T. J. Martell Gala Brings Out The Best For A Reason

The 7th Annual T.J. Martell Honors Gala honorees. (L-R): Dr. Jeffrey Balser, the Medical Research Advancement Award; Bill and Billy Ray Hearn [not pictured], the Frances Preston Lifetime Music Industry Achievement Award; Becca Stevens, the Lifetime Humanitarian Award; Steve and Judy Turner, the Spirit of Nashville Award; and Ken Levitan, the Tony Martell Outstanding Entertainment Achievement Award.

The 7th Annual T.J. Martell Honors Gala honorees. (L-R): Dr. Jeffrey Balser, the Medical Research Advancement Award; Bill Hearn and Billy Ray Hearn [not pictured], the Frances Preston Lifetime Music Industry Achievement Award; Becca Stevens, the Lifetime Humanitarian Award; Steve and Judy Turner, the Spirit of Nashville Award; and Ken Levitan, the Tony Martell Outstanding Entertainment Achievement Award.

Photos: Jason Davis/Getty Images for T.J. Martell Foundation.

Glitz and glamour donned Nashville’s Omni Hotel last night (March 30) for the 7th annual T.J. Martell Nashville Honors Gala. The event brought out top music industry leaders, political figures, and artists to celebrate the accolades and more importantly, raise money for the organization’s worthwhile cause: the fight against cancer and AIDS.

While most referred to him as “Deacon” through the evening, host Charles “Chip” Esten from ABC’s Nashville greeted attendees while sharing how the disease personally affected his family, when his daughter was diagnosed with leukemia at a young age. Assuring that she is now “happy and healthy,” he reminded us why we “all come together as friends to fight.”

Charles Kelley, Hillary Scott, and Dave Haywood of Lady Antebellum perform at the T.J. Martell Foundation's 7th Annual Nashville Honors Gala.

Charles Kelley, Hillary Scott, and Dave Haywood of Lady Antebellum perform at the T.J. Martell Foundation’s 7th Annual Nashville Honors Gala.

The Foundation, led by CEO Laura Heatherly, announced it has raised more than $270 million to support innovative medical research focused on finding cures for leukemia, cancer and AIDS, explaining that “research takes a constant flow of money.”

The event was co-chaired by Danielle Bouharoun, Senior VP of Wells-Fargo Private Banking; Ree Buchanan, President of Wrensong Music Publishing; and George Anderson, President of Anderson Benson.

Vince Gill set the tone for the night by quoting a Texas preacher who once said, “There are drainers and re-fillers.” Gill opened the performances with “What You Give Away,” and honored Steve and Judy Turner with the Spirit of Nashville Award. His classic “Vince Gill” comedic banter included recounting his first meeting with the Turners, where during an early career photo shoot he struggled to put on tight-fitting pants and accidentally broke what appeared to be their very expensive vase. The Turners, who have had a positive impact on nearly every aspect of Nashville, accepted their award giving heartfelt thanks to the crowd and to their relationship with Gill.

Rascal Flatts' Joe Don Rooney and Jay DeMarcus speak at the T.J. Martell Foundation's 7th Annual Nashville Honors Gala

Rascal Flatts’ Joe Don Rooney and Jay DeMarcus speak at the T.J. Martell Foundation’s 7th Annual Nashville Honors Gala.

Next Billy Ray Hearn and Bill Hearn were honored with a performance by contemporary Christian singer Matthew West offering “Oh, Me Of Little Faith” from his upcoming album, Live Forever. Then Jimmy Bowen shared, “I’m a two-time cancer survivor” and touted Nashville as a “multi-genre Music City.” Calling the Hearns “two honorable men that deserve to be honored tonight,” he bestowed on them the Frances Preston Lifetime Music Industry Achievement Award for their vision, creativity and commitment in the growth and development of the Christian music industry and philanthropic efforts. An emotional Bill Hearn accepted the award sharing that his father, Billy Ray, was unable to attend due to health reasons. Bill admitted, “Everything that we’ve accomplished in our lives and in business has been a result of our families supporting one another and working together.”

