ACM Honors Announces Industry & Studio Award Winners, Ceremony To Be Held In August

The Academy of Country Music has announced the winners of the ACM Industry Awards and Studio Recording Awards for the 60th Academy of Country Music Awards.

All winners, alongside previously announced Artist-Songwriter of the Year winner Lainey Wilson and Songwriter of the Year winner Jessie Jo Dillon, as well as the Special Award recipients, will be celebrated at the 18th Academy of Country Music Honors on Aug. 20, at The Pinnacle in Nashville. A full list of performers will be announced at a later date.

Tickets will be available to ACM A-List email newsletter subscribers and Academy members through an exclusive pre-sale beginning July 10, before general on-sale begins on July 11, through AXS.

“We are thrilled to bring the Country Music industry’s favorite night, ACM Honors, to The Pinnacle, Nashville’s newest live music venue, next month,” said Damon Whiteside, CEO of the Academy of Country Music. “This is an exciting time for the Academy as we reimagine this special night through new partnerships and a new format that will elevate the show’s impact. We look forward to celebrating our Studio Recording and Industry Award winners, alongside our soon-to-be-announced Special Award Honorees, whose vital contributions make the music we love possible.”

Among the winners of the Industry Awards, first-time winners include The Caverns (Theater of the Year), The Theater at Virgins Hotels (Casino of the Year – Theater) and Aaron Spalding (Promoter of the Year). In addition, Ed Warm takes home his 19th ACM Industry Award, winning two ACM Awards for Club of the Year (Joe’s on Weed St.) and Festival of the Year (Windy City Smokeout).

Among the winners of the Studio Recording Awards, first-time winners include Drew Bollman (Audio Engineer of the Year), Alex Wright (Piano/Keyboards Player of the Year) and Craig Young (Bass Player of the Year). In addition, Dave Cobb wins his seventh ACM Award by winning Producer of the Year (third win in the category), while Brent Mason wins his twelfth Studio Recording Award and first win for Electric Guitar Player of the Year.

Complete List Of Award Winners:

Industry Award Winners:
Casino Of The Year – Theater: The Theater At Virgin Hotels – Las Vegas, Nv
Casino Of The Year – Arena: Harveys Lake Tahoe – Stateline, Nv
Festival Of The Year: Windy City Smokeout – Chicago, Il
Fair/Rodeo Of The Year: Houston Livestock Show And Rodeo – Houston, Tx
Club Of The Year: Joe’s On Weed St. – Chicago, Il
Theater Of The Year: The Caverns – Pelham, Tn
Outdoor Venue Of The Year: Banknh Pavilion – Gilford, Nh
Arena Of The Year: Moody Center – Austin, Tx
Don Romeo Talent Buyer Of The Year: Gil Cunningham – Neste Live
Promoter Of The Year: Aaron Spalding – Live Nation

Studio Recording Award Winners:
Bass Player Of The Year: (Tie) Mark Hill & Craig Young
Drummer Of The Year: Aaron Sterling
Acoustic Guitar Player Of The Year: Tim Galloway
Electric Guitar Player Of The Year: Brent Mason
Piano/Keyboards Player Of The Year: Alex Wright
Specialty Instrument(S) Player Of The Year: Jenee Fleenor
Audio Engineer Of The Year: Drew Bollman
Producer Of The Year: Dave Cobb

Chris LeDoux Days Wraps With ‘The Last Go Round’ After 15-Year Run

Ned LeDoux onstage with the LeDoux grandkids. Photo: Josh Wirth

Chris LeDoux Days, the annual event honoring and celebrating the life and legacy of the Hall of Fame rodeo champion and multi-Platinum-selling legend, just wrapped its “last go round” in LeDoux’s hometown of Kaycee, Wyoming on June 13-14 after 15 years.

This year’s Chris LeDoux Days welcomed over 5,500 fans to Kaycee (population 265) to honor the music and rodeo legend and local hometown’s favorite son. The performers for the final event were Sawyer Brown, Kip Attaway and for the 15th year, Chris’ son Ned LeDoux, who performed his music as well as classics from his dad’s catalog.

