
Brad Paisley with the “Limited Edition Brad Paisley 1967 Lost Paisley”
Brad Paisley and the Fender Custom Shop are collaborating on a new Limited Edition Brad Paisley 1967 “Lost Paisley” Telecaster, a vintage-inspired reimagining of the original ’60s Blue Paisley Finish.
The guitar revitalizes one of Fender’s most beloved designs, the Paisley Red finish that was originally introduced in 1968. The Fender Custom Shop in Corona, California will produce 67 guitars, while Brad Paisley in collaboration with the Fender Nashville R&D team, will personally build 19 guitars as a tribute to the year of the original creation. The 67 from the Custom Shop will be sold through Fender’s dealer network while Paisley’s 19 guitars will be available exclusively through his channels.
“From the very beginning there has always been a pattern following me, from the moment they wrote my last name on my birth certificate. It’s unreal that my own name is one of the coolest finishes I think Fender has ever done. This is an attempt to show what this lost color could have been. It’s the best guitar I’ve ever had,” says Paisley.
The Blue Paisley Telecaster’s unique story began when Brad Paisley was gifted a nearly forgotten treasure—lightly used sheets of original Blue Paisley Cling-Foil from the 1960s. What started as a stroke of luck soon turned into a mission. Together with close collaborators Zac Childs and Joe Glaser, Paisley set out to restore one of his well-worn 1967 Telecaster guitars and revive the long-lost art of the Paisley finish. Through painstaking research and craftsmanship, they not only perfected the restoration but also recreated the original Paisley Cling-Foil paper.
First introduced in 1968, the short-lived Paisley Red and Blue Flower finishes were Fender’s answer to the counterculture moment of the “Summer of Love,” featuring decorative Cling-Foil paper adorned with vibrant colors and a matching metallic burst, and the guitars stood out with a bold psychedelic flair. However, the finish’s combination of thick paper, weak adhesives, and polyester clear coats made them vulnerable. Many Paisley guitars were refinished or repainted as chipping and flaking became unavoidable. By late 1969, Fender had discontinued the line, and these instruments began to fade into obscurity.
In the decades that followed, the Paisley Telecaster guitars gained a cult-like following. Often spotted in vintage stores, the instruments became prized by collectors and musicians drawn to their eccentric aesthetic and rare backstory. Paisley, who shares his name with the iconic design, naturally gravitated toward the standout classics. Now, in a full-circle moment through his collaboration with the Fender Custom Shop, Brad’s vision for the Lost Telecaster has come to life—an instrument that honors its vintage roots while embracing modern craftsmanship and precision.
“Brad Paisley’s deep connection to Fender’s history and his meticulous nature were instrumental in bringing the ‘Lost Paisley’ Telecaster to life,” says Chase Paul, Director of Product Development – Fender Custom Shop. “From the rediscovery of the original 1960s Blue Paisley Cling-Foil to the custom hardware and pickups—every element of the Limited Edition Brad Paisley 1967 ‘Lost Paisley’ Telecaster was crafted with purpose. This isn’t just an Artist Signature model—it’s a glimpse into what could have been, had this concept made it to production. A true missing link in Fender Telecaster evolution.”
“This project is a true reflection of the long standing relationship between Brad and Fender, and our shared passion for the Telecaster and its legacy,” adds Ben Blanc-Dumont, Director of Artist Marketing at Fender in Nashville. “The “Lost Paisley” Telecaster is more than just a signature guitar – it’s a love letter to the country music community that helped shape Brad’s sound and continues to influence artists across the world. We’re proud to bring this instrument to life with Brad, not only to honor a piece of Fender’s untold history, but to celebrate the players and creators who keep that legacy alive every day.”
Producer/Composer Fred Mollin Shares Glimpse Behind The Studios Doors In New Book ‘Unplugged’
/by Lorie HollabaughProducer and composer Fred Mollin‘s new book Unplugged will be released on May 11.