Vince Gill performs at the T.J. Martell Foundation's 7th Annual Nashville Honors Gala.

Vince Gill performs at the T.J. Martell Foundation’s 7th Annual Nashville Honors Gala.

Lady Antebellum flawlessly delivered “One Great Mystery” from their latest album, 747, paying tribute to Dr. Jeffrey Balser who was honored with the Medical Research Advancement Award by Rascal Flatts’ Joe Don Rooney and Jay DeMarcus, who called him “our friend.” Dr. Balser, who has pioneered research programs at the hospital and led the center’s significant expansion, graciously accepted. A graduate of Vanderbilt, he became dean of the School of Medicine in 2008.

Manager Ken Levitan was saluted by his longtime artist, Grammy winner Emmylou Harris. She looked out among the guests and observed, “This represents the true heart of Nashville.” After referring to Levitan’s energy as “legendary,” Harris shared, “Before we started working together, we were friends.” She brought out Rodney Crowell to perform the title track from their album, “Old Yellow Moon.” Opry Entertainment Group’s Steve Buchanan filled in for Irving Azoff, who missed the gala due to travel complications, presented the Tony Martell Outstanding Entertainment Achievement Award to Levitan. Buchanan said, “Ken is a very passionate music fan. He built one of the most highly regarded management companies in the world.” Levitan, who has managed the careers of such notable acts as Harris, Kings of Leon, Trisha Yearwood, Trace Adkins, and many others, spoke about his appreciation of the T.J. Martell Foundation. “It has kept its roots deep in the music business. To be recognized by T.J. Martell is beyond special,” he said. Giving a nod to his 87-year-old father in the audience, Levitan added, “He taught me you can do anything you want to do, if you put your mind to it.”

EmmyLou Harris and Rodney Crowell perform at the T.J. Martell Foundation's 7th Annual Nashville Honors Gala.

EmmyLou Harris and Rodney Crowell perform at the T.J. Martell Foundation’s 7th Annual Nashville Honors Gala.

The final award of the evening went to Rev. Becca Stevens, who received the Lifetime Humanitarian Award. Her commitment to community includes ministry as an Episcopal priest in Nashville, founding Magdalene to help women who survived lives of prostitution, and starting Thistle Farms, a social enterprise of Magdalene. Keeping it in the family, Stevens’ husband and Grammy-winning songwriter Marcus Hummon and son Levi Hummon, a recent Valory Music signee, joined bluegrass virtuoso Alison Krauss for a poignant performance of Oscar-nominated “Make It Love.” Tennessee First Lady, Crissy Haslam, honored Stevens with the award. “I love that I get to accept this with my family,” proclaimed Stevens. “When we are together, we are a powerful force. Love, love, love.”

Watching proudly in the audience were notable attendees Governor Bill Haslam, Nashville Mayor Karl Dean, Amy Grant, Peter Frampton, John Hiatt, Chris Young, former Tennessee Titan Keith Bullock, T.J. Martell’s Tinti Moffat and numerous other industry members and philanthropic trailblazers.

chip

Charles Esten hosts the T.J. Martell Foundation’s 7th Annual Nashville Honors Gala.

Alison Krauss, Levi Hummon, and Marcus Hummon perform at the T.J. Martell Foundation's 7th Annual Nashville Honors Gala

Alison Krauss, Levi Hummon, and Marcus Hummon perform at the T.J. Martell Foundation’s 7th Annual Nashville Honors Gala.

Keith Bullock, T.J. Martell Foundation's Laura Heatherly, and Chris Young attend the T.J. Martell Foundation's 7th Annual Nashville Honors Gala

Keith Bullock, T.J. Martell Foundation’s Laura Heatherly, and Chris Young attend the T.J. Martell Foundation’s 7th Annual Nashville Honors Gala.

EmmyLou Harris, Tony Martell Outstanding Entertainment Achievement Award honoree Ken Levitan, and Steve Buchanan attend the T.J. Martell Foundation's 7th Annual Nashville Honors Gala

Emmylou Harris, Tony Martell Outstanding Entertainment Achievement Award honoree Ken Levitan, and Steve Buchanan attend the T.J. Martell Foundation’s 7th Annual Nashville Honors Gala.