Chris LeDoux Days – “The Last Go Round.” Photo: Payton LeDoux

Created in 2010, the annual event celebrated the life and legacy of LeDoux and has hosted a variety of artists over the last 15 years including Cody Johnson, Aaron Watson, Corb Lund, Reckless Kelly, Micky & The Motorcars, The Great Divide, Kyle Park, Chancey Williams and more.

Chris LeDoux Days started as an idea Chris and wife Peggy LeDoux had to create a park with a small piece of land they owned in Kaycee. After LeDoux passed in 2005, Peggy and their kids, Clay, Ned, Will, Cindi and Beau, carried through on the idea of developing the Chris LeDoux Memorial Park for the community to enjoy. Artist and sculptor D. Michael Thomas created a life-size sculpture of Chris during his 1976 World Champion ride on Stormy Weather, and the family had the sculpture placed in the park.

On the day the “Good Ride Cowboy” sculpture was officially unveiled, the family booked bands to come play and had bareback and bronc riding—and thus, Chris LeDoux Days began. From that first event to this year’s “final round,” the LeDoux family have put on this event every year—an annual Father’s Day weekend tradition for 15 years.

Some of the LeDoux family at the final Chris LeDoux Days – “The Last Go Round.” Photo: Payton LeDoux

“We had ‘The Last Go Round’ of Chris LeDoux Days on June 14,” says Peggy. “We’ve had a great run! Starting with the unveiling in 2010 and ending with 15 years. It’s kind of bittersweet to end this event. We’ve met so many good fans that have kept this event going and it’ll be sad not to see them and meet the new ones.” She continues, “Thanks for putting Chris in your memories. Like our daughter Cindi said, Chris ‘wasn’t one to be doted over’ but I think he would be proud and I can just hear him saying, ‘OK Peg go ahead with it.’ If you’ve heard about the Hawk, well he’s here a lot and was flying over the house that week. So I guess he was ok with it. Thanks so much to everyone, and God Bless.”

“Mom sure knows how to throw a party,” says Ned. “What this grew into over the years was amazing. From the size of the crowds to the bands who performed. It’s always been about family and a family run event. It’s a celebration of life for Dad. All the things he accomplished and achieved in only 56 years would take most people maybe three lifetimes. And I’m sure he’d be blushing about the whole deal. But I’d like to think he’s got a big ol’ grin on his face about it all. It’s been a heck of a run. Who knows, maybe we’ll come up with something else later down the road. But for now, we’ll just reflect on the past 15 years of Chris LeDoux Days.”

Jon Sherwood Inks With UMPG Nashville

Jon Sherwood and Sam Nasr (UMPG Nashville). Photo: Courtesy of UMPG Nashville

Songwriter Jon Sherwood has signed an exclusive, global publishing agreement with Universal Music Publishing Group Nashville.

A native of Palmdale, California, Sherwood’s love of music took root as a kid listening to Tom Petty songs with his dad and has developed into a burgeoning songwriting career. He recently celebrated a top 10 single with Jackson Dean’s “Fearless,” and also penned the current top 10 single “Backup Plan” by Bailey Zimmerman featuring Luke Combs.

“Jon has such a distinctive songwriting voice, and I knew it was something I wanted to be a part of the first time he played me a song,” says Sam Nasr, Manager, A&R, UMPG Nashville. “His talent, passion, and creative energy are undeniable. We’re honored to be part of this upcoming chapter!”

“I’m ready to make some magic and break the mold with UMPG,” adds Sherwood. “They are a powerhouse publisher and this next chapter for us is nothing but blue-sky territory.”

EMG & HAYLO Sign Seth Alley To Joint Publishing Deal

Pictured (L-R): EMG’s Courtney Kruckeberg, HAYLO’s Josh Saxe, Seth Alley, HAYLO’s Tyler Hubbard and EMG’s Michael Martin

Endurance Music Group (EMG) and Tyler Hubbard’s HAYLO Music have jointly signed acclaimed songwriter and producer Seth Alley to a worldwide co-publishing agreement.

Alley’s songwriting catalog includes notable cuts with artists such as Nate Smith, Matt Stell and Lanco. His production and writing credits highlight his diverse range and feature work with Drew Green (RECORDS), Something Out West (Big Machine), David J (Sony/Ryan Tedder), New Medicine, David Morris, SVRCINA, Troy Cartwright and Skeez (Empire).

