-song EP features already-released track “Hey Jack,” and her current radio single “Good On You,” which has amassed over 14 million streams.
“It’s been a while leading up to this next era for me and I’m so excited it’s finally here,” shares Block. “I wanted to drop three songs that showcase three different sides of me as an artist. ‘Apartment’ is my vulnerable, heart-on-my-sleeve side. ‘Bad Guy’ is the sassy anthem that I want to dance to all night long in a club. ‘Hell Out of a Hometown’ is the country girl inside of me that’s always evolving. This is the start of an ongoing story so make sure y’all pay close attention. Here’s to PB2!”
Coming off of her headlining “Hey Jack Tour,” Block will continue touring throughout the year and open for Jon Pardi on his “Mr. Saturday Night Tour.” She is also set to make festival appearances at Country Thunder Bristol, Windy City Smokeout, Crossroads 41 Festival and among more.
PB2 Track Listing:
1. “Good On You”
2. “Hell Out Of A Hometown”
3. “Bad Guy”
4. “Hey Jack”
5. “Apartment”
https://musicrow.com/wp-content/uploads/2024/06/PB_PB2_Cvr_3000x3000_HiRes_WEB.jpg20002000Madison Hahnenhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngMadison Hahnen2024-06-18 09:48:032024-06-18 09:48:03Priscilla Block To Begin New Era Of Music This Friday
MusicRow, Nashville’s leading music industry publication, has released its 2024 Artist Roster print issue, featuring ASCAP songwriter and Big Loud Records/Songs & Daughters/Pigasus Records recording artist Hailey Whitters on the cover.
Over the past year, Whitters’ career has continued to skyrocket as she took home the ACM Award for New Female Artist of the Year and was nominated for New Artist of the Year at the CMA Awards. Last year alone, Whitters made her night TV debut on multiple programs and performed her hit single “Everything She Ain’t” at the ACM Awards. The hit appeared on her breakthrough album Raised, which, like her 2020 album The Dream, appeared on over 15 year-end best-of lists, and was named Rolling Stone’s No. 1 country album of the year.
“Everything She Ain’t” marked multiple firsts for the Iowa-born artist including her first-ever top 20 single at country radio, appearance on the Billboard Hot 100 and RIAA Platinum certification. The song has been played over 175 million times on TikTok, inspiring many trends on the platform.
This year’s Artist Roster print edition features exclusive editorials including a celebration of Curb Records’ 60th anniversary. In the six decades since its inception, the company has achieved an impressive 435 No. 1 hits, garnered over 1,500 top 10 songs and charted over 4,500 total records. Founder and Chairman Mike Curb talks to MusicRow about the label’s journey and his vision.
Three of Nashville’s top managers—Daniel Miller, Charly Salvatore and Juli Griffith—come together for a roundtable discussing the opportunities and challenges they face in our rapidly-growing industry.
The Artist Roster issue also explores the impact of Beyoncé’s Cowboy Carter album on the industry and the featured artists that have been championed because of it. Elsewhere, Asha Goodman, Exec. VP of Sacks & Co. and head of its Nashville office also talks with MusicRow about elevating their expansive client list.
Finally, this issue features a look inside the exciting Nashville Yards development. Pinnacle’s Head of Music, Sports and Entertainment Andy Moats; CAA Co-Head of Nashville Music Jeff Krones; Southwest Value Partners’ Managing Partner Cary Mack and AEG Presents’ Regional VP Mike DuCharme all give their expertise on the value the new neighborhood will bring to the industry.
In addition to its editorial features, MusicRow’s 2024 Artist Roster contains a six-part company directory, complete with client rosters in the categories: Label, Management, Talent Agents, Publicity, Artist Services (Banking, Business Management/Financial/Insurance, Digital Music, Legal, Marketing and Radio Promotion), Media and Organizations (Trade & Professional Development, Performing & Mechanical Rights and Unions).
This edition also offers a summarizing Artist Grid, which has become an indispensable tool connecting artists to their team members in Label, Management, Talent Agency and Publicity categories.
Single copies of MusicRow’s 2024 Artist Roster print issue are available for purchase at musicrow.com for $50, and are included with yearly MusicRowsubscriptions.
https://musicrow.com/wp-content/uploads/2024/06/Artist-Roster-On-The-Cover-FT-.jpg8371030MusicRow Staffhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngMusicRow Staff2024-06-18 09:22:472024-06-18 09:22:47On The Cover: Hailey Whitters Graces Cover Of MusicRow’s 2024 Artist Roster Issue
Pictured (L–R): Dream 3’s Laurel Kittleson-Cobb, Greg Hill, Kobalt’s Kevin Lane, Dream 3’s Emily Olson and Trent Fisher
Trent Fisher has inked an exclusive publishing agreement with Dream 3 Publishing and Kobalt.
The California native was born into a football family. He eventually walked onto the team at Auburn University, while also playing music and leading worship at church on Sunday mornings. Fisher moved to Nashville in 2017 and worked various jobs, but remained committed to developing his songwriting skills. He began teaching history and psychology at his former high school in 2019, and had his first cut with Pryor & Lee’s “Good Ol’ Dogs and God” in 2021.
Fisher joins Ben Caver, Jon Stark and Dawson Edwards on the Dream 3 roster.
“So many people around town know and love Trent, but not many know what an incredible songwriter he is,” says Emily Olson, Partner & Creative Director, Dream 3 Publishing. “He’s been quietly writing amazing songs and working at his craft over the years. We are so excited to help take him and his songs to the next level, and for him to be a part of the Nashville songwriting community.”