Bill Hearn (center) accepts the Frances Preston Lifetime Music Industry Achievement Award on behalf of his father, Billy Ray Hearn, along with Matthew West (left) and Jimmy Bowen (right) at the T.J. Martell Foundation's 7th Annual Nashville Honors Gala

Bill Hearn (center) accepts the Frances Preston Lifetime Music Industry Achievement Award on behalf of his father, Billy Ray Hearn, along with Matthew West (left) and Jimmy Bowen (right) at the T.J. Martell Foundation’s 7th Annual Nashville Honors Gala.

Ree Guyer Buchanan, T.J. Martell Foundation's Tinti Moffat, Jimmy Bowen, T.J. Martell Foundation's Laura Heatherly, and Danielle Bouharoun attend the T.J. Martell Foundation's 7th Annual Nashville Honors Gala

Ree Guyer Buchanan, T.J. Martell Foundation’s Tinti Moffat, Jimmy Bowen, T.J. Martell Foundation’s Laura Heatherly, and Danielle Bouharoun attend the T.J. Martell Foundation’s 7th Annual Nashville Honors Gala.

Viacom Restructuring Leads To CMT Exits

CMT_BLACK_WHITE111Lay offs hit CMT last week as part of the restructuring of parent company Viacom.

Craig Shelburne and Chris Parton were among the many staffers who exited CMT’s downtown Nashville headquarters.

Shelburne had been with the company since 2002 where he served as senior editor of CMT.com, editor of CMT Edge and producer for Live @ CMT and Concrete Country. He can be reached at cshelburne@msn.com and 615-397-7048.

Parton joined the network in 2007 and most recently served as writer/producer for CMT.com and CMTEdge.com. Contact him at partct78@gmail.com or 585-269-9128.

According to a CMT representative, “Viacom is making changes in three of our domestic network groups, creating two new organizations. These changes are part of the process of realigning our resources to meet the new needs of the organization.” One division will focus on kids and family, and will be home to CMT, CMT Pure, Nickelodeon and TV Land. The other organization will include MTV, VH1, Comedy Central, Spike, and Logo.

Reports from CMT indicate a “focus on more and better original programming that monetizes on all screens,” and “an ambitious and diverse programming slate that includes new original series and returning favorites.”

The reorganization also includes the departure of Van Toffler, president of MTV Networks Music & Logo Group (MTV, CMT, VH1), after almost three decades with the company.

Last week Ad Age pointed to a state Department of Labor notice that said Viacom will cut 264 employees in New York City.

Philippe Dauman is president/CEO of Viacom. According to The Wrap, his 2014 compensation totaled $44.3 million.

The Whistles And The Bells Sign With New West Records

the whistles and the bells

Pictured (L-R): John Strohm, Loeb and Loeb; Kim Buie, Vice President of A&R at New West Records; Bryan Simpson of The Whistles And The Bells; John Allen, President of New West Records; Santo Pullella, management.

New West Records announced the signing of Nashville’s The Whistles and The Bells, the redirection of artist Bryan Simpson, formerly of Cadillac Sky.

The Whistles and The Bells is managed by Santo Pullella and represented by attorney John Strohm.

New West Records will be re-releasing the self-titled debut album, which was engineered by Vance Powell (Jack White, Jars of Clay, Chris Thile).

With offices in Burbank, Calif., Athens, Ga., and Nashville, New West offers releases from artists including Buddy Miller, Delbert McClinton, Patty Griffin, Steve Earl and is home to artists including Buddy & Julie Miller, Corb Lund, John Hiatt, and more.

Grammy Block Party Gets New Home

Pictured (L-R): GRAMMY-winning artists Kacey Musgraves and Jim Lauderdale. Photo: Frederick Breedon.

Pictured at the 2014 Grammy Block Party, Grammy-winning artists Kacey Musgraves and Jim Lauderdale. Photo: Frederick Breedon.