“Seth brings an invaluable blend of songwriting talent and innovative production skills to the EMG team,” says Michael Martin, President/Chief Creative Officer, Endurance Music Group. “It’s clear that Tyler and Josh have a love for songwriters that equals our own, and we’re thrilled to partner with HAYLO to support Seth’s continued growth and success.”

“Our partnership with Seth and Endurance is a continuation of the success we started together back in 2021. Seth’s unmatched production talent and authentic approach to songwriting are a breath of fresh air. He’s a true original,” says Josh Saxe, General Manager, HAYLO Music.

Alley adds, “Combining HAYLO with my great team at Endurance is a strong next step. I’m excited for the future!”

Hailing from Sparta, Tennessee, Alley initially launched his career as an artist, signing a record deal with Big Machine in 2013, which helped him become the sought-after producer he is today.

Beyond traditional releases, Alley has also had success in the sync licensing world, co-writing with industry heavyweights such as Rayelle, Sam Tinnesz, Tina Parol, Matt Bronleewe and Que Parks. His work has been featured in several popular television series, including Selling Sunset, Love Is Blind, School Spirits and more.

Charlie Handsome Stays On Top Of MusicRow Top Songwriter Chart

Charlie Handsome.

Charlie Handsome remains atop the MusicRow Top Songwriter Chart for the sixth consecutive week. His current cuts include “Don’t We,” “Eyes Are Closed,” “Falling Apart,” “Genesis,” “I Ain’t Comin’ Back,” “I Got Better,” “I’m The Problem,” “Just In Case,” “Kick Myself,” “Kiss Her In Front Of You,” “Love Somebody,” “Miami,” “Missing,” “Smile,” “Superman,” “TN,” “What I Want” and “Where’d That Girl Go.”

Morgan Wallen stays at No. 2 with “Don’t We,” “Eyes Are Closed,” “Falling Apart,” “Genesis,” “I Ain’t Comin’ Back,” “I Got Better,” “I’m The Problem,” “Just In Case,” “Kick Myself,” “Love Somebody,” “Miami,” “Missing,” “Smile,” “Superman,” “TN,” “What I Want” and “Where’d That Girl Go.”

Riley Green remains at No. 3 with his solo-penned “Worst Way.”

John Byron (No. 4) and Blake Pendergrass (No. 5) finish out this week’s top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Austin Snell Drops New Track, Announces ‘Home Sweet Hell Fall Tour’

Austin Snell. Photo: Peyton Dollar

Austin Snell has released his new single “Drunk” via River House Artists/Warner Music Nashville.

Co-written by Snell alongside Andrew Baylis, Cody Lohden and Driver Williams, the summer-ready song is an ode to letting loose and surrendering to wherever the night takes you.

“This song is fun and lighthearted! We had a blast writing it and reminiscing about all the times we got drunk on accident,” says Snell. “I hope everyone sees my personality a little more through this song and enjoys it as much as I do.”

“Drunk” follows previously released tracks including the infectious “Miles,” the high-octane “I Mean It” and the gritty “Heavy Metal.” Snell was also recently joined by Brantley Gilbert for a remix of “Muddy Water Rockstar,” with the collaboration dropping in the midst of Austin opening on Gilbert’s “The Tattoos Tour.”

Snell recently announced his “Home Sweet Hell Tour” for fall which kicks off Sept. 18 in Columbia, MO, before making stops in Atlanta, Philadelphia and more.