With a career spanning decades, Mollin’s work producing iconic music and composing for film and TV makes him a natural storyteller. He has collaborated over the years with icons including Billy Joel, Jimmy Webb, Johnny Mathis, Kris Kristofferson, Linda Ronstadt and Michael McDonald. In his new book, he draws upon his wide variety of experiences, including producing the Dan Hill hit “Sometimes When We Touch” and composing for Beverly Hills, 90210, offering readers a unique glimpse behind the scenes of the entertainment industry. Mollin has produced albums for a wide range of artists, including Jimmy Webb, Johnny Mathis, Billy Ray Cyrus and America, as well as the Disney Lullaby Album series.
Unplugged delves into Mollin’s creative process, his collaborations with renowned artists, and his unique perspective on the evolution of music and entertainment. The memoir is a must-read for music enthusiasts and anyone intrigued by the inner workings of the industry, providing a journey through Mollin’s notable career.
“After a lifetime immersed in music across various roles and genres, I wanted to capture my journey with a memoir,” Molin tells MusicRow. “My book takes the reader behind studio doors, sharing stories of collaborations with remarkable artists and my experiences scoring film and television. It also offers an insider’s perspective on the music business and how to navigate it. My story is a great deal about passion and perseverance in the world of recorded music. I hope it inspires anyone considering a creative life.”
Brad Paisley & Fender Unveil Signature ‘Lost Paisley’ Telecaster
/by Lorie HollabaughBrad Paisley with the “Limited Edition Brad Paisley 1967 Lost Paisley”
Brad Paisley and the Fender Custom Shop are collaborating on a new Limited Edition Brad Paisley 1967 “Lost Paisley” Telecaster, a vintage-inspired reimagining of the original ’60s Blue Paisley Finish.
The guitar revitalizes one of Fender’s most beloved designs, the Paisley Red finish that was originally introduced in 1968. The Fender Custom Shop in Corona, California will produce 67 guitars, while Brad Paisley in collaboration with the Fender Nashville R&D team, will personally build 19 guitars as a tribute to the year of the original creation. The 67 from the Custom Shop will be sold through Fender’s dealer network while Paisley’s 19 guitars will be available exclusively through his channels.
“From the very beginning there has always been a pattern following me, from the moment they wrote my last name on my birth certificate. It’s unreal that my own name is one of the coolest finishes I think Fender has ever done. This is an attempt to show what this lost color could have been. It’s the best guitar I’ve ever had,” says Paisley.
The Blue Paisley Telecaster’s unique story began when Brad Paisley was gifted a nearly forgotten treasure—lightly used sheets of original Blue Paisley Cling-Foil from the 1960s. What started as a stroke of luck soon turned into a mission. Together with close collaborators Zac Childs and Joe Glaser, Paisley set out to restore one of his well-worn 1967 Telecaster guitars and revive the long-lost art of the Paisley finish. Through painstaking research and craftsmanship, they not only perfected the restoration but also recreated the original Paisley Cling-Foil paper.
First introduced in 1968, the short-lived Paisley Red and Blue Flower finishes were Fender’s answer to the counterculture moment of the “Summer of Love,” featuring decorative Cling-Foil paper adorned with vibrant colors and a matching metallic burst, and the guitars stood out with a bold psychedelic flair. However, the finish’s combination of thick paper, weak adhesives, and polyester clear coats made them vulnerable. Many Paisley guitars were refinished or repainted as chipping and flaking became unavoidable. By late 1969, Fender had discontinued the line, and these instruments began to fade into obscurity.
In the decades that followed, the Paisley Telecaster guitars gained a cult-like following. Often spotted in vintage stores, the instruments became prized by collectors and musicians drawn to their eccentric aesthetic and rare backstory. Paisley, who shares his name with the iconic design, naturally gravitated toward the standout classics. Now, in a full-circle moment through his collaboration with the Fender Custom Shop, Brad’s vision for the Lost Telecaster has come to life—an instrument that honors its vintage roots while embracing modern craftsmanship and precision.