“It’s an honor to join the team at Dream 3. Not only do Greg [Hill], Laurel [Kittleson-Cobb] and Emily bring a wealth of experience from different facets of the industry, they’re also incredible people who have felt like family since our first meeting,” shares Fisher. “I want to thank them for believing in me and for the love and support they’ve shown my family and I since day one.”
Dasha during her Grand Ole Opry debut. Photo: Juan Flores Mena
Dasha made her Grand Ole Opry debut on Saturday night (June 15).
Pictured (L–R): Reflection Management’s Katy Cooper, King Publicity’s Avery King, Dasha, Warner Records’ Ben Farber and Type A Management’s Alex Lunt. Photo: Juan Flores Mena
The emerging country-pop artist received a standing ovation after performing her smash single “Austin” as well as “Talk of the Town,” both of which are featured on her debut country album What Happens Now?.
“It was such an honor to get to step into that circle,” shares Dasha. “The Opry is the home of country music and from the second I stepped in the building, I could feel the magic that everyone always talks about.”
Amassing 10 billion views on TikTok, “Austin” has vaulted to No. 5 on Billboard’s Hot Country Songs chart in addition to scoring a spot in the top 40 of Billboard ‘s Hot 100, peaking at No. 20. Dasha has also scaled Billboard‘s Emerging Artists Chart, landing at No. 2, with What Happens Now? simultaneously peaking at No. 124 on the Billboard 200.
https://musicrow.com/wp-content/uploads/2024/06/Photo-by-Juan-Flores-Mena-2-scaled-e1718653642847.jpg14371975Lorie Hollabaughhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngLorie Hollabaugh2024-06-17 14:53:362024-06-17 14:53:36Dasha Makes Grand Ole Opry Debut
The Academy of Country Music unveiled the winners of the Industry Awards and Studio Recording Awards for the 59th Academy of Country Music Awards today (June 17) through video announcements featuring Kelsea Ballerini, Dierks Bentley, Dan + Shay, Jordan Davis, Vince Gill, Cody Johnson, Parker McCollum, Justin Moore, Thomas Rhett, Tigirlily Gold and Keith Urban as well as local media personalities from across the nation.
All winners and the soon-to-be-announced Special Award recipients will be celebrated during the 17th Annual ACM Honors on Wednesday, Aug. 21 at the historic Ryman Auditorium.
The ACM Studio Recording Awards recognize the creators behind the music. To be eligible, each artist, musician, producer and engineer must have played a part in a commercially-released single or album embodying the creator’s performance that achieves top 20 chart position or better during the eligibility period. Nominees are then selected by a professional panel of judges approved by the ACM Officers before being voted on by members classified in the Artist-Entertainer/Musician-Bandleader-Instrumentalist categories and the Producer-Engineer-Studio Manager categories.
Paul Franklin won his second ACM Specialty Instrument Player of the Year award, marking his 18th ACM Award overall while tying fellow steel guitar player J.D. Maness for most ACM Studio Recording Award wins. Dann Huff scored his fifth win for ACM Producer of the Year, bringing his total ACM Award count to 11. Huff is the most-nominated non-artist in ACM Awards history with 57 nominations, surpassed only by artists Alabama, Brooks & Dunn, Kenny Chesney, Merle Haggard, Alan Jackson, Miranda Lambert, Tim McGraw and George Strait.
Jimmie Lee Sloas took home his fifth win for ACM Bass Player of the Year. Rob McNelley won his first ACM Electric Guitar Player of the Year award, bringing his ACM Award total to four. His previous three awards fell in the ACM Guitar Player of the Year category, which was split into standalone Electric and Acoustic categories in 2021.
Jim “Moose” Brown scored his third ACM Piano/Keys Player of the Year award. Audio engineer Jim Cooley, piano/keys player David Dorn and guitar player Charlie Worsham each received their second career ACM Award for Audio Engineer of the Year, Piano/Keys Player of the Year and Acoustic Guitar Player of the Year, respectively. Lastly, Jerry Roe earned his first ACM Award with the Drummer of the Year title.
The ACM Industry Awards honors venues and talent buyers/promoters who have bought or promoted a predetermined number of country music concerts and helped to promote country music ticket sales. Nominees are selected by a professional panel of judges approved by the ACM Officers, with ACM members classified in the Artist/Musician/Producer/Engineer, Venue, Manager, Talent Agent, Talent Buyer/Promoter categories voting to determine the winners.
Nashville’s Ryman Auditorium and Bridgestone Arena, which are one block away from each other, were named ACM Theater of the Year and ACM Arena of the Year, respectively. This marks the Ryman Auditorium’s eighth win, and Bridgestone Arena’s sixth. Mohegan Sun Arena in Uncasville, Connecticut took home its eighth ACM Award as well in the Casino of the Year – Arena category.
Red Rocks Amphitheatre in Morrison, Colorado earned its third ACM Outdoor Venue of the Year title and fifth overall ACM Award. Joe’s Live in Rosemont, Illinois received its third ACM Award for Club of the Year, and the club’s owner Ed Warm notched his first win for ACM Talent Buyer of the Year, bringing his total personal trophy count to six.
Tortuga Music Festival in Fort Lauderdale, Florida took home its third ACM Award for Festival of the Year, and Choctaw Grand Theater in Durant, Oklahoma scored its third ACM Award with Casino of the Year – Theater. San Antonio Stock Show & Rodeo won its second ACM Award for Fair/Rodeo of the Year, and AEG Presents’ Adam Weiser marked his first ACM Award for Promoter of the Year.
https://musicrow.com/wp-content/uploads/2024/05/1x1.jpg10801080Liza Andersonhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngLiza Anderson2024-06-17 14:21:492024-06-17 14:27:55ACM Unveils Industry & Studio Recording Award Winners
Jeremy Tepper, Program Director for SiriusXM Satellite Radio’s Outlaw Country and Willie’s Roadhouse, has passed away at age 61.
