BOBBY KARL WORKS THE ROOM Chapter 460

BMI’s Clay Bradley highlights MusicRow‘s MusicRow Awards issue, featuring BMI writers Rhett Akins and Thomas Rhett on the cover. Photo: Bev Moser, Moments By Moser.
It is high time for a big-time MusicRow shout-out to BMI.
The performance rights organization hosted the 26th annual MusicRow awards ceremony on Wednesday evening (June 18) with so much style that I must comment. You know where that big reception desk is at the far end of the lobby? Well, that zone now converts into a large staging area with a video-wall backdrop. That wall had a huge, glowing blow-up of the awards logo. “Look at this set-up,” exclaimed the mag’s Sherod Robertson. “I feel like a star up here.”

Sony/ATV’s Terry Wakefield accepts for Cole Swindell for Breakthrough Songwriter of the Year. Photo: Bev Moser, Moments By Moser
That’s not all. The sound in the echo-y lobby has been famously bad, which BMI overcame with a much-improved audio system. BMI put on the dog in the food department, too. Meat balls. Chunky guacamole with tortilla chips. Stuffed peppers. Chicken tenders. And BMI writers are featured on the cover of the current print, awards-edition of the publication. The father-son BMI songwriter duo of
Rhett Akins and
Thomas Rhett are smiling there. “We’re proud to have this event here,” said BMI’s
Clay Bradley to the throng of attendees. “To me, this is always the kick-off to summer.”
“These awards started in 1989,” said Robertson. “Some of my staff members weren’t born in 1989. I guess I’m okay with that.” The magazine’s
Eric Parker and
Sarah Skates presented the Top-10 All-Star Musician awards. These are the only honors by any organization that salute the session musicians who make Nashville’s hits. This year, the group included
Russ Pahl (steel),
Aubrey Haynie (fiddle),
Ilya Toshinsky (guitar),
Greg Morrow (drums),
Charles Judge (keyboards),
Jimmie Lee Sloas (bass),
Wes Hightower (background vocalist) and
Justin Niebank (engineer). Pahl is a first-time winner in his category. Producer of the Year winner
Frank Liddell is on vacation, but sent in this statement: “I’m in the Virgin Islands, celebrating the hell out of this.”

MusicRow celebrates Song of the Year “All Kinds of Kinds.” Pictured (L-R): MusicRow‘s Sarah Skates, Warner/Chappell’s Ben Vaughn, songwriters Don Henry and Phillip Coleman, Carnival Music’s Courtney Gregg, and MusicRow Owner/Publisher Sherod Robertson. Photo: Bev Moser, Moments By Moser
“All Kinds of Kinds” was written way back in 1998, but
Miranda Lambert finally made it a hit and the
MusicRow Song of the Year. “I told my mom I had a Miranda Lambert cut,” said co-writer
Phillip Coleman. “She said, ‘Which song is it?’ I told her it was ‘All Kinds of Kinds,’ and she said, ‘That’s my least favorite song you’ve ever written.’” “Any time you can get a song on the country charts with a cross dresser in it, I’m all for it!” quipped co-writer
Don Henry. Coleman and Henry performed the song splendidly at the event.

Pictured (L-R): MusicRow‘s Sarah Skates, MusicRow Breakthrough Artist of the Year Brandy Clark and MusicRow Owner/Publisher Sherod Robertson. Photo: Bev Moser/Moments By Moser
The Breakthrough Artist award went to
Brandy Clark over four other nominees, all but her on major labels. “I was a little shocked when I heard that I had been nominated,” she confessed. “The critics, who most people hate, I love. This project has been driven by the press,” she explained offstage, “and by other artists.”
Eric Church has chosen her as his current opening act. “Everybody loves you,” I told her. “At least, everybody with taste.” Her album is
12 Stories. “Since it came out, it’s been the most talked-about thing in the music business,” said Robertson. “It’s the best album EVER,” said
Woody Bomar. There was a tie for Breakthrough Songwriter. Sony/ATV’s
Terry Wakefield accepted for
Cole Swindell. The co-winner was
Nicolle Galyon.

