Pictured (L-R): Ashley Gorley, Jon Nite, ASCAP’s Beth Brinker, Jonathan Singleton, Rivers Rutherford and ASCAP’s Mike Sistad
Pictured (L-R): ASCAP Songwriters Rivers Rutherford, Jon Nite, Jonathan Singleton and Ashley Gorley at the HGTV Lodge
Photos: ASCAP’s Alison Toczylowski
ASCAP presented a bevy of hit songwriters and emerging songwriter-artists at the 2015 CMA Music Festival on Saturday, June 13 and Sunday, June 14. The third annual ASCAP Presents at the CMA Music Festival was held for the first time at the Chevrolet Roadhouse Stage on 4th Avenue and showcased more than two dozen acts, ranging from fresh-faced new talent to emerging songwriter-artists boasting publishing or record deals and recent tours with major label acts.
The lineup on Saturday included Vanessa Bransan, Jeston Cade, Josh Mirenda, Carlton Anderson, Hunter Phelps, CJ Solar, Kalisa Ewing, Jameson Rodgers, Joe Hall, Ryan Griffin andBrett Young.
Sunday’s showcase featured Brad Blackburn, Joshua Okeefe, Corey Kent White, Mitchell Lee, Jacob Davis, Steven Clawson, Hailey Whitters, Chris Cavanaugh, Lauren Jenkins, Patrick Thomas and David Ray.
The shows were hosted by ASCAP Nashville Vice President of Membership Michael Martin, Senior Creative Director Mike Sistad, Creative Director Robert Filhart and Creative Manager Beth Brinker.
On Sunday, June 14, ASCAP presented the second annual ASCAP Hit Songwriters Round at the HGTV Lodge in the CMA Music Festival’s “Fan Alley.” Mega-hit writers Ashley Gorley (“Don’t It,” “Tonight Looks Good On You,” “Kick the Dust Up”), Jon Nite (“Smoke,” “Beachin,” “We Were Us”), Jonathan Singleton (“A Guy Walks Into A Bar,” “Diamond Rings & Old Barstools,” “Let It Rain”) and Rivers Rutherford (“Southern Style,” “Real Good Man,” “These Are My People”) treated festival-goers to a taste of real Nashville with a traditional songwriters round. The show was hosted by Great American Country’s Suzanne Alexander.
Pictured (L-R): Fitzgerald Hartley’s Steve Emley, ASCAP’s Michael Martin, Joe Hall and ASCAP’s Robert Filhart
Pictured (L-R): ASCAP’s Robert Filhart, Combustion’s Chris Van Belkom, Combustion Atlas Music Publishing’s Jameson Rodgers and ASCAP’s Michael Martin
Sony Music Nashville artist Ryan Griffin
Pictured (L-R): ASCAP’s Robert Filhart, Big Machine Music songwriter-artist Lauren Jenkins, Big Machine Music’s Alex Heddle and ASCAP’s Mike Sistad
ASCAP’s Beth Brinker and Cornman Music/Warner Chappell Music’s songwriter-artist Josh Mirenda
Apple Swiftly Reverses Decision to Withhold Royalties
/by Eric T. ParkerTaylor Swift awarded with the IFPI Global Recording Artist of 2014 Award. Photo: IFPI.com/Dave Hogan for Getty Images
Give Taylor Swift less than 500 words and about 16 hours and she will persuade the world’s largest company, Apple, to find value in music.
Apple previously said it would not pay rights holders for their music consumed during the 3-month free trial period of the new Apple Music streaming service, but that decision was swiftly reversed after the pop superstar posted a note on Tumblr Sunday (June 21).
She spoke out in opposition on behalf of the “echoed sentiments of every artist, writer and producer in [her] social circles who are afraid to speak up….This is not about me. This is about the new artist or band that has just released their first single and will not be paid for its success. This is about the young songwriter who just got his or her first cut and thought that the royalties from that would get them out of debt. This is about the producer who works tirelessly to innovate and create, just like the innovators and creators at Apple are pioneering in their field…but will not get paid for a quarter of a year’s worth of plays on his or her songs…We don’t ask you for free iPhones. Please don’t ask us to provide you with our music for no compensation.”