“Jeremy Tepper was a beloved member of SiriusXM. With an unwavering dedication to music and an innovative spirit, Jeremy profoundly influenced us all,” said SiriusXM in a recent Instagram post. “His contributions to our organization, particularly in shaping the identity of Outlaw Country and Willie’s Roadhouse, are beyond measure. Our thoughts are with his family, friends, and colleagues during this difficult time.”
“We lost an amazing friend here at SiriusXM,” echoes Outlaw Country radio host Sunny Sweeney. “[Jeremy] was like my big brother, the best boss I’ve ever known and a completely irreplaceable piece of Willie’s Roadhouse and Outlaw Country. Some of you may not know him by name, but please know that Jeremy Tepper will be so greatly missed and has left a gigantic hole in our world. He was a magical human being [who] was so passionate and knew more about music than any other person I’ve ever known. He had absolutely impeccable taste and knew all the deep cuts. He was the independent artist’s knight in shining armor.”
Willie Nelson’s publicist Elaine Schock adds, “Jeremy was a good friend and we had lots of adventures working with Willie for about twenty years. This just hurts my heart. I’m sick of getting it punched with these blindsides. I will miss him terribly. I was going to see him in a few weeks. I’m so sad for his family–and for myself to be honest. Jeremy was one of the good ones.”
A visitation will take place on Monday, June 24 from 2–6 p.m. CT at Greenwich Village Funeral Home in New York City, NY.
https://musicrow.com/wp-content/uploads/2024/06/Jeremyteppersquare.jpg980980John Nix Arledgehttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngJohn Nix Arledge2024-06-17 14:15:172024-06-24 13:40:38SiriusXM’s Jeremy Tepper Dies At 61
Jessi Alexander continues to move up the MusicRow Top Songwriter Chart, sitting at No. 7 this week. The songwriter’s entries for “Ain’t No Love In Oklahoma” and “Chevrolet” give her the spot.
Zach Bryan remains in the No. 1 spot this week with “Pink Skies,” “I Remember Everything” and “Nine Ball.” With “I Had Some Help,” “Cowgirls,” “Bulletproof,” “Young Love & Saturday Nights,” “Hell Or High Water” and “This Town’s Been Too Good To Us,” Ashley Gorley sits at No. 2 this week.
Josh Phillips (No. 3), Hunter Phelps (No. 4) and Chris Stapleton (No. 5) round out this week’s top five.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
https://music-row-website-assets.s3.amazonaws.com/wp-content/uploads/2022/06/06230541/Jessi-Alexander_Press-Photo-2022-scaled.jpg17072560Madison Hahnenhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngMadison Hahnen2024-06-17 13:20:042024-06-17 13:20:04Jessi Alexander Continues To Climb MusicRow Top Songwriter Chart
Buzz Cason. Photo: Courtesy of the Country Music Hall of Fame and Museum
Buzz Cason, a key figure in Nashville’s emergence as a music center, passed away on Sunday, June 16, at age 84.
He made his mark as a studio owner, music publisher, artist, songwriter, session vocalist, record producer and industry leader. Cason founded Nashville’s first rock & roll band, co-wrote the pop evergreen “Everlasting Love,” was a hit recording artist, founded Creative Workshop studio, sang national ad jingles and was an ombudsman for Nashville music.
Born James E. Cason, he was a Nashville native who formed The Casuals as a high-school student in 1956. This was Nashville’s first rock & roll band. The group had a regional hit in 1957 with “My Love Song for You,” then became the backup group for the first global pop star, Brenda Lee, in 1958-70. The Casuals continued to record its own singles for Monument, Mainstream, Kem, Sound Stage 7, Minaret, Scarlet and other labels in the 1960s.
In addition to recording with The Casuals, he formed a doo-wop harmony group called The Statues. The group charted with “Blue Velvet” in 1960. Cason’s solo vocal pop hit was 1960’s “Look For a Star,” released as by “Garry Miles.” The Casuals continued to tour with Lee, but Cason left the group in 1962. He briefly relocated to L.A., where he co-produced The Crickets with Leon Russell. Then he toured with the group in 1964, while producing artists for Liberty Records.
Cason returned to Nashville in 1965 and became a member of Ronny & The Daytonas. He co-wrote the group’s hit 1965 ballad “Sandy.” He then formed a duo with “Ronny,” who was Bucky Wilkin. They recorded as “Buzz & Bucky” for the Amy and Monument labels. Throughout this same period, Cason also recorded as a solo artist for Caprice, Janus, DJM, Mega, Warners and Capricorn, among others. He issued Buzz as an LP in 1977. Two years later came his Caught Up in a Dream collection. By then, he had established himself as a hit songwriter. In addition to “Sandy,” Cason was behind “Tennessee” (1962, Jan & Dean), “Soldier of Love” (1963, The Beatles), “Popsicle” (1966, Jan & Dean), “Rainbow Valley” (1968, Love Affair), “Ann Don’t Go Runnin’” (1972, Tommy Overstreet), “Love on a Mountaintop” (1973, Robert Knight) and “Another Woman” (1975, T.G. Sheppard).
Cason became a businessman, too. In 1966, he formed a song-publishing company with fellow songwriter Bobby Russell. They struck paydirt with “Honey” (Bobby Goldsboro), “The Joker Went Wild” (Bryan Hyland), “Little Green Apples” (Roger Miller, O.C. Smith), “Sure Gonna Miss Her” (Gary Lewis & The Playboys), “Bluer Than Blue” (Michael Johnson), “She Believes in Me” (Kenny Rogers) and more. He discovered Jimmy Buffett, cowrote with the future star and published his early songs. In 1984, Buffett brought his entire hit Coral Reefer catalog to Cason for publishing administration.