Nicolle Galyon is honored as one of MusicRow‘s Breakthrough Songwriters of the Year, and is honored with a MusicRow Challenge Coin for her MusicRow CountryBreakout chart-topping hit “Automatic.” Photo: Bev Moser, Moments By Moser.
“I write for the best publishing company in town,” said Galyon. “It took a lot of people believing in me and fighting for me.
B.J. Hill signed me [to Warner-Chappell] when I was 23 years old. I’m almost 30 now.” She also thanked
Rodney Clawson for his support. “Everybody here knows he’s a great songwriter,” she said. “I can attest to what a great husband and father he is.” Finally, she thanked her father. The day was his birthday, which he spent pouring concrete in 100-degree weather back home in Kansas. “If that doesn’t make us all want to work harder, I don’t know what does,” Galyon concluded. The classically trained pianist sang her co-written Lambert hit “Automatic” in a strong, emotive voice.

Nicolle Galyon performs her MusicRow CountryBreakout chart-topping hit “Automatic.” Photo: Bev Moser, Moments By Moser
The denizens of Music Row turned out in full force for the ceremony.
David Ross, David Preston, David Wykoff, Dave Pomeroy and
Dale Bobo were there. Plus
John Ozier, John Briggs, John Beiter and
John Mullins (“I can’t believe a wholly SESAC song won Song of the Year”). Not to mention
Joe Moscheo, Josh Osborne, James Elliott, Janie West, Jim Femino, Jody Williams and
Jessie Jo Dillon.

Pictured (L-R): Phillip Coleman and Don Henry perform “All Kinds of Kinds.” Photo: Bev Moser, Moments By Moser
Mike Vaden, Mike Martinovich, Martha Moore, Scott Stem, Beth Laird and
Luke Laird mingled with
Ben Vaughn, Barry Dean, Beth Gwinn and
Bill Wence, who has just returned from performing with
Wanda Jackson on the
Queen Mary in L.A. at an “Iron & Ink” tattoo convention. I don’t make this stuff up. Wence says that
Junior Brown and
Merle Haggard were there singing, too. Back at the party:
Susan Collier, Shannan Hatch, Steve Nathan, Sherrill Blackman and new artist
Sydney Lett worked the room with
Allen Brown, Al Schiltz, Lance Miller and
Leslie Mitchell. Other fabulons attending included
Trent Summar, Pat Higdon, Ree Guyer Buchanan, Rich Fagan, Earle Simmons, Holly Bell and
Phil Graham. Speaking of Graham, thank-you, again, BMI.
Bobby Karl Works The 26th Annual MusicRow Awards
/by Bobby KarlBOBBY KARL WORKS THE ROOM Chapter 460
BMI’s Clay Bradley highlights MusicRow‘s MusicRow Awards issue, featuring BMI writers Rhett Akins and Thomas Rhett on the cover. Photo: Bev Moser, Moments By Moser.
It is high time for a big-time MusicRow shout-out to BMI.
The performance rights organization hosted the 26th annual MusicRow awards ceremony on Wednesday evening (June 18) with so much style that I must comment. You know where that big reception desk is at the far end of the lobby? Well, that zone now converts into a large staging area with a video-wall backdrop. That wall had a huge, glowing blow-up of the awards logo. “Look at this set-up,” exclaimed the mag’s Sherod Robertson. “I feel like a star up here.”
Sony/ATV’s Terry Wakefield accepts for Cole Swindell for Breakthrough Songwriter of the Year. Photo: Bev Moser, Moments By Moser
That’s not all. The sound in the echo-y lobby has been famously bad, which BMI overcame with a much-improved audio system. BMI put on the dog in the food department, too. Meat balls. Chunky guacamole with tortilla chips. Stuffed peppers. Chicken tenders. And BMI writers are featured on the cover of the current print, awards-edition of the publication. The father-son BMI songwriter duo of Rhett Akins and Thomas Rhett are smiling there. “We’re proud to have this event here,” said BMI’s Clay Bradley to the throng of attendees. “To me, this is always the kick-off to summer.”