The Grammy Block Party is moving from its longtime location on Music Row to downtown Nashville, finding a new home at Cumberland Park on the riverfront. The 17th annual fest is set for Tuesday, May 12 at 4 p.m.

For many years the lively event including performances, food and fun, was held at Owen Bradley Park near the Music Row roundabout.

Performers have not been announced for this year. The invitation-only party is for Recording Academy members and their guests, and is not open to the public.

Last year welcomed performances by Jim Lauderdale, Martina McBride, Kacey Musgraves, Chris Young, For King and Country, and Vintage Trouble.

LifeNotes: Actor-Singer J. Karen Thomas Passes

J Karen Thomas

J. Karen Thomas

Nashville jazz chanteuse, songwriter, radio personality and film, stage and television actor J. Karen Thomas has died at age 50.

She passed away on Thursday morning, March 26. Thomas had been diagnosed with multiple myeloma in January and had been undergoing treatment since then.

She was known to many for her role as “Audrey Carlisle,” the wife of “Mayor Coleman Carlisle” (Robert Wisdom) during the first season of the ABC-TV series Nashville (2012).

J. Karen Thomas was a vital member of Music City’s theatrical community. She was in the Nashville Repertory Theatre’s 2014 production of the musical Company. In 2013, she won the Circle Award as Best Supporting Actress for portraying “Shug Avery” in The Color Purple Musical.

The local jazz community mourns her passing as well. Thomas’s recordings include Love Just Happens (2013) and J. Karen Live! (2014). She received jazz radio airplay with her 2014 holiday song “Three Words at Christmas.” She has also sung with the Nashville swing band The Time Jumpers.

Thomas was a Nashville native who graduated from Maplewood High and the University of Memphis. Following some theater work in Atlanta, she moved to Los Angeles in 1996 and established herself as an actor with more than 40 guest-starring television roles. Her credits include Criminal Minds, ER, Drop Dead Diva, Ellen, Judging Amy, Charmed, The Jamie Foxx Show, Savannah, That’s Life, Chicago Hope and Army Wives. Her film work included parts in Mutiny (1999), The Tempest (2001), Written in Blood (2002) Star Wars: Knights of the Old Republic (2003), Woman Thou Art Loosed (2004, a mini series) and Itty Bitty Titty Committee (2007).

As a singer, she performed at the Cannes Film Festival, on Royal Caribbean Cruise Lines and at Disney Sea in Tokyo.

While on the West Coast she met her life partner, fellow actor Colette Divine. They moved back to Thomas’s home town six years ago. Since then, Thomas has acted opposite the late Robin Williams in the film Boulevard and opposite Ashley Judd in The Identical. Both of these features were screened at the Nashville Film Festival. She and Divine both appeared in the documentary Who Killed the Electric Car?

Thomas was also a former disc jockey for Nashville’s Y-107.

She was an active community volunteer. Among the organizations she supported were TreePeople, GLAAD, the Nashville Film Festival, the Belcourt Theatre, Artists for a World without HIV, Plug In America and various Screen Actors Guild (SAG) initiatives.

She is survived by her life partner Colette Divine, by brothers Frank and George and by nephews and nieces.

Thomas’s medical bills are substantial. In lieu of flowers, memorial donations are appreciated at www.gofundme.com/jkareneternallove.

A celebration of her life and tribute/benefit concert will be held on Friday, April 17 at 7 p.m. On Saturday, April 18, at 1:45 p.m. there will be an AKA Ivy Beyond the Wall Ceremony, followed by a 2 p.m. memorial service. All of these events will be at the Center for Spiritual Living, 6705 Charlotte Pike, Nashville 37209.

Rolling Stones To Play Nashville For First Time In 13 Years

rolling-stone-zip-code-tourThe Rolling Stones officially announced today (March 31) they will play Nashville’s LP Field Wednesday, June 17 in the middle of a 15-city Zip Code Tour. This is the first time the band has not only played North American stadiums since 2007, but the first time they have played Nashville since 2002.

The concert will take place three days after the CMA Music Festival wraps.

