With more than six million views in six hours, Keith Urban and Nicole Kidman are charming the internet with their lip sync version of “The Fighter.”

In an adorable video uploaded Thursday (May 12), the spouses are situated in the front seat of a car, smiling and laughing their way through one of Urban’s new tunes.

“Oh my God, I love this song,” Kidman says in the clip.

“Good, thank goodness,” Urban replies, setting off a round of giggles from the couple, who will celebrate their 10th wedding anniversary on June 25.

“Fighter” is a track from Urban’s album Ripcord, which released on Friday (May 6). On the project Carrie Underwood takes the female vocals. In the video, Kidman lip syncs the female part to Underwood’s vocals.

Ripcord already boasts two No. 1 songs, “John Cougar, John Deere, John 3:16,” and “Break On Me,” in addition to his current radio single, “Wasted Time.”

See the video below:

Glenn Miller‘s classic “Chattanooga Choo Choo” marked its 75th anniversary with a party and parade in Chattanooga, Tennessee on May 7.

The celebration included a parade featuring a mass of local high school marching bands, a community sing-along, the dedication of the Glenn Miller Rose Garden, the premier of a documentary about the song featuring historian and MusicRow’s Robert K. Oermann, the presentation of artwork by the Tennessee Department of Tourist Development’s Director of Communications Cindy Dupree, an evening big-band concert by Sweet Georgia Sound, and day-long entertainment by bands, dancers and buskers.

A 75th Anniversary celebration of “Chattanooga Choo Choo.”

The song was introduced to the world 75 years ago, when Miller and his orchestra’s performance was featured in the 1941 movie Sun Valley Serenade. The song was released on RCA Victor’s Bluebird label.

By February 1942, “Chattanooga Choo Choo” sold 1.2 million copies. To commemorate the sales, RCA Victor executives painted a 78 rpm record gold, and presented it to Miller on a live radio show. Thus, “Chattanooga Choo Choo” received the first-ever gold record.

In 1996, the recording was inducted into the Grammy Hall of Fame.

In a new video, Oermann details American culture in the 1930s and 1940s that set the stage for the song’s influence.

See the video below:

ASCAP has reached a Settlement Agreement with the U.S. Department of Justice with no finding of antitrust violations by ASCAP.

The Settlement Agreement addresses concerns expressed by the Department of Justice with exclusivity provisions that were included in some historical agreements with ASCAP members. The exclusivity provisions were never enforced and have been removed from all agreements.

The Settlement Agreement also concludes a review of the composition of the ASCAP Board of Directors by the Department of Justice. The Agreement maintains the current ASCAP Board of Directors structure of 12 songwriter/composer members and 12 music publisher members elected by the membership, while ensuring that publisher board members do not participate in the approval of new licensing agreements. The current structure of the Board of Directors has been in place for 95 years.

This Settlement Agreement clears the way for ASCAP and the Department of Justice to continue their discussions in connection with updates to the Consent Decree requested by ASCAP in order to reflect today’s digital music marketplace.

“Settling this matter was the right thing to do for our members,” said ASCAP CEO Elizabeth Matthews. “With these issues resolved, we continue our focus on leading the way towards a more efficient, effective and transparent music licensing system and advocating for key reforms to the laws that govern music creator compensation.”

“We took immediate steps to resolve this matter and have strong controls in place moving forward,” said ASCAP President and Chairman Paul Williams. “This settlement enables ASCAP to focus on our mission of protecting the rights of music creators, who depend on us for their livelihoods, and to maintain our unique status as the only member-owned and governed performing rights organization in the U.S.”

The Settlement Agreement was approved by the ASCAP Board of Directors and is now subject to the approval of the ASCAP Federal Rate Court Judge.

Oh Boy Records has announced an exclusive music distribution partnership with Thirty Tigers.

As of Friday (May 13), Thirty Tigers will officially manage the worldwide distribution of Oh Boy’s physical and digital catalog, as well as upcoming projects. The independent label was founded in 1981 by songwriter John Prine and his manager Al Bunetta.

“We get to make the music we want to, in the way we always have, with support from a company that works with many other independent artists I admire,” Prine said.

Oh Boy Records and Thirty Tigers are both based in Nashville, which will make for a close working relationship.

Thirty Tigers founder David Macias said, “There are a few moments in this business that I will always remember, and I’ll put right at the top of the list when I found out that we were being bestowed the honor of fighting for the music of John Prine. The wit, the empathy, the songwriting perfection have been the North Star for so many artists, and his music has meant so much to me personally. I can’t wait to get started.”

Founded at a time when artist-run labels were extremely rare, Oh Boy Records has become one of the most respected independent labels in the business. In 2015, after the sudden passing of Bunetta, Prine became the sole owner and President of OBR.

John Prine

Now a family run company, John’s wife, Fiona Whelan Prine, is Managing Partner, and oldest son Jody Whelan is Director of Operations. Supporting Jody Whelan with day-to- day operations is Eileen Tilson, Director of Marketing.

Whelan said, “We’re very excited to start working with Thirty Tigers. Oh Boy Records is a label dedicated to songwriters and their craft, and Thirty Tigers will help support us in sharing our catalog with fans all over the world. And we’ve got some great new projects that we can’t wait to announce!”

As one of the longest-running independent and artist-owned labels in the country, Oh Boy Records has released recordings by singer-songwriters such as Prine, Kris Kristofferson, Donnie Fritts, Shawn Camp, Dan Reeder and Todd Snider, along with reissues of classic country music artists including Merle Haggard, Willie Nelson, Conway Twitty and more.

Thirty Tigers is a music marketing, management, distribution, and publishing company. Thirty Tigers Distribution has served as a label infrastructure for a vast client base including The Avett Brothers, Jason Isbell, Sturgill Simpson, Chase Rice, Lucinda Williams, Ryan Bingham, Patty Griffin, St. Paul and The Broken Bones, Trampled By Turtles, and many others in their 14 years of working with Sony/RED Distribution.