In 1970, Cason built Creative Workshop in Berry Hill. This established the suburb as an alternative entertainment district to Music Row. There are now more than 40 recording operations in the neighborhood. Among those who have recorded at Creative Workshop are The Faces with Rod Stewart, Olivia Newton-John, The Judds, Emmylou Harris, Merle Haggard, The Doobie Brothers, Leon Russell, Melanie and Dolly Parton.
As a studio vocalist, Cason sang ad jingles for such national brands as R.C. Cola, Schlitz, Ford, Tab, Pabst, Burger King, Mountain Dew, HBO and 7-Up. He was a backup singer on records by Elvis Presley, Tom Jones, John Denver, Kenny Rogers, Kris Kristofferson, Roy Orbison, Janie Fricke, B.W. Stevenson, Donna Fargo, Willie Nelson and Conway Twitty. He was the voice of “Alvin” on several Chipmunks records. As a producer, he worked with Freddy Weller, Dickey Lee, The Glaser Brothers, Buddy Knox and Mac Garden. Cason produced “She Shot a Hole in My Soul” for Clifford Curry in 1967. Released on Cason’s Elf label, it became a “beach music” classic in the Carolinas.
He and Gayden cowrote “Everlasting Love.” Nashville soul singer Robert Knight introduced the song in 1967 on Cason’s Rising Sons record label. It has subsequently become successful for Carl Carlton (1974), Rex Smith & Rachel Sweet (1981) and Gloria Estefan (1995). The song has now logged more than five million plays, according to BMI.Songwriting success continued with “Bar Wars” (1978, Freddy Weller), “Fantasy Island” (1979, Freddy Weller), “A Million Old Goodbyes” (1981, Mel Tillis) and “Timeless and True Love” (The McCarter Sisters, Jeannie Kendall & Alan Jackson). His songs have also been recorded by Charley Pride, Arthur Alexander, Marshall Crenshaw, U2, Pearl Jam, The Oak Ridge Boys, Jerry Lee Lewis, Jerry Reed, Dolly Parton, Rick Nelson, Bobby Vee, Gene Watson, The Fleetwoods, Freddy Cannon, Placido Domingo, The Derailers, Tommy Roe, Hanson, The Nitty Gritty Dirt Band and David Essex, among others.
Meanwhile, Cason continued to record, himself. During the 1980s, he formed the neo-rockabilly, good-time band B.C. & The Dartz. He established his I’m Into Video production company to create the group’s music videos. Cason was also a race-car driver who competed via the International Motor Sports Association. He formed a team called Music City Racing.
He remained musically active into the new millennium. Cason and Tom Douglas co-wrote “Love’s the Only House,” and it became a top-10 hit for Martina McBride in 2000. In 2004, Cason published his memoir, Living the Rock-n-Roll Dream. His solo albums during this period included Hats Off to Hank (2008), Busload of Love (2009), Surf andTurf (2012), Troubadour Heart (2014), Record Machine (2015), Passion (2017) and his collaboration with Billy Swan, Billy & Buzz Sing Buddy (2018). With his children Taylor and Parker, he issued the album Buzz Cason & Sons 2020. In 2019, The Nashville Film Festival showcased the documentary Berry Hill: From Creative Workshop and Beyond, highlighting his career.
Cason’s death was announced by The Country Music Hall of Fame yesterday (June 16). The museum had honored him in its “Poets & Prophets” series in 2014. He is survived by wife Vickie, daughters Tammy Cason, Kristy Cason and Leah Ball Steen, sons Taylor and Parker, nine grandchildren and a large extended family.
A visitation will take place on Thursday, June 20 from 1–3 p.m. CT at Williamson Memorial Funeral Home in Franklin, Tennessee. A memorial service will be held on Friday, June 21, from 1–2 p.m. CT at Forest Hills Baptist Church. Cason’s burial will be private.
https://musicrow.com/wp-content/uploads/2024/06/Buzz-Cason-Horizontal.png6301200Robert K Oermannhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngRobert K Oermann2024-06-17 11:26:042024-06-19 19:38:05Nashville Pop Pioneer Buzz Cason Passes
Bonnaroo Music & Arts Festival Wraps 2024 Event
/by Liza AndersonBonnaroo Music & Arts Festival 2024. Photo: Charles Reagan
Bonnaroo Music & Arts Festival wrapped its 2024 event over the weekend in Manchester, Tennessee. The annual festival took place June 13–16, and featured an array of acts across multiple genres.
Post Malone and Billy Strings perform during Bonnaroo Music & Arts Festival 2024. Photo: Pooneh Ghana
Fans filled The Farm for the four-day function on Thursday (June 13). Acts such as Chapel Hart, Matt Maltese, Say She She, Eggy and more entertained the crowd on the Centeroo stages and around the Outeroo campgrounds before opening headliner Pretty Lights took the What Stage that evening to play a range of tunes including Dolly Parton’s “Jolene” and Pink Floyd’s “Goodbye Blue Sky.” Post Malone headlined the What Stage on Friday night (June 14), performing hits “Better Now,” among others. Following “Rockstar,” he brought Billy Strings for two songs during his set, while the Which Stage radiated energy emitted by Maggie Rogers and T-Pain, among others.