To prepare, the legendary band will re-release the classic 1971 album Sticky Fingers with Universal Music on May 25, featuring previously unreleased material and re-workings in a variety of formats.

Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood will begin the outing in San Diego on May 24 and extend it through July 15 in Quebec. Tickets, ranging in price from $65-$350, will become available at 10 a.m. local, Monday, April 13 at rollingstones.com/tickets. American Express cardholders will have early access from April 8-12. Additional pre-sales and packages are expected.

AEG Live’s Concerts West is the promoter.

Zip Code Tour Full Dates
May 24 – San Diego, CA Petco Park
May 30 – Columbus, OH Ohio Stadium
June 3 – Minneapolis, MN TCF Bank Stadium
June 6 – Dallas, TX AT&T Stadium
June 9 – Atlanta, GA Bobby Dodd Stadium
June 12 – Orlando, FL Orlando Citrus Bowl
June 17 – Nashville, TN LP Field
June 20 – Pittsburgh, PA Heinz Field
June 23 – Milwaukee, WI Summerfest / Marcus Amphitheater
June 27 – Kansas City, MO Arrowhead Stadium
July 1 – Raleigh, NC Carter-Finley Stadium
July 4 – Indianapolis, IN Indianapolis Motor Speedway
July 8 – Detroit, MI Comerica Park
July 11 – Buffalo, NY Ralph Wilson Stadium
July 15 – Quebec, QC Le Festival D’Été de Québec*
*wristbands will go on sale at 12 p.m. local on Saturday, April 11

Industry Ink: SESAC, Hi-Fi Fusion, RareSpark Media, Who Knew

Shannan Hatch

Shannan Hatch

SESAC’s Shannan Hatch Featured on StyleBluePrint

SESAC’s Shannan Hatch, named one of MusicRow‘s Rising Women on the Row honorees in 2012, was recently featured as one of StyleBluePrint’s FACES of Nashville.

“My favorite part is helping songwriters get to the next level, which is also the most challenging!” Hatch said of her favorite part of working in the music business. “I also get to work with and help some of my closest friends … my extended family, which is amazing! My husband Rob was SESAC songwriter of the year last year, and I got to present him with the writer of the year award … a night we will never forget!”

For more, visit styleblueprint.com.

Hi-Fi Fusion Adds Hammar As Project Manager

Ania Hammar

Ania Hammar

Digital marketing firm Hi-Fi Fusion has hired Ania Hammar as the newest project manager.

The Cape Cod, Mass., native is a graduate of Belmont University and recently worked for Northwestern Mutual.

Hammar can be reached at 615-298-3873 or ania@hififusion.com.

RareSpark Media Group Hires Allen As Operations Manager

Katie Allen

Katie Allen

RareSpark Media Group has added Louisiana State University graduate Katie Allen operations manager. Allen previously worked with Leadership Music for six years.

In her new role, Allen will focus on day-to-day business and resources management for the company. RareSpark Media Group’s current roster includes Victoria Banks, Walker Hayes, Park Chisolm, E Marlowe, and Kirsten Arian.

“Who Knew” Music Industry Event Set For April 2

Who KnewIndustry members will have the opportunity to congregate for an evening of education and networking as part of “Who Knew,”which will take place at The Listening Room Cafe on  Thursday, April 2 from 5 p.m.-8 p.m.

Speakers include Steve Savoca (Spotify), Randy Wachtler (Warner Chappell Production Music), Hunter Williams (CAA), Charles Alexander (Outside The Box), Doyle Davis (Grimey’s), Brittany Wagusen (Kalatech), Notelle (EDM artist), and Project Music.

An advanced ticket is $10, and includes two drinks and light hors d’oeuvres. Tickets are available at eventbrite.com.

Artists Sign On For Jay Z’s TIDAL

TIDALJason Aldean and Jack White are a few of the artists who have jumped on board music mogul Jay Z‘s recently announced streaming music service, TIDAL, which is aimed to compete with Spotify, Pandora, Beats Music, iTunes and others. Additionally, BMLG artist Taylor Swift‘s music (with the exception of her latest album 1989) remains available on TIDAL, as well as on other subscription-based services.

