Proper Management Launches Marketing Division

Screen shot 2014-06-10 at 4.15.06 PM111Nashville based Christian music artist management company Proper Management has expanded its services to include a marketing division to be lead by Bryan Ward.
Before joining Proper Management, Ward served as VP of Marketing at Provident/Sony overseeing Marketing, Radio, Digital Marketing, and Publicity. Prior to Provident, Ward served 16 years at Capitol Christian Music Group (formerly EMI CMG) in artist development, marketing, product marketing, sales and distribution. Over his 20-plus years in the industry, Ward has built branding and marketing strategies for Hillsong United, Hillsong Live, Mandisa, Amy Grant, Steven Curtis Chapman, Third Day, RED, WOW Hits, The Story, Rhett Walker Band, and others.
“Launching this marketing division is in direct response to the needs of the marketplace. As our industry is quickly changing, we wanted to adapt our structure,” said Proper Management’s Mike Jay. “However, Proper Management will always be firmly grounded and committed to our rich history, experience, and passion for artist management and producing quality tours.”
“Over the past few years, Proper Management has been approached by multiple clients looking for marketing services outside the scope of traditional artist management responsibilities. At the time we simply didn’t have the capacity or internal structure to adequately serve these needs,” said Proper Management’s Nick Barre. “However, when Bryan Ward was available to work with us, it was quickly apparent that he would be the perfect person to drive this area of growth for our company.”
Proper Management’s artist roster includes Casting Crowns, The Afters, Anthem Lights, City Harbor, and Selah, among other artists.

RIAA Presents Gold and Platinum Awards

He presented Miranda Lambert with a special album achievement award celebrating her four Platinum albums during her visit to The Tonight Show Starring Jimmy Fallon.

RIAA Chairman and CEO Cary Sherman presents Miranda Lambert with an award celebrating her four Platinum albums during her recent visit to The Tonight Show Starring Jimmy Fallon.


The RIAA presented several Country artists with Gold and Platinum awards during May.
Capitol Nashville singer Luke Bryan’s Crash My Party album reached 2x multi-Platinum, while four songs from the project secured RIAA Digital Single Awards: “That’s My Kind Of Night” and “Crash My Party” were certified 2x multi-Platinum, and “Play It Again” and “Drink A Beer” notched Platinum. Florida Georgia Line ft. Bryan’s “This Is How We Roll” earned Platinum certification.
Brantley Gilbert earned his first Platinum album award for Halfway To Heaven (The Valory Music Co., 2011). He also saddled up to his third Platinum Digital Single Award for current hit “Bottoms Up.”
Earning their first Gold singles for more than 500,000 downloads and on-demand streams were Frankie Ballard for “Helluva Life” (Warner Bros. Nashville), and three Christian acts: Jamie Grace’s “Hold Me” ft. TobyMac (Gotee Records), Grits’ “Ooh Ahh” ft. TobyMac (Gotee Records) and Newsboys’ “God’s Not Dead (Like A Lion)” (Inpop Records).
Eminem is the first artist to earn two RIAA Digital Single Diamond Awards. He received the second Diamond certification in recognition of “Not Afraid” (Aftermath Entertainment/Interscope Records) surpassing the 10 million threshold counting song sales and streams. Eminem also holds an 11x multi-Platinum Digital Single Diamond Award for “Love The Way You Lie” ft. Rihanna (Aftermath/Interscope).
Bob Marley & The Wailers earned May’s top album certification. Legend (Island, 1984) was certified 15x multi-Platinum in time for the iconic album’s 30th anniversary re-release.
Cary Sherman, Chairman and CEO, RIAA presented plaques to LeAnn Rimes with a Gold & Platinum Program career award commemorating more than 22 millon certified music sales in the United States recently in Washington D.C.

Cary Sherman presents LeAnn Rimes with a Gold and Platinum Program career award commemorating more than 22 million U.S. music sales recently in Washington D.C.


 

Industry Ink (6/10/14)

Steve Pleshe

Steve Pleshe


Black River Entertainment has added Steve Pleshe as Director West Coast Promotion for the label.
Pleshe’s career in music began as an on-air personality, followed by time as a music director and ultimately program director for CBS Radio/KISS Country. He later worked as Show Producer at Premiere Radio Networks. In 2007, Pleshe moved into the label side of the industry, holding West Coast promotion positions with RCA Records and Streamsound Records.
He will begin with Black River on June 23 and will be located in Fresno, Calif. He can be reached at steve@blackriverent.com or at 599-307-8148.