Later that day, Apple Senior Vice President Eddy Cue phoned Swift, who is on tour in Amsterdam, and publicly released a statement on Twitter (below) confirming the company which posted $13.6 billion in net profit last quarter, will indeed be paying artists.
In an interview with Cue, Billboard cites Apple’s excuse for withholding payments as “planning to originally negotiate a higher royalty rate, which they will stick with.”
Cue declined to state that royalty rate, however during a separate interview with BuzzFeed, he confirmed, “[Apple] will pay artists on a per stream basis during the free three-month trial. Afterwards, it will pay music owners 71.5-percent of Apple Music’s subscription revenue in the United States. Internationally, the number will fluctuate, but will average out at around 73-percent.”
BMLG’s Scott Borchetta promotes Music Has Value. Photo: Rick Diamond.
Swift publicly expressed gratitude for the decision turn-around but has not yet commented on whether or not her original declaration to exclude her latest album, 1989, from the new streaming service will be reversed.
Arguably today’s largest superstar, Swift has used her platform to fight low royalty rates on behalf of artists. She removed her records from streaming music service Spotify—where her albums are still unavailable on its paid and unpaid platforms—after penning a 2014 Wall Street Journal op-ed. Her Nashville-based record label, Big Machine Label Group, has since begun a campaign promoting the premise: “Music Has Value.”
Joey Martin Feek Fighting Stage Four Cancer
/by Lorie HollabaughJoey and daughter Indiana. Photo: www.thislifeilive.com
Joey Martin Feek, of the country duo Joey and Rory, has had a recurrence of cancer and has been diagnosed with Stage 4 cervical cancer. Feek had surgery to treat the cancer in 2014, and doctors believed they had removed it all, but she began having health issues again that led to the recent diagnosis.
Husband Rory Feek wrote on his blog that the family, including daughter Indiana, (whom Joey gave birth to in February of last year,) will travel to Chicago to visit a cancer treatment center to integrate natural diet and supplements and faith-based healing therapies into her treatment regimen along with chemo and radiation. The two are thankful for the outpouring of love that has come their way since the recent news, and are hopeful for the future.
“Our hope is that we’ll spend a good portion of the summer there, and then by harvest time in her garden, she’ll have her rubber boots on and will be up and down those rows gathering the harvest that the Lord has provided,” says Rory. “And like most falls, she’ll spend countless days canning and freezing and cooking what she grew, the hard way. I can’t begin to tell you how much love and support we’ve received in the last 5 days through emails, calls, texts, flowers, cards, gifts and above all prayers. We’ve been shown lots of love before from friends and family, from fans and strangers. But this… this is a whole other level of love. From the bottom of our hearts, we thank you.”
Artist Pics: Chesney, Brooks & Yearwood, Paisley & Underwood, Sheryl Crow With Time Jumpers
/by Lorie HollabaughChesney Tour Thrills 54,000 Fans
Packers coach Mike McCarthy (not pictured) and Chesney presented a fan in the audience with a signed helmet. Photo: Jill Trunnell
Kenny Chesney made a triumphant return to Green Bay’s Lambeau Field Saturday (June 20), thrilling the crowd of nearly 54,000 with plenty of surprises. The evening marked the second time he’s taken over the historic home of the Green Bay Packers and the only time an artist has played it twice, and the fans were more than ready to party the night away with him.
A five-tiered cake was rolled out along with a giant margarita for a special birthday celebration for buddy Grace Potter as Chesney led the crowd in singing “Happy Birthday” to his duet partner, who just days earlier had celebrated her first No. 1 song with their collaboration “Wild Child,” which they performed for the amped crowd.
Kenny Chesney at Lambeau Field on June 20, 2015
Photo: Jill Trunnell
The Time Jumpers Welcome Surprise Guests
Sheryl Crow, Eagles member/solo rocker Joe Walsh, drummer Steve Jordan and bluesman Tab Benoit turned out to see The Time Jumpers’ June 15 show at 3rd and Lindsley. Walsh and Jordan (who has backed Eric Clapton, John Mayer and Keith Richards) were in town recording and stopped by to check out the famed Jumpers. Crow and Benoit sat in with the band for a bit. The songstress lent a hand vocally on the George Strait classic “When Did You Stop Loving Me,” and Benoit joined in on George Jones’ “Bartender Blues.”