Saturday (June 15) featured Which Stage performances by Reneé Rapp, Melanie Martinez and more as well as an Other Stage set by Diplo, This Tent performance by Sean Paul and That Tent appearance by Tanner Usrey, along with many others. Talent including Jon Basiste and Cage The Elephant set the tone on the What Stage before the Red Hot Chili Peppers took over. After rocking out, the group invited all attendees to a Waffle House afterparty. Chappell Roan graced the Which Stage on Sunday (June 16) with tracks from her new album, The Rise and Fall of a Midwest Princess, followed by Charles Wesley Godwin, Jason Isbell and the 400 Unit and others, while Galantis and more hit The Other Stage. Despite a rain delay, Carley Rae Jepsen jammed out with fans on the What Stage, incorporating her 2012 smash “Call Me Maybe” into her set. Megan Thee Stallion was up next and reportedly brought the heat with “Hot Girl Summer” and a cover of Cardi B’s “Wap,” before headliner Fred Again closed out the festival.
Red Hot Chili Peppers headlining Bonnaroo Music & Arts Festival 2024. Photo: Josh Brasted
Jake Owen Presented With Pandora Billionaires Plaque
/by John Nix ArledgeJake Owen with his Pandora Billionaires Plaque
Country music star Jake Owen was presented with a celebratory plaque from Pandora honoring his two billion streams on the platform. This award came as Owen kicked off SiriusXM’s CMA Fest party during The Highway’s Music Row Happy Hour at Margaritaville on June 6.
The hardware was presented by SiriusXM/Pandora’s Johnny Chiang, VP Music Programming, Country, Alina Thompson, Associate Director, Strategy & Operations/Artist & Industry Relations, Victoria Alfonso, Coordinator, Artist & Industry Relations, and The Highway Hosts Ania Hammar and Ashley Till. The artist boasts an array of Gold and Platinum albums, billions of streams across multiple platforms and ten No. 1 songs, including “Barefoot Blue Jean Night,” “Made For You,” and “I Was Jack (You Were Diane).”
“It’s truly an incredible feeling to reach two billion streams on Pandora,” expresses Owen. “Knowing that our music is resonating with so many people is deeply gratifying. As artists, we simply hope to connect with listeners, and seeing this kind of support is humbling and heartwarming.”
“We are thrilled to congratulate Jake on this remarkable achievement,” says Chiang. “Reaching over two billion spins on Pandora is a testament to Jake’s incredible talent and the deep connection he has with his fans. Everyone at SiriusXM Pandora looks forward to celebrating many more successes with him.”
Additionally, Owen is currently preparing to hit the road with duo Dan + Shay on “The Heartbreak On The Map Tour,” which kicks off July 18 in Cincinnati, Ohio and continues through the United States until the end of September.
Priscilla Block To Begin New Era Of Music This Friday
/by Madison HahnenPriscilla Block will kick off a new era of music this Friday (June 21) with the release of her new EP, PB2, via Mercury Nashville.
Block first announced the news during her CMA Fest fan club party, and shared a preview of the project’s accompanying visualizers. The five-song EP features already-released track “Hey Jack,” and her current radio single “Good On You,” which has amassed over 14 million streams.
“It’s been a while leading up to this next era for me and I’m so excited it’s finally here,” shares Block. “I wanted to drop three songs that showcase three different sides of me as an artist. ‘Apartment’ is my vulnerable, heart-on-my-sleeve side. ‘Bad Guy’ is the sassy anthem that I want to dance to all night long in a club. ‘Hell Out of a Hometown’ is the country girl inside of me that’s always evolving. This is the start of an ongoing story so make sure y’all pay close attention. Here’s to PB2!”
Coming off of her headlining “Hey Jack Tour,” Block will continue touring throughout the year and open for Jon Pardi on his “Mr. Saturday Night Tour.” She is also set to make festival appearances at Country Thunder Bristol, Windy City Smokeout, Crossroads 41 Festival and among more.
PB2 Track Listing:
1. “Good On You”
2. “Hell Out Of A Hometown”
3. “Bad Guy”
4. “Hey Jack”
5. “Apartment”
On The Cover: Hailey Whitters Graces Cover Of MusicRow’s 2024 Artist Roster Issue
/by MusicRow StaffMusicRow, Nashville’s leading music industry publication, has released its 2024 Artist Roster print issue, featuring ASCAP songwriter and Big Loud Records/Songs & Daughters/Pigasus Records recording artist Hailey Whitters on the cover.
Over the past year, Whitters’ career has continued to skyrocket as she took home the ACM Award for New Female Artist of the Year and was nominated for New Artist of the Year at the CMA Awards. Last year alone, Whitters made her night TV debut on multiple programs and performed her hit single “Everything She Ain’t” at the ACM Awards. The hit appeared on her breakthrough album Raised, which, like her 2020 album The Dream, appeared on over 15 year-end best-of lists, and was named Rolling Stone’s No. 1 country album of the year.
“Everything She Ain’t” marked multiple firsts for the Iowa-born artist including her first-ever top 20 single at country radio, appearance on the Billboard Hot 100 and RIAA Platinum certification. The song has been played over 175 million times on TikTok, inspiring many trends on the platform.
This year’s Artist Roster print edition features exclusive editorials including a celebration of Curb Records’ 60th anniversary. In the six decades since its inception, the company has achieved an impressive 435 No. 1 hits, garnered over 1,500 top 10 songs and charted over 4,500 total records. Founder and Chairman Mike Curb talks to MusicRow about the label’s journey and his vision.
Three of Nashville’s top managers—Daniel Miller, Charly Salvatore and Juli Griffith—come together for a roundtable discussing the opportunities and challenges they face in our rapidly-growing industry.
The Artist Roster issue also explores the impact of Beyoncé’s Cowboy Carter album on the industry and the featured artists that have been championed because of it. Elsewhere, Asha Goodman, Exec. VP of Sacks & Co. and head of its Nashville office also talks with MusicRow about elevating their expansive client list.