Austin Snell Tour Dates:
July 11 – West Salem, WI @ Country Boom Festival
July 12 – Chicago, IL @ Windy City Smokeout – United Center
July 17 – Kansas City, MO @ KC Live!
July 19 – Paris, IL @ Edgar County Fair +
July 23 – Harrington, DE @ Delaware State Fair #
July 25 – Springfield, MO @ Ozark Empire Fairgrounds =
August 8 – Ontario, CA @ Boots and Hearts Music Festival – Burl’s Creek Event Grounds
September 11-14 – Louisville, KY @ Bourbon & Beyond – Kentucky Exposition Center
September 18 – Columbia, MO @ Rose Music Hall
September 19 – Madison, WI @ High Noon Saloon
September 20 – Minneapolis, MN @ Fine Line
September 25 – Omaha, NE @ Waiting Room Lounge
September 26 – Des Moines, IA @ Wooly’s
September 27 – Grand Rapids, MI @ The Intersection
October 2 – Anderson, SC @ Wendell’s
October 3 – Savannah, GA @ Victory North Savannah
October 4 – Sanford, FL @ Tuffy’s Music Box
October 9 – Charlotte, NC @ Amos’ Southend
October 10 – Atlanta, GA @ Terminal West
October 11 – Chattanooga, TN @ The Barrelhouse Ballroom
November 6 – Cleveland, OH @ Beachland Ballroom & Tavern
November 7 – Warrendale, PA @ Jergels Rhythm Grille
November 8 – Philadelphia, PA @ The Fillmore Philadelphia
February 26, 2026 – Pensacola, FL @ Pensacola Bay Center *
February 27, 2026 – Jacksonville, FL @ VyStar Veterans Memorial Arena *
February 28, 2026 – Tallahassee, FL @ Donald L. Tucker Civic Center *

+ with Mitchell Tenpenny
# with Gavin Adcock
= with Shaylen, Restless Road
* supporting Brantley Gilbert

BMLG Partners With Joel Klaiman To Launch Ascend Music

Pictured (L-R): Scott Borchetta (Founder, Chairman & CEO, Big Machine Label Group); Joel Klaiman (Founder & CEO, ASCEND4M). Photo: Nick Rau for Ascend Music

Big Machine Label Group (BMLG) has partnered with Joel Klaiman to launch its newest imprint, Ascend Music. The new label will specialize in breaking and amplifying cross-genre talent, with its first signing slated to be announced later this week.

Scott Borchetta, Founder, Chairman and CEO of BMLG, and Klaiman initially teamed up in 2008 to promote Taylor Swift’s “Love Story.” As then-EVP/Promotion & Artist Development at Republic Records, Klaiman collaborated with Borchetta on Swift’s breakthrough albums, Fearless, Speak Now and Red.

“Joel’s energy, vision and passion are contagious, and he never leaves any stone unturned when he’s working with an artist,” shares Borchetta. “He’s bringing great artists to the partnership, and we will be wasting no time in getting out some game-changing music.”

“After witnessing first-hand Scott’s entrepreneurial vision and his deep commitment to fostering an artist-first, development-driven culture, it’s a dream come true to collaborate with him and the BMLG team again,” adds Klaiman. “This new venture will fuel the growth of our artists and expand Ascend Music’s global repertoire – aligned with both our companies’ shared vision and a strategy that unlocks exciting opportunities for all involved.”

Weekly Register: Morgan Wallen Holds The Lead On Streaming Charts

Morgan Wallen. Photo: Spidey Smith

Morgan Wallen continues to hold the lead on both the albums and singles charts this week, according to Luminate data. His recently-released I’m The Problem album remains at No. 1 with 173K in total consumption (7.5K in album only and 208 million in song streams). His duet with Tate McRae, “What I Want,” tops the songs chart with 20 million streams this week, adding to its 157 million total.

On the albums chart, Wallen also holds the No. 2 and No. 3 spots with One Thing At A Time garnering 40K in total consumption and Dangerous: The Double Album earning 30K in total consumption. Shaboozey holds the No. 4 spot with Where I’ve Been, Isn’t Where I’m Going reaching 28K in total consumption. Rounding out this week’s chart is Post Malone’s F-1 Trillion with 21K in total consumption.

Over on the songs chart, Wallen holds the top three spots. “Just In Case” comes in at No. 2 with 15 million streams this week. “I’m The Problem” follows with 14 million streams. Taking No. 4 is Shaboozey’s “A Bar Song (Tipsy)” with 11 million streams this week. Making its way back onto the chart is BigXthaPlug and Bailey Zimmerman with 11 million streams on “All The Way.”

George Wozniak Named CEO Of Nashville-Based Ryan Aviation Group

George Wozniak

George Wozniak has been named CEO of the Nashville-based Ryan Aviation Group.

Wozniak joined the team of the private luxury aviation travel company in 2020, and oversees key aspects of private charter operations and business growth, most recently serving as Vice President.