TIDAL was announced this afternoon via a press conference.

The hip-hop artist and business exec Jay Z bid $56 million for the service and parent company Aspiro last month. Scandinavian company Aspiro operates two services, including Tidal in the U.S., Canada and the U.K., as well as WiMP in Norway, Sweden, and other areas of Europe. The two services will now be operated under the name TIDAL worldwide.

Other artists who have signed on include Beyoncé, Alicia Keys, Will Butler (Arcade Fire), Calvin Harris, Chris Martin (Coldplay), Daft Punk, Jay Cole, Madonna, Kanye West, Nicki Minaj, Usher and Rihanna.

TIDAL charges $19.99/month for unlimited listening of high-resolution, “lossless” music, with no free listening tier. The company has licensed 25 million tracks thus far.

The service offers three different sound qualities, including “Standard” (96 kbps-AAC+), “High Quality” (320 kbps-AAC), and HiFi (Flac 1411 kpbs-lossless).

Tidal has integration agreements with 35 audio brands, including: Anthem, Airable by Tune In Media, Astell & Kern, Audeze, Audiovector, AudioQuest, Auralic, Aurender, Autonomic, Bel Canto, Bluesound & NAD, Dan D’Agostino, Definitive Technology, Denon HEOS, DTS Play-Fi, Dynaudio, Electrocompaniet, Harman Omni, HiFiAkademie, ickStream, JH Audio, Linn, McIntosh, Meridian, MartinLogan, Paradigm, Polk, Pro-ject, PS Audio, Raumfeld, Simple Audio, Sonos, Steinway Lyngdorf, Wren Sound Systems.

Aldean and Swift each pulled music from streaming service Spotify last year.

For more, information, visit tidal.com. Watch the press conference below.

YouTube video

Mark Music & Media Law Opens Nashville Office

Elizabeth Gregory

Elizabeth Gregory

Mark Music & Media Law, P.C., has partnered with music attorney Elizabeth Gregory to open a Nashville office. The firm also has offices in New York and Beverly Hills.

The combined firm represents artists, songwriters, and producers including The Black Keys, Motley Crue, Guns N’ Roses, Jay Joyce, David Hodges, Sara Bareilles, Benny Blanco,  and more.

Doug Mark launched Mark Music & Media Law in 2007, and has practiced entertainment law since 1986. His partners and associates include David Ferreria, David Jacobs, Matt Cuttler, Eric Morris, and now Elizabeth Gregory.

Gregory graduated from Duke University before earning a law degree from University of Southern California. In 1995, became an associate at Los Angeles-based entertainment firm Myman, Abell, Fineman, Greenspan, and Light, where she handled contractual matters for labels, artists, songwriters, producers, and more. In December 2001, she launched her town Nashville-based boutique practice, specializing in full-service representation for a range of entertainment industry clients.

Mark says, “I have long admired Elizabeth, and that only increased when we worked together on a mutual client in Andrew Bird. She has such an eclectic and dynamic clientele, focused both in Nashville and elsewhere, it was easy to conceive that the merger of these two practices would lead to a mutually supportive alliance that will be a force to be reckoned with.”

Gregory adds, “I am so thankful for the opportunity to work with Doug and his team and to contribute to a world-class roster of clients that span so many genres and three locations. I had a great time building my practice, but I had maxed out the business I could service on my own and it was time to find the right team to join. This will allow me to take on new challenges.”

Gregory can be reached at evgregory@markmml.com or 615-298-3531.

 

 

Striking Matches Sparks A Fire With Debut Project

Striking Matches album 2015“It feels like your wedding day,” says Justin Davis of new duo Striking Matches, in describing an artist’s anticipation of album release day. Davis and musical partner Sarah Zimmermann released their first full-length album, Nothing But The Silence (I.R.S. Records) on March 23. “You go so long and look forward to it as a thing of the future. Finally that day arrives, and you know it doesn’t end on that day, because there is so much more to come. You try to slow down just long enough to realize you’ve achieved this thing that you’ve wanted forever.”