Finally, this issue features a look inside the exciting Nashville Yards development. Pinnacle’s Head of Music, Sports and Entertainment Andy Moats; CAA Co-Head of Nashville Music Jeff Krones; Southwest Value Partners’ Managing Partner Cary Mack and AEG Presents’ Regional VP Mike DuCharme all give their expertise on the value the new neighborhood will bring to the industry.
In addition to its editorial features, MusicRow’s 2024 Artist Roster contains a six-part company directory, complete with client rosters in the categories: Label, Management, Talent Agents, Publicity, Artist Services (Banking, Business Management/Financial/Insurance, Digital Music, Legal, Marketing and Radio Promotion), Media and Organizations (Trade & Professional Development, Performing & Mechanical Rights and Unions).
This edition also offers a summarizing Artist Grid, which has become an indispensable tool connecting artists to their team members in Label, Management, Talent Agency and Publicity categories.
Single copies of MusicRow’s 2024 Artist Roster print issue are available for purchase at musicrow.com for $50, and are included with yearly MusicRow subscriptions.
Trent Fisher Inks With Dream 3 Publishing & Kobalt
/by Liza AndersonPictured (L–R): Dream 3’s Laurel Kittleson-Cobb, Greg Hill, Kobalt’s Kevin Lane, Dream 3’s Emily Olson and Trent Fisher
Trent Fisher has inked an exclusive publishing agreement with Dream 3 Publishing and Kobalt.
The California native was born into a football family. He eventually walked onto the team at Auburn University, while also playing music and leading worship at church on Sunday mornings. Fisher moved to Nashville in 2017 and worked various jobs, but remained committed to developing his songwriting skills. He began teaching history and psychology at his former high school in 2019, and had his first cut with Pryor & Lee’s “Good Ol’ Dogs and God” in 2021.
Fisher joins Ben Caver, Jon Stark and Dawson Edwards on the Dream 3 roster.
“So many people around town know and love Trent, but not many know what an incredible songwriter he is,” says Emily Olson, Partner & Creative Director, Dream 3 Publishing. “He’s been quietly writing amazing songs and working at his craft over the years. We are so excited to help take him and his songs to the next level, and for him to be a part of the Nashville songwriting community.”
“It’s an honor to join the team at Dream 3. Not only do Greg [Hill], Laurel [Kittleson-Cobb] and Emily bring a wealth of experience from different facets of the industry, they’re also incredible people who have felt like family since our first meeting,” shares Fisher. “I want to thank them for believing in me and for the love and support they’ve shown my family and I since day one.”
Dasha Makes Grand Ole Opry Debut
/by Lorie HollabaughDasha during her Grand Ole Opry debut. Photo: Juan Flores Mena
Dasha made her Grand Ole Opry debut on Saturday night (June 15).
Pictured (L–R): Reflection Management’s Katy Cooper, King Publicity’s Avery King, Dasha, Warner Records’ Ben Farber and Type A Management’s Alex Lunt. Photo: Juan Flores Mena
The emerging country-pop artist received a standing ovation after performing her smash single “Austin” as well as “Talk of the Town,” both of which are featured on her debut country album What Happens Now?.
“It was such an honor to get to step into that circle,” shares Dasha. “The Opry is the home of country music and from the second I stepped in the building, I could feel the magic that everyone always talks about.”
Amassing 10 billion views on TikTok, “Austin” has vaulted to No. 5 on Billboard’s Hot Country Songs chart in addition to scoring a spot in the top 40 of Billboard ‘s Hot 100, peaking at No. 20. Dasha has also scaled Billboard‘s Emerging Artists Chart, landing at No. 2, with What Happens Now? simultaneously peaking at No. 124 on the Billboard 200.
ACM Unveils Industry & Studio Recording Award Winners
/by Liza AndersonThe Academy of Country Music unveiled the winners of the Industry Awards and Studio Recording Awards for the 59th Academy of Country Music Awards today (June 17) through video announcements featuring Kelsea Ballerini, Dierks Bentley, Dan + Shay, Jordan Davis, Vince Gill, Cody Johnson, Parker McCollum, Justin Moore, Thomas Rhett, Tigirlily Gold and Keith Urban as well as local media personalities from across the nation.
All winners and the soon-to-be-announced Special Award recipients will be celebrated during the 17th Annual ACM Honors on Wednesday, Aug. 21 at the historic Ryman Auditorium.
The ACM Studio Recording Awards recognize the creators behind the music. To be eligible, each artist, musician, producer and engineer must have played a part in a commercially-released single or album embodying the creator’s performance that achieves top 20 chart position or better during the eligibility period. Nominees are then selected by a professional panel of judges approved by the ACM Officers before being voted on by members classified in the Artist-Entertainer/Musician-Bandleader-Instrumentalist categories and the Producer-Engineer-Studio Manager categories.
Paul Franklin won his second ACM Specialty Instrument Player of the Year award, marking his 18th ACM Award overall while tying fellow steel guitar player J.D. Maness for most ACM Studio Recording Award wins. Dann Huff scored his fifth win for ACM Producer of the Year, bringing his total ACM Award count to 11. Huff is the most-nominated non-artist in ACM Awards history with 57 nominations, surpassed only by artists Alabama, Brooks & Dunn, Kenny Chesney, Merle Haggard, Alan Jackson, Miranda Lambert, Tim McGraw and George Strait.
Jimmie Lee Sloas took home his fifth win for ACM Bass Player of the Year. Rob McNelley won his first ACM Electric Guitar Player of the Year award, bringing his ACM Award total to four. His previous three awards fell in the ACM Guitar Player of the Year category, which was split into standalone Electric and Acoustic categories in 2021.