“These awards started in 1989,” said Robertson. “Some of my staff members weren’t born in 1989. I guess I’m okay with that.” The magazine’s Eric Parker and Sarah Skates presented the Top-10 All-Star Musician awards. These are the only honors by any organization that salute the session musicians who make Nashville’s hits. This year, the group included Russ Pahl (steel), Aubrey Haynie (fiddle), Ilya Toshinsky (guitar), Greg Morrow (drums), Charles Judge (keyboards), Jimmie Lee Sloas (bass), Wes Hightower (background vocalist) and Justin Niebank (engineer). Pahl is a first-time winner in his category. Producer of the Year winner Frank Liddell is on vacation, but sent in this statement: “I’m in the Virgin Islands, celebrating the hell out of this.”
MusicRow celebrates Song of the Year “All Kinds of Kinds.” Pictured (L-R): MusicRow‘s Sarah Skates, Warner/Chappell’s Ben Vaughn, songwriters Don Henry and Phillip Coleman, Carnival Music’s Courtney Gregg, and MusicRow Owner/Publisher Sherod Robertson. Photo: Bev Moser, Moments By Moser
“All Kinds of Kinds” was written way back in 1998, but Miranda Lambert finally made it a hit and the MusicRow Song of the Year. “I told my mom I had a Miranda Lambert cut,” said co-writer Phillip Coleman. “She said, ‘Which song is it?’ I told her it was ‘All Kinds of Kinds,’ and she said, ‘That’s my least favorite song you’ve ever written.’” “Any time you can get a song on the country charts with a cross dresser in it, I’m all for it!” quipped co-writer Don Henry. Coleman and Henry performed the song splendidly at the event.
Pictured (L-R): MusicRow‘s Sarah Skates, MusicRow Breakthrough Artist of the Year Brandy Clark and MusicRow Owner/Publisher Sherod Robertson. Photo: Bev Moser/Moments By Moser
The Breakthrough Artist award went to Brandy Clark over four other nominees, all but her on major labels. “I was a little shocked when I heard that I had been nominated,” she confessed. “The critics, who most people hate, I love. This project has been driven by the press,” she explained offstage, “and by other artists.” Eric Church has chosen her as his current opening act. “Everybody loves you,” I told her. “At least, everybody with taste.” Her album is 12 Stories. “Since it came out, it’s been the most talked-about thing in the music business,” said Robertson. “It’s the best album EVER,” said Woody Bomar. There was a tie for Breakthrough Songwriter. Sony/ATV’s Terry Wakefield accepted for Cole Swindell. The co-winner was Nicolle Galyon.
Nicolle Galyon is honored as one of MusicRow‘s Breakthrough Songwriters of the Year, and is honored with a MusicRow Challenge Coin for her MusicRow CountryBreakout chart-topping hit “Automatic.” Photo: Bev Moser, Moments By Moser.
“I write for the best publishing company in town,” said Galyon. “It took a lot of people believing in me and fighting for me. B.J. Hill signed me [to Warner-Chappell] when I was 23 years old. I’m almost 30 now.” She also thanked Rodney Clawson for his support. “Everybody here knows he’s a great songwriter,” she said. “I can attest to what a great husband and father he is.” Finally, she thanked her father. The day was his birthday, which he spent pouring concrete in 100-degree weather back home in Kansas. “If that doesn’t make us all want to work harder, I don’t know what does,” Galyon concluded. The classically trained pianist sang her co-written Lambert hit “Automatic” in a strong, emotive voice.
Nicolle Galyon performs her MusicRow CountryBreakout chart-topping hit “Automatic.” Photo: Bev Moser, Moments By Moser
The denizens of Music Row turned out in full force for the ceremony. David Ross, David Preston, David Wykoff, Dave Pomeroy and Dale Bobo were there. Plus John Ozier, John Briggs, John Beiter and John Mullins (“I can’t believe a wholly SESAC song won Song of the Year”). Not to mention Joe Moscheo, Josh Osborne, James Elliott, Janie West, Jim Femino, Jody Williams and Jessie Jo Dillon.