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bela fleck1111111

Bela Fleck


Bela Fleck will deliver the keynote address during the International Bluegrass Music Association’s World of Bluegrass 2014 event, which will be held Sept. 30-Oct. 4 in Raleigh, N.C.
“We are thrilled to announce Bela Fleck as the 2014 keynote speaker for IBMA’s Business Conference,” IBMA Executive Director Nancy Cardwell said. “Bela was the first recipient of IBMA’s Banjo Player of the Year award in 1990, and he’s universally recognized as being one of the most gifted musicians in any genre of music. We look forward to hearing Bela’s thoughts about the power of bluegrass music and what this art form and community has to offer the world.”

    • • •

Mandy West

Mandy West


Mandy West has been appointed VP, Operations at Big Sky Media Nashville, and over its related artist service companies, including Way Out West Records, Clif Doyal Agency, CDA Publicity, CDA Booking and Parrot Picks Publishing Group.
In her new role, West will oversee radio consulting and strategies, marketing, publicity, publishing and social media for Big Sky Media Nashville’s various divisions which include independent record label, artist management, booking and publicity. The various companies’ current roster of clients include LiveWire, Shawna Russell, the Oilpatch Festival, Cowboy Troy (non-exclusive booking), Andy Eutsler, Danny Bell, as well as Internet and terrestrial radio stations RDROK.COM and 1600 KUSH-AM.
West can be reached at 615-226-3355 or at mandy.bigskymedia@gmail.com.

 • • •

buzz cason111Buzz Cason will be honored during the Country Music Hall of Fame’s Poets and Prophets series on Saturday, July 5 at 1:30 p.m. The interview and performance, which will be held in the Museum’s Ford Theater, corresponds with the 10th anniversary of the museum’s two-disc compilation Night Train to Nashville: Music City Rhythm and Blues, 1945-1970, a set that highlights Nashville’s rich R&B scene.
Hosted by Museum Editor Michael Gray, the 90-minute program will include recordings, photos and film clips from the museum’s Frist Library and archive.
Poets and Prophets is included with museum admission and is free to museum members, although seating is limited and passes are required for admittance. The interview and performance will be streamed live at countrymusichalloffame.org/streaming.

New Album Pays Tribute To Country Music's 1927 Bristol Sessions

Image of Dolly Parton Recording11111

Dolly Parton


Orthophonic Joy: The 1927 Bristol Sessions Revisited will release in October, and features Dolly Parton, Vince Gill, Emmylou Harris, Marty Stuart, Steve Martin and the Steep Canyon Rangers and Ashley Monroe. The recording project includes 16 of the original songs from the 1927 Bristol Sessions, or, as Johnny Cash referred to it, “the single most important event in the history of Country music.” Also known as the “Big Bang of Country Music,” the recordings by Ralph Peer in Bristol, produced pioneers of the genre, such as Jimmie Rodgers and the Carter Family.
Grand Ole Opry host Eddie Stubbs, along with Commissioner Susan Whitaker, Tennessee Department of Tourist Development, and Chris Canfield of Virginia Tourism Corporation, made the announcement earlier today (June 10) at the Country Music Hall of Fame and Museum. The announcement also featured music from Stuart, The Church Sisters, The Shotgun Rubies, The Chuck Wagon Gang and Carl Jackson.
They also unveiled the Aug. 2 opening of The Birthplace of Country Music Museum in Bristol. This Smithsonian Institution-affiliated Birthplace of Country Music Museum is dedicated to preserve the legacy of the 1927 Bristol Sessions and their lasting influence on American popular music.
The 24,000 square foot facility, located at 520 Birthplace of Country Music® Way in downtown Bristol, houses 12,000 square feet of exhibit space, a rotating exhibit gallery, music mixing and listening stations, multiple theater experiences, and interactive, technology-infused media. BCMM will also host live, year-round performances and educational programming.
“My dear friend Rusty Morrell approached me with the idea to produce a project honoring the original 1927 Bristol Sessions,” Jackson said. “He was very aware and fond of a couple of other multi-artist ‘tribute’ projects I had produced and felt I was the guy who could bring his vision to life. In my opinion, the importance of those ’27 recordings cannot be overstated, and I am truly honored that Rusty asked me to shine a new and loving light on some of those classic works.”