“Promoting George to CEO is such a fulfilling moment in my career and the growth of this company,” says Dan Ryan, owner of Ryan Aviation Group. “Back in 2020, I bet on a guy with zero aviation experience, who packed up his life and came to Nashville to chase something bigger with us. Since then, we’ve grown exponentially — not just because he’s an incredible operator, but because he’s an even better human. George leads with kindness, remembers every name and every story — from pilots to their families — and outworks everyone in the room.

“It was always kind of the plan to have him take the helm, just not this fast,” he continues.”He earned it two years ahead of schedule. This isn’t just a promotion — it’s a continuation of the vision we built together. I couldn’t be more confident in where he’ll take us next.”

“I’m incredibly grateful for the opportunities Ryan Aviation Group has given me and my family over the past five years,” says Wozniak. “That journey continues as I step into this new role, leading our exceptional team in delivering world-class service to our valued clients in close collaboration with our trusted partners, all of whom I’m proud to call friends. I’m deeply appreciative of this moment and energized by a future full of possibility that remains limitless.”

Founded in 2017, Ryan Aviation Group provides specialist private travel services as a global jet company serving its broad roster of clients across multiple industries.

Voting Season Begins: CMA Spotlights Member Input In Awards Process [Interview]

Sarah Trahern, Tiffany Kerns

Voting for the 59th annual CMA Awards officially opens today (July 7) with the start of the Nomination Ballot. The first of three rounds, this ballot allows CMA Professional Voting Members to write in any artist or project they believe deserves recognition.

CMA leadership is encouraging members to participate early, especially in this critical first phase.

“This is a democratic process that reflects the industry itself—and with that comes responsibility,” says CMA CEO Sarah Trahern. “Being honored by your peers is at the heart of what makes the CMA Awards special.”

All eligible write-in votes count, as long as they fit the criteria for their category. The Nomination Ballot remains open through Wednesday, July 16. After that, the top 20 vote-getters in each category (and the top 15 for Entertainer of the Year) will appear on the Second Ballot, which opens Aug. 5. The Final Ballot—sent Oct. 1—will determine the winners.

This year, CMA is also introducing a change to the Song of the Year category. For the Nomination and Second Ballots, only members in the Composer, Artist, Musician, Producer/Engineer/Studio, and Publisher/PRO categories are eligible to vote. All voting members will still be eligible to vote in the Final Ballot.

Trahern says the goal is to bring more clarity to the difference between Song and Single of the Year. “We wanted to clarify that distinction for voters,” she explains. “By limiting early-round voting to those closest to the song creation process, we’re giving those with specific expertise the opportunity to weigh in on the artistic value of a song.”

She adds that Single of the Year focuses more on commercial success and consumption, noting that CMA’s addition of a dropdown menu in that category has helped remind voters of eligible releases during the July-to-June eligibility window.

The CMA has placed a strong focus this year on education and outreach to ensure members understand the process and feel empowered to participate. Tiffany Kerns, CMA’s Senior Vice President, Industry Relations & Philanthropy, and her team conducted member outreach at CMA Fest and other key industry events leading up to the voting cutoff in early June.

“Voting is one of the greatest benefits our members have,” says Kerns. “It’s not our awards—it’s yours. Every change you see is because we’re listening to our members.”

One common barrier to participation, she says, is the assumption that certain industry professionals aren’t eligible or that their vote doesn’t matter. “We don’t want to assume people know they’re welcome—we want to clearly say it: we want you to be involved.”

According to Trahern, some CMA Awards have been decided by fewer than 20 or 30 votes. “One vote can make history,” she says. “We want to remind every member: your vote counts.”

As the industry evolves, so does CMA’s approach to membership. Trahern notes that CMA’s internal teams and board-led committees are actively reviewing how to ensure current and future members—regardless of geography or job function—have a path to participation.

“It shouldn’t be the case that someone actively working in the industry doesn’t have a way to vote,” she says. “I’ve been really proud of the work the team has done over the past few years to broaden the tent.”

Kerns adds that CMA continues to engage new sectors and expand participation. “Yes, it’s on TV and matters to fans, but we want the industry to be proud of it and feel like they were part of honoring someone through this process.”

The 59th annual CMA Awards will take place Nov. 19 at Nashville’s Bridgestone Arena and will air live on ABC at 7 p.m. CT.