“Brad Paisley’s deep connection to Fender’s history and his meticulous nature were instrumental in bringing the ‘Lost Paisley’ Telecaster to life,” says Chase Paul, Director of Product Development – Fender Custom Shop. “From the rediscovery of the original 1960s Blue Paisley Cling-Foil to the custom hardware and pickups—every element of the Limited Edition Brad Paisley 1967 ‘Lost Paisley’ Telecaster was crafted with purpose. This isn’t just an Artist Signature model—it’s a glimpse into what could have been, had this concept made it to production. A true missing link in Fender Telecaster evolution.”
“This project is a true reflection of the long standing relationship between Brad and Fender, and our shared passion for the Telecaster and its legacy,” adds Ben Blanc-Dumont, Director of Artist Marketing at Fender in Nashville. “The “Lost Paisley” Telecaster is more than just a signature guitar – it’s a love letter to the country music community that helped shape Brad’s sound and continues to influence artists across the world. We’re proud to bring this instrument to life with Brad, not only to honor a piece of Fender’s untold history, but to celebrate the players and creators who keep that legacy alive every day.”
Merlefest Wraps Another Successful Year
/by Lorie HollabaughSeth Avett of The Avett Brothers performs during their Saturday night headline set on the Watson Stage at MerleFest 2025. Photo: Jim Gavenus Photography
MerleFest wrapped up its 37th annual celebration April 24-27 with a roaring tribute to the music and community that folk icon Doc Watson championed throughout his life.
Nearly 100 acts from rising stars to legends graced twleve across the campus of Wilkes Community College over the course of four days, drawing thousands. Among the Thursday performers were The SteelDrivers, Wyatt Flores, Brent Cobb, The Dead South and Donna the Buffalo kicking off the weekend with heart, energy, and the signature sense of community.
On Friday, Jim Lauderdale and The Gamechangers opened the day on the Creekside Stage, while Big Richard rocked the Americana Stage, followed by Tony Trischka’s EarlJam, who took fans on a journey through bluegrass history. The War and Treaty delivered a Watson Stage performance, leading into a set from I’m With Her. Bonnie Raitt captivated the audience, before the Late Night Jam hosted by Sam Bush brought a star-studded roster of pickers together for an unforgettable session.
Saturday opened with Denitia, followed by the reveal of Band Competition winners Mama & The Ruckus. Alison Brown and The Fretliners brought their sets to the Traditional Stage. Christina Vane stormed the Dance Stage, while The Waybacks’ annual “Album Hour” reimagined The Rolling Stones’ Let it Bleed. As evening set in, Sam Bush lit up the Watson Stage, paving the way for The Avett Brothers’ high-energy performance. Scythian wrapped the night on the Dance Stage.
The festival’s final day kicked off with a sing-along led by Josh Goforth and Laura Boosinger. The Jeff Little Trio honored Doc Watson with heartfelt gospel songs at Creekside, followed by The Secret Sisters’ on the Hillside Stage. Leftover Salmon got the Watson Stage crowd moving, while Wayne Henderson & Friends showcased at the Traditional Stage. Watchhouse closed out MerleFest 2025 set, wrapping up a weekend full of music, community and memories.
Amazon Music Names Dasha As Next Breakthrough Artist
/by Lauryn SinkDasha. Photo: David Marek
Amazon Music announced Dasha as its latest Breakthrough Artist at Variety’s Power of Women: Nashville event last week. As part of the campaign, Dasha recently released an Amazon Music Original cover of Gretchen Wilson’s “Here for the Party” in advance of her Mane Stage debut at Stagecoach.
“We’ve long been fans of Dasha at Amazon Music,” says Michelle Tigard Kammerer, Head of Country Music at Amazon Music. “She’s a true presence in country, unafraid to be herself, ruffle some feathers and make some of the most undeniable music at the intersection of pop and country in recent memory. We look forward to helping make her creative vision a reality. We’ll see you all in Dashville, U.S.A..”