Ballard Celebrates First Chart-Topper "Helluva Life"

Pictured (Back row, L-R):  ASCAP Senior Creative Director Mike Sistad, Producer Marshall Altman, Big Loud Shirt Industries Owner Craig Wiseman, Big Yellow Dog Music Co-Owner/General Manager Carla Wallace, Warner Music Nashville Executive Vice President & General Manager Peter Strickland, BMI Director of Writer/Publisher Relations David Preston, Producer and Warner Music Nashville Senior Vice President of A&R Scott Hendricks, Big Loud Shirt Industries Vice President Seth England, Warner Music Nashville Vice President of A&R Cris Lacy. (Front row, L-R): Josh Kear, Frankie Ballard, Rodney Clawson with daughter Charlie Jo, Chris Tompkins Photo: Ed Rode

Pictured (Back row, L-R): ASCAP Senior Creative Director Mike Sistad, Producer Marshall Altman, Big Loud Shirt Industries Owner Craig Wiseman, Big Yellow Dog Music Co-Owner/General Manager Carla Wallace, Warner Music Nashville Executive Vice President & General Manager Peter Strickland, BMI Director of Writer/Publisher Relations David Preston, Producer and Warner Music Nashville Senior Vice President of A&R Scott Hendricks, Big Loud Shirt Industries Vice President Seth England, Warner Music Nashville Vice President of A&R Cris Lacy. (Front row, L-R): Josh Kear, Frankie Ballard, Rodney Clawson with daughter Charlie Jo, and Chris Tompkins. Photo: Ed Rode


Warner Music Nashville artist Frankie Ballard celebrated not only his first No. 1 as an artist with “Helluva Life,” but also the first chart-topper for Warner Music Nashville’s Team W.A.R., headed by VP/Radio Promotion, Chris Palmer.
Nashville’s Pour House Restaurant hosted the event, which honored the artist, songwriters, record label, producers and publishers behind the chart-topping song. “Helluva Life,” which has already been certified Gold, was penned by Rodney Clawson, Josh Kear and Chris Tompkins. It was Clawson’s 13th No. 1 song, Kear’s 8th No. 1, and Tompkins’ 12th.
Pictured (L-R): Josh Kear, Frankie Ballard, Rodney Clawson, Chris Tompkins. Photo: Ed Rode.

Pictured (L-R): Josh Kear, Frankie Ballard, Rodney Clawson, Chris Tompkins. Photo: Ed Rode.


“It’s a big risk to write a song, then give it to a new guy and see if he can wrestle it to the top,” said Ballard. “It felt like my song from the start.” Cris Lacy, VP/A&R for Warner Music Nashville, was given a lot of credit for getting the song cut by Ballard. “The whole process was a labor of love. A lot of guts went into this,” she said.
“Helluva Life” was produced by Marshall Altman and Scott Hendricks. Altman recently moved to Nashville from Los Angeles, and has already produced two No. 1 songs in his short time in town. “Helluva Life” marks Hendricks’ 55th No. 1 song.
Warner Music Nashville’s Exec. VP/GM Peter Strickland credited his W.A.R. promotion team for their efforts to get radio on board. 
Ballard is currently climbing the MusicRow CountryBreakout Chart with his new single “Sunshine & Whiskey.”

Lee Brice Unveils New Album Coming Sept. 9

leebriceidontdanceLee Brice has set a release date of Sept. 9 for his third album on Curb Records, I Don’t Dance. It is the follow up to his Gold selling 2012 release Hard 2 Love, which produced three No. 1 songs including the CMA, ACM and MusicRow Song of the Year “I Drive Your Truck.” Brice has been previewing some of the new tracks live on Luke Bryan‘s “That’s My Kind of Night” tour. 

Yesterday (June 9) members of the media attended an exclusive listening session with Brice, hosted by Robert K. Oermann, at the historic Columbia Studio A on Music Row. Guests were treated with light appetizers and libations before a welcoming by Curb CEO Jim Ed Norman.
“As soon as I finished Hard 2 Love,” Brice shared, “I realized I had learned so much about putting together a record that I was anxious to take that knowledge and start the next one. This [album] is definitely a step further, if not a couple of steps further.”
Brice performed an acoustic version of “I Don’t Dance,” the first single from the project, which he wrote with Rob Hatch and Dallas Davidson. Originally penned for the first dance at his wedding, Brice said, “We finished writing the song and I immediately told Rob and Dallas, ‘Guys, this is the one.'”
Regarding his desire to include live recordings on the album such as “Panama City,” Brice confessed, “You do get blemishes and you can’t mix it perfectly, but you do get that thing about live. There’s a magic and you can’t get it unless you do it live.” In addition to “Panama City,” listeners got to hear several other cuts from the upcoming album including the working-man anthem “Drinkin’ Class,” as well as, “Girls in Bikinis,” “Somebody’s Been Drinkin’,” and “Good Man.”