Pictured (L-R): Phillip Coleman and Don Henry perform “All Kinds of Kinds.” Photo: Bev Moser, Moments By Moser
Mike Vaden, Mike Martinovich, Martha Moore, Scott Stem, Beth Laird and Luke Laird mingled with Ben Vaughn, Barry Dean, Beth Gwinn and Bill Wence, who has just returned from performing with Wanda Jackson on the Queen Mary in L.A. at an “Iron & Ink” tattoo convention. I don’t make this stuff up. Wence says that Junior Brown and Merle Haggard were there singing, too. Back at the party: Susan Collier, Shannan Hatch, Steve Nathan, Sherrill Blackman and new artist Sydney Lett worked the room with Allen Brown, Al Schiltz, Lance Miller and Leslie Mitchell. Other fabulons attending included Trent Summar, Pat Higdon, Ree Guyer Buchanan, Rich Fagan, Earle Simmons, Holly Bell and Phil Graham. Speaking of Graham, thank-you, again, BMI.
Michael Knox To Lead peermusic
/by Sarah SkatesMichael Knox
Michael Knox will assume leadership of peermusic’s Nashville operations, when longtime office head Kevin Lamb steps down at the end of August.
Knox, who joined peermusic in 2010, is being promoted from Sr. Creative Director to Vice President, Nashville. Additionally, Kim Wiggins will rise to Sr. Creative Director and Craig Currier is being elevated to Vice President of Advertising Markets.
Lamb has served as VP, Nashville since 1993. Prior to that the industry veteran spent 10 years in music publishing in Muscle Shoals and nine years overseeing Alabama’s Maypop Music Group. He is an active supporter of Country Cares for St. Jude Kids.
Knox is most noted for his production work with Jason Aldean, which has resulted in over 25 million singles and 10 million albums sold. He has won three ACM Awards and has at least 14 No. 1 singles to his credit. Other production credits include Thomas Rhett, Trace Adkins, Brantley Gilbert, Frankie Ballard, Hank Williams, Jr. and more.
Knox also helms his production management company Music Knox, and serves on the boards of directors of the CMA and ACM.
Music Row Veteran Don Light Passes
/by Sarah SkatesDon Light
Revered Music Row veteran Don Light died on June 17, leaving behind a wide-ranging legacy comprised of establishing the first Gospel music booking agency, co-founding the Gospel Music Association, and discovering Jimmy Buffett.
The Tennessee native’s entree into the music business came as a drummer on the Grand Ole Opry. Next, he helped lead Billboard’s Nashville outpost.
He noticed a need for a Gospel booking agency and opened Don Light Talent in 1965, representing groups including the Happy Goodman Family and The Oak Ridge Boys. He eventually signed the Chuck Wagon Gang, Governor Jimmie Davis, The Florida Boys, the Lewis Family, the Rex Nelon Singers, the Cathedral Quartet, the Singing Rambos, Wendy Bagwell & the Sunliters, and the Thrasher Brothers.
In the ’70s Light added record producer and artist manager to his multi-faceted repertoire, producing more than 50 albums and discovering and managing a diverse roster of artists such as Buffet, the Oaks, Delbert McClinton, Keith Whitley, Steve Wariner, Marty Stuart and Mark Collie.
Eventually he co-founded the Gospel Music Association, and was very active with the GMA, CMA, Recording Academy, IBMA and the Country Music Hall of Fame. Fittingly, his work led to induction in the Gospel Music Hall of Fame and Southern Gospel Music Association Hall of Fame.
His longtime clients The Steep Canyon Rangers shared this rememberance with MusicRow:
WME's Nashville Office To Relocate to the Gulch
/by Jessica NicholsonWME will relocate 80 staff members from its current location at 1600 Division Street to a 26,000 square feet space in the new building in 2016. The building, which Eakin Partners will begin work on this summer, will be located at 1201 Demonbreun Street, at the corner of 12th Ave. S and Demonbreun, next to condominium tower Twelve Twelve.