They won’t have much time for slowing down. The project landed at No. 1 on the iTunes UK Country Albums chart, thanks in part to the duo’s recent performances overseas, including a return to the CMA Songwriters Series at C2C in London.

In the years leading up to album release day, Zimmermann and Davis have evolved from fledgling college musicians to a duo with numerous songs, including “When The Right One Comes Along” and “Hanging On A Lie,” featured on the ABC drama Nashville. Striking Matches’ versions of both songs are included on their debut.

Early on, the duo teamed with music executive John Grady, who later signed them as the first act on his Nashville-based label, I.R.S. Records. Grady was instrumental in pairing the duo with T Bone Burnett, producer for artists including Los Lobos, The Wallflowers, as well as Robert Plant and Alison Krauss’ Grammy-winning album Raising Sand. Burnett also served as the executive music producer for television drama Nashville.

“T Bone was doing music for the first season of Nashville,” Grady recalls. “I sent him worktapes of Striking Matches and he said, ‘Grady, that’s the only band I’ve heard that I’ve liked since I’ve been here doing this.’ We kept sending him music, and one day I asked him what he thought about producing them. He does that a couple of times a year, where he’ll produce somebody completely unknown.”

Burnett signed on for the project. “His vision lined up with ours,” Davis says. “The mark of any great producer is making you as an artist feel like you can do anything you imagine. What I wasn’t anticipating is how nurturing he is to new artists in the studio.” Burnett kept the duo’s guitar prowess and irresistible harmonies center stage, augmented by only bass and drums. The setup allowed the duo to stake their claim as musicians from the first bluesy guitar vamp of “Trouble Is As Trouble Does.” Guitar solos shimmer throughout the project on tracks like “Make A Liar Out of Me.”

“It was an experience for them because it allows them to set a bar for the rest of their career for what they will accept or won’t accept, out of themselves or out of the recording experience,” Grady says.

Nothing But The Silence’s stripped down, harmony- and guitar-centric sound was refined through previous recordings; opening slots for Ashley Monroe, Train, Vince Gill; and international gigs in the UK. “We found that the more production and editing we did, it took away from what we were doing as a duo,” Zimmermann says. “It hid our guitar voice, in a sense. We both draw heavily on guitar playing, and that makes us different as a duo. It’s a big part of our songwriting as well.

“You’re not going to listen to our record, and then go to the live show and hear something completely different,” Zimmermann continues. “It’s important to us to make sure our voices and playing are center stage.”

Zimmermann and Davis first crossed paths as freshmen in a college music class, where the two guitar aficionados were randomly paired to improvise a piece of music. Zimmermann was the only female guitarist in the class. Davis’ initial response?

“I thought, ’Oh great, I’m the one who got the girl.’ None of us wanted to end up with the girl, because there were very few examples we could call upon of great female guitarists, except maybe Bonnie Raitt,” Davis recalls. “I asked if she knew any blues, and she pulled out her slide and proceeded to annihilate everybody. Musical chemistry is like social chemistry. Some people you just click with.”

Davis and Zimmermann continued to regularly jam and write songs together, though it took nearly two years before they decided to officially try their luck as a duo.

“Neither of us endeavored to be artists because that was kinda the ‘diva’ thing to do,” Davis explains. “At the same time, we are musicians, we love to write and sing, and love being in the studio. We started thinking, ‘Who gets to do all of that? Oh god, that’s the artist.’ Eventually, we realized we wanted to be artists all along. Songwriters usually only get to write songs; they don’t usually play. Many times, musicians play with other people, but the creative control is very limited. The one person who gets to do all of it is the artist.”

“We played writer’s rounds together, and people kept asking us what our band name was,” Zimmermann recalls of those early shows. “That’s when we decided to give it a shot.”

With more international tour dates, as well as a co-headlining U.S. tour with The Secret Sisters on the books, the duo is already thinking ahead to album number two.

“It would be fun to work with T Bone again, if he’s up for it and feels stimulated artistically,” Davis says. “It was a blast. We will experiment a little sonically, but we want to retain this identity. Maybe more epic guitar solos.”