Robert K. Oermann interviews Lee Brice about his upcoming album, "I Don't Dance."

Robert K. Oermann interviews Lee Brice about his upcoming album, I Don’t Dance.


The cover of the new album features a 1940-era guitar given to Brice by his wife Sara on their wedding day. The imagery is fitting because Brice is credited with writing ten of the album’s thirteen songs and is also a producer. Brice said he worked his writing muscles a lot in the past, but a demanding schedule changed his approach. “I don’t just write a song to write a song,” he said. “That was okay for awhile to build those muscles, but now, whatever little time I do have to write, I have to focus and make sure that my writing is worth that time.”
Being the producer of this project, Brice said, “I’ve always known what I wanted, I just didn’t know how to get there. I’m just now figuring it out,” said Brice. “I’ve always been the producer in my mind because I know what I want to hear.”
The listening party wrapped with Brice performing “When the Whiskey Used to Burn,” an ode to the fun times and experiences of youth.
I Don’t Dance Tracklist 
1. I Don’t Dance
2. No Better Than This
3. Show You Off Tonight
4. Always The Only One
5. Good Man
6. Drinkin’ Class
7. That Don’t Sound Like You
8. Girls In Bikinis
9. Sirens
10. Somebody’s Been Drinkin’
11. The Airport Song
12. My Carolina
13. Panama City
To see a list of tour dates, click here.
Pictured (L-R): Curb Records CEO Jim Ed Norman; Moderator Robert K. Oermann; Lee Brice; Curb Records VP/Sales Benson Curb; Curb Records VP/Marketing Jeff Tuerff. Photo: Jake Giles Netter/This City’s Full

Pictured (L-R): Curb Records CEO Jim Ed Norman; Moderator Robert K. Oermann; Lee Brice; Curb Records VP/Sales Benson Curb; Curb Records VP/Marketing Jeff Tuerff. Photo: Jake Giles Netter/This City’s Full

AFM and Advertising Industry Reach New Three-Year Deal

AFMlogo-3Representatives of the American Federation of Musicians of the United States and Canada (AFM), the Association of National Advertisers (ANA) and the American Association of Advertising Agencies’ (4A’s) Joint Policy Committee on Broadcast Talent Union Relations (JPC) announced today that a successor agreement has been reached covering the services of professional musicians who record music tracks in the production of television, radio and internet commercial announcements. The parties began negotiating in February of this year to modify the contract previously agreed to in 2009.
The new “Jingles and Spot Announcements” agreement will run three years and provides for an upfront six percent increase in wages applicable for recording sessions and reuse payments. The contract also provides needed improvements to health and welfare payments, cartage payments, sideline services, Internet wages, and pension contributions.
Added provisions include a waiver for certain types of internet productions, and a new structural feature which permits advertisers to pay an upfront fee for 52-week initial soundtrack use and reuse cycles covering all media.
“We have concluded an exceptional and progressive agreement with the Advertising Industry that we believe achieves our goals, both economically and structurally,” AFM International President Ray Hair said.
“These negotiations have been a positive and productive step towards a partnership with commercial musicians and the AFM. I am pleased to have achieved these important industry goals in key areas and I want to thank the members of our negotiating team: my partners, Douglas Wood and David Weissman, and Kathleen Quinn of the 4A’s. I look forward to the ratification by their membership,” Joint Policy Committee Lead Negotiator Stacy K. Marcus said.
The agreement will be submitted to rank and file musicians for ratification, a process that is expected to conclude in 60 days. While all terms and conditions of the new contract are effective immediately, the industry will have 60 days following ratification to implement the new terms.

Vector Management Partners With Ortner Media Group

eric ortner1111

Eric Ortner


Vector Management co-presidents Ken Levitan and Jack Rovner have strategically partnered with Eric Ortner of Ortner Media Group (OMG). Ortner brings several clients including journalist/Starfish Media Group CEO Soledad O’Brien, NBC news anchor Ann Curry, and inventor/marketing pioneer Ron Popeil to the Vector OMG imprint. Vector Management, part of Live Nation Entertainment’s artist management company Artist Nation, will add these clients to its diverse roster of musicians, entertainers, chefs and celebrities.
“With this new venture, we plan to take the best practices of traditional campaigns in the general entertainment marketplace while creating new revenue opportunities for journalists and other public figures,” Rovner says. “Vector OMG has great potential to challenge industry standards and pave the way for future non-conventional opportunities.”
“Eric’s background as a news producer and journalist make him keenly aware of the challenges the journalism field faces as the marketplace changes,” Levitan says. “His expertise in both the private and public sector will be a great asset to current and future clients.”