Recently Kevin Neal, former president of Buddy Lee Attractions, joined William Morris Endeavor, bringing with him Jason Aldean, Florida Georgia Line, Colt Ford and Parmalee. Additional clients represented by WME include Miranda Lambert, The Band Perry, Eric Church, Lee Brice, Luke Bryan, Brad Paisley and Blake Shelton.
Partners at WME’s Nashville office include Rob Beckham, Joey Lee, Greg Oswald, Jay Williams and Kevin Neal.
2014 MusicRow Awards Winners Announced
/by Jessica Nicholson26th Annual MusicRow Award Winners
Breakthrough Songwriter of the Year—(tie) Cole Swindell, Sony/ATV, BMI. Hit(s): “Chillin’ It,” written with Shane Minor, recorded by Cole Swindell; “Get Me Some of That,” written with Michael Carter and Rhett Akins, recorded by Thomas Rhett; “This Is How We Roll,” written with Luke Bryan, Tyler Hubbard and Brian Kelley, recorded by Florida Georgia Line.
(tie) Nicolle Galyon, Warner/Chappell, BMI; Hit(s): “Automatic,” recorded by Miranda Lambert; “We Were Us,” written with Jimmy Robbins and Jon Nite, recorded by Keith Urban and Miranda Lambert
Producer of the Year—Frank Liddell
Breakthrough Artist of the Year—Brandy Clark (Slate Creek Records)
Song of the Year— “All Kinds of Kinds” by Phillip Coleman and Don Henry. Publishers: Gravitron, Carnival, Warner-Tamerlane; SESAC/BMI. Producers: Frank Liddell, Chuck Ainlay and Glenn Worf
Top 10 Album All-Star Musician Awards
Vocals—Wes Hightower
Keys—Charles Judge
Guitar—Ilya Toshinsky
Steel—Russ Pahl
Bass—Jimmie Lee Sloas
Fiddle—Aubrey Haynie
Drums— Greg Morrow
Engineer—Justin Niebank
An in-depth look at the award recipients can be found in MusicRow’s June/July 2014 print edition, available now. The MusicRow Awards is one of three annual events hosted by MusicRow. Others include Rising Women on the Row and the CountryBreakout Awards.
APA Signs Keith Anderson
/by Jessica NicholsonKeith Anderson
APA has signed Keith Anderson to its country music roster. Anderson’s Top 10 hits include “Pickin’ Wildflowers,” “Every Time I Hear Your Name,” and “I Still Miss You.”
“Keith has a wealth of talent,” commented APA Nashville Sr. Vice President Steve Hauser. “His songwriting and live shows are top-notch. We are excited to have him become a part of the APA family.”
“APA’s passion and enthusiasm for live music is contagious,” said Anderson. “The minute I met them, I could feel their energy and excitement. I’m ready to hit the road, and feel so blessed to have them in my corner.”
Anderson’s latest single, “I’ll Bring The Music,” is currently spinning on Sirius XM Radio.
Nashville's Wildhorse Saloon To Celebrate 20th Anniversary
/by Jessica NicholsonThe 20th anniversary concert will take place Thursday, June 19, at 7 p.m. Doors will open at 6 p.m.
Richochet, Trick Pony and Lonestar all got their start at the Wildhorse Saloon, a three-level historic warehouse located on 2nd Avenue in Nashville that was converted into a 66,000-square-foot live entertainment venue in 1994. An estimated 1.5 million music fans visit the Wildhorse Saloon each year.
For more information, visit wildhorsesaloon.com.
YouTube Battles With Indies Over Royalties
/by Sarah SkatesIndependent labels have not reached an agreement with the Google-owned video site over how royalties will be dolled out when it debuts an ad-free paid subscription service.
Because an agreement hasn’t been reached, YouTube’s head of content and business operations Robert Kyncl, told the Financial Times that YouTube will start blocking the indies’ videos “in a matter of days.”