Pictured (L-R): TTJ’s Joe Spivey and Paul Franklin, Steve Jordan, TTJ’s Vince Gill and Andy Reiss, Joe Walsh and TTJ’s Kenny Sears, Larry Franklin and Jeff Taylor
The Time Jumpers’ Kenny Sears at the mic with Sheryl Crow.
Brooks, Yearwood Make Surprise Opry Appearance
Grand Ole Opry members Garth Brooks and Trisha Yearwood made a surprise appearance before a sold-out crowd at the Grand Ole Opry on Friday (June 19). Introduced by fellow Opry member Vince Gill, Yearwood sang her debut No. 1 “She’s In Love With The Boy,” and then she and Brooks delivered a medley of classic country duets: Conway Twitty and Loretta Lynn (“After The Fire Is Gone”), Jim Ed Brown and Helen Cornelius (“I Don’t Want To Have To Marry You”), and George Jones and Tammy Wynette (“Golden Ring”).
Photo: Chris Hollo/ ©2015 Grand Ole Opry
Paisley Opens For Rolling Stones, Recruits Guest Carrie Underwood
Brad Paisley was the opening act for The Rolling Stones Zip Code Tour stop at LP Field in Nashville on June 17. Carrie Underwood joined Paisley on their No. 1 hit duet, “Remind Me,” and Joe Walsh of the Eagles played his classic “Life’s Been Good” and stayed on stage to play on Paisley’s “Alcohol.” Later, during the Rolling Stones show Paisley was the special guest on “Dead Flowers,” trading verses with Mick Jagger and guitar licks with Keith Richards and Ronnie Wood.
Brad Paisley and Carrie Underwood open for The Rolling Stones. Photo: Ben Enos
Van Haze Exits MCA, Joins Red Light
/by Sarah SkatesVan Haze
Van Haze exited his post as VP of Promotion for MCA Nashville last week and is joining the Nashville office of Red Light Management today (June 22).
With a career background in radio promotion, Haze will be transitioning to a management capacity at Red Light.
His replacement at MCA will be named this week.
Haze joined Universal Music Group six years ago.
Creative Nation Signs Lori McKenna for Publishing, Management
/by Eric T. ParkerPictured (L-R): Jeff Skaggs, Beth Laird, Lori McKenna, Luke Laird. Photo: Spencer Combs
Hit songwriter and critically acclaimed artist Lori McKenna has signed a publishing and management deal with independent company Creative Nation.
The Boston-native has writing credits on recent hits/cuts including “Girl Crush,” “Your Side of the Bed” and “Sober” (Little Big Town); “I Want Crazy” (Hunter Hayes) and “God Made Girls” (RaeLynn). McKenna has released eight lauded studio albums.
“I wanted to find a place where I could better balance my career as a songwriter and I’m so excited to start this new venture with Creative Nation,” says McKenna. “It’s a dream come true to be a part of such an amazing team with my friends.”
“The fact that we’ve had such incredible writers come to us and want to work with us and be here, that’s really blown my mind,” said Beth Laird, Creative Nation Co-Owner. “I want to always feel like a family, which can always get bigger as long as you’re just very careful to get different people on the team.”
Previously with Universal Music Publishing Group for the last six years, McKenna tells Billboard, “I’m a singer-songwriter at the end of the day, and when I started talking to Beth as a publisher, she really lit a fire under my artist ass. I’ve always wanted to be the best writer I could be, but now without putting the artist side on the backburner.”
McKenna joins Creative Nation’s roster of artists and songwriters: Luke Laird, Barry Dean, Natalie Hemby, Maggie Chapman, Native Run, Steve Moakler and recently signed Pulse/Creative Nation writer, Tyler Johnson.