Breakthrough is Amazon Music’s program to support emerging artists, aimed at amplifying the best new talent and championing them at the most crucial moment in their careers. Amazon Music works with each Breakthrough artist and their teams to develop long-term, customized, global plans that are unique to each artist.
“I feel incredibly honored to be selected for Amazon Music’s Breakthrough program. I’ve got big plans for my fans, and it’s great to have the team at Amazon Music helping to make those plans a reality,” says Dasha. “Amazon Music has really embraced me and my creativity and we’re working on putting together things I’ve been wanting to do since day one. Stay tuned.”
Lalo Guzman Extends Global Publishing Deal With SMACKSongs
/by LB CantrellPictured (L-R): Jeremy Groves, Robin Palmer, Carly Sater, Lalo Guzman, Samantha Sarno and Lee Krabel.
Lalo Guzman has extended his global publishing deal with SMACKSongs. The news comes just as he clinches his second No. 1 hit with Blake Shelton’s “Texas.”
Guzman first joined SMACK in 2020. Soon after, the AIMP Rising Songwriter of the Year nominee landed his first No. 1 at country radio with “Cowboy Songs,” recorded by George Birge.
“Lalo is incredibly talented and such a vital part of SMACK,” shares Samantha Sarno, Creative Director at SMACK. “Watching his success has been amazing, and this is only the beginning. We’re thrilled to continue working with him!”
During his time with SMACK, Guzman has been making waves with Dylan Schneider’s radio singles “Better Than You Left Me” and “Ain’t Missin’ You,” as well as Nate Smith’s “Wish I Never Felt”–the latter two of which he produced. His catalog also boasts “Broken Heart Thing” by Madeline Merlo and Dustin Lynch, and “Shrank” by Jake Owen.
Additionally, Guzman has gathered songwriting and production credits with artists including Jason Aldean, Ella Langley, Tyler Rich, Colt Ford, Tyler Farr and more.
“I’m excited to re-sign with SMACK and continue building on what we’ve achieved these last few years,” says Guzman. “I’m so thankful to be a part of this team and look forward to what this next season has in store.”
Grace Tyler Signs With Concord Music Publishing
/by Madison HahnenPictured (L-R, back row): Ellie Gray (Concord), Lily Bunta (Concord), Anthony DeVincenzo (Red Light Management), Autumn House-Tallant (Red Light Management), Melissa Spillman (Concord), Matt Turner (Concord) and Claire Buchanan (Concord). (L-R, front row): Brad Kennard (Concord), Grace Tyler and Courtney Allen (Concord). Photo: Audrey Spillman
Singer-songwriter Grace Tyler has inked with Concord Music Publishing for a global publishing deal, including her entire catalog and all future releases.
“Signing a publishing deal with my dream team at Concord is truly a full-circle moment—proof that patience and passion pay off,” says Tyler. “I’m beyond grateful to be surrounded by people who believe in me, especially my biggest cheerleader, Courtney Allen. Her unwavering support means the world, and I couldn’t imagine a better team to chase this dream with.”
The Frisco, Texas native attended Belmont University, where she developed her skills alongside her mentor Lee Brice. Tyler first went viral with her single “My Mistake” in 2021, which went on to be featured on Spotify’s Fresh Finds and Fresh Finds Country playlists. She was also up for Spotify’s Fresh Finds Favorites in 2024 with her track “Weak Man.” Her debut EP, Everything I Didn’t Say, dropped this past March and showcases her vulnerable and honest songwriting.
“I offered Grace a deal at the end of our first meeting,” reflects Allen. “That’s how sure I was that I needed to work with her. For years, she has slowly and quietly been honing her craft and now it is her time to shine. I can’t wait to see what she accomplishes, and I am so proud to have her join the Concord family.”
At the end of last year, Tyler opened for Shane Smith & The Saints. She began 2025 by singing the national anthem at the 2025 American Rodeo Championship, and also had a set at the Lone Star Smokeout Country Music and BBQ Festival. She has upcoming shows scheduled for Cohasset, Webster and Hyannis, Massachusetts, and will perform at the ACM Lifting Lives Topgolf Tee-Off tomorrow (May 7).