In retaliation for refusing YouTube’s terms about the paid subscription service, YouTube could remove content from those labels from its ad-supported streaming service as well, notes Billboard. This means the labels would lose that income stream. Additionally, because it is the responsibility of rights holders to request the removal of infringing work, YouTube might leave music from those labels up on its site but refuse to monetize it with advertising.
Industry Pics (6/18/14)
/by Jessica NicholsonBMI recently sponsored an intimate concert from two-time Grammy Award winner Kacey Musgraves at the New York State Broadcaster’s Excellence in Broadcasting Dinner, held in conjunction with their Summer Conference at the Waldorf Astoria Hotel in New York City. She performed several songs from her debut project Same Trailer, Different Park. The New York State Broadcasters Association represents interests of more than 300 television and radio stations throughout the Empire State.
Pictured (L-R): NYSBA Board Member and President/GM of WLIG-TV David Feinblatt, NASH- FM Retail Sales Manager Rick Morales, Kacey Musgraves, NYSBA Board Member and NASH- FM General Sales Manager Maire Mason and BMI’s Dan Spears.
• • •
The Oak Ridge Boys were honored with an official RIAA commemorative plaque certifying more than 41 million in sales, including numerous Gold, Platinum and Multi-Platinum album and single certifications. A special presentation was made during the group’s appearance on The Wendy Williams Show.
The Oak Ridge Boys celebrate over 41 million sold
• • •
The 41st Annual Music City Tennis Invitational 2014 presented $102,000 to the Center for Child Development at Monroe Carell Jr. Children’s Hospital at Vanderbilt. Founded in 1973 by Nashville music industry leaders, MCTI is the longest running music related charity tennis tournament in the country, and has raised over $1.5 million in proceeds from tournament player registrations, corporate sponsors, donors and songwriter showcases to benefit Children’s Hospital at Vanderbilt.
Pictured (L-R): MCTI Co-Chair Bill Riddle; MCTI Sponsor Chair Patsy Wells; MCTI Co-Chair Patsy Bradley; Director of the Center for Child Development Dr. Tyler Reimschisel; Luann Mayer Assistant Director of Community Development Children’s Hospital at Vanderbilt.
CCM+E, Bobby Bones Ink Long-Term Deal
/by Jessica NicholsonBobby Bones
Clear Channel Media and Entertainment has announced an exclusive long-term agreement with Country radio personality Bobby Bones to renew and expand his relationship with the company.
Under the agreement, Bones will continue in his current role as host of The Bobby Bones Show, which originates from WSIX in Nashville and is nationally syndicated by Premiere Networks. Bones will also continue hosting his weekend programs Country Top 30 with Bobby Bones, as well as Fox Sports Radio’s Bobby Bones.
Bones will also continue to work with CCM+E on a variety of joint ventures including multimedia projects and events, as well as the expansion of his top-rated radio programs.
“In just over a year Bobby and his morning show crew have proven they have a remarkable talent for entertaining and engaging the Country music community, while driving results for our partners,” said Bob Pittman, Chairman and CEO of Clear Channel. “We’re committed to providing the best and most relevant programming to diverse audiences across America, and The Bobby Bones Show connects with listeners across multiple platforms. Bobby is an incredible talent and we look forward to collaborating on many exciting projects to come.”
“The past year with Clear Channel and Premiere has been a tremendous ride,” said Bobby Bones. “I started dreaming about a career in radio when I was about five years old — if I’d known it was going to work out this well, I’d have started earlier. The whole crew on The Bobby Bones Show is grateful for the support we’ve received from Bob Pittman, Rich Bressler, Darren Davis, Julie Talbott, Jennifer Leimgruber, Rod Phillips and Clay Hunnicutt. We look forward to keeping it real with our audience as we grow.”
The new long-term partnership between Bobby Bones, CCM+E and Premiere Networks was overseen by Paul B. Anderson, Principal & CEO of Workhouse Media. “Bobby has the kind of personality that connects with a large national audience while keeping his connection to listeners genuine and personal, every day,” said Anderson.