Jim “Moose” Brown scored his third ACM Piano/Keys Player of the Year award. Audio engineer Jim Cooley, piano/keys player David Dorn and guitar player Charlie Worsham each received their second career ACM Award for Audio Engineer of the Year, Piano/Keys Player of the Year and Acoustic Guitar Player of the Year, respectively. Lastly, Jerry Roe earned his first ACM Award with the Drummer of the Year title.
The ACM Industry Awards honors venues and talent buyers/promoters who have bought or promoted a predetermined number of country music concerts and helped to promote country music ticket sales. Nominees are selected by a professional panel of judges approved by the ACM Officers, with ACM members classified in the Artist/Musician/Producer/Engineer, Venue, Manager, Talent Agent, Talent Buyer/Promoter categories voting to determine the winners.
Nashville’s Ryman Auditorium and Bridgestone Arena, which are one block away from each other, were named ACM Theater of the Year and ACM Arena of the Year, respectively. This marks the Ryman Auditorium’s eighth win, and Bridgestone Arena’s sixth. Mohegan Sun Arena in Uncasville, Connecticut took home its eighth ACM Award as well in the Casino of the Year – Arena category.
Red Rocks Amphitheatre in Morrison, Colorado earned its third ACM Outdoor Venue of the Year title and fifth overall ACM Award. Joe’s Live in Rosemont, Illinois received its third ACM Award for Club of the Year, and the club’s owner Ed Warm notched his first win for ACM Talent Buyer of the Year, bringing his total personal trophy count to six.
Tortuga Music Festival in Fort Lauderdale, Florida took home its third ACM Award for Festival of the Year, and Choctaw Grand Theater in Durant, Oklahoma scored its third ACM Award with Casino of the Year – Theater. San Antonio Stock Show & Rodeo won its second ACM Award for Fair/Rodeo of the Year, and AEG Presents’ Adam Weiser marked his first ACM Award for Promoter of the Year.
SiriusXM’s Jeremy Tepper Dies At 61
/by John Nix ArledgeJeremy Tepper
Jeremy Tepper, Program Director for SiriusXM Satellite Radio’s Outlaw Country and Willie’s Roadhouse, has passed away at age 61.
“Jeremy Tepper was a beloved member of SiriusXM. With an unwavering dedication to music and an innovative spirit, Jeremy profoundly influenced us all,” said SiriusXM in a recent Instagram post. “His contributions to our organization, particularly in shaping the identity of Outlaw Country and Willie’s Roadhouse, are beyond measure. Our thoughts are with his family, friends, and colleagues during this difficult time.”
“We lost an amazing friend here at SiriusXM,” echoes Outlaw Country radio host Sunny Sweeney. “[Jeremy] was like my big brother, the best boss I’ve ever known and a completely irreplaceable piece of Willie’s Roadhouse and Outlaw Country. Some of you may not know him by name, but please know that Jeremy Tepper will be so greatly missed and has left a gigantic hole in our world. He was a magical human being [who] was so passionate and knew more about music than any other person I’ve ever known. He had absolutely impeccable taste and knew all the deep cuts. He was the independent artist’s knight in shining armor.”
Willie Nelson’s publicist Elaine Schock adds, “Jeremy was a good friend and we had lots of adventures working with Willie for about twenty years. This just hurts my heart. I’m sick of getting it punched with these blindsides. I will miss him terribly. I was going to see him in a few weeks. I’m so sad for his family–and for myself to be honest. Jeremy was one of the good ones.”
A visitation will take place on Monday, June 24 from 2–6 p.m. CT at Greenwich Village Funeral Home in New York City, NY.
Jessi Alexander Continues To Climb MusicRow Top Songwriter Chart
/by Madison HahnenJessi Alexander
Jessi Alexander continues to move up the MusicRow Top Songwriter Chart, sitting at No. 7 this week. The songwriter’s entries for “Ain’t No Love In Oklahoma” and “Chevrolet” give her the spot.
Zach Bryan remains in the No. 1 spot this week with “Pink Skies,” “I Remember Everything” and “Nine Ball.” With “I Had Some Help,” “Cowgirls,” “Bulletproof,” “Young Love & Saturday Nights,” “Hell Or High Water” and “This Town’s Been Too Good To Us,” Ashley Gorley sits at No. 2 this week.
Josh Phillips (No. 3), Hunter Phelps (No. 4) and Chris Stapleton (No. 5) round out this week’s top five.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
Nashville Pop Pioneer Buzz Cason Passes
/by Robert K OermannBuzz Cason. Photo: Courtesy of the Country Music Hall of Fame and Museum
Buzz Cason, a key figure in Nashville’s emergence as a music center, passed away on Sunday, June 16, at age 84.
He made his mark as a studio owner, music publisher, artist, songwriter, session vocalist, record producer and industry leader. Cason founded Nashville’s first rock & roll band, co-wrote the pop evergreen “Everlasting Love,” was a hit recording artist, founded Creative Workshop studio, sang national ad jingles and was an ombudsman for Nashville music.
Born James E. Cason, he was a Nashville native who formed The Casuals as a high-school student in 1956. This was Nashville’s first rock & roll band. The group had a regional hit in 1957 with “My Love Song for You,” then became the backup group for the first global pop star, Brenda Lee, in 1958-70. The Casuals continued to record its own singles for Monument, Mainstream, Kem, Sound Stage 7, Minaret, Scarlet and other labels in the 1960s.