Third Annual ASCAP Presents at CMA Music Festival
/by Kelsey_GradyPictured (L-R): Ashley Gorley, Jon Nite, ASCAP’s Beth Brinker, Jonathan Singleton, Rivers Rutherford and ASCAP’s Mike Sistad
Pictured (L-R): ASCAP Songwriters Rivers Rutherford, Jon Nite, Jonathan Singleton and Ashley Gorley at the HGTV Lodge
Photos: ASCAP’s Alison Toczylowski
ASCAP presented a bevy of hit songwriters and emerging songwriter-artists at the 2015 CMA Music Festival on Saturday, June 13 and Sunday, June 14. The third annual ASCAP Presents at the CMA Music Festival was held for the first time at the Chevrolet Roadhouse Stage on 4th Avenue and showcased more than two dozen acts, ranging from fresh-faced new talent to emerging songwriter-artists boasting publishing or record deals and recent tours with major label acts.
The lineup on Saturday included Vanessa Bransan, Jeston Cade, Josh Mirenda, Carlton Anderson, Hunter Phelps, CJ Solar, Kalisa Ewing, Jameson Rodgers, Joe Hall, Ryan Griffin andBrett Young.
Sunday’s showcase featured Brad Blackburn, Joshua Okeefe, Corey Kent White, Mitchell Lee, Jacob Davis, Steven Clawson, Hailey Whitters, Chris Cavanaugh, Lauren Jenkins, Patrick Thomas and David Ray.
The shows were hosted by ASCAP Nashville Vice President of Membership Michael Martin, Senior Creative Director Mike Sistad, Creative Director Robert Filhart and Creative Manager Beth Brinker.
On Sunday, June 14, ASCAP presented the second annual ASCAP Hit Songwriters Round at the HGTV Lodge in the CMA Music Festival’s “Fan Alley.” Mega-hit writers Ashley Gorley (“Don’t It,” “Tonight Looks Good On You,” “Kick the Dust Up”), Jon Nite (“Smoke,” “Beachin,” “We Were Us”), Jonathan Singleton (“A Guy Walks Into A Bar,” “Diamond Rings & Old Barstools,” “Let It Rain”) and Rivers Rutherford (“Southern Style,” “Real Good Man,” “These Are My People”) treated festival-goers to a taste of real Nashville with a traditional songwriters round. The show was hosted by Great American Country’s Suzanne Alexander.
Pictured (L-R): Fitzgerald Hartley’s Steve Emley, ASCAP’s Michael Martin, Joe Hall and ASCAP’s Robert Filhart
Pictured (L-R): ASCAP’s Robert Filhart, Combustion’s Chris Van Belkom, Combustion Atlas Music Publishing’s Jameson Rodgers and ASCAP’s Michael Martin
Sony Music Nashville artist Ryan Griffin
Pictured (L-R): ASCAP’s Robert Filhart, Big Machine Music songwriter-artist Lauren Jenkins, Big Machine Music’s Alex Heddle and ASCAP’s Mike Sistad
ASCAP’s Beth Brinker and Cornman Music/Warner Chappell Music’s songwriter-artist Josh Mirenda
Condolences To Fount Lynch And Family
/by Sarah SkatesTheir son John-Thomas L Lynch was laid to rest in Fosterville, Tenn. on Wednesday, June 17.
Also mourning the loss are big sisters Naomi and Cordi. The family is recovering at home.
Cards of condolence may be sent to Fount and Krystal Lynch c/o Sony Music Nashville, 1400 18th Ave. S., Nashville, TN 37212.
Josh Turner And Al Roker Fulfill A Father’s Musical Dream
/by Troy_StephensonDuring the show’s Father’s Day “Make Your Today,” Lusk met with Turner and NBC’s Al Roker at the famed studio to record his original song “Sally & Jack.” Lusk was joined by members of his family and friends for the occasion.
Lusk had early dreams of being a country singer, but as life took a different path and he became a single parent and an adoring father of two young boys, he put his family first and his musical aspirations aside.
Turner expresses, “It was such a special day for me to get to share this with Lewis. As a father myself, I respect the sacrifices parents make for their children. In this case, Lewis put his dreams on a shelf for the sake of his boys, and to have a hand in helping make that dream come true for him here is something I won’t forget.”
To watch the segment, click here.