2014 CMA Music Festival By The Numbers

Little Big Town performs at LP Field. The band will host the CMA Music Festival TV special on ABC.

Little Big Town performs at LP Field. The band will host the CMA Music Festival TV special on ABC.


With 2014’s CMA Music Festival successfully wrapped for another year, satisfying scores of fans with 150+ hours of music, here is a look at the hard numbers from the four-day music extravaganza.
CMA Music Festival By The Numbers:
$9 million donated to Keep The Music Playing since 2006
2.25 million, CMA’s total aggregate digital audience, up 18 percent since June 2013
143,000-plus fans at Chevrolet Riverfront Stage
$100,000 raised in the CMA Celebrity Auction for Keep the Music Playing, up from $80,000 in 2013
80,000 fans per day, matching 2013’s attendance record
63,000-plus visitors at AT&T U‐verse Fan Fair X to see more than 500 artists
38,000-plus downloads of the free festival app, up 67 percent year-to-year
1972, the year Fan Fair started
600-plus journalists, photographers, producers, and videographers
450 participating artists
230 domestic and international media outlets
150-plus hours of concerts
60 corporate brands participating, up 39 percent from 2013
50-plus artists at The Nightly Concerts at LP Field
24 countries represented among attendees
18 ambulance transports
15 weeks in advance tickets sold out, setting a record
11 stages, including the Chevrolet Riverfront Stage
 (more than 50 artists and 22 hours of concerts), Bud Light Stage at Bridgestone Arena Plaza
 (51 artists, 18 hours), Samsung Galaxy Stage in Walk of Fame Park, Nightly Concerts at LP Field, and BMI Tailgate Party.
As previously announced, the television special CMA Music Festival: Country’s Night to Rock will air Tuesday, Aug. 5 (8 PM/ET). The special debuted in 2004 and this is the 11th year the special will air on ABC.
CMA Music Festival will be held June 11-14, 2015. Ticket sales are 28 percent ahead of last year with 75 percent of available tickets already sold. To purchase tickets online, visit CMAfest.com.

MCA Records Nashville Signs Sam Hunt

Pictured (Front Row, L-R): UMG Nashville Chairman & CEO Mike Dungan, MCA Nashville artist Sam Hunt, UMG Nashville A&R Sr. Director Stephanie Wright. (Back row, L-R): Triple 8 Management’s Brad Belanger, UMG Nashville Sr. VP & COO Tom Becci, UMG Nashville Sr. VP Promotion Royce Risser, Triple 8 Management Partner Bruce Kalmick, Triple 8 Management Partner George Couri, UMG Nashville A&R Sr. VP Brian Wright, UMG Nashville Sr. VP Marketing Cindy Mabe, UMG Nashville VP Business & Legal Affairs Rob Femia. Photo: Alan Poizner

Pictured (Front Row, L-R): UMG Nashville Chairman & CEO Mike Dungan, MCA Nashville artist Sam Hunt, UMG Nashville A&R Sr. Director Stephanie Wright. (Back row, L-R): Triple 8 Management’s Brad Belanger, UMG Nashville Sr. VP & COO Tom Becci, UMG Nashville Sr. VP Promotion Royce Risser, Triple 8 Management Partner Bruce Kalmick, Triple 8 Management Partner George Couri, UMG Nashville A&R Sr. VP Brian Wright, UMG Nashville Sr. VP Marketing Cindy Mabe, UMG Nashville VP Business & Legal Affairs Rob Femia. Photo: Alan Poizner


Singer-songwriter Sam Hunt is the latest artist signed to MCA Records Nashville‘s roster.
UMG Nashville Chairman & CEO Mike Dungan says, “Rarely have I met a new artist who felt so ‘ready to go,’ and yet our early efforts to take him to the market are yielding responses that are wildly beyond any expectations. We are jacked!”
Hunt’s debut single for the label, “Leave The Night On,” will release to Country radio on June 16. Hunt previously found radio success on Sirius XM with “Raised On It.”
The Cedartown, Ga., native has co-written the songs “Come Over” (Kenny Chesney), “We Are Tonight” (Billy Currington), and “Cop Car” (Keith Urban).
For more information, visit samhunt.com.