In addition to recording with The Casuals, he formed a doo-wop harmony group called The Statues. The group charted with “Blue Velvet” in 1960. Cason’s solo vocal pop hit was 1960’s “Look For a Star,” released as by “Garry Miles.” The Casuals continued to tour with Lee, but Cason left the group in 1962. He briefly relocated to L.A., where he co-produced The Crickets with Leon Russell. Then he toured with the group in 1964, while producing artists for Liberty Records.
Cason returned to Nashville in 1965 and became a member of Ronny & The Daytonas. He co-wrote the group’s hit 1965 ballad “Sandy.” He then formed a duo with “Ronny,” who was Bucky Wilkin. They recorded as “Buzz & Bucky” for the Amy and Monument labels. Throughout this same period, Cason also recorded as a solo artist for Caprice, Janus, DJM, Mega, Warners and Capricorn, among others. He issued Buzz as an LP in 1977. Two years later came his Caught Up in a Dream collection. By then, he had established himself as a hit songwriter. In addition to “Sandy,” Cason was behind “Tennessee” (1962, Jan & Dean), “Soldier of Love” (1963, The Beatles), “Popsicle” (1966, Jan & Dean), “Rainbow Valley” (1968, Love Affair), “Ann Don’t Go Runnin’” (1972, Tommy Overstreet), “Love on a Mountaintop” (1973, Robert Knight) and “Another Woman” (1975, T.G. Sheppard).
Cason became a businessman, too. In 1966, he formed a song-publishing company with fellow songwriter Bobby Russell. They struck paydirt with “Honey” (Bobby Goldsboro), “The Joker Went Wild” (Bryan Hyland), “Little Green Apples” (Roger Miller, O.C. Smith), “Sure Gonna Miss Her” (Gary Lewis & The Playboys), “Bluer Than Blue” (Michael Johnson), “She Believes in Me” (Kenny Rogers) and more. He discovered Jimmy Buffett, cowrote with the future star and published his early songs. In 1984, Buffett brought his entire hit Coral Reefer catalog to Cason for publishing administration.
In 1970, Cason built Creative Workshop in Berry Hill. This established the suburb as an alternative entertainment district to Music Row. There are now more than 40 recording operations in the neighborhood. Among those who have recorded at Creative Workshop are The Faces with Rod Stewart, Olivia Newton-John, The Judds, Emmylou Harris, Merle Haggard, The Doobie Brothers, Leon Russell, Melanie and Dolly Parton.
As a studio vocalist, Cason sang ad jingles for such national brands as R.C. Cola, Schlitz, Ford, Tab, Pabst, Burger King, Mountain Dew, HBO and 7-Up. He was a backup singer on records by Elvis Presley, Tom Jones, John Denver, Kenny Rogers, Kris Kristofferson, Roy Orbison, Janie Fricke, B.W. Stevenson, Donna Fargo, Willie Nelson and Conway Twitty. He was the voice of “Alvin” on several Chipmunks records. As a producer, he worked with Freddy Weller, Dickey Lee, The Glaser Brothers, Buddy Knox and Mac Garden. Cason produced “She Shot a Hole in My Soul” for Clifford Curry in 1967. Released on Cason’s Elf label, it became a “beach music” classic in the Carolinas.
He and Gayden cowrote “Everlasting Love.” Nashville soul singer Robert Knight introduced the song in 1967 on Cason’s Rising Sons record label. It has subsequently become successful for Carl Carlton (1974), Rex Smith & Rachel Sweet (1981) and Gloria Estefan (1995). The song has now logged more than five million plays, according to BMI.Songwriting success continued with “Bar Wars” (1978, Freddy Weller), “Fantasy Island” (1979, Freddy Weller), “A Million Old Goodbyes” (1981, Mel Tillis) and “Timeless and True Love” (The McCarter Sisters, Jeannie Kendall & Alan Jackson). His songs have also been recorded by Charley Pride, Arthur Alexander, Marshall Crenshaw, U2, Pearl Jam, The Oak Ridge Boys, Jerry Lee Lewis, Jerry Reed, Dolly Parton, Rick Nelson, Bobby Vee, Gene Watson, The Fleetwoods, Freddy Cannon, Placido Domingo, The Derailers, Tommy Roe, Hanson, The Nitty Gritty Dirt Band and David Essex, among others.
Meanwhile, Cason continued to record, himself. During the 1980s, he formed the neo-rockabilly, good-time band B.C. & The Dartz. He established his I’m Into Video production company to create the group’s music videos. Cason was also a race-car driver who competed via the International Motor Sports Association. He formed a team called Music City Racing.
He remained musically active into the new millennium. Cason and Tom Douglas co-wrote “Love’s the Only House,” and it became a top-10 hit for Martina McBride in 2000. In 2004, Cason published his memoir, Living the Rock-n-Roll Dream. His solo albums during this period included Hats Off to Hank (2008), Busload of Love (2009), Surf and Turf (2012), Troubadour Heart (2014), Record Machine (2015), Passion (2017) and his collaboration with Billy Swan, Billy & Buzz Sing Buddy (2018). With his children Taylor and Parker, he issued the album Buzz Cason & Sons 2020. In 2019, The Nashville Film Festival showcased the documentary Berry Hill: From Creative Workshop and Beyond, highlighting his career.
Cason’s death was announced by The Country Music Hall of Fame yesterday (June 16). The museum had honored him in its “Poets & Prophets” series in 2014. He is survived by wife Vickie, daughters Tammy Cason, Kristy Cason and Leah Ball Steen, sons Taylor and Parker, nine grandchildren and a large extended family.
A visitation will take place on Thursday, June 20 from 1–3 p.m. CT at Williamson Memorial Funeral Home in Franklin, Tennessee. A memorial service will be held on Friday, June 21, from 1–2 p.m. CT at Forest Hills Baptist Church. Cason’s burial will be private.