L-R: Turner, Lusk, Roker
Benefit News: ACM Lifting Lives, Music City Tennis Invitational
/by Sarah SkatesACM Lifting Lives Music Camp
ACM Lifting Lives Music Camp is in session this week in Nashville, Tenn. with campers from around the country participating in a week of activities and excursions around Music City. The residential camp has the dual purpose of studying Williams syndrome while providing music enrichment through performance and education. Renowned songwriter/producer Ross Copperman and songwriter Heather Morgan lead campers in a songwriting session, creating “Wherever You Go,” an original song based on campers’ personal experiences and inspirations. The camp is a partnership between ACM Lifting Lives and Vanderbilt Kennedy Center for Excellence in Developmental Disabilities. Photos: Getty Images/Courtesy of ACM Lifting Lives
Campers pose with Ross Copperman and Heather Morgan at ACM Lifting Lives Music Camp.
Pictured (L-R): Hannah Martin, Manager, ACM Lifting Lives; Lorie Lytle, ACM Lifting Lives Board Member and Music Camp Founder; Beth Moore, Director of Community Development at Vanderbilt University; Heather Morgan; Ross Copperman; Melita Rippy, VUMC Entertainment Industry Relations; Elizabeth Dykens, Ph.D., Annette Schaffer Eskind Professor and Director of the Vanderbilt Kennedy Center; Lori Badgett, ACM Lifting Lives President.
Music City Tennis Invitational Benefits Center for Child Development at Vanderbilt
The 42nd Annual Music City Tennis Invitational presented by Jackson National Life Insurance Company, raised $84,650 for the Center for Child Development at Monroe Carell Jr. Children’s Hospital at Vanderbilt.
The MCTI 2015 committee makes donation to Center For Child Development at Vanderbilt.
Song Suffragettes Showcase Celebrates First Anniversary
/by Kelsey_GradySong Suffragettes anniversary show at The Listening Room Cafe. Pictured (L-R) Back Row: Alex Masters, Brit Willson, Morgan Dawson, Julia Cole, Maddy Newton, Mignon Grabois. Front Row: Kalie Shorr, Baylor Wilson, Natalie Stovall, Karli Chayne, Ruthie Collins, Ella Mae Bowen
Song Suffragettes celebrated its first anniversary Monday, June 15 with a sold out show that featured twelve of Nashville’s country female singer-songwriters along with special guests Ruthie Collins and Natalie Stovall. The Monday night show has become the largest weekly showcase at The Listening Room with regular sell-outs and standing-room-only audiences. It has featured over 80 young women to date.
“As the name suggests, Song Suffragettes is all about giving talented and deserving ladies the chance for their musical voices to be heard,” says Song Suffragettes founder and music executive Todd Cassetty. “It’s a positive environment in which new female artists can develop, connect and hone their craft.”
Special guest Deana Carter at Song Suffragettes Saturday performance at CMA Close Up stage at Fan Fair X. Pictured (L-R): Morgan Dawson, Kalie Shorr, Deana Carter, Julia Cole, Kristen Kelly, Maddie Larkin
In addition to Stovall and Collins, the Song Suffragettes first anniversary show featured Ella Mae Bowen, Karli Chayne, Julia Cole, Morgan Dawson, Hannah Ellis, Mignon Grabois, Alex Masters, Maddy Newton, Kalie Shorr, Emily Weisband, Baylor Wilson and Brit Willson in three separate performance rounds. During the night, Tracy Gershon, VP A&R Rounder Records, also spoke to the packed house about the state of females in country music today.
“I am so proud of this movement and the hard work these girls put into their careers day in and day out. The talent is unbelievable and I walk away from every show inspired,” says Helena Capps who books all Song Suffragettes shows.
Cassetty says, “In only a year, we’ve watched Song Suffragettes performers land publishing deals and record label meetings as the country music community has embraced what these young women are doing. Stay tuned for year two as we continue to #LetTheGirlsPlay.”
Special guest Jamie O’Neal at Song Suffragettes Sunday performance at CMA Close Up stage at Fan Fair X. Pictured (L-R): Mignon Grabois, Kalie Shorr, Jamie O’Neal, Karli Chayne, Brit Willson
The Song Suffragettes showcase is every Monday night at 6 pm at The Listening Room Cafe, and is broadcast live on Periscope starting at 6:30 p.m. CT. For more information, click here.