Will Terry Inks With Prescription Songs, 7Hills Music & Amigo Records [Exclusive]
/by Madison HahnenPictured (L-R, front row): Will Terry and Hannah Montgomery Bay-Schuck (7Hills Music). (L-R, back row): Chris Martignago (Prescription Songs), Jillian
Rutstein (Amigo Records) and Jamey Davenport (Will Terry management). Photo: Courtesy of Prescription Songs
Nashville-based singer-songwriter Will Terry has signed with Prescription Songs and 7Hills Music for publishing, along with Prescription’s affiliated label Amigo Records for music releases.
“Having a team that feels like family is all I ever wanted,” says Terry. “Didn’t realize until recently that it’s a need in this kind of work. I’m a strong believer in the fact, you are who you’re around, and I’m stoked to be where I am.”
The Rome, Georgia native is known around music city for combining southern grit with authentic storytelling. He has supported Tyler Farr, Jon Langston and Chayce Beckham on the road and recently took the Whiskey Jam stage. He joins Scoot Teasley as Amigo’s second country signee.
“Tickled pink about getting to partner with Amigo/Rx for this next chapter in Will’s career,” shares Terry’s manager Jamey Davenport. “Hannah [Montgomery Bay-Schuck] and the team have welcomed us like family and made us feel right at home. Excited for the future and grateful for Luke & Hannah’s belief in Will Terry!”
“I’m so proud to have signed Will Terry to my joint venture 7Hills Music with Prescription Songs and our label Amigo Records,” adds Montgomery Bay-Schuck, 7Hills Music. “Coming from the same hometown of Rome, Georgia, there’s a shared understanding and work ethic that makes this partnership even more special.”
North Carolina Music Hall Of Fame Announces 2025 Inductees
/by Lauryn SinkSix North Carolina natives will be inducted into the North Carolina Music Hall of Fame this fall, including country superstar Luke Combs, director and producer Robert Deaton, “The Man of Steel'”Clyde Mattocks, singer-songwriter David Childers, radio personality Hattie “Chatty Hatty” Leeper and Flat Duo Jets member Dexter Romweber.
The induction ceremony honoring the 2025 class will take place on October 16, 2025 at the Mooresville Performing Arts Center in Mooresville, North Carolina. The ceremony is open to the public and will include appearances and live performances by inductees. A full list of performers will be announced at a later date. Tickets and more information is available here.
FEMcountry To Host First Nashville Showcase
/by Lauryn SinkDedicated to empowering female voices in country music, FEMcountry is set to host its first Nashville showcase on Thursday, June 5 at 7:30 p.m. at City Winery Nashville. The event will feature Caylee Hammack, Brittney Spencer, Abbey Cone, Lucie Silvas and Rita Wilson. Tickets are on sale now at citywinery.com/nashville.
Launched earlier this year by renowned music executive Leslie Fram, FEMcountry is a continuation of her longtime work in creating critically-acclaimed programs like CMT’s Next Women of Country and her passion for elevating female voices in country music.
For more information on FEMco and FEMcountry, visit hellofemco.com.
Rocky Block Jumps Into Top 15 On MusicRow Top Songwriter Chart
/by Madison HahnenRocky Block. Photo: Mick Bodie
Rocky Block has jumped into the top 15 on the MusicRow Top Songwriter Chart this week. Cole Swindell’s “Forever To Me” and Morgan Wallen’s “Smile” push the songwriter to No. 14.
Riley Green remains at No. 1 with solo-penned “Worst Way.” Ashley Gorley stays at No. 2 with “Favorite Country Song,” “Fix What You Didn’t Break,” “I Had Some Help,” “Liar,” “Love Somebody,” “Not At This Party,” “Park” and “She Hates Me.”
Charlie Handsome (No. 3), Morgan Wallen (No. 4) and Ernest (No. 5) round out this week’s top five.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.